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Pottery is the process and the products of forming vessels and other objects with
clay
Clay is a type of fine-grained natural soil material containing clay minerals (hydrous aluminium phyllosilicates, e.g. kaolin, Al2 Si2 O5( OH)4).
Clays develop plasticity when wet, due to a molecular film of water surrounding the clay par ...
and other
ceramic
A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain ...
materials, which are fired at high temperatures to give them a hard and durable form. Major types include
earthenware,
stoneware
Stoneware is a rather broad term for pottery or other ceramics fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vi ...
and
porcelain
Porcelain () is a ceramic material made by heating substances, generally including materials such as kaolinite, in a kiln to temperatures between . The strength and translucence of porcelain, relative to other types of pottery, arises main ...
. The place where such wares are made by a ''potter'' is also called a ''pottery'' (plural "potteries"). The definition of ''pottery'', used by the
ASTM International
ASTM International, formerly known as American Society for Testing and Materials, is an international standards organization that develops and publishes voluntary consensus technical standards for a wide range of materials, products, systems, ...
, is "all fired ceramic wares that contain clay when formed, except technical, structural, and refractory products". In art history and
archaeology
Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landsca ...
, especially of ancient and prehistoric periods, "pottery" often means vessels only, and
sculpted figurines of the same material are called "
terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous.
In applied art, craft, construction, and architecture, terracotta ...
s".
Pottery is one of the
oldest human inventions, originating before the
Neolithic period
The Neolithic period, or New Stone Age, is an Old World archaeological period and the final division of the Stone Age. It saw the Neolithic Revolution, a wide-ranging set of developments that appear to have arisen independently in several parts ...
, with ceramic objects like the
Gravettian
The Gravettian was an archaeological industry of the European Upper Paleolithic that succeeded the Aurignacian circa 33,000 years BP. It is archaeologically the last European culture many consider unified, and had mostly disappeared by ...
culture
Venus of Dolní Věstonice
The Venus of Dolní Věstonice ( cs, Věstonická venuše) is a Venus figurine, a ceramic statuette of a nude female figure dated to 29,000–25,000 BCE (Gravettian industry). It was found at the Paleolithic site Dolní Věstonice in the Moravian ...
figurine discovered in the Czech Republic dating back to 29,000–25,000 BC,
[ and pottery vessels that were discovered in ]Jiangxi
Jiangxi (; ; formerly romanized as Kiangsi or Chianghsi) is a landlocked province in the east of the People's Republic of China. Its major cities include Nanchang and Jiujiang. Spanning from the banks of the Yangtze river in the north int ...
, China, which date back to 18,000 BC. Early Neolithic and pre-Neolithic pottery artifacts have been found, in Jōmon Japan (10,500 BC), the Russian Far East (14,000 BC),[ Sub-Saharan Africa (9,400 BC),][ Simon Bradley, ''A Swiss-led team of archaeologists has discovered pieces of the oldest African pottery in central Mali, dating back to at least 9,400BC'']
, SWI swissinfo.ch – the international service of the Swiss Broadcasting Corporation (SBC), 18 January 2007 South America (9,000s–7,000s BC), and the Middle East (7,000s–6,000s BC).
Pottery is made by forming a ceramic (often clay) body into objects of a desired shape and heating them to high temperatures (600–1600 °C) in a bonfire, pit or kiln
A kiln is a thermally insulated chamber, a type of oven, that produces temperatures sufficient to complete some process, such as hardening, drying, or chemical changes. Kilns have been used for millennia to turn objects made from clay int ...
and induces reactions that lead to permanent changes including increasing the strength and rigidity of the object. Much pottery is purely utilitarian, but some can also be regarded as ceramic art
Ceramic art is art made from ceramic materials, including clay. It may take forms including artistic pottery, including tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is one of the visual arts. ...
. A clay body can be decorated before or after firing.
Clay-based pottery can be divided into three main groups: earthenware, stoneware
Stoneware is a rather broad term for pottery or other ceramics fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vi ...
and porcelain
Porcelain () is a ceramic material made by heating substances, generally including materials such as kaolinite, in a kiln to temperatures between . The strength and translucence of porcelain, relative to other types of pottery, arises main ...
. These require increasingly more specific clay material, and increasingly higher firing temperatures. All three are made in glazed and unglazed varieties, for different purposes. All may also be decorated by various techniques. In many examples the group a piece belongs to is immediately visually apparent, but this is not always the case. The fritware
Fritware, also known as stone-paste, is a type of pottery in which frit (ground glass) is added to clay to reduce its fusion temperature. The mixture may include quartz or other siliceous material. An organic compound such as gum or glue may ...
of the Islamic world does not use clay, so technically falls outside these groups. Historic pottery of all these types is often grouped as either "fine" wares, relatively expensive and well-made, and following the aesthetic taste of the culture concerned, or alternatively "coarse", "popular", "folk" or "village" wares, mostly undecorated, or simply so, and often less well-made.
Cooking in clay pots became less popular once metal pots became available, but is still used for dishes that depend on the qualities of pottery cooking, such as biryani
Biryani () is a mixed rice dish originating among the Muslims of the Indian subcontinent. It is made with Indian spices, rice, and usually some type of meat ( chicken, beef, goat, lamb, prawn, fish) or in some cases without any meat, ...
, cassoulet
Cassoulet (, also , ; ; from Occitan and cognates with Spanish: ''cazoleta'' and Catalan: ''cassolet'') is a rich, slow-cooked stew containing meat (typically pork sausages, goose, duck and sometimes mutton), pork skin () and white beans () ...
, daube
Daube is a classic Provençal (or more broadly, French) stew made with inexpensive beef braised in wine, vegetables, garlic, and '' herbes de Provence'', and traditionally cooked in a daubière, a braising pan. A traditional daubière is a te ...
, tagine, jollof rice
Jollof (), or jollof rice, is a rice dish from West Africa. The dish is typically made with long-grain rice, tomatoes, onions, spices, vegetables and meat in a single pot, although its ingredients and preparation methods vary across different re ...
, kedjenou
Kedjenou (also known as Kedjenou poulet and Kedjenou de Poulet) is a spicy stew that is slow-cooked in a sealed ''canari'' (terra-cotta pot) over fire or coals and prepared with chicken or guinea hen and vegetables. It is a traditional and popul ...
, cazuela
Cazuela ( or ) is the common name given to a variety of dishes, especially from South America. It receives its name from the ''cazuela'' (Spanish for cooking pot) – traditionally, an often shallow pot made of unglazed earthenware used for c ...
, and baked beans
Baked beans is a dish traditionally containing white beans that are parboiled and then, in the US, baked in sauce at low temperature for a lengthy period. In the United Kingdom, the dish is sometimes baked, but usually stewed in sauce. Canned ...
.
Main types
Earthenware
The earliest forms of pottery were made from clays that were fired at low temperatures, initially in pit-fires or in open bonfires. They were hand formed and undecorated. Earthenware can be fired as low as 600 °C, and is normally fired below 1200 °C. Because unglazed biscuit earthenware is porous, it has limited utility for the storage of liquids or as tableware. However, earthenware has had a continuous history from the Neolithic
The Neolithic period, or New Stone Age, is an Old World archaeological period and the final division of the Stone Age. It saw the Neolithic Revolution, a wide-ranging set of developments that appear to have arisen independently in several p ...
period to today. It can be made from a wide variety of clays, some of which fire to a buff, brown or black colour, with iron in the constituent minerals resulting in a reddish-brown. Reddish coloured varieties are called terracotta
Terracotta, terra cotta, or terra-cotta (; ; ), in its material sense as an earthenware substrate, is a clay-based unglazed or glazed ceramic where the fired body is porous.
In applied art, craft, construction, and architecture, terracotta ...
, especially when unglazed or used for sculpture. The development of ceramic glaze
Ceramic glaze is an impervious layer or coating of a vitreous substance which has been fused to a pottery body through firing. Glaze can serve to color, decorate or waterproof an item. Glazing renders earthenware vessels suitable for holding ...
made impermeable pottery possible, improving the popularity and practicality of pottery vessels. The addition of decoration has evolved throughout its history.
Stoneware
Stoneware is pottery that has been fired in a kiln at a relatively high temperature, from about 1,100 °C to 1,200 °C, and is stronger and non-porous to liquids.[Cooper (2010), p. 54] The Chinese, who developed stoneware very early on, classify this together with porcelain as high-fired wares. In contrast, stoneware could only be produced in Europe from the late Middle Ages, as European kilns were less efficient, and the right type of clay less common. It remained a speciality of Germany until the Renaissance.
Stoneware is very tough and practical, and much of it has always been utilitarian, for the kitchen or storage rather than the table. But "fine" stoneware has been important in China, Japan and the West, and continues to be made. Many utilitarian types have also come to be appreciated as art.
Porcelain
Porcelain is made by heating materials, generally including kaolin
Kaolinite ( ) is a clay mineral, with the chemical composition Al2 Si2 O5( OH)4. It is an important industrial mineral. It is a layered silicate mineral, with one tetrahedral sheet of silica () linked through oxygen atoms to one octahedral ...
, in a kiln
A kiln is a thermally insulated chamber, a type of oven, that produces temperatures sufficient to complete some process, such as hardening, drying, or chemical changes. Kilns have been used for millennia to turn objects made from clay int ...
to temperatures between . This is higher than used for the other types, and achieving these temperatures was a long struggle, as well as realizing what materials were needed. The toughness, strength and translucence of porcelain, relative to other types of pottery, arises mainly from vitrification
Vitrification (from Latin ''vitreum'', "glass" via French ''vitrifier'') is the full or partial transformation of a substance into a glass, that is to say, a non- crystalline amorphous solid. Glasses differ from liquids structurally and glasses po ...
and the formation of the mineral mullite
Mullite or porcelainite is a rare silicate mineral formed during contact metamorphism of clay minerals. It can form two stoichiometric forms: 3 Al2 O32 SiO2 or 2Al2O3 SiO2. Unusually, mullite has no charge-balancing cations present. As a result, th ...
within the body at these high temperatures.
Although porcelain was first made in China, the Chinese traditionally do not recognise it as a distinct category, grouping it with stoneware as "high-fired" ware, opposed to "low-fired" earthenware. This confuses the issue of when it was first made. A degree of translucency and whiteness was achieved by the Tang dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907 AD, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdom ...
(AD 618–906), and considerable quantities were being exported. The modern level of whiteness was not reached until much later, in the 14th century. Porcelain was also made in Korea and in Japan from the end of the 16th century, after suitable kaolin was located in those countries. It was not made effectively outside East Asia until the 18th century.
