Anne Wilson (born 1949) is a

Chicago (''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = Country , subdivision_name ...

-based visual artist. Wilson creates sculpture, drawings, Internet projects, photography, performance, and

DVD The DVD (common abbreviation for Digital Video Disc or Digital Versatile Disc) is a digital optical disc data storage format. It was invented and developed in 1995 and first released on November 1, 1996, in Japan. The medium can store any kind ...

stop motion animations employing table linens, bed sheets, human hair, lace, thread and wire. Her work extends the traditional processes of

fiber art Fiber art (fibre art in British spelling) refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as ...

(techniques such as stitching, crocheting, and knitting) to other media. Wilson is a professor in the Department of Fiber and Material Studies at

The School of the Art Institute of Chicago The School of the Art Institute of Chicago (SAIC) is a Private university, private art school associated with the Art Institute of Chicago (AIC) in Chicago, Illinois. Tracing its history to an art students' cooperative founded in 1866, which grew ...

Life and work

Anne Wilson A Chronicle of Days 1997-98 Collection 21st Century Museum of Contemporary Art, Kanazawa, Japan

Anne Wilson was born in

Detroit Detroit ( , ; , ) is the largest city in the U.S. state of Michigan. It is also the largest U.S. city on the United States–Canada border, and the seat of government of Wayne County. The City of Detroit had a population of 639,111 at t ...

Michigan Michigan () is a U.S. state, state in the Great Lakes region, Great Lakes region of the Upper Midwest, upper Midwestern United States. With a population of nearly 10.12 million and an area of nearly , Michigan is the List of U.S. states and ...

in 1949. At 15, she attended

George School George School is a private Quaker (Society of Friends) boarding and day high school located on a rural campus in Middletown Township, Bucks County, Pennsylvania ( Newtown postal address). It was founded at its present site in 1893, and has grow ...

, a Quaker boarding school in

Pennsylvania Pennsylvania (; ( Pennsylvania Dutch: )), officially the Commonwealth of Pennsylvania, is a state spanning the Mid-Atlantic, Northeastern, Appalachian, and Great Lakes regions of the United States. It borders Delaware to its southeast, ...

, where she received training in

feminist theory Feminist theory is the extension of feminism into theoretical, fictional, or philosophical discourse. It aims to understand the nature of gender inequality. It examines women's and men's social roles, experiences, interests, chores, and femin ...

and the philosophies of passive resistance through the study of Gandhi's teachings on non-violent politics. In her later research, Wilson remarked that her lessons at

, especially Gandhi's exhortation to all

India India, officially the Republic of India (Hindi: ), is a country in South Asia. It is the seventh-largest country by area, the second-most populous country, and the most populous democracy in the world. Bounded by the Indian Ocean on the so ...

ns that they must practice spinning—for social, political, economic and spiritual reasons—profoundly influenced her life and artistic practice."Anne Wilson Research PDF "Wind/Rewind/Weave" Knoxville Museum of Art"
/ref> Anne Wilson's artwork explores personal and public practices of ritual and

social systems In sociology, a social system is the patterned network of relationships constituting a coherent whole that exist between individuals, groups, and institutions. It is the formal structure of role and status that can form in a small, stable group. ...

, ideas of de-construction and re-construction in both microcosmic and macrocosmic worlds of public and private

architecture Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing building ...

, as well as themes of time and loss.Anne Wilson, Artist Statement
/ref> Wilson received a B.F.A. from the

Cranbrook Academy of Art The Cranbrook Educational Community is an education, research, and public museum complex in Bloomfield Hills, Michigan. This National Historic Landmark was founded in the early 20th century by newspaper mogul George Gough Booth. It consists of C ...

and a M.F.A. from the

California College of the Arts California College of the Arts (CCA) is a private art school in San Francisco, California. It was founded in Berkeley, California in 1907 and moved to a historic estate in Oakland, California in 1922. In 1996 it opened a second campus in Sa ...

(CCA) where she pursued interdisciplinary studies in the visual arts. At CCA, Wilson developed an understanding of art within a cultural context, a way of thinking emphasized by CCA instructor, art historian and anthropologist Dr. Ruth Boyer. Subsequently, Wilson's graduate research focused on temporary textile architecture such as the Zulu indlu and the Sub-Saharan African black tent. For Wilson these interests intersected with the popular concerns of generative systems, such as the methods being pioneered by artist

Buckminster Fuller Richard Buckminster Fuller (; July 12, 1895 – July 1, 1983) was an American architect, systems theorist, writer, designer, inventor, philosopher, and futurist. He styled his name as R. Buckminster Fuller in his writings, publishing mo ...

