Publications
Without book reviews, CD booklets etc.Edited volumes
* (with Karl-Olof Edström and Paul Nixon) ''Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology (Cambridge, 5–10 August 1989)'' (= ''Skrifter från Musikvetenskapliga Institutionen'', vol. 21) (Göteborg: Göteborgs Universitet, 1991). * ''Proceedings of the First British-Swedish Conference on Musicology: Medieval Studies (Skara, 11–15 May 1988)'' (Stockholm: Royal Swedish Academy of Music, 1992). * ''A Select Edition of Old French Lyric Lais'', vol. 1 (Newton Abbot: Antico Edition, 1992). * ''A Select Edition of Old French Lyric Lais'', vol. 2 (Newton Abbot: Antico Edition, 1994). * "Early Music of Ireland", special issue of ''Early Music'', vol. 28 no. 2 (May 2000). * ''Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound'' (= ''Études et Recherches Archéologiques de l'Université de Liège'', vol. 86) (Liège, 2000). * (with Dominique Billy) ''Études de langue et de littérature romanes offertes à Peter T. Ricketts à l'occasion de son 70ème anniversaire'' (Brepols: Turnhout 2005). * (with Cynthia Cyrus) ''Music, Dance and Society: Medieval and Renaissance Studies in Memory of Ingrid G. Brainard'' (Kalamazoo: Western Michigan University, 2011). * Nobilitate vigens Furseus'. The Medieval Office of St Fursey: Lecture, with a Critical Edition of the Music and Text of the Office, and English Translation'' (Norwich: Fursey Pilgrims, 2014). * ''Music, Liturgy and the Veneration of Saints of the Medieval Irish Church in a European Context'' (= ''Ritus et Artes'', vol. 8) (Turnhout: Brepols, 2017).Book chapters
* "Jew's Harps in Irish Archaeology", in: ''Second Conference of the ICTM Study Group on Music Archaeology'', ed. Cajsa S. Lund (Stockholm, 1986), pp. 49–71. * "Musical Instruments from Medieval Dublin. A Preliminary Survey", in: ''The Archaeology of Early Music Cultures: Proceedings of the Third International Conference of the Study Group on Music Archaeology'', ed. E. Hickmann and D. Hughes (Peter Lang: Bonn 1988), pp. 145–162. * "Musical Instruments in Ireland from the 9th to the 14th Centuries: A Review of the Organological Evidence", in: ''Musicology in Ireland'' (= ''Irish Musical Studies'', vol. 1), ed. Gerard Gillen and Harry White (Blackrock: Irish Academic Press, 1990), pp. 13–57. * "Boundaries in the Field: What do they Serve? A Review of the Landscapes of Historical Musicology and Ethnomusicology", in: ''Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology'' (see details under "Edited volumes") (Göteborg, 1991), pp. 39–59. * "The Lyric Lai: Musicological, Philological, Cultural and Historical Questions" and "Ways of Looking", in: Proceedings of the First British-Swedish Conference on Musicology: Medieval Studies (see details under "Edited volumes") (Stockholm, 1992), pp. 189–234 and 235–243. * "An Archaeological Survey of Musical Instruments in Medieval Ireland", in: ''Miscellanea archaeologica Thaddaeo Malinowski dedicata'', ed. Franciszek Rożnowski (Słupsk and Poznań: Sorus, 1993), pp. 65–72. * "Music and Humanisation as Long-term Process", in: Sons Originels': Préhistoire de la musique'' (= ''Études et Recherches Archéologiques de l'Université de Liège'', vol. 61), ed. Marcel Otte (Liège, 1994), pp. 275–285. * "L'Histoire de la musique médiévale: Musicologie archéologie, ou ethnomusicologie? Quelques problèmes disciplinaires de notre époque", in: ''La Pluridisciplinarité dans l'archéologie musicale. IVe