Archaeology
The study of pottery can help to provide an insight into past cultures. Fabric analysis (see section below), used to analyse the ''fabric of pottery'', is important part of archaeology for understanding the archaeological culture of the excavated site by studying the fabric of artifacts, such as their usage, source material composition, decorative pattern, color of patterns, etc. This helps to understand characteristics, sophistication, habits, technology, tools, trade, etc. of the people who made and used the pottery. Carbon dating reveals the age. Sites with similar pottery characteristics have the same culture, those sites which have distinct cultural characteristics but with some overlap are indicative of cultural exchange such as trade or living in vicinity or continuity of habitation, etc. Examples are black and red ware
Black and red ware (BRW) is a South Asian earthenware, associated with the neolithic phase, Harappa, Bronze Age India, Iron Age India, the megalithic and the early historical period. Although it is sometimes called an archaeological culture, the ...
, redware
Redware as a single word is a term for at least two types of pottery of the last few centuries, in Europe and North America. Red ware as two words is a term used for pottery, mostly by archaeologists, found in a very wide range of places. Howeve ...
, Sothi-Siswal culture and Painted Grey Ware culture
The Painted Grey Ware culture (PGW) is an Iron Age Indian culture of the western Gangetic plain and the Ghaggar-Hakra valley in the Indian subcontinent, conventionally dated 1200 to 600–500 BCE, or from 1300 to 500–300 BCE It is a successo ...
. The six fabrics of Kalibangan is a good example of use of fabric analysis in identifying a differentiated culture which was earlier thought to be typical Indus Valley civilisation
The Indus Valley Civilisation (IVC), also known as the Indus Civilisation was a Bronze Age civilisation in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form 2600 BCE to 1900& ...
(IVC) culture.
Pottery is durable, and fragments, at least, often survive long after artifacts made from less-durable materials have decayed past recognition. Combined with other evidence, the study of pottery artefacts is helpful in the development of theories on the organisation, economic condition and the cultural development of the societies that produced or acquired pottery. The study of pottery may also allow inferences to be drawn about a culture's daily life, religion, social relationships, attitudes towards neighbours, attitudes to their own world and even the way the culture understood the universe.
Chronologies based on pottery are often essential for dating non-literate cultures and are often of help in the dating of historic cultures as well. Trace-element analysis, mostly by neutron activation
Neutron activation is the process in which neutron radiation induces radioactivity in materials, and occurs when atomic nuclei capture free neutrons, becoming heavier and entering excited states. The excited nucleus decays immediately by emit ...
, allows the sources of clay to be accurately identified and the thermoluminescence
Thermoluminescence is a form of luminescence that is exhibited by certain crystalline materials, such as some minerals, when previously absorbed energy from electromagnetic radiation or other ionizing radiation is re-emitted as light upon he ...
test can be used to provide an estimate of the date of last firing. Examining fired pottery shards from prehistory, scientists learned that during high-temperature firing, iron materials in clay record the exact state of the Earth's magnetic field
Earth's magnetic field, also known as the geomagnetic field, is the magnetic field that extends from Earth's interior out into space, where it interacts with the solar wind, a stream of charged particles emanating from the Sun. The magnetic ...
at that exact moment.
Source material
Fabric analysis
The ''"clay body"'' is also called the ''"paste"'' or the ''"fabric"'', which consists of 2 things, the ''"clay matrix"'' – composed of grains of less than 0.02 mm grains which can be seen using the high-powered microscopes or a Scanning Electron Microscope (SEM), and the ''"clay inclusions"'' – which are larger grains of clay and could be seen with the naked eye or a low-power binocular microscope. For geologists, fabric analysis means spatial arrangement of minerals in a rock. For Archaeologists, the ''"fabric analysis"'' of pottery entails the study of ''clay matrix'' and ''inclusions'' in the clay body as well as the ''firing temperature and conditions''. Analysis is done to examine the following 3 in detail:[Fabric Analysis]
, cambridge.org, accessed 10 July 021.
* how pottery was made e.g. material, design such as shape and style, etc.
* its decorations, such as patterns, colors of patterns, slipped (glazing) or unslipped decoration
* evidence of type of use.
The Six fabrics of Kalibangan is a good example of fabric analysis.
Clay bodies and mineral contents
Body
Body may refer to:
In science
* Physical body, an object in physics that represents a large amount, has mass or takes up space
* Body (biology), the physical material of an organism
* Body plan, the physical features shared by a group of anima ...
(or clay body) is a term for the main pottery form of a piece, underneath any glaze or decoration. The main ingredient of the body is clay
Clay is a type of fine-grained natural soil material containing clay minerals (hydrous aluminium phyllosilicates, e.g. kaolin, Al2 Si2 O5( OH)4).
Clays develop plasticity when wet, due to a molecular film of water surrounding the clay par ...
. There are several materials that are referred to as clay. The properties which make them different include:
Plasticity, the malleability of the body; the extent to which they will absorb water after firing; and shrinkage, the extent of reduction in size of a body as water is removed. Different clay bodies also differ in the way in which they respond when fired in the kiln. A clay body can be decorated before or after firing. Prior to some shaping processes, clay must be prepared. Each of these different clays is composed of different types and amounts of minerals that determine the characteristics of resulting pottery. There can be regional variations in the properties of raw materials used for the production of pottery, and these can lead to wares that are unique in character to a locality. It is common for clays and other materials to be mixed to produce clay bodies suited to specific purposes. A common component of clay bodies is the mineral kaolinite. Other minerals in the clay, such as feldspar
Feldspars are a group of rock-forming aluminium tectosilicate minerals, also containing other cations such as sodium, calcium, potassium, or barium. The most common members of the feldspar group are the ''plagioclase'' (sodium-calcium) felds ...
, act as fluxes which lower the vitrification
Vitrification (from Latin ''vitreum'', "glass" via French ''vitrifier'') is the full or partial transformation of a substance into a glass, that is to say, a non- crystalline amorphous solid. Glasses differ from liquids structurally and glasses po ...
temperature of bodies. Following is a list of different types of clay used for pottery.
* Kaolin
Kaolinite ( ) is a clay mineral, with the chemical composition Al2 Si2 O5( OH)4. It is an important industrial mineral. It is a layered silicate mineral, with one tetrahedral sheet of silica () linked through oxygen atoms to one octahedral ...
, is sometimes referred to as china clay
Kaolinite ( ) is a clay mineral, with the chemical composition Al2 Si2 O5( OH)4. It is an important industrial mineral. It is a layered silicate mineral, with one tetrahedral sheet of silica () linked through oxygen atoms to one octahedra ...
because it was first used in China. Used for porcelain
Porcelain () is a ceramic material made by heating substances, generally including materials such as kaolinite, in a kiln to temperatures between . The strength and translucence of porcelain, relative to other types of pottery, arises main ...
.
* Ball clay
Ball clays are kaolinitic sedimentary clays that commonly consist of 20–80% kaolinite, 10–25% mica, 6–65% quartz. Localized seams in the same deposit have variations in composition, including the quantity of the major minerals, accessory ...
: An extremely plastic, fine grained sedimentary
Sedimentary rocks are types of rock that are formed by the accumulation or deposition of mineral or organic particles at Earth's surface, followed by cementation. Sedimentation is the collective name for processes that cause these particles ...
clay, which may contain some organic matter. Small amounts can be added to porcelain bodies to increase plasticity.
* Fire clay
Fire clay is a range of refractory clays used in the manufacture of ceramics, especially fire brick. The United States Environmental Protection Agency defines fire clay very generally as a "mineral aggregate composed of hydrous silicates of alumi ...
: A clay having a slightly lower percentage of fluxes than kaolin, but usually quite plastic. It is highly heat resistant form of clay which can be combined with other clays to increase the firing temperature and may be used as an ingredient to make stoneware type bodies.
* Stoneware
Stoneware is a rather broad term for pottery or other ceramics fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. Whether vi ...
clay
Clay is a type of fine-grained natural soil material containing clay minerals (hydrous aluminium phyllosilicates, e.g. kaolin, Al2 Si2 O5( OH)4).
Clays develop plasticity when wet, due to a molecular film of water surrounding the clay par ...
: Suitable for creating stoneware. Has many of the characteristics between fire clay and ball clay, having finer grain, like ball clay but is more heat resistant like fire clays.
* Common red clay and shale clay have vegetable and ferric oxide impurities which make them useful for bricks, but are generally unsatisfactory for pottery except under special conditions of a particular deposit.
* Bentonite
Bentonite () is an absorbent swelling clay consisting mostly of montmorillonite (a type of smectite) which can either be Na-montmorillonite or Ca-montmorillonite. Na-montmorillonite has a considerably greater swelling capacity than Ca-m ...
: An extremely plastic clay which can be added in small quantities to short clay to increase the plasticity.
Production of pottery
Production of pottery includes the following three stages:
* making clay body, i.e. paste or putty.
* shaping and moulding
* firing or baking
* decorating, such as glazing (slipping), painting, etc.
Shaping methods
Pottery can be shaped by a range of methods that include:
Firing
Firing produces irreversible changes in the body. It is only after firing that the article or material is pottery. In lower-fired pottery, the changes include sintering
Clinker nodules produced by sintering
Sintering or frittage is the process of compacting and forming a solid mass of material by pressure or heat without melting it to the point of liquefaction.
Sintering happens as part of a manufacturing ...
, the fusing together of coarser particles in the body at their points of contact with each other. In the case of porcelain, where different materials and higher firing-temperatures are used, the physical, chemical and mineralogical properties of the constituents in the body are greatly altered. In all cases, the reason for firing is to permanently harden the wares and the firing regime must be appropriate to the materials used to make them. As a rough guide, modern earthenwares are normally fired at temperatures in the range of about 1,000° C (1,830 °F) to ; stonewares at between about to ; and porcelains at between about to . Historically, reaching high temperatures was a long-lasting challenge, and earthenware can be fired effectively as low as 600° C, achievable in primitive pit firing.
Firing methods
Firing pottery can be done using a variety of methods, with a kiln
A kiln is a thermally insulated chamber, a type of oven, that produces temperatures sufficient to complete some process, such as hardening, drying, or chemical changes. Kilns have been used for millennia to turn objects made from clay int ...
being the usual firing method. Both the maximum temperature and the duration of firing influences the final characteristics of the ceramic. Thus, the maximum temperature within a kiln is often held constant for a period of time to ''soak'' the wares to produce the maturity required in the body of the wares.
