Artaserse (Mysliveček)
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''Artaserse'' is an
opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
in three acts by the Czech composer
Josef Mysliveček Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant comp ...
, set to a popular libretto (or ''
dramma per musica Dramma per musica (Italian, literally: ''drama for music'', plural: ''drammi per musica'') is a libretto. The term was used by dramatists in Italy and elsewhere between the mid-17th and mid-19th centuries. In modern times the same meaning of ''dra ...
'') by
Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Me ...
that was originally performed in 1730. It was customary to alter the Metastasian text considerably for operas in the 1770s, but this one mainly adheres to the original Metastasian text, albeit with the placement of some scenes re-arranged and some scenes omitted. All of Mysliveček's operas are of the serious type in Italian referred to as
opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
.


Performance history

The opera was first performed at the
Teatro San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is an opera house in Naples, Italy, connected to the Royal Palace and adjacent t ...
in
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
on 13 August 1774, the birthday of queen
Maria Carolina Maria Carolina Louise Josepha Johanna Antonia (13 August 1752 – 8 September 1814) was List of consorts of Naples, Queen of Naples and List of Sicilian consorts, Sicily as the wife of King Ferdinand I of the Two Sicilies. As ''de facto'' ruler ...
of
Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ...
. Mysliveček received the commission on the strength of his opera '' Romolo ed Ersilia'', which was performed on the queen's birthday the year before. ''Artaserse'' was also successful and helped the composer secure commissions for the operas ''
Demofoonte ''Demofonte'' (also ''Demofoonte''; ''Il Demofoonte''; ''Demofoonte, ré di Tracia'' ing of Thrace ''Démophon''; ''Demophontes''; or ''Dirce, L'usurpatore innocente'' irce, the Innocent Usurper is an opera seria libretto by Metastasio. The lib ...
'' and '' Ezio'' at the court of Naples the next year.


Roles


Synopsis

Eighteenth-century Italian operas in serious style are almost always set in a distant or legendary past and are built around historical, pseudo-historical, or mythological characters. The main character of Metastasio's ''Artaserse'' is based on the life of king
Artaxerxes I of Persia Artaxerxes I (, peo, 𐎠𐎼𐎫𐎧𐏁𐏂𐎠 ; grc-gre, Ἀρταξέρξης) was the fifth King of Kings of the Achaemenid Empire, from 465 to December 424 BC. He was the third son of Xerxes I. He may have been the " Artas ...
, a ruler of the fifth century B.C., son of
Xerxes I Xerxes I ( peo, 𐎧𐏁𐎹𐎠𐎼𐏁𐎠 ; grc-gre, Ξέρξης ; – August 465 BC), commonly known as Xerxes the Great, was the fourth King of Kings of the Achaemenid Empire, ruling from 486 to 465 BC. He was the son and successor of ...
. The opera opens in a moonlit garden of the palace of Serse (Xerxes). Mandane, the daughter of King Serse, and Arbace, the son of the King's general Artabano, are in love. Serse has opposed their marriage and banished Arbace from the palace. Arbace climbs the wall into the garden. As the young lovers express their love for each other and their despair at Arbace's banishment, Artabano arrives carrying a bloody sword. His fury at Serse's treatment of his son and his desire for Arbace to become King have led him to assassinate Serse. Artabano confesses the murder to Arbace and exchanges his bloody sword for that of Arbace. Artaserse, the King's younger son, arrives with his guards. Artabano tells him of his father's death and accuses Artaserse's older brother Dario of the murder, "Who but he at dead of night could penetrate the palace? Who approach the royal bed? Nay, more, his royal ambition..." Artaserse commands Artabano to avenge his father's death by killing Dario. Later in the garden, Artaxerxes expresses his love to Semira, the daughter of Artabano and sister of Arbace. In the King's palace, the execution of Dario is announced. However, Megabise (also in love with Semira) has Arbace led into the chamber in chains, announcing that the bloody sword used to kill Serse had been found in his possession. Arbace is now condemned to death. However, Artaserse, who had long been a friend of Arbace, doubts his guilt. He releases Arbace from prison and allows him to escape through a secret passage. Megabise, encouraged by Artabano, then goes off to lead a rebellion against Artaserse. In the Temple of the Sun Artaserse, surrounded by his nobles, swears to maintain the rights, laws, and customs of his subjects and is about to pledge this by drinking from a sacred cup, unaware that Artabano has poisoned the drink. Before Artaserse can drink from the cup, news arrives that Megabise and his men are at the palace gates. The danger is averted when Arbace kills the traitor, confirming to Artaserse that his friend is innocent. Artaserse then offers the sacred cup to Arbace instead so that he may pledge his innocence. Artabano is now faced with seeing his son die or confessing the truth. He confesses to all that he has poisoned the cup, intending to kill Artaserse and that he had also assassinated Serse. Artabano is led off in chains. Artaserse, out of his love for Semira and his gratitude to Arbace, condemns their father to eternal exile rather than death. The opera ends with the two pairs of lovers reunited and the jubilation of all.


Vocal set pieces

Act I, scene 1 - Aria of Mandane, "Conservati fedele"
Act I, scene 2 - Aria of Arbace, "Fra cento affanni"
Act I, scene 3 - Aria of Artabano, "Su le sponde del torbido Lete"
Act I, scene 5 - Aria of Artaserse, "Non mi dir ch'io sono ingrato"
Act I, scene 6 - Aria of Semira, "Bramar di perdere"
Act I, scene 10 - Quartet of Mandane, Arbace, Artaserse, and Artabano, "Deh, respirar lasciatemi" Act II, scene 1 - Aria of Artaserse, "Rendimi il caro amico"
Act II, scene 4 - Aria of Megabise, "Non temer ch'io mai ti dica"
Act II, scene 5 - Aria of Mandane, "Pace e calma in questo sedno" non-Metastasian text
Act II, scene 6 - Aria of Semira, "Se del fiume altera l'onda"
Act II, scene 9 - Accompanied recitative for Artabano, Mandane, and Arbace, "Io gelo"
Act II, scene 9 - Aria of Arbace, "Per quel paterno amplesso"
Act II, scene 10 - Aria of Mandane, "Va tra le selve ircane"
Act II, scene 11 - Aria of Artabano, "Così supisce e cade"
Act II, scene 12 - Accompanied recitative for Mandane and Arbace, "Sentimi, Arbace"
Act II, scene 12 - Duet for Mandane and Arbace, "Tu vuoi ch'io viva, o cara" Act III, scene 2 - Aria of Artabano, "Figlio, se più non vivi"
Act III, scene 3 - Aria of Mandane, "Mi credi spietata?"
Act III, scene 7 - Accompanied recitative for Arbace, "S'io meritai"
Act III, scene 7 - Aria of Arbace, "Cara, o Dio, nel volto espresso" non-Metastasian text
Act III, scene 7 - Chorus, "Giusto re, la Persia adora la clemenza assisa in trono"


Score

The complete score of ''Artaserse'' is available for study online on the Italian website Internet Culturale in the form of a reproduction of a manuscript once in the possession of the Teatro San Carlo of Naples.


References

* Freeman, Daniel E. ''Josef Mysliveček, "Il Boemo"''. Sterling Heights, Mich.: Harmonie Park Press, 2009.


External links

* Complete score in manuscript available for viewing and downloading at http://www.internetculturale.it (Subcategory: Digital Contents) {{Metastasio Operas Italian-language operas Opera seria Operas by Josef Mysliveček 1774 operas Opera world premieres at the Teatro San Carlo