Arthur Francis Collins
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Arthur Francis Collins (February 7, 1864 – August 2, 1933) was an American
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...
who was one of the most prolific and beloved of pioneer recording artists, regarded in his day as "King of the Ragtime Singers".


Biography

He was born in Philadelphia, Pennsylvania and moved with his family to Barnegat, New Jersey around 1879 and as a teenager worked as a volunteer
Lifeguard A lifeguard is a rescuer who supervises the safety and rescue of swimmers, surfers, and other water sports participants such as in a swimming pool, water park, beach, spa, river and lake. Lifeguards are trained in swimming and CPR/ AED first a ...
on the Jersey shore, beginning an enthusiasm for sailing that became a lifelong pursuit. However, his fine
baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the r ...
voice – heard in church and in local concert appearances – convinced Collins' family to send him back to Philadelphia for formal training. After concluding his studies, Collins spent some 15 years touring with various stock companies and appearing in summer opera in St. Louis. None of these ventures turned out any long term prospects for Collins, and when he married actress and singer Anna Leah Connelly in 1895, Collins swore off show business and decided to study for a career in
bookkeeping Bookkeeping is the recording of financial transactions, and is part of the process of accounting in business and other organizations. It involves preparing source documents for all transactions, operations, and other events of a business. Tr ...
. Taking occasional roles for extra money, Collins appeared in a production given by the DeWolf Hopper Opera Company in 1898, and talent scouts for Edison Records requested Collins audition which, according to his wife, took place on May 16, 1898. Within a few years, Collins proved one of the most productive and successful singers in the record business, and in his long career between 1898 and 1926, he worked for every record company active in the United States. He specialized in what were then called coon songs; popular African-American dialect numbers associated with vaudeville and minstrel shows. Collins also utilized an array of vocal effects and caricature voices which gave the impression that there were multiple persons at the horn on his recordings, though it was just Collins. Towards making that end of it more effective, Collins began to work in a duo format with tenor
Joe Natus Joseph Natus (March 1, 1860 – April 21, 1917) was an American minstrel performer and recording artist who was prominent during the early 20th century. He was a tenor. He was born in Detroit, Michigan. He partnered with Arthur Collins in 190 ...
in 1901 and both sang in an Edison group called the Big Four Quartet. It is assumed that Collins first came into contact with tenor
Byron G. Harlan Byron George Harlan (August 29, 1861 – September 11, 1936) was an American singer from Kansas, a comic minstrel singer and balladeer who often recorded with Arthur Collins. The two together were often billed as "Collins & Harlan". Solo reco ...
within the context of the Big Four Quartet, and from then until the end of Collins' career in the early 1920s, Harlan was Collins's duet partner. Collins & Harlan were probably the most famous and popular male duo on early records. In 1909, Collins joined John H. Meyer, Henry Burr, and Albert Campbell in the Peerless Quartet, a successful barbershop music group which toured as the Record Makers, and later as the Eight Popular Victor Artists. However, by 1917, bass Frank Croxton began to replace Collins on some records, a situation that became permanent by mid-1919 as Collins did not get along with Burr, who also served as the group's manager. During a personal appearance at the Princess Theater in Medina, Ohio on October 20, 1921, Collins was badly injured when he fell through an open trap door. While he recovered well enough to resume his singing and recording career, his health began to decline afterward and, in 1926, Collins retired, relocating to Florida with his wife. He died at the age of 69 in Tice, Florida on August 3, 1933.


Recordings and legacy

Arthur Collins recorded hundreds of songs, and in many cases he recorded the same song multiple times for various recording outfits. His signature song was ''
The Preacher and the Bear ''The Preacher and the Bear'' is an American popular song, originally a "coon song". The lyrics recount the story of a church pastor who appeals to God after being treed by a grizzly bear while out hunting on the Sabbath. He falls out of the tree a ...
'', which he first recorded in 1905. His rendition, widely dispersed among a variety of releases, constitutes the most popular non-operatic record made during the first decade of the twentieth century. Collins was still recording the number in 1922, and a 1908 remake of the piece for
Victor The name Victor or Viktor may refer to: * Victor (name), including a list of people with the given name, mononym, or surname Arts and entertainment Film * ''Victor'' (1951 film), a French drama film * ''Victor'' (1993 film), a French shor ...
remained in their catalog until 1941; at his personal appearances "The Preacher and the Bear" was invariably requested. His recording sold over one million copies, and was awarded a gold disc, only the second one ever presented. Collins lived up to his reputation as the "King of Ragtime Singers" and recorded more ragtime songs than any other singer during the era when ragtime was at its peak of popularity. Collins recorded some of Bert Williams's songs before Williams did, and even recorded some numbers associated with Williams that the latter never waxed. Collins and Harlan also made best-selling records of tunes such as " Waiting for the Robert E. Lee", " Alexander's Ragtime Band", "Lily of the Valley", and "
The Old Grey Mare "The Old Gray Mare" is an American folk song, more recently regarded as a children's song. History Some authors have said that the song originated based upon the performance of the horse Lady Suffolk, the first horse recorded as trotting a mile i ...
". Collins survived into the early years of the Jazz Age, and he and Harlan recorded the earliest record known to mention jazz, "That Funny Jas Band from Dixieland" (Victor 18235, recorded January 12, 1917). Collins' solo recordings as well as Collins and Harlan recordings are viewed as desirable by collectors, particularly the very early ones, and such enthusiasm about their output dates back to at least the 1940s. Given the age of these recordings and their highly specialized frame of interest, few of them were reissued in the LP era; Collins has fared better in the digital age, but still lacks a single disc anthology of his characteristic recorded work.