The atmosphere within a kiln during firing can affect the appearance of the finished wares. An oxidising atmosphere, produced by allowing an excess of air in the kiln, can cause the oxidation
Redox (reduction–oxidation, , ) is a type of chemical reaction in which the oxidation states of substrate change. Oxidation is the loss of electrons or an increase in the oxidation state, while reduction is the gain of electrons or a ...
of clays and glazes. A reducing atmosphere
A reducing atmosphere is an Atmosphere, atmospheric condition in which oxidation is prevented by removal of oxygen and other oxidizing gases or vapours, and which may contain actively Reducing agent, reducing gases such as hydrogen, carbon monoxi ...
, produced by limiting the flow of air into the kiln, or burning coal rather than wood, can strip oxygen from the surface of clays and glazes. This can affect the appearance of the wares being fired and, for example, some glazes containing iron
Iron () is a chemical element with Symbol (chemistry), symbol Fe (from la, Wikt:ferrum, ferrum) and atomic number 26. It is a metal that belongs to the first transition series and group 8 element, group 8 of the periodic table. It is, Abundanc ...
-rich minerals fire brown in an oxidising atmosphere, but green in a reducing atmosphere. The atmosphere within a kiln can be adjusted to produce complex effects in glaze.
Kilns may be heated by burning wood
Wood is a porous and fibrous structural tissue found in the stems and roots of trees and other woody plants. It is an organic materiala natural composite of cellulose fibers that are strong in tension and embedded in a matrix of lignin ...
, coal
Coal is a combustible black or brownish-black sedimentary rock, formed as rock strata called coal seams. Coal is mostly carbon with variable amounts of other elements, chiefly hydrogen, sulfur, oxygen, and nitrogen.
Coal is formed when ...
and gas
Gas is one of the four fundamental states of matter (the others being solid, liquid, and plasma).
A pure gas may be made up of individual atoms (e.g. a noble gas like neon), elemental molecules made from one type of atom (e.g. oxygen), or ...
, or by electricity
Electricity is the set of physical phenomena associated with the presence and motion of matter that has a property of electric charge. Electricity is related to magnetism, both being part of the phenomenon of electromagnetism, as describ ...
. When used as fuels, coal and wood can introduce smoke, soot and ash into the kiln which can affect the appearance of unprotected wares. For this reason, wares fired in wood- or coal-fired kilns are often placed in the kiln in saggar
A saggar (also misspelled as sagger or segger) is a type of kiln furniture. It is a ceramic boxlike container used in the firing of pottery to enclose or protect ware being fired inside a kiln. Traditionally, saggars were made primarily from ...
s, ceramic boxes, to protect them. Modern kilns powered by gas or electricity are cleaner and more easily controlled than older wood- or coal-fired kilns and often allow shorter firing times to be used. In a Western adaptation of traditional Japanese Raku ware
is a type of Japanese pottery traditionally used in Japanese tea ceremonies, most often in the form of '' chawan'' tea bowls. It is traditionally characterised by being hand-shaped rather than thrown, fairly porous vessels, which result from low ...
firing, wares are removed from the kiln while hot and smothered in ashes, paper or woodchips which produces a distinctive carbonised appearance. This technique is also used in Malaysia in creating traditional ''labu sayung''.
In Mali
Mali (; ), officially the Republic of Mali,, , ff, 𞤈𞤫𞤲𞥆𞤣𞤢𞥄𞤲𞤣𞤭 𞤃𞤢𞥄𞤤𞤭, Renndaandi Maali, italics=no, ar, جمهورية مالي, Jumhūriyyāt Mālī is a landlocked country in West Africa. Mal ...
, a firing mound is used rather than a brick or stone kiln. Unfired pots are first brought to the place where a mound will be built, customarily by the women and girls of the village. The mound's foundation is made by placing sticks on the ground, then:
Firing stages
Before being shaped, clay must be prepared. Kneading
In cooking (and more specifically baking), kneading is a process in the making of bread or dough, used to mix the ingredients and add strength to the final product. Its importance lies in the mixing of flour with water; when these two ingred ...
helps to ensure an even moisture content throughout the body. Air trapped within the clay body needs to be removed. This is called de-airing and can be accomplished either by a machine called a vacuum pug
The Pug is a breed of dog originally from China, with physically distinctive features of a wrinkly, short-muzzled face and curled tail. The breed has a fine, glossy coat that comes in a variety of colors, most often light brown (Fawn (colour) ...
or manually by wedging. Wedging can also help produce an even moisture content. Once a clay body has been kneaded and de-aired or wedged, it is shaped by a variety of techniques. After it has been shaped, it is dried and then fired.
* '' Greenware'' refers to unfired objects. At sufficient moisture content, bodies at this stage are in their most plastic form (as they are soft and malleable, and hence can be easily deformed by handling).
* ''Leather-hard
In pottery, leather-hard is the condition of a clay or clay body when it has been partially dried to the point where all shrinkage has been completed, and it has a consistency similar to leather of the same thickness as the clay. At this stage, th ...
'' refers to a clay body that has been dried partially. At this stage the clay object has approximately 15% moisture content. Clay bodies at this stage are very firm and only slightly pliable. Trimming and handle attachment often occurs at the leather-hard state.
* ''Bone-dry'' refers to clay bodies when they reach a moisture content at or near 0%. At that moisture content, the item is ready to be fired. Additionally, the piece is extremely fragile at this stage and must be handled with extreme care.
* '' Biscuit'' (or bisque) refers to the clay after the object is shaped to the desired form and fired in the kiln for the first time, known as "bisque fired" or "biscuit fired". This firing changes the clay body in several ways. Mineral components of the clay body will undergo chemical and physical changes that will change the material.
* ''Glaze fired'' is the final stage of some pottery making, or ''glost fired''. A glaze may be applied to the bisque form and the object can be decorated in several ways. After this the object is "glazed fired", which causes the glaze material to melt, then adhere to the object. Depending on the temperature schedule the glaze firing may also further mature the body as chemical and physical changes continue.
Decorating
Pottery may be decorated in many different ways. Some decoration can be done before or after the firing.
Decoration methods
* Painting has been used since early prehistoric times (China painting
China painting, or porcelain painting, is the decoration of glazed porcelain objects such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porce ...
), and can be very elaborate. The painting is often applied to pottery that has been fired once, and may then be overlaid with a glaze afterwards. Many pigment
A pigment is a colored material that is completely or nearly insoluble in water. In contrast, dyes are typically soluble, at least at some stage in their use. Generally dyes are often organic compounds whereas pigments are often inorganic compou ...
s change colour when fired, and the painter must allow for this.
* Glaze: Perhaps the most common form of decoration, that also serves as protection to the pottery, by being tougher and keeping liquid from penetrating the pottery. Glaze may be clear, especially over painting, or coloured and opaque. There is more detail in the section below.
* Carving
Carving is the act of using tools to shape something from a material by scraping away portions of that material. The technique can be applied to any material that is solid enough to hold a form even when pieces have been removed from it, and ...
: Pottery vessels may be decorated by shallow carving of the clay body, typically with a knife or similar instrument used on the wheel. This is common in Chinese porcelain of the classic periods.
* Burnishing: The surface of pottery wares may be ''burnished'' prior to firing by rubbing with a suitable instrument of wood, steel or stone to produce a polished finish that survives firing. It is possible to produce very highly polished wares when fine clays are used or when the polishing is carried out on wares that have been partially dried and contain little water, though wares in this condition are extremely fragile and the risk of breakage is high.
* Terra Sigillata
Terra sigillata is a term with at least three distinct meanings: as a description of medieval medicinal earth; in archaeology, as a general term for some of the fine red Ancient Roman pottery with glossy surface slips made in specific areas of ...
is an ancient form of decorating ceramics that was first developed in Ancient Greece.
* Additives can be worked into the clay body prior to forming, to produce desired effects in the fired wares. Coarse additives such as sand and grog
Grog is a term used for a variety of alcoholic beverages.
The word originally referred to rum diluted with water (and later on long sea voyages, also added the juice of limes or lemons), which British Vice-Admiral Edward Vernon introduced ...
(fired clay which has been finely ground) are sometimes used to give the final product a required texture. Contrasting coloured clays and grogs are sometimes used to produce patterns in the finished wares. Colourants, usually metal oxides and carbonates, are added singly or in combination to achieve a desired colour. Combustible particles can be mixed with the body or pressed into the surface to produce texture.
* Lithography
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German a ...
, also called litho, although the alternative names of transfer print or "''decal''" are also common. These are used to apply designs to articles. The litho comprises three layers: the colour, or image, layer which comprises the decorative design; the cover coat, a clear protective layer, which may incorporate a low-melting glass; and the backing paper on which the design is printed by screen printing or lithography. There are various methods of transferring the design while removing the backing-paper, some of which are suited to machine application.
* Banding is the application by hand or by machine of a band of colour to the edge of a plate or cup. Also known as "lining", this operation is often carried out on a potter's wheel.
* Agateware
Agateware is pottery
Pottery is the process and the products of forming vessels and other objects with clay and other ceramic materials, which are fired at high temperatures to give them a hard and durable form. Major types include earth ...
is named after its resemblance to the quartz mineral agate
Agate () is a common rock formation, consisting of chalcedony and quartz as its primary components, with a wide variety of colors. Agates are primarily formed within volcanic and metamorphic rocks. The ornamental use of agate was common in Anci ...
which has bands or layers of colour that are blended together, agatewares are made by blending clays of differing colours together but not mixing them to the extent that they lose their individual identities. The wares have a distinctive veined or mottled
Mottle is a pattern of irregular marks, spots, streaks, blotches or patches of different shades or colours. It is commonly used to describe the surface of plants or the skin of animals. In plants, mottling usually consists of yellowish spots o ...
appearance. The term "agateware" is used to describe such wares in the United Kingdom; in Japan the term "''neriage''" is used and in China, where such things have been made since at least the Tang Dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907 AD, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdom ...
, they are called "''marbled''" wares. Great care is required in the selection of clays to be used for making agatewares as the clays used must have matching thermal movement characteristics.
* Engobe
A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body ( ...
: This is a clay slip, that is used to coat the surface of pottery, usually before firing. Its purpose is often decorative though it can also be used to mask undesirable features in the clay to which it is applied. Engobe slip may be applied by painting or by dipping to provide a uniform, smooth, coating. Engobe has been used by potters from pre-historic times until the present day and is sometimes combined with sgraffito
''Sgraffito'' (; plural: ''sgraffiti'') is a technique either of wall decor, produced by applying layers of plaster tinted in contrasting colours to a moistened surface, or in pottery, by applying to an unfired ceramic body two successive laye ...
decoration, where a layer of engobe is scratched through to reveal the colour of the underlying clay. With care it is possible to apply a second coat of engobe of a different colour to the first and to incise decoration through the second coat to expose the colour of the underlying coat. Engobes used in this way often contain substantial amounts of silica
Silicon dioxide, also known as silica, is an oxide of silicon with the chemical formula , most commonly found in nature as quartz and in various living organisms. In many parts of the world, silica is the major constituent of sand. Silica is ...