. During this time, Wilson was also influenced by the international art fabric movement, including artists such as

Magdalena Abakanowicz Marta Magdalena Abakanowicz-Kosmowska (20 June 1930 – 20 April 2017) was a Polish sculptor and fiber artist. She was known for her use of textiles as a sculptural medium and her outdoor installations. She is widely regarded as one of Poland ...

, Ritzi and Peter Jacobi,

Olga de Amaral Olga de Amaral (born 1932) is a Colombian textile and visual artist known for her large-scale abstract works made with fibers and covered in gold and/or silver leaf. Because of her ability to reconcile local concerns with international development ...

, and Ed Rossbach. During the 1970s while living in

Berkeley, California Berkeley ( ) is a city on the eastern shore of San Francisco Bay in northern Alameda County, California, United States. It is named after the 18th-century Irish bishop and philosopher George Berkeley. It borders the cities of Oakland and E ...

, Wilson argued for the contemporary relevance of fiber and textile processes alongside more conventional fine art materials and techniques. Wilson began using hair as a fiber material in place of thread in 1988. Her works such as ''Hair Work'' Anne Wilson ''Hair Work'', 1991

Museum of Contemporary Art, Chicago The Museum of Contemporary Art (MCA) Chicago is a contemporary art museum near Water Tower Place in downtown Chicago in Cook County, Illinois, United States. The museum, which was established in 1967, is one of the world's largest contemporar ...

and ''A Chronicle of Days''Anne Wilson ''A Chronicle of Days''
(1997-1998):

21st Century Museum of Contemporary Art, Kanazawa First or 1st is the ordinal form of the number one (#1). First or 1st may also refer to: *World record, specifically the first instance of a particular achievement Arts and media Music * 1$T, American rapper, singer-songwriter, DJ, and rec ...

, Japan consist of daily stitching where the artist "stained" clean white scraps of cloth with small patches of hair-based needlework. Wilson began inviting audience participation with her project ''Hairinquiry'' (1996–1999). ''Hairinquiry'' collected responses to the questions: How does it feel to lose your hair? What does it mean to cut your hair? The project was later archived through an online website.Newell, Laurie Britton. "Anne Wilson in conversation with Laurie Britton Newell: Chicago, November 2006." ''Out of the Ordinary: Spectacular Craft.'' Ed. Laurie Britton Newell. London: V&A Publications and the Crafts Council. pp. 112-123.
/ref> In 2002, Wilson began the series ''Topologies'' (2002-ongoing) at the Whitney Museum of American Art's Biennial exhibition. In ''Topologies'', expansive networks of found black lace are deconstructed to create large horizontal topographies. Some of the structures are formed by Wilson from computer-mediated scans of lace fragments that are manipulated and re-materialized by hand stitching. The form of ''Topologies'' is inspired by forms of physical and electronic networks, city structures, immateriality, biology and the urban sprawl.Anne Wilson ''Topologies'' (2002-ongoing)
/ref> In 2010, Wilson produced one of her most ambitious installations at the

Knoxville Museum of Art The Knoxville Museum of Art (KMA), is an art museum in Knoxville, Tennessee. It specializes in historical and contemporary art pieces from the East Tennessee region. According to its mission statement, the museum "celebrates the art and artists ...

in East Tennessee. ''Local Industry'', a central component of the exhibition ''Anne Wilson: Wind/Rewind/Weave'', was a site-specific installation as a collaborative "textile factory". From January 22 through April 25, 2010, visitors to the Knoxville Museum of Art worked together to produce a bolt of cloth. Wilson conceived of ''Wind/Rewind/Weave'' as a meditation on labor, acknowledging the specific geographic location of the Knoxville Museum of Art in the historical heartland of both hand weaving traditions and textile mill production in the United States. The ''Local Industry'' cloth, long, was on display at the Knoxville Museum of Art in 2011. Also related to textile production in content, Wilson has choreographed 4 thread walking performances, conceptual movement works based upon weaving (''Wind-Up: Walking the Warp Chicago''
Rhona Hoffman Gallery
2008; ''Wind-Up: Walking the Warp Houston''
Contemporary Arts Museum Houston
2010; ''Walking the Warp Manchester''
Whitworth Art Gallery
Manchester, England, 2012; and ''To Cross (Walking New York)''
The Drawing Center
New York, 2014). In all her performances, Wilson is working through direct physical participation to think about time, labor, art, and cultural production. Wilson continues her hair and cloth-works practice, alongside the creation of horizontal topographies, installations, and performances. New works were included in her solo exhibition, ''Dispersions'', at th
Rhona Hoffman Gallery
in 2013, and ''Fiber: Sculpture 1960-Present'' originating at th
ICA Boston
in 2014. In 2015-16 her work was included in ''Pathmakers: Women in Art, Craft and Design, Midcentury and Today'' originating at the

