Bhoganandiswara Temple and Arunachaleswara Temple are a twin Hindu temples complex located in Nandi village in
Chikkaballapur
Chikkaballapur is the district headquarters of the newly created Chikkaballapur district in the state of Karnataka, India, which is carved out from Kolar district. It is located within 3 km of Muddenahalli (the birthplace of eminent engine ...
district of
Karnataka
Karnataka (; ISO: , , also known as Karunāḍu) is a state in the southwestern region of India. It was formed on 1 November 1956, with the passage of the States Reorganisation Act. Originally known as Mysore State , it was renamed ''Karnat ...
, India. Ornate, beautifully carved and dedicated to
Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
, they have been variously dated between the 9th- to 10th-century CE.
The Bhoganandiswara is the northern temple of the twin. It is the oldest surviving temple in Nolambavadi-style of Dravidian architecture in Karnataka. The Arunachaleswara temple was added to its south shortly thereafter. The complex underwent restorations and additions through the Vijayanagara Empire period. The temples are notable for its large and intricately carved sabha-mandapa, the inscriptions, and artwork, much of it to Shaivism, but also significantly for Vaishnavism (Narasimha, Vishnu), Shaktism (Durga, Lakshmi) and Vedic deities (Surya, Agni).
[
The temple is protected and managed as a monument of national importance by the Archaeological Survey of India.]
Location
Nandi village is located at the base of Nandi Hills (or Nandidurga). It is southwest from Chikkaballapur town, and about northeast from Bengaluru city, the capital of Karnataka.
History
The history of the eastern regions of south Karnataka traces to ancient times. They developed under the reign of the Rashtrakuta and Ganga dynasties. By the 8th-century, the Hindu Nolambas – also known as Nolamba-Pallavas – were governing this region for the Rashtrakuta and Ganga dynasties. The reign of Mahendra I (860–895 CE) brought renewed powers and economic prosperity after he defeated the Banas. After the death of Mahendra I, his mother Devalabbarasi came to power assisted by her second son Iriva-Nolamba. She was great patron of arts, used the epithet Nolamba for her sons, and she built the Nolamba-Narayanesvara temple. The style that emerged from these period (850–1000 CE) reflects a synthesis of regional Hindu arts, and is now called the Nolambavadi style.
Early 9th-century inscriptions found near Nandi village refer to a temple for Shiva. However, these inscriptions do not mention this temple complex. According to the Archaeological Survey of India
The Archaeological Survey of India (ASI) is an Indian government agency that is responsible for archaeological research and the conservation and preservation of cultural historical monuments in the country. It was founded in 1861 by Alexand ...
, these inscriptions can be attributed to the Nolamba dynasty The Nolamba dynasty the area they held sway over is referred to as ''Nolambasa-37'' of Henjeru (Hemavathi), ''Nolambalige'' (''Nolambavadi''-32000), etc. R. Narasimhacharya states that the Nolambas were a native Kannada dynasty.
Officers and kings ...
ruler Nolambadiraja and the Rashtrakuta emperor Govinda III
Govinda III (reign 793–814 CE) was a famous Rashtrakuta ruler who succeeded his illustrious father Dhruva Dharavarsha. He was militarily the most successful emperor of the dynasty with successful conquests-from Kanyakumari in the south to Kan ...
, and they date from c. 806 and 810 CE. Copper plate inscriptions found about 10 kilometers away near Chikkaballapur refer to the wife of Bana Vidhyadhara making a gift to the temple. These are indirect references, as they do not specifically mention either of the two large twin temples. Based on architecture and iconography, the Bhoganandiswara and the Arunachaleswara temples are dated to no later than the 10th-century and no earlier than the 9th-century.[
The temple was later under the patronage of successive notable South Indian dynasties, and they have all contributed to the form that has survived into the modern era: the Ganga Dynasty, the Hoysala Empire and the ]Vijayanagara Empire
The Vijayanagara Empire, also called the Karnata Kingdom, was a Hindu empire based in the region of South India, which consisted the modern states of Karnataka, Andhra Pradesh, Tamil Nadu, Kerala, Goa and some parts of Telangana and Mahar ...
.
Structure
The temple complex has two large shrines: the Bhoganandiswara and the Arunachaleswara temples. They have very similar architecture, but not exactly the same. The "Arunachaleswara" shrine to the south of the two is newer and has a slightly more complex artwork. Both share a large courtyard and open sabha-mandapa. Each has a navaranga, an antarala, a sukanasi, a garbhagriya and a Dravida-style vimana.[ The vestibule and hall are provided with perforated stone screens called '']Jali
A ''jali'' or jaali (''jālī'', meaning "net") is the term for a perforated stone or latticed screen, usually with an ornamental pattern constructed through the use of calligraphy, geometry or natural patterns. This form of architectural d ...