, sometimes approaching the composition of a glaze.
* Gold: Decoration with gold is used on some high quality ware. Different methods exist for its application, including:
# ''Best gold'' – a suspension of gold powder in essential oils mixed with a flux and a mercury salt extended. This can be applied by a painting technique. From the kiln, the decoration is dull and requires burnishing to reveal the full colour
# ''Acid Gold'' – a form of gold decoration developed in the early 1860s at the English factory of Mintons Ltd
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, ...
, Stoke-on-Trent. The glazed surface is etched with diluted hydrofluoric acid prior to application of the gold. The process demands great skill and is used for the decoration only of ware of the highest class.
# ''Bright Gold'' – consists of a solution of gold sulphoresinate together with other metal resonates and a flux. The name derives from the appearance of the decoration immediately after removal from the kiln as it requires no burnishing
# ''Mussel Gold'' – an old method of gold decoration. It was made by rubbing together gold leaf, sugar and salt, followed by washing to remove solubles
Glazing
Glaze is a glassy coating on pottery, the primary purposes of which are decoration and protection. One important use of glaze is to render porous pottery vessels impermeable to water and other liquids. Glaze may be applied by dusting the unfired composition over the ware or by spraying, dipping, trailing or brushing on a thin slurry composed of the unfired glaze and water. The colour of a glaze after it has been fired may be significantly different from before firing. To prevent glazed wares sticking to kiln furniture
Kiln furniture are devices and implements inside furnaces used during the heating of manufactured individual pieces, such as pottery or other ceramic or metal components.
Materials
Commonly used materials are cordierite (up to 1275 °C), mull ...
during firing, either a small part of the object being fired (for example, the foot) is left unglazed or, alternatively, special refractory "''spurs''" are used as supports. These are removed and discarded after the firing.
Some specialised glazing techniques include:
* Salt-glazing, where common salt is introduced to the kiln during the firing process. The high temperatures cause the salt to volatize, depositing it on the surface of the ware to react with the body to form a sodium aluminosilicate glaze. In the 17th and 18th centuries, salt-glazing was used in the manufacture of domestic pottery. Now, except for use by some studio potters, the process is obsolete. The last large-scale application before its demise in the face of environmental clean air restrictions was in the production of salt-glazed sewer-pipes.
* Ash glazing – ash from the combustion of plant matter has been used as the flux component of glazes. The source of the ash was generally the combustion waste from the fuelling of kilns although the potential of ash derived from arable crop wastes has been investigated. Ash glazes are of historical interest in the Far East although there are reports of small-scale use in other locations such as the Catawba Valley Pottery
Catawba Valley Pottery describes alkaline glazed stoneware made in the Catawba River Valley of Western North Carolina from the early 19th century, as well as certain contemporary pottery made in the region utilizing traditional methods and forms.
...
in the United States. They are now limited to small numbers of studio potters who value the unpredictability arising from the variable nature of the raw material.
* Underglaze
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely ...
decoration (in the manner of many blue and white wares). Underglaze may be applied by brush strokes, air brush, or by pouring the underglaze into the mould, covering the inside, creating a swirling effect, then the mould is filled with slip.
* In-glaze decoration
In-glaze or inglaze is a method of decorating pottery, where the materials used allow painted decoration to be applied on the surface of the glaze before the glost firing so that it fuses into the glaze in the course of firing.
It contrasts wit ...
* On-glaze decoration
Overglaze decoration, overglaze enamelling or on-glaze decoration is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing ...
* Enamel
History
A great part of the history of pottery is prehistoric, part of past pre-literate cultures. Therefore, much of this history can only be found among the artifacts of archaeology
Archaeology or archeology is the scientific study of human activity through the recovery and analysis of material culture. The archaeological record consists of artifacts, architecture, biofacts or ecofacts, sites, and cultural landsca ...
. Because pottery is so durable, pottery and shards of pottery survive from millennia at archaeological site
An archaeological site is a place (or group of physical sites) in which evidence of past activity is preserved (either prehistoric or historic or contemporary), and which has been, or may be, investigated using the discipline of archaeology a ...
s, and are typically the most common and important type of artifact to survive. Many prehistoric cultures are named after the pottery that is the easiest way to identify their sites, and archaeologists develop the ability to recognise different types from the chemistry of small shards.
Before pottery becomes part of a culture, several conditions must generally be met.
* First, there must be usable clay available. Archaeological sites where the earliest pottery was found were near deposits of readily available clay that could be properly shaped and fired. China has large deposits of a variety of clays, which gave them an advantage in early development of fine pottery. Many countries have large deposits of a variety of clays.
* Second, it must be possible to heat the pottery to temperatures that will achieve the transformation from raw clay to ceramic. Methods to reliably create fires hot enough to fire pottery did not develop until late in the development of cultures.
* Third, the potter must have time available to prepare, shape and fire the clay into pottery. Even after control of fire was achieved, humans did not seem to develop pottery until a sedentary life was achieved. It has been hypothesized that pottery was developed only after humans established agriculture, which led to permanent settlements. However, the oldest known pottery is from the Czech Republic and dates to 28,000 BC, at the height of the ice age, long before the beginnings of agriculture.
* Fourth, there must be a sufficient need for pottery in order to justify the resources required for its production.
Early pottery
* Methods of forming: Hand-shaping was the earliest method used to form vessels. This included the combination of pinching and coiling
A coiling or coil is a curve, helix, or spiral used for storing rope or cable in compact and reliable yet easily attainable form. They are often discussed with knots.
Mountaineer's coil
The mountaineer's coil (also alpine coil, climber's co ...
.
* Firing: The earliest method for firing pottery wares was the use of bonfires pit fired pottery
Pit firing is the oldest known method for the firing of pottery. Examples have been dated as early as 29,000–25,000 BCE, while the earliest known kiln dates to around 6000 BCE, and was found at the Yarim Tepe site in modern Iraq. Kilns al ...
. Firing times might be short but the peak-temperatures achieved in the fire
Fire is the rapid oxidation of a material (the fuel) in the exothermic chemical process of combustion, releasing heat, light, and various reaction products.
At a certain point in the combustion reaction, called the ignition point, flames a ...
could be high, perhaps in the region of , and were reached very quickly.
* Clay: Early potters used whatever clay was available to them in their geographic vicinity. However, the lowest quality common red clay was adequate for low-temperature fires used for the earliest pots. Clays tempered with sand, grit, crushed shell or crushed pottery were often used to make bonfire-fired ceramics because they provided an open-body texture that allowed water and volatile components of the clay to escape freely. The coarser particles in the clay also acted to restrain shrinkage during drying, and hence reduce the risk of cracking.
* Form: In the main, early bonfire-fired wares were made with rounded bottoms to avoid sharp angles that might be susceptible to cracking.
* Glazing: the earliest pots were not glazed.
* The potter's wheel
In pottery, a potter's wheel is a machine used in the shaping (known as throwing) of clay into round ceramic ware. The wheel may also be used during the process of trimming excess clay from leather-hard dried ware that is stiff but malleable, a ...
was invented in Mesopotamia
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the ...
sometime between 6,000 and 4,000 BC (Ubaid period
The Ubaid period (c. 6500–3700 BC) is a prehistoric period of Mesopotamia. The name derives from Tell al-'Ubaid where the earliest large excavation of Ubaid period material was conducted initially in 1919 by Henry Hall and later by Leonard Wo ...
) and revolutionised pottery production.
* Moulds were used to a limited extent as early as the 5th and 6th century BC by the Etruscans
The Etruscan civilization () was developed by a people of Etruria in ancient Italy with a common language and culture who formed a federation of city-states. After conquering adjacent lands, its territory covered, at its greatest extent, rou ...
and more extensively by the Romans.[Cooper (2010)]
* Slipcasting
Slip casting, or slipcasting, is a ceramic forming technique for pottery and other ceramics, especially for shapes not easily made on a wheel. In this method, a liquid clay body slip (usually mixed in a blunger) is poured into plaster mo ...
, a popular method for shaping irregular shaped articles. It was first practised, to a limited extent, in China as early as the Tang dynasty
The Tang dynasty (, ; zh, t= ), or Tang Empire, was an imperial dynasty of China that ruled from 618 to 907 AD, with an interregnum between 690 and 705. It was preceded by the Sui dynasty and followed by the Five Dynasties and Ten Kingdom ...
.
* Transition to kilns: The earliest intentionally constructed were pit-kilns or trench-kilns—holes dug in the ground and covered with fuel. Holes in the ground provided insulation and resulted in better control over firing.[Cooper (2010), p. 16]
* Kilns
A kiln is a thermally insulated chamber, a type of oven, that produces temperatures sufficient to complete some process, such as hardening, drying, or chemical changes. Kilns have been used for millennia to turn objects made from clay in ...
: Pit fire methods were adequate for creating simple earthenware, but other pottery types needed more sophisticated kilns (see below kilns
A kiln is a thermally insulated chamber, a type of oven, that produces temperatures sufficient to complete some process, such as hardening, drying, or chemical changes. Kilns have been used for millennia to turn objects made from clay in ...
).
History by region
Beginnings of pottery
Pottery may well have been discovered independently in various places, probably by accidentally creating it at the bottom of fires on a clay soil. All the earliest vessel forms were pit fired and made by coiling
A coiling or coil is a curve, helix, or spiral used for storing rope or cable in compact and reliable yet easily attainable form. They are often discussed with knots.
Mountaineer's coil
The mountaineer's coil (also alpine coil, climber's co ...
, which is a simple technology to learn. The earliest-known ceramic objects are Gravettian
The Gravettian was an archaeological industry of the European Upper Paleolithic that succeeded the Aurignacian circa 33,000 years BP. It is archaeologically the last European culture many consider unified, and had mostly disappeared by ...
figurines such as those discovered at Dolní Věstonice in the modern-day Czech Republic. The Venus of Dolní Věstonice
The Venus of Dolní Věstonice ( cs, Věstonická venuše) is a Venus figurine, a ceramic statuette of a nude female figure dated to 29,000–25,000 BCE (Gravettian industry). It was found at the Paleolithic site Dolní Věstonice in the Moravian ...
is a Venus figurine, a statuette of a nude female figure dated to 29,000–25,000 BC (Gravettian industry). But there is no evidence of pottery vessels from this period. Sherds have been found in China and Japan from a period between 12,000 and perhaps as long as 18,000 years ago.[ As of 2012, the earliest pottery vessels found anywhere in the world, dating to 20,000 to 19,000 years before the present, was found at Xianrendong Cave in the Jiangxi province of China.]