Museum of Arts and Design The Museum of Arts and Design (MAD), based in Manhattan, New York City, collects, displays, and interprets objects that document contemporary and historic innovation in craft, art, and design. In its exhibitions and educational programs, the mus ...

in NYC, and ''Art_Textiles'' at the Whitworth Art Gallery in Manchester, England. In 2016 she opened a solo exhibition at the James Harris Gallery in Seattle.

Exhibitions

Anne Wilson, To Cross Walking New York, 2014

Anne Wilson Walking the Warp Houston 2010 performance and sculpture

Anne Wilson Walking the Warp Manchester 2012 performance

1Anne Wilson Local Industry 2010 performance and production

Anne Wilson, Local Industry Cloth, 2010, performance and production

Anne Wilson, Wind-Rewind-Weave exhibition catalog

]

2016

* ''Anne Wilson: Drawings and Objects,'' James Harris Gallery, Seattle, WA (solo) * ''A Global View: Recent Acquisitions of Textiles, 2012-2016'', The Art Institute of Chicago, IL

2015

*''Pathmakers, Women in Art, Craft and Design, Midcentury and Today,''

, New York, New York and traveled to the

National Museum of Women in the Arts The National Museum of Women in the Arts (NMWA), located in Washington, D.C., is "the first museum in the world solely dedicated" to championing women through the arts. NMWA was incorporated in 1981 by Wallace and Wilhelmina Holladay. Since openin ...

, Washington, D.C. *''Surrealism: The Conjured Life'',

, IL *''Art_Textiles'',

Whitworth Art Gallery The Whitworth is an art gallery in Manchester, England, containing about 55,000 items in its collection. The gallery is located in Whitworth Park and is part of the University of Manchester. In 2015, the Whitworth reopened after it was transfo ...

, Manchester, England
''Material Fix''John Michael Kohler Arts Center
Sheboygan, WI *''Extending the Line''
InterDisicplinary Experimental Arts, Colorado College
Colorado Springs, CO

2014

*
Thread Lines
', Drawing Center, New York, NY / performance commission ''To Cross (Walking New York)''
''Fiber: Sculpture 1960-Present''
originating at th
Institute of Contemporary Art/Boston
and traveling to the Wexner Center for the Arts and th
Des Moines Art Center
*''Material Gestures: Cut, Weave, Sew, Knot''
Rhona Hoffman Gallery
Chicago, IL

2013

*''Anne Wilson: Dispersions''
Rhona Hoffman Gallery
Chicago, IL (solo)
''Hangzhou Fiber Triennial''
Zhejiang Art Museum, Hangzhou City, China
''The Armory Show 2013''

Rhona Hoffman Gallery
, New York, NY
''Borderline''21st Century Museum of Contemporary Art
Kanazawa, Japan
Art Gallery of Mississauga
Ontario, Canada

Richmond Center for Visual Arts, Western Michigan University, Kalamazoo, MI

2012

''Cotton: Global Threads''

, Manchester, England : Artists: Yinka Shonibare MBE, Lubaina Himid, Anne Wilson, Abdoulaye Konaté, Aboubakar Fofana, Grace Ndiritu, Liz Rideal
''Dublin Biennial 2012''
Dublin, Ireland *''The 3rd Wave''
The Lowry Centre for Advanced Training in Dance
Salford Quays, England *''Anne Wilson''
Union League Club of Chicago
IL (solo)
''Dallas Biennial 12, volume 2''
Curated by Stephen Lapthisophon

2011

*''Anne Wilson: Rewinds''
Rhona Hoffman Gallery
Chicago, IL (solo)
''Anne Wilson: Local Industry''

, Knoxville, TN (solo) *''7th Triennale Internationale des Arts Textiles Contemporains de Tournai'', Tournai, Belgium
''A New Hook''
Museum of Design Zürich, Zürich, Switzerland
''Silent Echoes''

