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Antoine Joseph Michel Romagnesi (1 September 1781 – 9 January 1850) was a 19th-century French composer, music publisher and music theorist.


Life

Romagnesi was a pupil of Alexandre-Étienne Choron and
Giuseppe Cambini Giuseppe Maria Gioacchino Cambini ( Livorno, 13 February? 1746Netherlands? 1810s? or Paris? 1825?) was an Italian composer and violinist. Life Unconfirmed information Information about his life is scarcely traceable. Louis-Gabriel Michaud,Louis-Ga ...
. A soldier, then a clerk for the music publisher Auguste Le Duc in 1806, he became a publisher and music dealer himself in 1828, moving to 8 rue Richelieu in Paris. He probably was a
Freemason Freemasonry or Masonry refers to fraternal organisations that trace their origins to the local guilds of stonemasons that, from the end of the 13th century, regulated the qualifications of stonemasons and their interaction with authorities ...


Works

* ''Nadir et Sélim'', three-act
opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...
, first performed at the Théâtre Feydeau in 1822. * ''La Guirlande'', one-act
opéra This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most c ...
, composed for the Académie Royale de Musique. He also composed numerous
duet A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo ...
s, trios,
nocturne A nocturne is a musical composition that is inspired by, or evocative of, the night. History The term ''nocturne'' (from French '' nocturne'' 'of the night') was first applied to musical pieces in the 18th century, when it indicated an ensembl ...
s, contredanses and fantasies for piano and more than 200 romances including: * ''Le Chien du régiment'' * ''L'Heureuse Destinée'' (Le Duc, 1825)IMSLP
/ref> * ''Le Présent et l'Avenir'' (Chansonnier des Grâces, 1839).


Publications

* ''Étrennes Musicales'', yearly collection. * ''Le Troubadour des Salons. Journal de chant avec Accompagnement de Lyre ou Guitare'' * ''L'Abeille musicale. Journal de Chant, composé pour les jeunes personnes, par les auteurs les plus estimés en ce genre''. Journal, published between 1828 and 1839.


References

1781 births 1850 deaths 19th-century classical composers 19th-century male musicians French music publishers (people) French opera composers French Romantic composers French male opera composers Composers from Paris {{France-musician-stub