Apocalyze
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''Apocalyze'' is the second studio album by Japanese
metalcore Metalcore (also known as metallic hardcore) is a fusion music genre that combines elements of extreme metal and hardcore punk. As with other styles blending metal and hardcore, such as crust punk and grindcore, metalcore is noted for its use of ...
band
Crossfaith Crossfaith (Japanese: クロスフェイス) is a Japanese metalcore band from Osaka that was formed in 2006. Since its formation, the band has retained the same line-up with no member changes, which currently consists of vocalist Kenta Koie, gui ...
. It was released on 4 September 2013 through Smaller Recordings in Japan, Search and Destroy Records in Europe and
The End Records The End Records is a record label in Manhattan that specializes in rock, heavy metal, indie, and electronic music. Early years (1998–2005) The End Records was founded by Andreas Katsambas in Pasadena, California, with the goal of helping sm ...
worldwide. It was produced by Yasuo Matsumoto and Kenya Yamamoto.


Background and promotion

The album was recorded at Machine Shop Studios in
New York City New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the L ...
in January 2013 and will be released mainly through
The End Records The End Records is a record label in Manhattan that specializes in rock, heavy metal, indie, and electronic music. Early years (1998–2005) The End Records was founded by Andreas Katsambas in Pasadena, California, with the goal of helping sm ...
and
Sony Music Sony Music Entertainment (SME), also known as simply Sony Music, is an American multinational music company. Being owned by the parent conglomerate Sony Group Corporation, it is part of the Sony Music Group, which is owned by Sony Entertainment ...
. Prior to the release of the album, the band released three music videos: "We Are the Future", "Eclipse" and "The Evolution".


Critical reception

The album received positive reviews from critics. At
Metacritic Metacritic is a website that review aggregator, aggregates reviews of films, TV shows, music albums, video games and formerly, books. For each product, the scores from each review are averaged (a weighted arithmetic mean, weighted average). M ...
, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has an average score of 67 out of 100 based on 4 reviews, indicating "generally favorable reviews". ''
Alternative Press Alternative press may refer to: Individual publications * ''Alternative Press'' (magazine), an American music magazine Alternative journalism * Alternative media ** Alternative media (U.S. political left) ** Alternative media (U.S. political ri ...
'' rated the album 3 out of 5 and said: "While their contemporaries may opt for subtler synth lines and catchy riffs, Crossfaith use programming as intensely as metal technicality on ''Apocalyze''. Programmer Tamano Terufumi breaks out dubstep tropes like low-end wobbles and drops, but don't expect glowing hula hoops over jumpkicks in a Crossfaith pit anytime soon. The electronics leave you feeling more like you're inside a violent arcade game than on a dance floor, clean vocals are scarce and the closest thing you get to a slow song is "Counting Stars"—an illusion created by dreamy female guest vocals. That energy makes it feel like there's too much going on, leading to songs blending structurally, downplaying hooks. But the chaotic nature of ''Apocalyze'' is what Crossfaith want to showcase, perhaps at the sacrifice of the broader audience they could reach."
Blabbermouth.net Blabbermouth.net is a website dedicated to heavy metal and hard rock news, as well as album and music DVD reviews. Blabbermouth.net was founded and is run by Borivoj Krgin. The first version of the website was launched in March 2001; in October ...
gave the album a score 8/10 and saying: "While CROSSFAITH may take some listener acclimation with all of their tenacious electronic rakes, ''Apocalyze'' is nevertheless a creative and energetic album that grows strength with repeated listens. This album will excite metalcore freaks like it's the dawn of a new era. Like their contemporaries MUCC and DIR EN GREY, this band isn't afraid to dabble, tinker and stretch boundaries largely borrowed from the western sanction. While BORIS continues to reign over the Japanese metal scene in their own modest way, CROSSFAITH will appeal to a broader audience. For certain, expect to hear these guys jacking up a video game or two in the near future." ''Dead Press!'' scored the album 9 out of 10 and said: "''Apocalyze'' has undoubtedly raised the bar exceedingly high, and it wouldn't be unfair to view their position on the metalcore heap rather insurmountable. Seeing these songs come into their own in a live setting is a mouth watering prospect, although it would be wise for venues to re-enforce their foundations now before it's too late. 'We Are The Future' indeed." Scrussel from ''KillYourStereo'' gave the album 82 out of 100 and said: "Crossfaith's brand of metal fused with electronic elements is an effective mix, and one that isn't too overdone that is just becomes a mess. ''Apocalyze'' hits that perfect ratio, creating a hybrid of sound that may not be fresh or unique but is easily enjoyable. What sets this album apart from others in the genre are refreshing and innovative ideas and some killer riffs that will keep you coming back over and over." Sam Dignon of ''Rock Sins'' rated the album 9 out of 10 and said: "Having built up a reputation as one of the most exciting live bands around over the past year, Crossfaith have fast become one of the most talked about bands on the Metalcore scene. Dance and electronics have been a part of Metalcore for a while now but no one has been able to master it quite like Crossfaith. Whilst most bands tended to just throw in the odd electronic section in, Crossfaith completely balance the two elements out, making ''Apocalyze'' one of the most refreshing Metalcore albums in recent years."


Track listing


Personnel

Credits adapted from
AllMusic AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the databas ...
. Crossfaith * Kenta Koie – lead vocals * Kazuki Takemura – guitars * Terufumi Tamano – keyboards, programming, samples, backing vocals * Hiroki Ikegawa – bass * Tatsuya Amano – drums Additional musicians * Bianca Roman – vocals * Jane Park – strings Additional personnel * Yasuo Matsumoto – executive production * Kenya Yamamoto – executive production * Kimikazu Harada – supervision * Zakk Cervini – engineering, editing * Alberto de Ieaza – engineering, editing * Andy Gomoll – assisting, editing * Tom Smith – assisting * Ondien Galsworth – lyric editing * Mio Yamamoto – A&R * Tom Barnes – photography


Charts


References

{{Authority control 2013 albums Crossfaith albums