, Japan

2010

''Anne Wilson: Wind/Rewind/Weave''

, Knoxville TN (solo)
''Hand+Made: The Performative Impulse in Art and Craft''
Contemporary Arts Museum, Houston, TX

2009

''Shift - Field of Fluctuation''

, Japan *''Dritto Rovescio''
Triennale Design Museum
Milan, Italy
''Selected Works from the MCA Collection''

*''All Over the Map'', Kohler Arts Center, Sheboygan, WI

2008

''Portable City, Notations, Wind-Up''Rhona Hoffman Gallery
Chicago (solo) *''Anne Wilson: Errant Behaviors'', Bowdoin College Museum of Art, Brunswick, ME (solo)
''Mess''
St. Paul, MN (Wilson/Decker collaboration)
''Gestures of Resistance''
Gray Matters, Dallas

2007

''Out of the Ordinary''

Victoria & Albert Museum The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and nam ...

, London, England
''Radical Lace and Subversive Knitting''
Museum of Arts & Design, New York *''The Worst is / Not to Die in Summer'', Nassauischer Kunstverein Wiesbaden, Germany *''Connections: Experimental Design'', Ivan Dougherty Gallery, University of New South Wales, Sydney, Australia *''Hot House'', Cranbrook Art Museum, Bloomfield Hills, MI

2006

''Takeover'', Hyde Park Art Center
Chicago (Anne Wilson/Shawn Decker collaboration)

2005

Kanazawa, Japan (commission)
''Anne Wilson: Errant Behaviors''
Indiana University School of Fine Arts Gallery, Bloomington, IL (solo)

2004

''Perspectives 140: Anne Wilson''
Contemporary Arts Museum, Houston (solo) *''Anne Wilson, Drawings and Stills'', Roy Boyd Gallery, Chicago (solo)

2003

''Anne Wilson: Unfoldings''
University Art Gallery, San Diego State University, San Diego (solo) *''Anne Wilson, Colonies and Links'', Revolution Gallery, Detroit (solo)

2002

''Whitney Biennial 2002''

Whitney Museum of American Art The Whitney Museum of American Art, known informally as "The Whitney", is an art museum in the Meatpacking District and West Village neighborhoods of Manhattan in New York City. It was founded in 1930 by Gertrude Vanderbilt Whitney (1875–194 ...

, New York *''Anne Wilson: Unfoldings'', Bakalar Gallery, MassArt, Boston (solo)

Collections

Wilson's work is included in the collections of:

, Japan;

, London;

, Manchester, England;

The Metropolitan Museum of Art The Metropolitan Museum of Art of New York City, colloquially "the Met", is the largest art museum in the Americas. Its permanent collection contains over two million works, divided among 17 curatorial departments. The main building at 1000 ...

, New York;

;

The Art Institute of Chicago The Art Institute of Chicago in Chicago's Grant Park (Chicago), Grant Park, founded in 1879, is one of the oldest and list of largest art museums, largest art museums in the world. Recognized for its curatorial efforts and popularity among visit ...

; The M. H. de Young Memorial Museum, San Francisco; The

; The

Detroit Institute of Arts The Detroit Institute of Arts (DIA), located in Midtown Detroit, Michigan, has one of the largest and most significant art collections in the United States. With over 100 galleries, it covers with a major renovation and expansion project comple ...

;

Cranbrook Art Museum The Cranbrook Educational Community is an education, research, and public museum complex in Bloomfield Hills, Michigan. This National Historic Landmark was founded in the early 20th century by newspaper mogul George Gough Booth. It consists of Cra ...

, Bloomfield Hills, Michigan;

Racine Art Museum The Racine Art Museum (RAM) and RAM's Charles A. Wustum Museum of Fine Arts are located in Racine, Wisconsin, U.S. The museum holds the largest and most significant contemporary craft collection in North America, with more than 9,500 objects fro ...

, Racine, Wisconsin;

Corning Museum of Glass The Corning Museum of Glass is a museum in Corning, New York in the United States, dedicated to the art, history, and science of glass. It was founded in 1951 by Corning Glass Works and currently has a collection of more than 50,000 glass obje ...

, Corning, New York;

Museum of Glass The Museum of Glass (MOG) is a 75,000-square-foot (7,000 m²) art museum in Tacoma, Washington, dedicated to the medium of glass. Since its founding in 2002, the Museum of Glass has been committed to creating a space for the celebration of the st ...