Other early pottery vessels include those excavated from the Yuchanyan Cave
Yuchanyan is an early Neolithic cave site in Dao County (Daoxian), Hunan, China. The site yielded sherds of ceramic vessels and other artifacts which were dated by analysis of charcoal
Charcoal is a lightweight black carbon residue prod ...
in southern China, dated from 16,000 BC,["Chinese pottery may be earliest discovered."]
Associated Press
The Associated Press (AP) is an American non-profit news agency headquartered in New York City. Founded in 1846, it operates as a cooperative, unincorporated association. It produces news reports that are distributed to its members, U.S. ne ...
. 2009-06-01. and those found in the Amur River basin in the Russian Far East, dated from 14,000 BC.['AMS 14C Age Of The Earliest Pottery From The Russian Far East; 1996–2002.' Derevianko A.P., Kuzmin Y.V., Burr G.S., Jull A.J.T., Kim J.C. Nuclear Instruments And Methods In Physics Research. B223–224 (2004) 735–39.]
The Odai Yamamoto I site Odai may refer to:
* Ōdai, Mie
* Odăi
* Uday Uday or Odai is a masculine name in Arabic as well as several Indian languages. In many Indian languages it means 'dawn' or 'rise'. The Arabic name (عدي) means 'runner' or 'rising'.
List of peopl ...
, belonging to the Jōmon period, currently has the oldest pottery in Japan. Excavations in 1998 uncovered earthenware fragments which have been dated as early as 14,500 BC.
The term "Jōmon" means "cord-marked" in Japanese. This refers to the markings made on the vessels and figures using sticks with cords during their production. Recent research has elucidated how Jōmon pottery
The is a type of ancient earthenware pottery which was made during the Jōmon period in Japan. The term "Jōmon" () means "rope-patterned" in Japanese, describing the patterns that are pressed into the clay.
Outline
Oldest pottery in Jap ...
was used by its creators.
It appears that pottery was independently developed in Sub-Saharan Africa during the 10th millennium BC, with findings dating to at least 9,400 BC from central Mali
Mali (; ), officially the Republic of Mali,, , ff, 𞤈𞤫𞤲𞥆𞤣𞤢𞥄𞤲𞤣𞤭 𞤃𞤢𞥄𞤤𞤭, Renndaandi Maali, italics=no, ar, جمهورية مالي, Jumhūriyyāt Mālī is a landlocked country in West Africa. Mal ...
,[ and in South America during the 9,000s–7,000s BC.] The Malian finds date to the same period as similar finds from East Asia – the triangle between Siberia, China and Japan – and are associated in both regions to the same climatic changes (at the end of the ice age new grassland develops, enabling hunter-gatherers to expand their habitat), met independently by both cultures with similar developments: the creation of pottery for the storage of wild cereals ( pearl millet), and that of small arrowheads for hunting small game typical of grassland.[ Alternatively, the creation of pottery in the case of the Incipient Jōmon civilisation could be due to the intensive exploitation of freshwater and marine organisms by late glacial foragers, who started developing ceramic containers for their catch.]
East Asia
In Japan, the Jōmon period has a long history of development of Jōmon pottery
The is a type of ancient earthenware pottery which was made during the Jōmon period in Japan. The term "Jōmon" () means "rope-patterned" in Japanese, describing the patterns that are pressed into the clay.
Outline
Oldest pottery in Jap ...
which was characterized by impressions of rope on the surface of the pottery created by pressing rope into the clay before firing. Glazed Stoneware was being created as early as the 15th century BC in China. A form of Chinese porcelain
Chinese ceramics show a continuous development since pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the Palaeolithic era. Chinese ceramics range from constru ...
became a significant Chinese export from the Tang Dynasty (AD 618–906) onwards. Korean potters adopted porcelain as early as the 14th century AD. Japanese porcelain was made in the early 16th century after Shonzui Goradoyu-go brought back the secret of its manufacture from the Chinese kilns at Jingdezhen.
In contrast to Europe, the Chinese elite used pottery extensively at table, for religious purposes, and for decoration, and the standards of fine pottery were very high. From the Song dynasty
The Song dynasty (; ; 960–1279) was an imperial dynasty of China that began in 960 and lasted until 1279. The dynasty was founded by Emperor Taizu of Song following his usurpation of the throne of the Later Zhou. The Song conquered the rest ...
(960–1279) for several centuries elite taste favoured plain-coloured and exquisitely formed pieces; during this period true porcelain was perfected in Ding ware, although it was the only one of the Five Great Kilns
The Five Great Kilns (), also known as Five Famous Kilns, is a generic term for ceramic kilns or wares (in Chinese 窯 yáo can mean either) which produced Chinese ceramics during the Song dynasty (960–1279) that were later held in particularly ...
of the Song period to use it. The traditional Chinese category of high-fired wares includes stoneware types such as Ru ware
Ru ware, Ju ware, or "Ru official ware" () is a famous and extremely rare type of Chinese pottery from the Song dynasty, produced for the imperial court for a brief period around 1100. Fewer than 100 complete pieces survive, though there are ...
, Longquan celadon
Longquan celadon (龍泉青瓷) is a type of green-glazed Chinese ceramic, known in the West as celadon or greenware, produced from about 950 to 1550. The kilns were mostly in Lishui prefecture in southwestern Zhejiang Province in the south of ...
, and Guan ware
Guan ware or Kuan ware () is one of the Five Famous Kilns of Song dynasty China, making high-status stonewares, whose surface decoration relied heavily on crackled glaze, randomly crazed by a network of crack lines in the glaze.
''Guan'' mean ...
. Painted wares such as Cizhou ware had a lower status, though they were acceptable for making pillows.
The arrival of Chinese blue and white porcelain was probably a product of the Mongol Yuan dynasty
The Yuan dynasty (), officially the Great Yuan (; xng, , , literally "Great Yuan State"), was a Mongol-led imperial dynasty of China and a successor state to the Mongol Empire after its division. It was established by Kublai, the fift ...
(1271–1368) dispersing artists and craftsmen across its large empire. Both the cobalt
Cobalt is a chemical element with the symbol Co and atomic number 27. As with nickel, cobalt is found in the Earth's crust only in a chemically combined form, save for small deposits found in alloys of natural meteoric iron. The free element, p ...
stains used for the blue colour, and the style of painted decoration, usually based on plant shapes, were initially borrowed from the Islamic world, which the Mongols had also conquered. At the same time Jingdezhen porcelain
Jingdezhen porcelain () is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China. Jingdezhen may have produced pottery as early as the sixth century CE, though it is named after the reign name of Emperor Zhenzo ...
, produced in Imperial factories, took the undisputed leading role in production, which it has retained to the present day. The new elaborately painted style was now favoured at court, and gradually more colours were added.
The secret of making such porcelain was sought in the Islamic world and later in Europe when examples were imported from the East. Many attempts were made to imitate it in Italy and France. However it was not produced outside of the Orient until 1709 in Germany.
South Asia
Cord-Impressed style pottery belongs to "Mesolithic" ceramic tradition that developed among Vindhya hunter-gatherers in Central India during the Mesolithic period. This ceramic style is also found in later Proto-Neolithic phase in nearby regions. This early type of pottery, also found at the site of Lahuradewa
Lahuradewa (Lat. 26°46'12" N; Long. 82°56'59" E) is located in Sant Kabir Nagar District, in Sarayupar (Trans-Sarayu) region of the Upper Gangetic Plain in Uttar Pradesh state of India. The Sarayupar Plain is bounded by the Sarayu River in th ...
, is currently the oldest known pottery tradition in South Asia, dating back to 7,000–6,000 BC. Wheel-made pottery began to be made during the Mehrgarh
Mehrgarh (; ur, ) is a Neolithic archaeological site (dated ) situated on the Kacchi Plain of Balochistan in Pakistan. It is located near the Bolan Pass, to the west of the Indus River and between the modern-day Pakistani cities of Quetta, ...
Period II (5,500–4,800 BC) and Merhgarh Period III (4,800–3,500 BC), known as the ceramic Neolithic and chalcolithic
The Copper Age, also called the Chalcolithic (; from grc-gre, χαλκός ''khalkós'', "copper" and ''líthos'', "stone") or (A)eneolithic (from Latin '' aeneus'' "of copper"), is an archaeological period characterized by regular ...
. Pottery, including items known as the ed-Dur vessels, originated in regions of the Saraswati River / Indus River and have been found in a number of sites in the Indus Civilization
The Indus Valley Civilisation (IVC), also known as the Indus Civilisation was a Bronze Age civilisation in the northwestern regions of South Asia, lasting from 3300 BCE to 1300 BCE, and in its mature form 2600 BCE to 1900& ...
.
Despite an extensive prehistoric record of pottery, including painted wares, little "fine" or luxury pottery was made in the subcontinent in historic times. Hinduism
Hinduism () is an Indian religion or '' dharma'', a religious and universal order or way of life by which followers abide. As a religion, it is the world's third-largest, with over 1.2–1.35 billion followers, or 15–16% of the global p ...
discourages eating off pottery, which probably largely accounts for this. Most traditional Indian pottery vessels are large pots or jars for storage, or small cups or lamps, often treated as disposable. In contrast there are long traditions of sculpted figures, often rather large, in terracotta.
File:Pottery wheel before 1910.jpg, A potter with his pottery wheel, British Raj
The British Raj (; from Hindi ''rāj'': kingdom, realm, state, or empire) was the rule of the British Crown on the Indian subcontinent;
*
* it is also called Crown rule in India,
*
*
*
*
or Direct rule in India,
* Quote: "Mill, who was him ...
(1910)
File:CH-NB - Afghanistan, Jstalif (Istalif)- Gebäude - Annemarie Schwarzenbach - SLA-Schwarzenbach-A-5-21-028.jpg, Stacked pottery in Istalif
Istālif ( prs, استالف) is a village northwest of Kabul, Afghanistan, situated at an elevation of in the Shomali Plains, west of Kalakan and south-west of Bagram. It is the center of Istalif District, Kabul Province, Afghanistan. Istalif is ...
