History
The Institute grew out of the class on politics of representation at the IUAV University in Venice. It was founded in 2006 by Lewis BaltzArchives
The Arsenale Institute's archive contains an extensive research collection of the avant-garde movements of the early 20th century, with a focus on documents and works by the Futurists, Raymond Roussel, DADA, Marcel Duchamp, the Surrealists, Belgian Revolutionary Surrealism, the Lettrists and Situationists. The Institute's library and archive are available to research for scholars and students upon request.Exhibitions
The Institute's exhibitions are usually conceived as traveling exhibitions for international venues, designed and probed in the Venice premises in the form of laboratory installations. For example, the 2017 exhibition ''Tous Contre le Spectacle'' led to the large exhibition on the Situationists at the HKW in Berlin in 2018. They are complemented by a program of lectures, conferences, guided tours and workshops. The Institute carries out its projects in cooperation and dialogue with universities, museums and private foundations. Among others, the partnering institutions are: ARCH+, Archiv der Avantgarden: Sammlung Marzona, L'Arengario Studio Bibliografico, Bevilacqua la Masa, The British Council, Bundesministerium für Verkehr und Digitale Infrastruktur, Musée Carnavalet, DOX Centre for Contemporary Art, Fondation Cartier pour l'Art Contemporain, Comune di Venezia, Fondazione Olivetti, Gagosian Gallery, Hatje Cantz,Location
The Arsenale Institute is located in a prominent building named ''Marinarezza'' located directly on the waterfront (''Riva dei Sette Martiri''). It is recognised as an important example of Venetian vernacular architecture that anticipates the urbanism of the modern city. The complex, dating back to 1347 includes a series of houses that, since the 14th century, were given free of charge to seamen and shipyard workers at the Arsenale who had rendered services to the Republic of Venice. In 1645, a front building for workshops and warehouses was added to the ensemble, enclosing the two alleys with monumental arches facing the waterfront. The three parallel rows of Gothic dwellings behind it embody not only one of the earliest known approaches to the concept of public housing, but also that of modular architecture.Exhibitions (selection)
The following include both collaborations and independently organized exhibitions: * 2009 Migropolis, Bevilacqua la Masa, Venice * 2010 Done-Book, 12th International Architecture Biennale Venice, The British Council * 2014 The Things of Life / The Life of Things, SKD, Dresden * 2014 Logical Rain, SKD, Dresden * 2015 Supermarket of the Dead, Fire Sacrifice in China and the Cult of Globalized Consumption, SKD, Dresden * 2016 Surveying the Non-Human. On the Aesthetics of Racism, SKD, Dresden * 2016 The Soul of Money, DOX, Prague * 2017 Sacred Goods, Johann Jacobs Museum, Zurich * 2017 Tous Contre le Spectacle, Marinarezza, Venice * 2018 Unbuilt, Marinarezza, Venice * 2018 The Most Dangerous Game, HKW, Berlin * 2019 Hey Psycho!, Marinarezza, Venice ** featuring works of Douglas Gordon andPublications (selection)
The following publications are based on research conducted or supported by the Institute: * Wolfgang Scheppe: ''Migropolis / Atlas of a Global Situation'', 2 Vol., Hatje Cantz, Ostfildern, 2009, * Wolfgang Scheppe: ''Done.Book: Picturing the City of Society'', The British Council/Hatje Cantz, Ostfildern, 2010, *Lewis Baltz: ''Candlestick Point'', Steidl, Göttingen 2011, ** Wolfgang Scheppe: 'The Garden of False Reality', in ''Candlestick Point,'' Steidl, Göttingen 2011, * Lewis Baltz: 'Migropolis', in: ''Texts'', Steidl, Göttingen, 2012, * Lewis Baltz: ''Venezia Marghera'', Steidl, Göttingen, 2013, * Wolfgang Scheppe: ''The Things of Life / The Life of Things'', 3 Vol., Walther König, Cologne, 2014, * Wolfgang Scheppe: ''Logical Rain'', SKD, Dresden, 2014, * Wolfgang Scheppe: ''Supermarket of the Dead, Fire offerings in China and the Cult of Globalised Consumption'', 3 Vol., Walther König, Cologne, 2015, * Wolfgang Scheppe: 'L’invention de l’image de la Ville', in: ''Le Marais en héritage(s)'', Musée Carnavalet, Paris, 2015, * Wolfgang Scheppe: ''Surveying the Non-Human. On the Aesthetics of Racism'', SKD, Dresden, 2016, * Wolfgang Scheppe: 'Die legislative Erfindung des Stadtbildes', in: ''ARCH+ 225'', 2016 * Roberto Ohrt, Wolfgang Scheppe: ''The Most Dangerous Game'', 2 Vol., Merve, Leipzig, 2018, * Wolfgang Scheppe: 'The Ground-Rent of Art and Exclusion from the City', in: ''The Property Issue. Politics of Space and Data'', Birkhäuser, Basel, 2020, * Wolfgang Scheppe: ''Taxonomy of the Barricade, Image Acts of Political Authority in May 1968'', Nero, Rome, 2021, * Michael Vahrenwald, Wolfgang Scheppe: ''The People's Trust'', Kominek, Berlin, 2021, * Wolfgang Scheppe: ''Leaving an Island (Lawrence Weiner’s farewell)'', Walther König, Köln, 2022,References
{{reflist Organisations based in Venice Philosophy organizations 2009 establishments in Italy