, International Center for Contemporary Art, Tacoma, Washington; Maxine and Stuart Frankel Foundation of Art, Bloomfield Hills, Michigan; Progressive Art Collection, Cleveland; The Illinois Collection of the State of Illinois Center, Chicago;

Union League Club of Chicago The Union League Club of Chicago is a prominent civic and social club in Chicago that was founded in 1879. Its second and current clubhouse is located at 65 W Jackson Boulevard on the corner of Federal Street, in the Loop neighborhood of Chi ...

; and LongHouse Reserve, East Hampton, New York.

Awards

In 2015, Wilson was named a

United States Artists United States Artists (USA) is a national arts funding organization based in Chicago. USA is dedicated to supporting living artists and cultural practitioners across the United States by granting unrestricted awards. Mission The organization' ...

Distinguished Fellow. In 2012, she received th
NASAD Citation
in recognition of a distinguished career in the visual arts, as well as a Distinguished Alumni Award from the

and a Distinguished Artist Program award from th
Union League Club of Chicago
Wilson has also received the following awards: Individual Artist Award from the Richard H. Driehaus Foundation, 2008; Artadia, The Fund for Art and Dialogue, Individual Artist Grant, 2001;

Louis Comfort Tiffany Foundation The Louis Comfort Tiffany Foundation was founded in 1918 by Louis Comfort Tiffany to operate his estate, Laurelton Hall, in Cold Spring Harbor, Long Island. It was designed to be a summer retreat for artists and craftspeople. In 1946 the estate ...

Award, 1989; and the

National Endowment for the Arts The National Endowment for the Arts (NEA) is an independent agency of the United States federal government that offers support and funding for projects exhibiting artistic excellence. It was created in 1965 as an independent agency of the federal ...

, Visual Arts Fellowships, 1988 and 1982.Anne Wilson Resume
/ref>

Sources

*Adamson, Glenn and Bryan-Wilson, Julia. ''Art in the Making: Artists and their Materials from the Studio to Crowdsourcing.'' London: Thames & Hudson, 2016, back cover photo and pp. 218–220. *Guzman, Alissa. ''HYPERALLERGIC,'' Sept 28, 2015
“The Great Divide: A Survey of Women in Art and Craft”
(Museum of Arts and Design, NY) *Harris, Jennifer (editor/curator), ''Art_Textiles,'' (exhibit catalog, essay by Pennina Barnett, "Cloth, Memory and Loss"), The Whitworth, The University of Manchester, UK, 2015, pp. 10, 24-31, 84-85 *Ferris, Alison and Patterson, Karen. ''Toward Textiles''. (exhibit catalog) Sheboygan, WI: John Michael Kohler Arts Center, 2015, cover image and p. 5. *Vinebaum, Lisa. "Performing Globalization in the Textile Industry: Anne Wilson and Mandy Cano Villalobos," ''The Handbook of Textile Culture'' (anthology). Janis Jefferies, Diana Wood Conroy, and Hazel Clark, eds., London: Bloomsbury Academic, 2015, Chapter 11, pp, 169-185. *Taft, Maggie. ARTFORUM, January 2014, Vol. 52, No. 5., "Anne Wilson" at Rhona Hoffman Gallery, Chicago, (review), p. 217 *Ollman, Leah. Art in America, December 2014,"Thread Lines" Drawing Center, (review), p. 149. *Martinez, Alanna. New York Observer, Sept 19, 2014
“Anne Wilson is using the Drawing Center as a Weaving Loom,”
(review) *Kleinberg Romanow, Joanna
Thread Lines. (exhibit catalog) New York: The Drawing Center
2014, pp. 19–20, 72-73, 77 *Porter, Jenelle. Fiber-Sculpture 1960–present. (exhibit catalog) Boston: Institute of Contemporary Art/Boston; DelMonico Books. Prestel, 2014, pp. 52–53, 242-243, 252 *Editors. NEWCITY, Sept 18
“Art 50 2014: Chicago’s Artists’ Artists.”
*Moxley, Alyssa. NEWCITY, Nov 24, 2014, *Stratton, Shannon. ''Surface Design Journal'', Winter, 2012
“Anne Wilson: Labors Lost, Re-imagined”
pp. 12–15

WhiteWalls, Knoxville Museum of Art; distributed b

2011; essays by Glenn Adamson,

Jenni Sorkin Jenni Sorkin (born August 29, 1977) is an American art historian, curator, and educator. She is best known for her writing in art criticism, and for highlighting work by feminist artists and artists working in fiber and associated crafts. B ...