, Afghanistan, a village known for distinctive pottery tradition
File:Early Harappan pot - National Museum, New Delhi.jpg, Early Harappan ceramics c. 3000-2800 BCE, at National Museum, New Delhi
Southeast Asia
Pottery in Southeast Asia is as diverse as its ethnic groups. Each ethnic group has their own set of standards when it comes to pottery arts. Potteries are made due to various reasons, such as trade, food and beverage storage, kitchen usage, religious ceremonies, and burial purposes.
West Asia
Around 8000 BC during the Pre-pottery Neolithic
The Pre-Pottery Neolithic (PPN) represents the early Neolithic in the Levantine and upper Mesopotamian region of the Fertile Crescent, dating to years ago, (10000 – 6500 BCE).Richard, Suzanne ''Near Eastern archaeology'' Eisenbrauns; il ...
period, and before the invention of pottery, several early settlements became experts in crafting beautiful and highly sophisticated containers from stone, using materials such as alabaster
Alabaster is a mineral or rock that is soft, often used for carving, and is processed for plaster powder. Archaeologists and the stone processing industry use the word differently from geologists. The former use it in a wider sense that include ...
or granite
Granite () is a coarse-grained ( phaneritic) intrusive igneous rock composed mostly of quartz, alkali feldspar, and plagioclase. It forms from magma with a high content of silica and alkali metal oxides that slowly cools and solidifies under ...
, and employing sand to shape and polish. Artisans used the veins in the material to maximum visual effect. Such objects have been found in abundance on the upper Euphrates river, in what is today eastern Syria, especially at the site of Bouqras
Bouqras is a large, oval shaped, prehistoric, Neolithic Tell, about in size, located around from Deir ez-Zor in Syria.
Excavation
The tell was discovered in 1960 by Dutch geomorphologist, Willem van Liere. It was excavated between 1960 an ...
.
The earliest history of pottery production in the Fertile Crescent
The Fertile Crescent ( ar, الهلال الخصيب) is a crescent-shaped region in the Middle East, spanning modern-day Iraq, Syria, Lebanon, Israel, Palestine and Jordan, together with the northern region of Kuwait, southeastern region of ...
starts the Pottery Neolithic
In the archaeology of Southwest Asia, the Late Neolithic, also known as the Ceramic Neolithic or Pottery Neolithic, is the final part of the Neolithic period, following on from the Pre-Pottery Neolithic and preceding the Chalcolithic. It is some ...
and can be divided into four periods, namely: the Hassuna
Tell Hassuna is a tell, or settlement mound, in the Nineveh Province (Iraq), about 35km south-west of Nineveh. It is the type site for the Hassuna culture (early sixth millennium BCE).
History of archaeological research
Tell Hassuna was found ...
period (7000–6500 BC), the Halaf period (6500–5500 BC), the Ubaid period
The Ubaid period (c. 6500–3700 BC) is a prehistoric period of Mesopotamia. The name derives from Tell al-'Ubaid where the earliest large excavation of Ubaid period material was conducted initially in 1919 by Henry Hall and later by Leonard Wo ...
(5500–4000 BC), and the Uruk period (4000–3100 BC). By about 5000 BC pottery-making was becoming widespread across the region, and spreading out from it to neighbouring areas.
Pottery making began in the 7th millennium BC. The earliest forms, which were found at the Hassuna
Tell Hassuna is a tell, or settlement mound, in the Nineveh Province (Iraq), about 35km south-west of Nineveh. It is the type site for the Hassuna culture (early sixth millennium BCE).
History of archaeological research
Tell Hassuna was found ...
site, were hand formed from slabs, undecorated, unglazed low-fired pots made from reddish-brown clays. Within the next millennium, wares were decorated with elaborate painted designs and natural forms, incising and burnished.
The invention of the potter's wheel
In pottery, a potter's wheel is a machine used in the shaping (known as throwing) of clay into round ceramic ware. The wheel may also be used during the process of trimming excess clay from leather-hard dried ware that is stiff but malleable, a ...
in Mesopotamia
Mesopotamia ''Mesopotamíā''; ar, بِلَاد ٱلرَّافِدَيْن or ; syc, ܐܪܡ ܢܗܪ̈ܝܢ, or , ) is a historical region of Western Asia situated within the Tigris–Euphrates river system, in the northern part of the ...
sometime between 6000 and 4000 BC (Ubaid period
The Ubaid period (c. 6500–3700 BC) is a prehistoric period of Mesopotamia. The name derives from Tell al-'Ubaid where the earliest large excavation of Ubaid period material was conducted initially in 1919 by Henry Hall and later by Leonard Wo ...
) revolutionized pottery production. Newer kiln designs could fire wares to to which enabled new possibilities and new preparation of clays. Production was now carried out by small groups of potters for small cities, rather than individuals making wares for a family. The shapes and range of uses for ceramics and pottery expanded beyond simple vessels to store and carry to specialized cooking utensils, pot stands and rat traps. As the region developed, new organizations and political forms, pottery became more elaborate and varied. Some wares were made using moulds, allowing for increased production for the needs of the growing populations. Glazing was commonly used and pottery was more decorated.
In the Chalcolithic
The Copper Age, also called the Chalcolithic (; from grc-gre, χαλκός ''khalkós'', "copper" and ''líthos'', "stone") or (A)eneolithic (from Latin '' aeneus'' "of copper"), is an archaeological period characterized by regular ...
period in Mesopotamia, Halafian pottery achieved a level of technical competence and sophistication, not seen until the later developments of Greek pottery
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exe ...
with Corinthian and Attic ware
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exe ...
.
Europe
Europe's oldest pottery, dating from circa 6700 BC, was found on the banks of the Samara River
The Samara ( rus, Сама́ра, p=sɐˈmarə) is a river in Russia and a left-bank tributary of the Volga. It flows into the larger river at the city of Samara. Its largest tributary is the Bolshoy Kinel. It is long, and its drainage basin ...
in the middle Volga
The Volga (; russian: Во́лга, a=Ru-Волга.ogg, p=ˈvoɫɡə) is the longest river in Europe. Situated in Russia, it flows through Central Russia to Southern Russia and into the Caspian Sea. The Volga has a length of , and a catchm ...
region of Russia
Russia (, , ), or the Russian Federation, is a transcontinental country spanning Eastern Europe and Northern Asia. It is the largest country in the world, with its internationally recognised territory covering , and encompassing one-eig ...
. These sites are known as the Yelshanka culture The Elshanka culture (Russian: Елшанская культура) was a Subneolithic or very early Neolithic archaeological culture, culture that flourished in the middle Volga region in the 7th millennium BC. The sites are mostly individual grave ...
.
The early inhabitants of Europe developed pottery in the Linear Pottery culture slightly later than the Near East, circa 5500–4500 BC. In the ancient Western Mediterranean elaborately painted earthenware reached very high levels of artistic achievement in the Greek world; there are large numbers of survivals from tombs. Minoan pottery was characterized by complex painted decoration with natural themes. The classical Greek culture began to emerge around 1000 BC featuring a variety of well crafted pottery which now included the human form as a decorating motif. The pottery wheel was now in regular use. Although glazing was known to these potters, it was not widely used. Instead, a more porous clay slip was used for decoration. A wide range of shapes for different uses developed early and remained essentially unchanged during Greek history.
Fine Etruscan pottery was heavily influenced by Greek pottery and often imported Greek potters and painters. Ancient Roman pottery
Pottery was produced in enormous quantities in ancient Rome, mostly for utilitarian purposes. It is found all over the former Roman Empire and beyond. Monte Testaccio is a huge waste mound in Rome made almost entirely of broken amphorae used fo ...
made much less use of painting, but used moulded decoration, allowing industrialized production on a huge scale. Much of the so-called red Samian ware
Terra sigillata is a term with at least three distinct meanings: as a description of medieval medicinal earth; in archaeology, as a general term for some of the fine red Ancient Roman pottery with glossy surface slips made in specific areas of t ...
of the Early Roman Empire
The Roman Empire ( la, Imperium Romanum ; grc-gre, Βασιλεία τῶν Ῥωμαίων, Basileía tôn Rhōmaíōn) was the post- Republican period of ancient Rome. As a polity, it included large territorial holdings around the Mediter ...
was in fact produced in modern Germany and France, where entrepreneurs established large potteries. Excavations at Augusta Raurica
Augusta Raurica is a Roman archaeological site and an open-air museum in Switzerland located on the south bank of the Rhine river about 20 km east of Basel near the villages of Augst and Kaiseraugst. It is the site of the oldest known ...
, near Basel, Switzerland, have revealed a pottery production site in use from the 1st to the 4th century AD.
Pottery was hardly seen on the tables of elites from Hellenistic
In Classical antiquity, the Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the emergence of the Roman Empire, as signified by the Battle of Actium in ...
times until the Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history
The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD ...
, and most medieval wares were coarse and utilitarian, as the elites ate off metal vessels. Painted Hispano-Moresque ware from Spain, developing the styles of Islamic Spain
Al-Andalus translit. ; an, al-Andalus; ast, al-Ándalus; eu, al-Andalus; ber, ⴰⵏⴷⴰⵍⵓⵙ, label= Berber, translit=Andalus; ca, al-Àndalus; gl, al-Andalus; oc, Al Andalús; pt, al-Ândalus; es, al-Ándalus () was the Mu ...
, became a luxury for late medieval elites, and was adapted in Italy into ''maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ...
'' in the Italian Renaissance
The Italian Renaissance ( it, Rinascimento ) was a period in Italian history covering the 15th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Europe and marked the trans ...
. Both of these were faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major a ...
or tin-glazed earthenware, and fine faience continued to be made until around 1800 in various countries, especially France, with Nevers faience and several other centres. In the 17th century, imports of Chinese export porcelain
Chinese export porcelain includes a wide range of Chinese porcelain that was made (almost) exclusively for export to Europe and later to North America between the 16th and the 20th century. Whether wares made for non-Western markets are covered b ...
and its Japanese equivalent raised the market
expectations of fine pottery, and European manufacturers eventually learned to make porcelain, often in the form of "artificial" or soft-paste porcelain
Soft-paste porcelain (sometimes simply "soft paste", or "artificial porcelain") is a type of ceramic material in pottery, usually accepted as a type of porcelain. It is weaker than "true" hard-paste porcelain, and does not require either the hig ...
, and from the 18th century European porcelain and other wares from a great number of producers became extremely popular, reducing Asian imports.
United Kingdom
The English city of Stoke-on-Trent is widely known as "The Potteries" because of the large number of pottery factories or, colloquially, "Pot Banks". It was one of the first industrial cities of the modern era where, as early as 1785, two hundred pottery manufacturers employed 20,000 workers. Josiah Wedgwood
Josiah Wedgwood (12 July 1730 – 3 January 1795) was an English potter, entrepreneur and abolitionist. Founding the Wedgwood company in 1759, he developed improved pottery bodies by systematic experimentation, and was the leader in the indus ...
