Anthonie Crussens
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Anthonie Crussens (c. 1635 – in or after 1665) was a Flemish painter, draughtsman and printmaker who is mainly known for his drawings of
genre Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other for ...
scenes, landscapes with people, winter landscapes and peasant scenes.Anthonie Crussens
at the
Netherlands Institute for Art History The Netherlands Institute for Art History or RKD (Dutch: RKD-Nederlands Instituut voor Kunstgeschiedenis), previously Rijksbureau voor Kunsthistorische Documentatie (RKD), is located in The Hague and is home to the largest art history center i ...


Life

Very little is known about the life of Crussens. His birth and death dates are unknown. Based on dated and annotated drawings by his hand it has been concluded that he worked in Brussels between 1652 and 1665. As there is no record of the artist in the archives of the guilds of St. Luke of Brussels and Antwerp, it is assumed that he was an amateur artist.Charles Dumas, ''Anthonie Crussens''
at Lawrence Steigrad Fine Arts
The artist was possibly the father of Jasper Crussens, who produced drawings for the
Affligem Abbey Affligem Abbey ( nl, Abdij Affligem, french: Abbaye d'Affligem) is a Benedictine abbey in the municipality of Affligem, Flemish Brabant, Belgium, to the north-west of Brussels. Dedicated in 1086, it was the most important monastery in the Du ...
in West Brabant around 1699.


Work

Anthonie Crussens is mainly known for his drawings. Only one painting and one print by him are known while some 40 drawings by his hand have survived. About three quarters of his drawings are landscapes, often set in winter and mainly depicting hilly areas at the edge of a wood. The landscapes are always populated with a few figures such as hunters, horsemen, soldiers, peasants, fishermen or beggars. Some drawings include a castle or monastery in the vicinity of Brussels. An example is the ''Hunters resting on the board of a river in front of Tervuren Castle near Brussels'' (At Christie's 16 October 2013, Paris, lot 167).Anhonie Crussens, ''Hunters resting on the board of a river in front of Tervuren Castle near Brussels''
at Christie's
The remaining quarter of his drawings consist mainly of genre scenes: soldiers in action or satirical peasant figures engaging in activities such as singing, reading and smoking. It is believed that each of the figures represent one of the five senses. Examples are the three drawings in the
Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...
in New York, which symbolize ''Hearing'', ''Smell'' and ''Sight''. He often signed his drawings, which are almost all on vellum with framing lines and wide margins, which suggests that he intended them for sale.Anthonie Crussens, ''Landscape with horseman and two soldiers''
at
Waddesdon Manor Waddesdon Manor is a country house in the village of Waddesdon, in Buckinghamshire, England. Owned by National Trust and managed by the Rothschild Foundation, it is one of the National Trust's most visited properties, with over 463,000 visitors i ...
Nearly all of them have modest dimensions and are drawn in pen in brown ink, sometimes over traces of a sketch in black chalk. His drawing style, with sharp contours and many cross-hatchings, is very characteristic and easily recognizable. This style, which appears to imitate engravings, is reminiscent of late 16th-century drawings and was already old-fashioned in the middle of the 17th century. His ''Portrait of a Gentleman'' (At Lawrence Steigrad Fine Arts) is the only known portrait by his hand. It resembles more a
tronie A tronie is a type of work common in Dutch Golden Age painting and Flemish Baroque painting that depicts an exaggerated or characteristic facial expression. These works were not intended as portraits but as studies of expression, type, physiognom ...
or genre figure, but unlike his other genre portraits, the person depicted is not a peasant but an elegantly dressed gentleman. His bearing and the figures in the background, including hunters and a horseman, seem to indicate a person of distinction. The man has his right hand in a sling. It is not known whether this depiction of a man with a broken arm had a specific, possibly satirical, meaning in 17th-century Flanders.


References


External links

* {{DEFAULTSORT:Crussens, Anthonie Flemish Baroque painters Flemish draughtsmen 1530 births 1559 deaths 16th-century engravers Painters from Antwerp