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Baron Baron is a rank of nobility or title of honour, often hereditary, in various European countries, either current or historical. The female equivalent is baroness. Typically, the title denotes an aristocrat who ranks higher than a lord or knig ...
Armand-Marie Ghislain Limnander van Nieuwenhove (born 22 May 1814 in
Ghent Ghent ( nl, Gent ; french: Gand ; traditional English: Gaunt) is a city and a municipality in the Flemish Region of Belgium. It is the capital and largest city of the East Flanders province, and the third largest in the country, exceeded in ...
, Belgium – d. 15 August 1892 at the Château de Moignanville, a village in the department of
Seine-et-Oise Seine-et-Oise () was the former department of France encompassing the western, northern and southern parts of the metropolitan area of Paris.Order of Leopold, he was the founder and conductor of the choral chamber ensembles ''Société Symphonique'' and ''Réunion Lyrique'' in Belgium.


Biography

Born to a family who formerly belonged to the
bar Bar or BAR may refer to: Food and drink * Bar (establishment), selling alcoholic beverages * Candy bar * Chocolate bar Science and technology * Bar (river morphology), a deposit of sediment * Bar (tropical cyclone), a layer of cloud * Bar (u ...
of the late
Council of Flanders The Council of Flanders ( nl, Raad van Vlaanderen, french: Conseil de Flandres), primarily sitting in the Gravensteen in Ghent from 1407, was a court of law operating under the authority of the Count of Flanders and exercising jurisdiction thr ...
, ennobled in 1683, Armand Limnander van Nieuwenhoven was raised in the village of Malines. Thys, Augustin (1855),
Historique des sociétés chorales de Belgique
'' p. 173, De Busscher,
He studied in Freiburg with
Louis Lambillotte Louis Lambillotte (born La Hamaide, ( Hainaut, Belgium), 27 March 1796; died Paris, 27 February 1855) was a Belgian Jesuit, composer and palaeographer of Church music, associated with the restoration of Gregorian music, which he inaugurated an ...
and in Paris with
François-Joseph Fétis François-Joseph Fétis (; 25 March 1784 – 26 March 1871) was a Belgian musicologist, composer, teacher, and one of the most influential music critics of the 19th century. His enormous compilation of biographical data in the ''Biographie univers ...
, director of the
Royal Conservatory of Brussels The Royal Conservatory of Brussels (french: Conservatoire royal de Bruxelles, nl, Koninklijk Conservatorium Brussel) is a historic conservatory in Brussels, Belgium. Starting its activities in 1813, it received its official name in 1832. Provid ...
.Rice, Albert R. (2009),
From the Clarinet D'Amour to the Contra Bass: A History of Large Size Clarinets, 1740-1860
'' p. 373,
Oxford University Press Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books ...
,
From 1838 to 1847 he conducted with great distinction the direction of an amateur choral society entitled ''Réunion Lyrique'' composed of 25 members, for which he wrote a number of musical pieces for male voices and which eventually came to establish his reputation in festivals and competitions. In 1845, prompted by the desire to work for the stage, he left for Paris. The following year he performed at the chateau des
Tuileries The Tuileries Palace (french: Palais des Tuileries, ) was a royal and imperial palace in Paris which stood on the right bank of the River Seine, directly in front of the Louvre. It was the usual Parisian residence of most French monarchs, from ...
, in the presence of King
Louis Philippe I Louis Philippe (6 October 1773 – 26 August 1850) was King of the French from 1830 to 1848, and the penultimate monarch of France. As Louis Philippe, Duke of Chartres, he distinguished himself commanding troops during the Revolutionary War ...
, three choir excerpts from his ''Scènes druidiques'' with orchestral accompaniment under the direction of
Daniel Auber Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when ...
. In 1847 Limnander decided to settle in the French capital, where his dramas and lyrical operas such as ''The Montenegrins'' (1848), by
librettist A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...
s
Gérard de Nerval Gérard de Nerval (; 22 May 1808 – 26 January 1855) was the pen name of the French writer, poet, and translator Gérard Labrunie, a major figure of French romanticism, best known for his novellas and poems, especially the collection ''Les Fil ...
and
Jules-Édouard Alboize de Pujol Jules-Édouard Alboize de Pujol (1805, Montpellier – 9 April 1854, Paris) was a French historian and playwright. Director of the Théâtre de l'Atelier in Montmartre, Alboize Pujol wrote several dramas and comedies, either alone or in collabo ...
, which premiered there on 31 March the following year, was very well received along with his ''Le Château de la Barbe-Bleue'' (1851). In the course of 1853 the composer was working on two books, one for the
Opera House An opera house is a theatre building used for performances of opera. It usually includes a stage, an orchestra pit, audience seating, and backstage facilities for costumes and building sets. While some venues are constructed specifically for o ...
and the other to the
Opéra-Comique The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne ...
of Paris. The first of these pieces ''Le Maitre à Chanter,'' a grand opera in two acts set to a libretto of
Henri Trianon Henri Trianon (11 July 1811 in Paris – 17 October 1896 in Paris) was a French critic, librettist and translator of works by Homer and Plato, and operas by Weber and Mozart into French. He was an artistic and literary critic in Paris who event ...
, choreographed by Joseph Mazilier, successfully premiered at the Academy of Music on 17 October 1853. His opera ''Yvonne'' (1859), set to a libretto by
Eugène Scribe Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of man ...
, premiered at the ''Theatre de l'Opéra-Comique'' on 29 November 1859 and was also well received. His religious music is composed of a
Te Deum The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Chur ...
, performed in 1845 on the anniversary of the avencement to the throne of King Leopold, a
Requiem A Requiem or Requiem Mass, also known as Mass for the dead ( la, Missa pro defunctis) or Mass of the dead ( la, Missa defunctorum), is a Mass of the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, ...
, written in honor of the citizens killed in the upheaval of 1830 and performed in Brussels in September 1852, the
Stabat Mater The Stabat Mater is a 13th-century Christian hymn to Mary, which portrays her suffering as Jesus Christ's mother during his crucifixion. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.Sabatier, Paul ''Life o ...
''La Messe de minuit,'' performed by the choir ''Harmonie à Bruxelles'' in April 1853, during the political majority of Prince Leopold, Duke of Brabant, and a national song for full orchestra with text by
André Henri Constant van Hasselt André Henri Constant van Hasselt ( nl, Andries Hendrik van Hasselt; 5 January 18061 December 1874) was a Dutch-Belgian writer and poet who wrote mainly in French. Life Born at Maastricht, Van Hasselt was first educated at the ''Koninklijk Athen ...
, written for the celebration of the national festivities in Brussels in 1855.