(1730–1795) was the dominant leader.
In North Staffordshire hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china
Bone china is a type of ceramic that is composed of bone ash, feldspathic material, and kaolin. It has been defined as "ware with a translucent body" containing a minimum of 30% of phosphate derived from animal bone and calculated calcium phospha ...
and jasperware
Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s. Usually described as stoneware, it has an unglazed matte "biscuit" finish and is produced in a number of different colours, of which the most com ...
, as well as pioneering transfer printing
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. Fleming, John & Hugh Ho ...
and other glazing and decorating techniques. In general Staffordshire was strongest in the middle and low price ranges, though the finest and most expensive types of wares were also made.
By the late 18th century North Staffordshire was the largest producer of ceramics in Britain, despite significant centres elsewhere. Large export markets took Staffordshire pottery around the world, especially in the 19th century. Production had begun to decline in the late 19th century, as other countries developed their industries, and declined steeply after World War II. Some production continues in the area, but at a fraction of the levels at the peak of the industry.
Islamic pottery
Early Islamic pottery followed the forms of the regions which the Muslims conquered. Eventually, however, there was cross-fertilization between the regions. This was most notable in the Chinese influences on Islamic pottery
Chinese influences on Islamic pottery cover a period starting from at least the 8th century CE to the 19th century. This influence of Chinese ceramics has to be viewed in the broader context of the considerable importance of Chinese culture on ...
. Trade between China and Islam took place via the system of trading posts over the lengthy Silk Road. Islamic nations imported stoneware and later porcelain from China. China imported the minerals for Cobalt blue from the Islamic ruled Persia
Iran, officially the Islamic Republic of Iran, and also called Persia, is a country located in Western Asia. It is bordered by Iraq and Turkey to the west, by Azerbaijan and Armenia to the northwest, by the Caspian Sea and Turkmeni ...
to decorate their blue and white porcelain, which they then exported to the Islamic world.
Likewise, Islamic art contributed to a lasting pottery form identified as Hispano-Moresque
Hispano-Moresque ware is a style of initially Islamic pottery created in Al-Andalus, which continued to be produced under Christian rule in styles blending Islamic and European elements. It was the most elaborate and luxurious pottery being pr ...
in Andalucia
Andalusia (, ; es, Andalucía ) is the southernmost autonomous community in Peninsular Spain. It is the most populous and the second-largest autonomous community in the country. It is officially recognised as a "historical nationality". The ...
(Islamic Spain). Unique Islamic forms were also developed, including fritware
Fritware, also known as stone-paste, is a type of pottery in which frit (ground glass) is added to clay to reduce its fusion temperature. The mixture may include quartz or other siliceous material. An organic compound such as gum or glue may ...
, lusterware
Lustreware or lusterware (respectively the spellings for British English and American English) is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence. It is produced by metallic oxides in an overglaze finish ...
and specialized glazes like tin-glazing
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added.Caiger-Smith ...
, which led to the development of the popular maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ...
.
One major emphasis in ceramic development in the Muslim world was the use of tile
Tiles are usually thin, square or rectangular coverings manufactured from hard-wearing material such as ceramic, stone, metal, baked clay, or even glass. They are generally fixed in place in an array to cover roofs, floors, walls, edges, or o ...
and decorative tilework.
File:Thr muze art islam 7.jpg, alt=, Bowl painted on slip under transparent glaze (polychrome
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors.
Ancient Egypt
Colossal statu ...
), 9th or 10th century, Nishapur. National Museum of Iran
The National Museum of Iran ( fa, موزهٔ ملی ایران ) is located in Tehran, Iran. It is an institution formed of two complexes; the Museum of Ancient Iran and the Museum of Islamic Archaeology and Art of Iran, which were opened in 1937 ...
.
File:Spherical Hanging Ornament, 1575-1585.jpg, ''Spherical Hanging Ornament'', 1575–1585, Ottoman Period. Brooklyn Museum.
File:Mendel II 071 r.jpg, A potter at work, 1605
File:Chess Set MET DP170393.jpg, alt=, Chess set ( Shatrang); Gaming pieces. 12th century, Nishapur glazed fritware
Fritware, also known as stone-paste, is a type of pottery in which frit (ground glass) is added to clay to reduce its fusion temperature. The mixture may include quartz or other siliceous material. An organic compound such as gum or glue may ...
. Metropolitan Museum of Art
The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
Americas
Most evidence points to an independent development of pottery in the Native American cultures, with the earliest known dates from Brazil, from 9,500 to 5,000 years ago and 7,000 to 6,000 years ago. Further north in Mesoamerica
Mesoamerica is a historical region and cultural area in southern North America and most of Central America. It extends from approximately central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica ...
, dates begin with the Archaic Era (3500–2000 BC), and into the Formative period
Several chronologies in the archaeology of the Americas include a Formative Period or Formative stage etc. It is often sub-divided, for example into "Early", "Middle" and "Late" stages.
The Formative is the third of five stages defined by Gord ...
(2000 BC – AD 200). These cultures did not develop the stoneware, porcelain or glazes found in the Old World. Maya ceramics
Maya ceramics are ceramics produced in the Pre-Columbian Maya culture of Mesoamerica. The vessels used different colors, sizes, and had varied purposes. Vessels for the elite could be painted with very detailed scenes, while utilitarian vessels we ...
include finely painted vessels, usually beakers, with elaborate scenes with several figures and texts. Several cultures, beginning with the Olmec
The Olmecs () were the earliest known major Mesoamerican civilization. Following a progressive development in Soconusco, they occupied the tropical lowlands of the modern-day Mexican states of Veracruz and Tabasco. It has been speculated that ...
, made terracotta sculpture, and sculptural pieces of humans or animals that are also vessels are produced in many places, with Moche portrait vessels among the finest.
Africa
Evidence indicates an independent invention of pottery in Sub-Saharan Africa. In 2007, Swiss archaeologists discovered pieces of some of the oldest pottery in Africa at Ounjougou
Ounjougou is the name of a lieu-dit found in the middle of an important complex of archaeological sites in the Upper Yamé Valley on the Bandiagara Plateau, in Dogon Country, Mali. The Ounjougou archaeological complex consists of over a hundred s ...
in Central Mali, dating back to at least 9,400 BC.[ Excavations in the Bosumpra Cave on the Kwahu Plateau in southeastern Ghana, have revealed well-manufactured pottery decorated with channelling and impressed peigne fileté rigide dating from the early tenth-millennium cal. BC. In later periods, a relationship of the introduction of pot-making in some parts of Sub-Saharan Africa with the spread of Bantu languages has been long recognized, although the details remain controversial and awaiting further research, and no consensus has been reached.][See for a recent discussion of the issues, and links to further literature.]
Ancient Egyptian pottery
Ancient Egyptian pottery includes all objects of fired clay from ancient Egypt. First and foremost, ceramics served as household wares for the storage, preparation, transport, and consumption of food, drink, and raw materials. Such items include ...
begins after 5,000 BC, having spread from the Levant. There were many distinct phases of development in pottery, with very sophisticated wares being produced by the Naqada III
Naqada III is the last phase of the Naqada culture of ancient Egyptian prehistory, dating from approximately 3200 to 3000 BC. It is the period during which the process of state formation, which began in Naqada II, became highly visible, w ...
period, c. 3,200 to 3,000 BC. During the early Mediterranean civilizations of the fertile crescent, Egypt developed a non-clay-based ceramic which has come to be called Egyptian faience
Egyptian faience is a sintered- quartz ceramic material from Ancient Egypt. The sintering process "covered he materialwith a true vitreous coating" as the quartz underwent vitrification, creating a bright lustre of various colours "usually ...
.[The non-clay ceramic called ]Egyptian faience
Egyptian faience is a sintered- quartz ceramic material from Ancient Egypt. The sintering process "covered he materialwith a true vitreous coating" as the quartz underwent vitrification, creating a bright lustre of various colours "usually ...
should not be confused with faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major a ...
, which is a type of glaze. A similar type of body is still made in Jaipur
Jaipur (; Hindi: ''Jayapura''), formerly Jeypore, is the capital and largest city of the Indian state of Rajasthan. , the city had a population of 3.1 million, making it the tenth most populous city in the country. Jaipur is also known ...
in India. During the Umayyad Caliphate
The Umayyad Caliphate (661–750 CE; , ; ar, ٱلْخِلَافَة ٱلْأُمَوِيَّة, al-Khilāfah al-ʾUmawīyah) was the second of the four major caliphates established after the death of Muhammad. The caliphate was ruled by th ...
of Islam, Egypt was a link between early centre of Islam in the Near East and Iberia which led to the impressive style of pottery.
It is valuable to look into pottery as an archaeological record of potential interaction between peoples. When pottery is placed within the context of linguistic and migratory patterns, it becomes an even more prevalent category of social artifact. As proposed by Olivier P. Gosselain, it is possible to understand ranges of cross-cultural interaction by looking closely at the ''chaîne opératoire
Chaîne opératoire (; ) is a term used throughout anthropological discourse, but is most commonly used in archaeology and sociocultural anthropology. It functions as a methodological tool for analysing the technical processes and social acts i ...
'' of ceramic production.[See for further discussion and sources.]
The methods used to produce pottery in early Sub-Saharan Africa are divisible into three categories: techniques visible to the eye (decoration, firing and post-firing techniques), techniques related to the materials (selection or processing of clay, etc.), and techniques of molding or fashioning the clay. These three categories can be used to consider the implications of the reoccurrence of a particular sort of pottery in different areas. Generally, the techniques that are easily visible (the first category of those mentioned above) are thus readily imitated, and may indicate a more distant connection between groups, such as trade in the same market or even relatively close settlements. Techniques that require more studied replication (i.e., the selection of clay and the fashioning of clay) may indicate a closer connection between peoples, as these methods are usually only transmissible between potters and those otherwise directly involved in production. Such a relationship requires the ability of the involved parties to communicate effectively, implying pre-existing norms of contact or a shared language between the two. Thus, the patterns of technical diffusion in pot-making that are visible via archaeological findings also reveal patterns in societal interaction.
Oceania
Polynesia
Polynesia () "many" and νῆσος () "island"), to, Polinisia; mi, Porinihia; haw, Polenekia; fj, Polinisia; sm, Polenisia; rar, Porinetia; ty, Pōrīnetia; tvl, Polenisia; tkl, Polenihia (, ) is a subregion of Oceania, made up of ...