, Julia Bryan-Wilson, Philis Alvic, Laura Y. Liu, and Chris Molinski, curator *Picard, Caroline
''Center Field , Threading Infrastructure: An Interview with Anne Wilson''
2011 (interview) *Hixson, Kathryn
''TEXTILE'', Volume 9, Issue 2, 2011, “Exhibition Review, Anne Wilson: Wind/Rewind/Weave”
UK: Berg Publishers, pp. 220–229 *Ise, Claudine
''ARTFORUM'', Jan 14-Feb 19, 2011. Anne Wilson at Rhona Hoffman Gallery
(review) *Koplos, Janet and Metcalf, Bruce (eds)
''Makers'', Chapel Hill, NC: The University of North Carolina Press
pp. 427–428, 2011 * Cassel Oliver, Valerie
''Hand+Made: The Performative Impulse in Art and Craft''
(exhibition catalog), essays by curator Valerie Cassel Oliver, Glenn Adamson, Namita Gupta Wiggers, Houston, Texas: Contemporary Arts Museum Houston, 2010 *Waxman, Lori
''ARTFORUM'' Jan 31, 2008, (review)
*Snodgrass, Susan. ''Art in America'', October, 2008, (review), pp. 196–197 *Ullrich, Polly. ''Sculpture'' May, 2008, Vol. 27, No. 4, "Anne Wilson: New Labor" (essay), pp. 38 – 43 *Elms, Anthony E. '' Art Papers'', May/June, 2008, "Anne Wilson" at Rhona Hoffman (review), pp. 55–56 *Klein, Paul

January 25, 2008, Anne Wilson at Rhona Hoffman, Chicago *Newell, Laurie Britton
"Anne Wilson in conversation with Laurie Britton Newell"; ''Out of the Ordinary: Spectacular Craft''
November 2006. Ed. Laurie Britton Newell. London: V&A Publications and the Crafts Council. pp. 112–123 *"Organic Landscapes: Morphologies and Topologies in the Art of Anne Wilson" by Michael Batty, London: Victoria & Albert Museum, pp. 112–123

(photo) p. B9, The Arts *Livingstone, Joan and John Ploof, eds
''The Object of Labor: Art, Cloth, and Cultural Production.'' Chicago and Cambridge: School of the Art Institute of Chicago and MIT Press
2007. pp. 386,387; artist project pp. 105–112 *Jenkins, Bruce

(exhibition catalog), Bloomington: Indiana University SoFA Gallery. (essay "Errant Behaviors: Reanimating the Past," pp 3–7; CD audio remix by Shawn Decker), 2005 *Cassel Oliver, Valerie
"Anne Wilson: Fragmented Territories," ''Perspectives 140: Anne Wilson''
(exhibition catalog), Houston, Texas: Contemporary Arts Museum Houston, 2004 *Rinder, Lawrence R
''Whitney Biennial 2002''
(exhibition catalog), New York: Whitney Museum of American Art, pp. 230–231 *Hixson, Kathryn. "The Topology of Anne Wilson's Topologies;" Tung, Lisa. "Anne Wilson: Present Corpus;" Yapelli, Tina. "Over Time,
(exhibition catalog)
Boston: Mass Art, 2002 *Gordon, Hattie. "Feast" and Porges, Tim. "Postminimal and After." Foreword by Elizabeth A. T. Smith
''Portfolio Collection: Anne Wilson''
(monograph), Winchester, England: Telos Art Publishing, 2001 *Ferris, Alison
"Forbidden Touch: Anne Wilson's Cloth", ''Reinventing Textiles, Volume 2: Gender and Identity''
Winchester, England: Telos Art Publishing, pp. 39–47, 2001

External links

Anne Wilson, Artist WebsiteSmithsonian Institution, Archives of American Art, Research Collections

Anne Wilson papers 1979-2012oral history interview with Anne Wilson
online transcript forthcoming) *Bad at Sports podcast
Episode 152: Anne Wilson (interview with Duncan MacKenzie and Shannon Stratton)
Chicago, 2008.

References

{{DEFAULTSORT:Wilson, Anne 1949 births Living people Cranbrook Academy of Art alumni California College of the Arts alumni Artists from Chicago 20th-century American women artists 21st-century American women artists 20th-century American artists 21st-century American artists School of the Art Institute of Chicago faculty Artists from Detroit