rencontres internationales du Groupe d'études sur l'archéologie musicale de l'ICTM (Saint-Germain-en-Laye, 8–12 octobre 1990)'' (= ''Collection Recherche Musique et Danse'', vols. 11–12), ed. Catherine Homo-Lechner and Annie Bélis (Paris: Éditions de la Maison des Sciences de l'Homme, 1994), vol. 1, pp. 501–512. * "'And his voice swelled like a terrible thunderstorm ...': Music as Symbolic Sound in Irish Society", in: ''Music and Irish Cultural History'' (= ''Irish Musical Studies'', vol. 3), ed. Gerard Gillen and Harry White (Blackrock: Irish Academic Press, 1995), pp. 11–74. * "Music Archaeology: Its Contribution to 'Cultural' Musicology and 'Historical' Ethnomusicology", in: ''Studies in Socio-Musical Sciences'', ed. Uri Sharvit and Yoahim Braun (Ramat Gan: Bar-Ilan University Press, 1998), pp. 109–115. * "Representations of Musicians in John Derricke's 'The Image of Irelande' (1581)", in: ''Music, Words, and Images. Essays in Honour of Koraljka Kos'', ed. Vjera Katalinić and Zdravko Blažeković (Zagreb: Hrvatsko Muzikolosko Drustvo roatian Musicological Society 1999), pp. 77–91. * "Organised Sound and Tonal Art in Long-term Perspective", in: ''Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound'' (see details under "Edited volumes") (Liège, 2000), pp. 9–16. * "Gypsy Musicians in Transylvania: Changing Lifestyles, Changing Status", in: ''Music, Language and Literature of the Roma and Sinti'' (= ''Intercultural Music Studies'', vol. 11), ed. Max Peter Baumann and Linda Fujie (Berlin: Verlag für Wissenschaft und Bildung, 2000), pp. 309–319. * "Abelard's 'Planctus' and Old French 'Lais': Melodic Style and Formal Structure", in: ''The Poetic and Musical Legacy of Heloise and Abelard'', ed. Marc Stewart and David Wulstan (Ottawa: Institute of Medieval Music, 2003), pp. 49–59. * "Representations of Musicians in Medieval Christian Iconography of Ireland and Scotland as Local Cultural Expression", in: ''Art and Music in the Early Modern Period. Essays in honor of Franca Trinchieri Camiz'', ed. Katherine A. McIver (Aldershot: Ashgate, 2003), pp. 217–231. * "Music of the Medieval Irish Church – A Preliminary Overview", in: ''Proceedings of the 1st Annual Conference of the Society for Musicology in Ireland, NUI Maynooth, 2–3 May 2003'', ed. Barra Boydell (Maynooth: Society for Musicology in Ireland, 2004), pp. 20–28. * "Abelard's 'Planctus virginum Israel super filia Iepte Galadite' and 'Li lais des puceles'", in: ''Études de langue et de littérature romanes offertes à Peter T. Ricketts ..' (see details under "Edited volumes") (Brepols: Turnhout 2005), pp. 545–570. * "The Musical Instruments depicted at Clare Island", in: ''A New Survey of Clare Island'', vol. 4: ''The Abbey'', ed. Conleth Manning, Paul Gosling and John Waddell (Dublin: Royal Irish Academy, 2005), pp. 123–132. * "Music in Ireland to c. 1500", in: ''A New History of Ireland'', vol. 1: ''Prehistoric and Early Ireland'', ed. Dáibhí Ó Cróinín (Oxford: Oxford University Press, 2005), pp. 744–813. * "Between Hagiography and Liturgy: Fragmentary Offices for Irish Saints", in: ''A Carnival of Learning: Essays to Honour George Cunningham and His 50 Conferences on Medieval Ireland in the Cistercian Abbey of Mount St Joseph, Roscrea, 1987–2012'', ed. Peter Harbison and Valerie Hall (Roscrea: Cistercian Press, 2012), pp. 41–52. * "The Medieval Office of St Brigit", in: ''Treasures of Irish Christianity'', vol. 2, ed. Brendan Leahy and Salvador Ryan (Dublin: Veritas, 2013), pp. 81–84. * "Wandering Scholars and Saintly Cults: The Liturgical Legacy – in Homage to Helen Waddell", in: ''Helen Waddell Reassessed: New Readings'', ed. Jennifer Fitzgerald (Bern etc.: Peter Lang, 2014), pp. 63–80. * "From Hymn to 'Historia': The Veneration of Local Saints in the Medieval Irish Church", in: ''Music, Liturgy and Saints of the Medieval Irish Church in a European Context'' (see details under "Edited volumes") (Brepols: Turnhout 2017), pp. 161–183. * "The Cambridge Songs as Anthology of Musical Knowledge", in: ''Aspects of Knowledge: Preserving and Reinventing Traditions of Learning in the Middle Ages'', ed. Marilina Cesario and Hugh Magennis (Manchester: Manchester University Press, 2018), pp. 79–93.Articles in journals and yearbooks
* "Notes on the Tiompán in Irish Literature", in: ''Studia Instrumentorum Musicae Popularis'', vol. 5 (1977), pp. 84–90. * "What was the Tiompán? A Study in Ethnohistorical Organology: Evidence in Irish Literature", in: ''Jahrbuch für musikalische Volks- und Völkerkunde'', vol. 9 (1977), pp. 53–88. * "An Irish Field Report from 1907: A Review of Methods", in: ''Newsletter of the UK Committee of the International Council for Traditional Music'', vol. 15 (1978). * "Considerations in a Stylistic Analysis of Uilleann Piping", in: ''Studia Instrumentorum Musicae Popularis'', vol. 6 (1979), pp. 120–125. * "A Note on the History and Archaeology of Jew's Harps in Ireland", in: ''North Munster Antiquaries Journal'', vol. 25 (1983), pp. 29–35. * "The Relevance of Literary Sources in the Archaeological Investigation of Musical Instruments", in: ''Cambridge Music-Archaeological Reports'', vol. 6 (1983). * "A Ceramic Signal Horn from Medieval Dublin", in: ''Archaeologia Musicalis'', vol. 1 (1987), pp. 9–10. * "A Viking Bow from 11th-Century Dublin", in: ''Archaeologia Musicalis'', vol. 1 (1987), pp. 10–11. * "Lyric Lais and the Use of Formulae", in: ''Musica antiqua Europae Orientalis: Acta Musicologica'', vol. 1 (1988), pp. 193–207. * "Music Archaeology: Its Contribution to 'Cultural' Musicology and 'Historical' Ethnomusicology", in: ''Archaeologia Musicalis'', vol. 89 (1989) no. 1, pp. 109–113. * "Harps and Lyres on Early Medieval Monuments of Britain and Ireland", in: ''Harpa'', vol. 7 (1992), pp. 8–9 and 15–21. * "Music in Medieval Irish Society", in: ''Harpa'', vol. 11 (1993), pp. 19–31. * "Professional Musicians, Dancing and Patronage: Continuity and Change in a Transylvanian Community", in: ''The World of Music'', vol. 3 (1994), pp. 31–48. * "Nationalism and the Politicisation of Popular Culture in 20th-Century Europe: Post-War Romania in a Comparative Perspective", in: ''Anuarul Institutului de Istorie Cluj-Napoca'' (Journal of the Institute of History, Academia Română, Filială din Cluj-Napoca omanian Academy of Sciences, Cluj Branch, vol. 23 (1994), pp. 375–385. * "Recent Publications in Music Archaeology"; review-article for ''RIdIM Newsletter'' (Newsletter of the Research Center for Musical Iconography), vol. 20 no. 2 (Fall 1995), pp. 68–72. * "Developments in Irish Musicology"; review-article for ''Bullán. An Irish Studies Journal'', vol. 2 no. 1 (Summer 1995), pp. 101–108. * "'A Lesson for the People': Reflections on Image and Habitus in Medieval Insular Iconography", in: ''RIdIM/RCMI Newsletter'', vol. 20 no. 1 (Spring 1995), pp. 3–9. * "Music-Related Imagery on Early Christian Insular Sculpture: Identification, Context, Function", in: ''Imago Musicae/International Yearbook of Musical Iconography'', vol. 8 (1991), pp. 135–199 ublished in 1995 * "Perspectives on Self-Critical Research Methods", in: ''Anuarul Institutului de Istorie Cluj-Napoca'' (Journal of the Institute of History, Academia Română, Filială din Cluj-Napoca omanian Academy of Sciences, Cluj Branch, vol. 24 (1995), pp. 395–399. * "Dans şi transiţie în Transilvania rurală" ance and transition in rural Transylvania in: ''Dilema'', vol. 4, no. 234 (18–24 July 1997), p. 16. * "Music and Manners: Readings of Medieval Irish Literature", in: ''Bullán. An Irish Studies Journal'', vol. 3 no. 1 (Spring 1997), pp. 33–43. * "Music Iconography and the Semiotics of Visual Representation", in: ''Music in Art. International Journal for Music Iconography'', vol. 1 (1998) no. 1–2, pp. 7–12. * "Music and Musicians in Medieval Irish Society", in: ''Early Music'', vol. 28 no. 2 (May 2000), pp. 165–190. * "In Search of Music of the Medieval Irish Church", in: ''New Liturgy'', no. 125 (Spring 2005), pp. 9–15. * "Urraim do na Naoimh Éireannacha sa Liotúirge san Eoraip sna Meánaoiseanna" he Liturgical Veneration of Irish Saints in Medieval Europe in: ''Bliainiris'', vol. 6 (2006), pp. 57–71. * "Musical Monuments from Medieval Meath", in: ''Ríocht na Midhe'', vol. 19 (2008), pp. 23–42. * "'Peregrini pro Christo': The Irish Church in Medieval Europe as Reflected in Liturgical Sources for the Veneration of its Missionary Saints", in: ''De Musica Disserenda'', vol. 14 (2008) no. 1, pp. 93–105.Encyclopaedia and dictionary articles
* "Music in Medieval Ireland", in: ''The Companion to Irish Traditional Music'', ed. Fintan Vallely (Cork: Cork University Press, 1999). * "Iconography", in: ''The New Oxford Companion to Music'', ed. Alison Latham (New York, 2000). * "Timpan/Tiompán", in: ''The New Grove Dictionary of Music and Musicians'' and ''The New Grove Dictionary of Musical Instruments'' (London: Macmillan, 1980 and 1986, respectively); revised for new 2001 edition: vol. 25. * "Celtic Chant", in: ''The New Grove Dictionary of Music and Musicians'', ed. Stanley Sadie (London: Macmillan 2001). * "Altramar"; "Bangor, Antiphonary of"; "Cistercians" ith Frank Lawrence "Colm Cille/Columba, St"; "Columbanus, St"; "Comgall/Comgillus, St"; "Dublin Troper"; "Franciscans"; "High crosses"; "Iconography" ith Barra Boydell "Irish Liber hymnorum"; "Irish saints, liturgical veneration of" ith Sara G. Casey "Manuscripts, medieval"; "Medieval Ireland, music in"; "Medieval Ireland, Musical instruments in"; "Moengal/Marcellus"; "Ó Cerbaill, Maelruanaid"; "Secundinus (Sechnall), St"; "Sequence and prose"; "Ua Brolcháin, Máel-Ísu"; in: ''The Encyclopaedia of Music in Ireland'', ed. Harry White and Barra Boydell (Dublin: University College Dublin Press, 2013). * "Columba", "Columbanus", "Sechnall/Secundinus", in: ''The Canterbury Dictionary of Hymnology'', ed. Jeremy Dibble and Emma Hornby (Canterbury: Canterbury Press, 2013). * "Music of the Celtic Rite", in: ''The Orthodox Encyclopedia'', ed. Sergey Nikitin (Moscow, 2014).References
{{DEFAULTSORT:Buckley, Ann Year of birth missing (living people) 20th-century Irish historians 21st-century Irish historians Alumni of the National University of Ireland Alumni of University College Cork Irish musicologists Academics of Trinity College Dublin Irish women non-fiction writers Living people Women historians Women musicologists Academics of Maynooth University