, Melanesia
Melanesia (, ) is a subregion of Oceania in the southwestern Pacific Ocean. It extends from Indonesia's New Guinea in the west to Fiji in the east, and includes the Arafura Sea.
The region includes the four independent countries of Fiji, Va ...
and Micronesia
Micronesia (, ) is a subregion of Oceania, consisting of about 2,000 small islands in the western Pacific Ocean. It has a close shared cultural history with three other island regions: the Philippines to the west, Polynesia to the east, and ...
Pottery has been found in archaeological sites across the islands of Oceania. It is attributed to an ancient archaeological culture called the Lapita. Another form of pottery called Plainware is found throughout sites of Oceania. The relationship between Lapita pottery and Plainware is not altogether clear.
The Indigenous Australians
Indigenous Australians or Australian First Nations are people with familial heritage from, and membership in, the ethnic groups that lived in Australia before British colonisation. They consist of two distinct groups: the Aboriginal peoples ...
never developed pottery. After Europeans came to Australia and settled, they found deposits of clay which were analysed by English potters as excellent for making pottery. Less than 20 years later, Europeans came to Australia and began creating pottery. Since then, ceramic manufacturing, mass-produced pottery and studio pottery have flourished in Australia.
Production issues (health and environment)
Although many of the environmental effects of pottery production have existed for millennia, some of these have been amplified with modern technology and scales of production. The principal factors for consideration fall into two categories: (a) effects on workers, and (b) effects on the general environment.
The chief risks on worker health include heavy metal poisoning
A toxic heavy metal is any relatively dense metal or metalloid that is noted for its potential toxicity, especially in environmental contexts. The term has particular application to cadmium, mercury and lead, all of which appear in the World H ...
, poor indoor air quality
Indoor air quality (IAQ) is the air quality within and around buildings and structures. IAQ is known to affect the health, comfort, and well-being of building occupants. Poor indoor air quality has been linked to sick building syndrome, reduce ...
, dangerous sound levels and possible over-illumination
Overillumination is the presence of lighting intensity higher than that which is appropriate for a specific activity. Overillumination was commonly ignored between 1950 and 1995, especially in office and retail environments.M.D. Simpson, ''A fl ...
.
Historically, "plumbism" ( lead poisoning) was a significant health concern to those glazing pottery. This was recognised at least as early as the nineteenth century, and the first legislation in the United Kingdom to limit pottery workers' exposure was introduced in 1899.
Proper ventilation to guarantee adequate indoor air quality can reduce or eliminate workers' exposure to fine particulate
Particulates – also known as atmospheric aerosol particles, atmospheric particulate matter, particulate matter (PM) or suspended particulate matter (SPM) – are microscopic particles of solid or liquid matter suspended in the air. The te ...
matter, carbon monoxide
Carbon monoxide (chemical formula CO) is a colorless, poisonous, odorless, tasteless, flammable gas that is slightly less dense than air. Carbon monoxide consists of one carbon atom and one oxygen atom connected by a triple bond. It is the simple ...
, certain heavy metals, and crystalline silica
Silicon dioxide, also known as silica, is an oxide of silicon with the chemical formula , most commonly found in nature as quartz and in various living organisms. In many parts of the world, silica is the major constituent of sand. Silica is ...
(which can lead to silicosis). A more recent study at Laney College
Laney College is a public community college in Oakland, California. Laney is the largest of the four colleges of the Peralta Community College District which serves northern Alameda County. Laney College is named after Joseph Clarence Laney. Th ...
, Oakland, California
Oakland is the largest city and the county seat of Alameda County, California, United States. A major West Coast of the United States, West Coast port, Oakland is the largest city in the East Bay region of the San Francisco Bay Area, the third ...
suggests that all these factors can be controlled in a well-designed workshop environment.
The primary environmental concerns include off-site water pollution
Water pollution (or aquatic pollution) is the contamination of water bodies, usually as a result of human activities, so that it negatively affects its uses. Water bodies include lakes, rivers, oceans, aquifers, reservoirs and groundwater. ...
, air pollution
Air pollution is the contamination of air due to the presence of substances in the atmosphere that are harmful to the health of humans and other living beings, or cause damage to the climate or to materials. There are many different typ ...
, disposal of hazardous materials
Dangerous goods, abbreviated DG, are substances that when transported are a risk to health, safety, property or the environment. Certain dangerous goods that pose risks even when not being transported are known as hazardous materials ( syllab ...
, and fuel consumption.
See also
* Glossary of pottery terms
This is a list of pottery and ceramic terms.
:''Definitions in Wiktionary are noted as "(W)".''
A
B
C
D
E
...
* American art pottery
American art pottery (sometimes capitalized) refers to aesthetically distinctive hand-made ceramics in earthenware and stoneware from the period 1870-1950s. Ranging from tall vases to tiles, the work features original designs, simplified shapes, an ...
* Celadon
''Celadon'' () is a term for pottery denoting both wares glazed in the jade green celadon color, also known as greenware or "green ware" (the term specialists now tend to use), and a type of transparent glaze, often with small cracks, that wa ...
* Ceramics of indigenous peoples of the Americas
Native American pottery is an art form with at least a 7500-year history in the Americas. Pottery is fired ceramics with clay as a component. Ceramics are used for utilitarian cooking vessels, serving and storage vessels, pipes, funerary urns, ...
* Chinese ceramics
Chinese ceramics show a continuous development since Chinese Neolithic, pre-dynastic times and are one of the most significant forms of Chinese art and ceramics globally. The first pottery was made during the List of Palaeolithic sites in China, ...
including porcelain
* Delftware
Delftware or Delft pottery, also known as Delft Blue ( nl, Delfts blauw) or as delf,
is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery, and the city of Delft in the Netherlands ...
* Dipped ware {{Use dmy dates, date=April 2022
Dipped ware is the period term used by potters in late 18th- and 19th-century British potteries for utilitarian earthenware vessels turned on horizontal lathes and decorated with coloured slip; they are thus a ...
* Faience
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major a ...
* History of ceramic art
* Ironstone ware
Ironstone china, ironstone ware or most commonly just ironstone, is a type of vitreous pottery first made in the United Kingdom in the early 19th century. It is often classed as earthenware although in appearance and properties it is similar ...
* Jasperware
Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s. Usually described as stoneware, it has an unglazed matte "biscuit" finish and is produced in a number of different colours, of which the most com ...
* Korean ceramics
Korean ceramic history begins with the oldest earthenware from around 8000 BC.
Throughout the history, the Korean peninsula has been home to lively, innovative, and sophisticated art making. Long period of stability have allowed for the establi ...
* Kakiemon
is a style of Japanese porcelain, with overglaze decoration called "enameled" ceramics. It was originally produced at the factories around Arita, in Japan's Hizen province (today, Saga Prefecture) from the Edo period's mid-17th century onwards ...
pottery
* Latvian pottery
Latvian pottery ( lv, Latvijas podniecība) or Latvian ceramics (''Latvijas keramika'') is one of the country's oldest art forms, dating back to the Neolithic. The best-known subset of Latvian pottery is Latgalian pottery ( ltg, Latgolys pūdnīce ...
* Latgalian pottery
Latgalian pottery ( ltg, Latgolys pūdnīceiba, lv, Latgales podniecība) or Latgalian ceramics (''Latgolys keramika'', ''Latgales keramika''), also known as Silajāņi ceramics is the best-known subset of Latvian pottery. The region of Latgale ...
* Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ...
of Renaissance Italy
* Majolica
In different periods of time and in different countries, the term ''majolica'' has been used for two distinct types of pottery.
Firstly, from the mid-15th century onwards, was ''maiolica'', a type of pottery reaching Italy from Spain, Majorca a ...
* Palissy ware
* Persian pottery
Persian pottery or Iranian pottery is the pottery made by the artists of Persia (Iran) and its history goes back to early Neolithic Age (7th millennium BCE). Agriculture gave rise to the baking of clay, and the making of utensils by the peopl ...
* Sancai
''Sancai'' ()Vainker, 75 is a versatile type of decoration on Chinese pottery using glazes or slip, predominantly in the three colours of brown (or amber), green, and a creamy off-white. It is particularly associated with the Tang Dynasty (618 ...
* Sea pottery
Sea pottery (also known as "sea china" or "sea porcelain" or "beach pottery") is pottery which is broken into worn pieces and shards and found on beaches along oceans or large lakes. Sea pottery has been tumbled and smoothed by the water and sand, ...
* Slipware
Slipware is pottery identified by its primary decorating process where slip is placed onto the leather-hard (semi-hardened) clay body surface before firing by dipping, painting or splashing. Slip is an aqueous suspension of a clay body, whi ...
* SylvaC
''SylvaC'' (with a deliberate capital C at the end) is a brand of British ornamental pottery characterised primarily by figurines of animals and Toby Jugs. The SylvaC company briefly ceased production in 1982 although production of SylvaC piece ...
* Victorian majolica
Victorian majolica properly refers to two types of majolica made in the second half of the 19th century in Europe and America.
Firstly, and best known, there is the mass-produced majolica decorated with coloured lead glazes, made in Britain, Eu ...
Explanatory notes
Citations
General and cited works
* Cooper, Emmanuel, ''10,000 Years of Pottery'', 4th ed., 2010, University of Pennsylvania Press,
* Savage, George, ''Pottery Through the Ages'', Penguin, 1959,
Further reading
* ASTM Standard C 242-01 ''Standard Terminology of Ceramic Whitewares and Related Products''
* Ashmore, Wendy & Sharer, Robert J., (2000). ''Discovering Our Past: A Brief Introduction to Archaeology Third Edition''. Mountain View, CA: Mayfield Publishing Company.
* Barnett, William & Hoopes, John (Eds.) (1995). ''The Emergence of Pottery''. Washington: Smithsonian Institution Press.
* Childe, V.G., (1951). ''Man Makes Himself''. London: Watts & Co.
* Freestone, Ian, Gaimster, David R.M., ''Pottery in the Making: World Ceramic Traditions'', 1997, British Museum Publications,
* Rice, Prudence M. (1987). ''Pottery Analysis – A Sourcebook''. Chicago: University of Chicago Press. .
* van der Veen, V. (2018). Form Follows Function. A new approach to determining vessel function. ''Internet Archaeology'' 50
Form Follows Function. A new approach to determining vessel function
External links
Stoke-on-Trent Museums – Ceramics Collections Online
Ceramics everywhere
{{Neolithic Chronology
Articles containing video clips
Ceramic art
Types of production