Selected discography


1890s

1898 *"Happy Days in Dixie" *"Zizzy ze zum zum" 1899 *" All Coons Look Alike to Me" (Edison 7317) *"When You Ain't Got No More Money" † *"
Hello! Ma Baby "Hello! Ma Baby" is a Tin Pan Alley song written in 1899 by the songwriting team of Joseph E. Howard and Ida Emerson, known as "Howard and Emerson". Its subject is a man who has a girlfriend he knows only through the telephone. At the time, tele ...
"† *"I'd Leave My Happy Home For You" † *"I Guess I'll Have To Telegraph My Baby" † *"Kiss Me, Honey Do" † *"Mandy Lee" – #5 song of 1900 † *"My Josephine"


1900s

1900 *"Ma Tiger Lily" – #3 song of 1900 † *"My Sunflower Sue" with The Metropolitan Orchestra, Victor's house orchestra *"You're Talking Rag Time" *"I Ain't Seen No Messenger Boy" 1901 *"Ain't Dat a Shame" *" Coon, Coon, Coon" *"Every Darky Had A Raglan On" *"I Dreams About You" 1902 *"Any Old Place I Can Hang My Hat Is Home Sweet Home To Me" *"
Bill Bailey, Won't You Please Come Home "(Won't You Come Home) Bill Bailey", originally titled "Bill Bailey, Won't You Please.... Come Home?" is a popular song published in 1902. It is commonly referred to as simply "Bill Bailey". Its words and music were written by Hughie Cannon, an ...
" – #2 song of 1902 † *"Down Where the Wurzburger Flows" † *"Helen Gonne" *"Just Kiss Yourself Goodbye" *"Under the Bamboo Tree" † 1903 *"Any Rags?"– #4 song of 1903 † *"Good-bye, Eliza Jane" † *"I'm A Jonah Man" *"I Wonder Why Bill Bailey Don't Come Home" 1904 *"The Preacher And The Bear" – #1 song of 1905 and Collins' best-selling song *"Hannah, Won't You Open That Door" *"Scissors to Grind" 1905 *"Have You Seen My Henry Brown?" *"My Irish Molly O" *"Nobody" *"What You Goin' to Do When De Rent Comes 'Round?" *"Who's There" *"Robinson Crusoe's Isle" 1906 *"Abraham Jefferson Washington Lee" *"Bill Simmons" *"The Ghost of a Banjo Coon" *"Jessamine" *"Pretty Desdamone" *"What's the Use of Knocking When a Man is Down?" *"When A Poor Relation Comes to Town" 1907 *"Dixie Dan" *"If I'm Going to Die, I'm Going to Have Some Fun" *" Moses Andrew Jackson Good Bye" 1908 *"The Old-time Rag" *"I Think I See My Brother Coming Home" *"Rag Babe" 1909 *"Abraham Lincoln Jones, or, The Christening" *"Everybody's Pickin' on Me" *"I Love, Love, Love My Wife, but Oh You Kid!" *"Strawberries" *"
That's a Plenty "That's a Plenty" is a 1914 ragtime piano composition by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. Several popular vocal versions have been recorded, but it is more often performed as an instrumental. The compositi ...
"


1910s

1910 *"Moonlight in Jungle Land" *"If He Comes In, I'm Goin' Out" *"No One Loves A Fat Man" *"Temptation Rag" 1911 *"Play That Barbershop Chord" *"
Chicken Reel "Chicken Reel" is a dance tune. It was composed and published in 1910 by Joseph M. (Michael) Daly (1883–1968), with copyright registered on October 7. Joseph Mittenthal added lyrics three months later, and the texted version was copyrighted on ...
" *"Railroad Rag" *" Steamboat Bill" 1912 *"The Ragtime Goblin Man" *"
The Ragtime Soldier Man "The Ragtime Soldier Man" is a World War I era song released in 1912 and 1917. Irving Berlin wrote the lyrics and composed the music, basing it off his 1911 song "Alexander's Ragtime Band". The song was published by Waterson, Berlin & Snyder, Co. ...
" *"Row! Row! Row!" *"Rum Tum Tiddle" *"Somebody Else Is Getting It" 1913 * "That Baseball Rag" 1916 *"If You've Got a Little Bit" 1918 *"When Tony Goes Over The Top" 1919 *"Climbing Up the Golden Stairs" *"Suicide Blues"


1920s

1920 *"Old Man Jazz" *"The Argentines, the Portuguese and the Greeks" † Indicates a recording that reached number one on sales charts.


Notes

;Discography sources
Arthur Collins cylinder recordings
from the UCSB Cylinder Audio Archive at the University of California, Santa Barbara Library. *


External links

*
Arthur Collins
at the Songwriters Hall of Fame Virtual Museum
Arthur Collins recordings
at the
Discography of American Historical Recordings The Discography of American Historical Recordings (DAHR) is a database of master recordings made by American record companies during the 78rpm era. The DAHR provides some of these original recordings, free of charge, via audio streaming, along with ...
.
Rare Arthur Collins Recordings
from the Archive.org
Arthur Collins cylinder recordings
from the UCSB Cylinder Audio Archive at the University of California, Santa Barbara Library. {{DEFAULTSORT:Collins, Arthur 1864 births 1933 deaths American male singers American baritones Gennett Records artists Pioneer recording artists RCA Victor artists Columbia Records artists Edison Records artists American ragtime musicians People from Barnegat Township, New Jersey Musicians from Philadelphia