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Anthony ''AntonyHolborne ''Holburne(c. 1545 – 29 November 1602) was a composer of music for lute, cittern, and instrumental
consort __NOTOC__ Consort may refer to: Music * "The Consort" (Rufus Wainwright song), from the 2000 album ''Poses'' * Consort of instruments, term for instrumental ensembles * Consort song (musical), a characteristic English song form, late 16th–earl ...
during the reign of
Queen Elizabeth I Elizabeth I (7 September 153324 March 1603) was Queen of England and Ireland from 17 November 1558 until her death in 1603. Elizabeth was the last of the five House of Tudor monarchs and is sometimes referred to as the "Virgin Queen". El ...
.


Life

An "Anthony Holburne" entered
Pembroke College, Cambridge Pembroke College (officially "The Master, Fellows and Scholars of the College or Hall of Valence-Mary") is a constituent college of the University of Cambridge, England. The college is the third-oldest college of the university and has over 700 ...
in 1562, and it is possible that this person is the same as the composer. A Londoner of the same name was admitted to the
Inner Temple The Honourable Society of the Inner Temple, commonly known as the Inner Temple, is one of the four Inns of Court and is a professional associations for barristers and judges. To be called to the Bar and practise as a barrister in England and Wal ...
Court in 1565, and again this may have been the same person. It is certain, however, that the composer was the brother of William Holborne, and that he married Elisabeth Marten on 14 June 1584. On the title page of both his books he claims to be in the service of Queen Elizabeth. He died of a "cold" in November 1602. He was held in the highest regard as a composer by contemporaries.
John Dowland John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", " Come again", "Flow my tears", " I saw my Lady weepe", ...
dedicated the first song '' I saw my lady weepe'' in his ''Second Booke'' to Holborne. His patron was the Countess of Pembroke,
Mary Sidney Mary Herbert, Countess of Pembroke (born Sidney, 27 October 1561 – 25 September 1621) was among the first Englishwomen to gain notice for her poetry and her literary patronage. By the age of 39, she was listed with her brother Philip Sidney ...
. In the 1590s he entered the service of Sir
Robert Cecil Robert Cecil may refer to: * Robert Cecil, 1st Earl of Salisbury (1563–1612), English administrator and politician, MP for Westminster, and for Hertfordshire * Robert Cecil (1670–1716), Member of Parliament for Castle Rising, and for Wootton Ba ...
, the 1st
Earl of Salisbury Earl of Salisbury is a title that has been created several times in English and British history. It has a complex history, and is now a subsidiary title to the marquessate of Salisbury. Background The title was first created for Patrick de S ...
. His brother was William Holborne. Six of William's madrigals were included in the ''Cittarn Schoole''.


Music

His first known book was the ''Cittarn Schoole'' of 1597, consisting of compositions for the
cittern The cittern or cithren ( Fr. ''cistre'', It. ''cetra'', Ger. ''Cister,'' Sp. ''cistro, cedra, cítola'') is a stringed instrument dating from the Renaissance. Modern scholars debate its exact history, but it is generally accepted that it is d ...
. The preface indicates the pieces were composed over a number of years. He writes that the musical compositions are "untimely fruits of my youth, begotten in the cradle and infancy of my slender skill." The ''Pavans, Galliards, Almains and other short Aeirs, both grave and light, in five parts, for Viols, Violins, or other Musicall Winde Instruments'' was published in 1599 and consisted of 65 of his own compositions. It is the largest surviving collection of its kind. Most are of the pavan-
galliard The ''galliard'' (; french: gaillarde; it, gagliarda) was a form of Renaissance dance and music popular all over Europe in the 16th century. It is mentioned in dance manuals from England, Portugal, France, Spain, Germany, and Italy. Dance fo ...
combination. Other pieces are of the
allemande An ''allemande'' (''allemanda'', ''almain(e)'', or ''alman(d)'', French: "German (dance)") is a Renaissance and Baroque dance, and one of the most common instrumental dance styles in Baroque music, with examples by Couperin, Purcell, Bach a ...
style. The rest are unclassified. The
Early Music Consort of London The Early Music Consort of London was a British music ensemble in the late 1960s and 1970s which specialised in historically informed performance of Medieval and Renaissance music. It was founded in 1967 by music academics Christopher Hogwood and ...
's 1976 recording of "The Fairie Round" from this collection was included on the
Voyager Golden Record The Voyager Golden Records are two phonograph records that were included aboard both Voyager spacecraft launched in 1977. The records contain sounds and images selected to portray the diversity of life and culture on Earth, and are intended for ...
, copies of which were sent into space aboard the
Voyager 1 ''Voyager 1'' is a space probe launched by NASA on September 5, 1977, as part of the Voyager program to study the outer Solar System and interstellar space beyond the Sun's heliosphere. Launched 16 days after its twin ''Voyager 2'', ''Voya ...
and
Voyager 2 ''Voyager 2'' is a space probe launched by NASA on August 20, 1977, to study the outer planets and interstellar space beyond the Sun's heliosphere. As a part of the Voyager program, it was launched 16 days before its twin, ''Voyager 1'', on a ...
space probes in 1977, as a representation of human culture and achievement to any who might find it.


References


Further reading

* Boyd, Morrison Comegys. 1962. ''Elizabethan Music and Musical Criticism'', second edition, revised. Philadelphia: University of Pennsylvania Press. Second printing, with corrections, 1967. Pennsylvania Paperback reprint edition, 1974. . * Jeffery, Brian. 1966. "Instrumentation in the Work of Antony Holborne". ''Galpin Society Journal'' 19:20–26. * Jeffery, Brian. 1966–67. "The Lute Music of Antony Holborne". ''Proceedings of the Royal Musical Association'' 93:25–31. * Jeffery, Brian. 1968. "Antony Holborne". ''
Musica Disciplina The American Institute of Musicology (AIM) is a musicological organization that researches, promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan, the AIM's chief objective is the publication of modern editions ...
'' 22: 129–205. * Kanazawa, Masakata. 1984. "A Comparative Study of Versions for Lute, Cittern, Bandora and Instrumental Ensemble of Compositions by Anthony Holborne". In ''Le luth et sa musique: Tours, Centre d'études supérieures de la Renaissance, 15–18 septembre 1980: II'', edited by John Vaccaro, 123–38. Paris: Editions du Centre national de la recherche scientifique. . * Ward, John M. 1977. "Anthony Holborne's Letter to an Unnamed Patron". ''Journal of the Lute Society of America'' 10:117–18. * Wentzel, Wayne Clifford. 1976. "The Lute Pavans and Galliards of John Johnson, Anthony Holborne, Francis Cutting, John Dowland, and Daniel Bacheler: A Stylistic Comparison". PhD diss. Pittsburgh: University of Pittsburgh.


External links

* *
Biography
at hoasm.org
Anthony Holborne, "The Fruit of Love" – L'Achéron / François Joubert-Caillet – Ricercar RIC339
*Edwards, Warwick. "Holborne, Antony nthony. ''Grove Music Online''. Oxford Music Online. Oxford University Press, accessed 7 November 2012
subscription access
.
Music Collection
in
Cambridge Digital Library The Cambridge Digital Library is a project operated by the Cambridge University Library designed to make items from the unique and distinctive collections of Cambridge University Library available online. The project was initially funded by a donat ...
which contains early copies/examples of Holborne's compositions {{DEFAULTSORT:Holborne, Anthony 1540s births 1602 deaths Alumni of Pembroke College, Cambridge 16th-century English composers 17th-century English composers English classical composers Renaissance composers English male classical composers Composers for lute 17th-century male musicians