Andrew MacCallum
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Andrew McCullum (c. 1821–1902) was a British landscape painter.


Life

Born at Nottingham, of Scottish Highland background, he was son of an employee at the William Gibson & Sons hosiery manufactory there. He was brought up near Sherwood Forest, and unwillingly apprenticed against his will to his father's business. An interest in drawing was encouraged by
Thomas Bailey Thomas or Tom Bailey may refer to: Sports * Tom Bailey (footballer) (1888–?), English footballer * Thomas Bailey (footballer, born 1904) (1904–1983), Welsh footballer * Tom Bailey (American football) (1949–2005), American football player * ...
who allowed him to copy pictures in his collection. On his 21st birthday McCallum left home, and maintained himself by teaching. Aged 22 twenty-two he became a student in the recently founded
Government School of Art at Nottingham Founded in 1843, the School of Art & Design at Nottingham Trent University is one of the oldest in the United Kingdom. History In 1836, the Government Select committee (United Kingdom), Select Committee on Art and Manufactures produced a repor ...
. He exhibited a view of Flint Castle at the
British Institution The British Institution (in full, the British Institution for Promoting the Fine Arts in the United Kingdom; founded 1805, disbanded 1867) was a private 19th-century society in London formed to exhibit the works of living and dead artists; it w ...
in London in 1849. About this time he became a student at the Government School of Design at Somerset House, where J. R. Herbert, Richard Redgrave, and
John Callcott Horsley John Callcott Horsley RA (29 January 1817 – 18 October 1903) was an English academic painter of genre and historical scenes, illustrator, and designer of the first Christmas card. He was a member of the artist's colony in Cranbrook. Chi ...
were among his instructors. In 1850 he first exhibited at the Royal Academy. From that year till 1852 he was assistant master at the Manchester School of Art, and from 1852 to 1854 he was headmaster of the School of Art at Stourbridge, after the brief tenure from 1851 of Henry Alexander Bowler. There he resided at the Old Parsonage, New Street. In 1854 MacCallum went to Italy with a travelling studentship awarded by the Science and Art Department. Part of his time was spent on mural decorations; returning to England in 1857, he decorated the western exterior of the Sheepshanks Gallery at the South Kensington Museum with panels of sgraffito. He then concentrated on landscape, with subjects at
Burnham Beeches Burnham Beeches is a biological Site of Special Scientific Interest situated west of Farnham Common in the village of Burnham, Buckinghamshire. The southern half is owned by the Corporation of London and is open to the public. It is also a Na ...
and in Windsor Forest. Among patrons were John Phillip and James Nasmyth, and he was awarded a silver medal by the Society for the Encouragement of the Fine Arts. Towards the end of 1861 MacCallum painted at
Fontainebleau Fontainebleau (; ) is a commune in the metropolitan area of Paris, France. It is located south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the ''arrondissement ...
; in 1864 he worked in Switzerland and on the
River Rhine ), Surselva, Graubünden, Switzerland , source1_coordinates= , source1_elevation = , source2 = Rein Posteriur/Hinterrhein , source2_location = Paradies Glacier, Graubünden, Switzerland , source2_coordinates= , sourc ...
; in 1866 he was in Italy; in the winter of 1866–7 he was in the neighbourhood of Paris. Between 1870 and 1875 he paid several visits to Egypt where he made many sketches of rural life. He was "the Painter" who accompanied Amelia Edwards in 1873- 1874 on her Dahabiya in her best selling book "A Thousand Miles Up the Nile". About 1875 he was commissioned by Queen Victoria to paint five views near Balmoral. He sometimes lectured on art subjects. MacCallum died on 22 January 1902 at 5 The Studios, Holland Park Road,
Kensington Kensington is a district in the Royal Borough of Kensington and Chelsea in the West End of London, West of Central London. The district's commercial heart is Kensington High Street, running on an east–west axis. The north-east is taken up b ...
, London. He had lived in the neighbourhood since 1858 when he leased from Thomas Webster his house in The Mall, Kensington.


Works

MacCallum's reputation rested mainly on woodland subjects. He sent 53 pictures to the Royal Academy (1850–1886) and others to the
British Institution The British Institution (in full, the British Institution for Promoting the Fine Arts in the United Kingdom; founded 1805, disbanded 1867) was a private 19th-century society in London formed to exhibit the works of living and dead artists; it w ...
, Society of British Artists, and International Exhibitions (1870–1). Special exhibitions of his paintings were held at the
Dudley Gallery Dudley Museum and Art Gallery was a public museum and art gallery located in the town centre of Dudley in the West Midlands, England. It was opened in 1883, situated within buildings on St James's Road, and remained at that site until its closur ...
in 1866 and at Nottingham in 1873; his ''Sultry Eve'' was shown at the Centennial Exhibition at Philadelphia in 1876. He used water-colour, and drew in pastel and in gold, silver, and copper point. The Tate Gallery acquired MacCallum's ''Silvery Moments, Burnham Beeches'' (1885), and ''The Monarch of the Glen''; the Victoria and Albert Museum his ''In Sherwood Forest—Winter Evening after Rain'' (1881), ''S. Maria delle Grazie, Milan'' (1854), ''Rome from the Porta San Pancrazio'' (1855–6), ''The Burning of Rome by Nero, and the Massacre of the Christians'' (1878–9), and ''Head of Christ'' after Daniele Crespi. The City of Nottingham Art Gallery bought ''The Major Oak, Sherwood Forest'' (1882), measuring about 9 ft. by 12 ft., and ''The Opening Scene in Bailey's "Festus"''.


Family

MacCallum was twice married. His first marriage, in 1852, was to Susan Irlam Tetlow (1832-1871), the daughter of John Tetlow, a painter. His second marriage, on 18 June 1879, was to Laura Salwey (born 1856), daughter of Ludlow solicitor Humphrey Salway. At the time of their marriage, MacCallum was 57 to his wife's 25. MacCallum petitioned for a divorce from Laura in April 1888, on the grounds of her alleged adultery with Ernest Malleson. During the divorce proceedings, Laura complained of cruelty on the part of MacCallum, arguing that he had tried to lock her up in a lunatic asylum when she was sane (his first wife had died in a private lunatic asylum). The divorce was granted in 1889, with the jury finding that Laura MacCallum was guilty of adultery, but finding Andrew MacCallum not guilty of cruelty. MacCallum had two sons by his second wife: Andrew Humphry Salwey MacCallum (1881-1972) and Alfred Erasmus Geoffrey MacCallum (1882-1933).Birth of Andrew Humphry Salwey MacCallum, Kensington 1881 (GRO, vol 1a, page 80); death in Basingstoke, 1972 (GRO, vol 6b, page 45s). Birth of Alfred Erasmus Geoffry icMacCallum, Kensington, 1882 (GRO, vol 1a, page 130); death in Spain, 6 January 1933 and burial at Puerto de la Cruz, Tenerife (www.findagrave.com) Both sons served in the Second Boer War.


Notes


External links

* Attribution {{DEFAULTSORT:MacCallum, Andrew 1820s births 1902 deaths British landscape artists Artists from Nottingham 19th-century British painters British male painters British landscape painters British Orientalist painters 19th-century British male artists