Genealogy

Son of Benoit Jérôme Limnander de Nieuwenhod and of French Countess Mallet de Coupigny, married on 30 September 1835 at the chateau de Ramsdonck Éléonore-Euphémie-Antoinette-Ghislain (21 August 1808 – 13 October 1848), née de Meester, daughter of François-Théodore and Ignace-Julie de Giey. His first daughter was Elmire-Philomème-Celine Marie-Ghislain (17 January 1837). His first son was Albert-Antoine-Victoire-Marie-Ghislain Limnander de Nieuwenhove (5 November 1838). Athanase-Antoine-Marie-Ghislain (5 November 1840), Raoul-Auguste-Théodore-Antoine-Marie-Ghislain (8 October 1841 – 1845), and Théodore-Hubert-Marie-Ghislain (18 August 1843). Armand Limnander was made Knight of the Order of Leopold from 1850, and married on 7 June 1850 in Paris, Rose Caroline Blin, daughter of Louis François Toussaint and Marie Caroline Gosselin. His first son was Louis-Armand-Victor-Marie-Ghislain Limnander de Nieuwenhover (7 December 1850 – 7 August 1853), Fernand Louis Marie Ghislain Limnander de Nieuwenhover (20 December 1854) and Gaston Eugène Marie Ghislain Limnander de Nieuwenhover (20 March 1856).


References


External links

{{DEFAULTSORT:Limnander, Armand 1814 births 1892 deaths 19th-century classical composers Belgian classical composers Belgian male classical composers Belgian pianists Musicians from Mechelen Romantic composers 19th-century pianists Male pianists 19th-century Belgian male musicians