''. Each shrine has a ''nandi mantapa'' in front (hall with the sculptured image of Nandi the bull) facing the sanctum.
In between the twin temples is a small intervening shrine called with "Uma-Maheshwara" shrine with a ''kalyana mantapa'' ("marriage alter") supported by ornate pillars in black stone with reliefs depicting of the Hindu gods Shiva
Shiva (; sa, शिव, lit=The Auspicious One, Śiva ), also known as Mahadeva (; ɐɦaːd̪eːʋɐ, or Hara, is one of the principal deities of Hinduism. He is the Supreme Being in Shaivism, one of the major traditions within Hindu ...
and his consort Parvati
Parvati ( sa, पार्वती, ), Uma ( sa, उमा, ) or Gauri ( sa, गौरी, ) is the Hindu goddess of power, energy, nourishment, harmony, love, beauty, devotion, and motherhood. She is a physical representation of Mahadevi i ...
, Brahma
Brahma ( sa, ब्रह्मा, Brahmā) is a Hindu god, referred to as "the Creator" within the Trimurti, the trinity of supreme divinity that includes Vishnu, and Shiva.Jan Gonda (1969)The Hindu Trinity Anthropos, Bd 63/64, H 1/2, pp. 21 ...
and Saraswathi
Saraswati ( sa, सरस्वती, ) is the Hindu goddess of knowledge, music, art, speech, wisdom, and learning. She is one of the Tridevi, along with the goddesses Lakshmi and Parvati.
The earliest known mention of Saraswati as a god ...
, Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism.
Vishnu is known as "The Preserver" withi ...
and Lakshmi
Lakshmi (; , sometimes spelled Laxmi, ), also known as Shri (, ), is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with ''Maya'' ("Illusion"). Alo ...
, the Vedic god of fire Agni
Agni (English: , sa, अग्नि, translit=Agni) is a Sanskrit word meaning fire and connotes the Vedic fire deity of Hinduism. He is also the guardian deity of the southeast direction and is typically found in southeast corners of Hindu ...
and Swaha Devi. In front is a meticulously carved black stone kalyana-mandapa with decorative creepers and birds, one that "excels beyond those found in later era Hoysala temples", according to ASI.[
According to the art historian George Michell, the temple is a typical 9th-10th century Nolamba construction with ]pilaster
In classical architecture, a pilaster is an architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wal ...
s on the outer walls of the shrines, perforated decorative stone windows which contain figures, of a dancing Shiva (south wall of the Arunachaleshwara shrine) and Durga
Durga ( sa, दुर्गा, ) is a major Hindu goddess, worshipped as a principal aspect of the mother goddess Mahadevi. She is associated with protection, strength, motherhood, destruction, and wars.
Durga's legend centres around c ...
standing on a buffalo head (north wall of Bhoga Nandeshwara shrine). Pyramidal and tiered towers (''shikhara
''Shikhara'' ( IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chambe ...
'') rise from the two major shrines. Each major shrine has a large ''linga
A lingam ( sa, लिङ्ग , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is typically the primary ''murti'' or devotional ...
'' in the sanctum (the universal symbol of the god Shiva) with a sculpture of Nandi (the bull) in a pavilion facing the shrine. According to Michell, during the 16th century Vijayanagara period, a pavilion with elegant pillars was added in between the two major shrines. The pillars crafted out of grey-green granite have relief sculptures of attendant maidens. Michell feels the minor "Uma-Maheshwara" shrine was added in between the two major shrines (behind the pavilion) during the post Vijayanagara rule of the Gowdas of the Yelahanka
Yelahanka is now a suburb of Bangalore in the state of Karnataka and one of the zones of BBMP. It is the oldest part of present Municipal Bengaluru (Bangalore) city and is in the north of the city. It is Nadaprabhu Kempegowda I, of the Yelaha ...
dynasty. The minor shrine has a procession of deities and sages in wall relief. The wall that links the two major shrines was cleverly constructed so as to be in-distinguishable from the two original shrines. A spacious pillared hall was also added in front of the two major shrines.[Michell, George (2013), ''Southern India: A Guide to Monuments Sites & Museums'', Chapter: Karnataka, Section: Bengaluru, Sub-section: Nandi, Roli Books Private Limited, ]
;Other monuments in the complex
The outer bounding wall (''prakara
A prakaram (प्राकारः in Sanskrit), also spelled pragaram or pragaaram) in Indian architecture is an outer part around the Hindu temple sanctum. They may be enclosed or open and are typically enclosed for the innermost prakaram. A ...
'') of the complex has two smaller goddess shrines of the Shakti tradition. To the north of the shrines is a second compound with a ''navaranga mantapa'' (pavilion) with '' Yali'' pillars. Beyond this compound is a large stepped temple tank ('' kalyani'' or ''pushkarni''), locally called "Sringeri Teertha" (the mythical source of the Pinakini river) where lamps are lit on certain festive days.
;Popularity
The "Uma-Maheshwara" shrine has reliefs depicting Shiva's marriage to the goddess Parvati. Hence this shrine is popular with newly weds who come to seek blessing.
Gallery
File:Bhoga Nandeeshwara Temple - South Side View.jpg, Bhoga Nandeeshwara Temple - South Side View
File:Nandi_temple.png, Entrance as seen in 1834
File:A mantapa (hall) in Bhoganandishvara group of temples at Chikkaballapur district.JPG, View of the large ''Maha mantapa'' (main hall), a Vijayanagara empire
The Vijayanagara Empire, also called the Karnata Kingdom, was a Hindu empire based in the region of South India, which consisted the modern states of Karnataka, Andhra Pradesh, Tamil Nadu, Kerala, Goa and some parts of Telangana and Mahar ...
era construction at the Bhoga Nandeeshvara temple complex
File:Parvati Temple.jpg, Parvati shrine in the temple complex
File:Kalyani-a Vijayanagara era contribution to the Bhoga Nandeeshwara temple complex.JPG, ''Kalyani'' (temple tank), added during the Vijayanagara era
File:Window art and wall relief at Bhoganandishvara group of temples, Chikkaballapur district.JPG, Window art and relief work at the Bhoganandeeshvara temple complex
File:Yali pillars2 at Bhoganandishvara group of temples, Chikkaballapur district (1).jpg, '' Yali'' pillars in the ''vasantha mantapa'', a Vijayanagara era addition at Bhoga Nandeeshvara temple complex
File:Vasantha mantapa--a Vijayanagara era contribution to the Bhoga Nandeeshwara temple complex.JPG, ''Vasantha mantapa'' ("marriage alter") is a Vijayanagara era contribution to the Bhoga Nandeeshwara temple complex
File:Pillar relief art in Bhoganandishvara group of temples at Chikkaballapur district.jpg, Ornate pillar in the large open ''mantapa'' is a Vijayanagara era addition to the Bhoga Nandeeshvara temple complex
File:Ornate pillar in soap stone-a 13th century Hoysala contribution to the Bhoga Nandeeshwara temple complex 1.JPG, Ornate pillar of the ''vasanta mantapa'', made of soap stone, is a Hoysala era contribution
File:Ornate pillar in soap stone-a 13th century Hoysala contribution to the Bhoga Nandeeshwara temple complex.JPG, Ornate pillar of the ''vasanta mantapa'', made of soap stone, is a Hoysala era contribution
File:Open mantapa facing a minor shrine in the Bhoga Nandeeshwara temple complex.JPG, Open mantapa facing a minor shrine at the rear in the Bhoga Nandeeshwara temple complex
File:Entrance to minor shrine in the Bhoga Nandeeshwara temple complex.JPG, Entrance to minor shrine at the rear in the Bhoga Nandeeshwara temple complex
File:Ornate Pillar Carvings of Vasanta Mantapa - Bhoga Nadeeshwara Temple 03.jpg, Ornate Pillar carvings of the Vasantha Mantapa
File:Carvings of Uma Maheshswara Shrine - Bhoga Nadeeshwara Temple.jpg, Ornate Carvings on the Uma-Maheshswara Shrine
File:Ornated Pillar of the Vasanta Mantapa.jpg, Ornated pillar of Vasanta Mantap
File:Outside carved wall of the Arunachaleshswara Shrine - Bhoga Nandeeshwara Temple.jpg, Window carving on outerwall of the Arunachaleshswara shrine in the Bhoga Nandeeshvara temple complex
File:Bhoga Nandeeshwara Temple - Panoramic view.jpg, Panoramic view of Bhoga Nandeeshwara Temple premises
References
{{Reflist
Shiva temples in Karnataka
Hindu temples in Chikkaballapur district