Magnetic tape is a medium for

magnetic storage Magnetic storage or magnetic recording is the storage of data on a magnetized medium. Magnetic storage uses different patterns of magnetisation in a magnetizable material to store data and is a form of non-volatile memory. The information is ac ...

made of a thin, magnetizable coating on a long, narrow strip of

plastic film Plastic film is a thin continuous polymeric material. Thicker plastic material is often called a "sheet". These thin plastic membranes are used to separate areas or volumes, to hold items, to act as barriers, or as printable surfaces. Plas ...

. It was developed in Germany in 1928, based on the earlier magnetic wire recording from Denmark. Devices that use magnetic tape could with relative ease record and playback audio, visual, and binary computer data. Magnetic tape revolutionized

sound recording and reproduction Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording ...

and

broadcasting Broadcasting is the distribution of audio or video content to a dispersed audience via any electronic mass communications medium, but typically one using the electromagnetic spectrum ( radio waves), in a one-to-many model. Broadcasting beg ...

. It allowed

radio Radio is the technology of signaling and communicating using radio waves. Radio waves are electromagnetic waves of frequency between 30 hertz (Hz) and 300 gigahertz (GHz). They are generated by an electronic device called a transmi ...

, which had always been broadcast live, to be recorded for later or repeated airing. Since the early 1950s, magnetic tape has been used with computers to store large quantities of data and is still used for backup purposes. Magnetic tape begins to degrade after 10–20 years and therefore is not an ideal medium for long-term archival storage.

Durability

While good for short-term use, magnetic tape is highly prone to disintegration. Depending on the environment, this process may begin after 10–20 years. Over time, magnetic tape made in the 1970s and 1980s can suffer from a type of deterioration called

sticky-shed syndrome Sticky-shed syndrome is a condition created by the deterioration of the binders in a magnetic tape, which hold the ferric oxide magnetizable coating to its plastic carrier, or which hold the thinner back-coating on the outside of the tape. This de ...

. It is caused by

hydrolysis Hydrolysis (; ) is any chemical reaction in which a molecule of water breaks one or more chemical bonds. The term is used broadly for substitution, elimination, and solvation reactions in which water is the nucleophile. Biological hydrolys ...

of the binder in the tape and can render the tape unusable.

Successors

Since the introduction of magnetic tape, other technologies have been developed that can perform the same functions, and therefore, replace it. Despite this, technological innovation continues.

Sony , commonly stylized as SONY, is a Japanese multinational conglomerate corporation headquartered in Minato, Tokyo, Japan. As a major technology company, it operates as one of the world's largest manufacturers of consumer and professiona ...

and IBM continue to advance tape capacity.

Uses

Audio

Magnetic tape was invented for recording sound by Fritz Pfleumer in 1928 in Germany. Because of escalating political tensions and the outbreak of World War II, these developments in Germany were largely kept secret. Although the Allies knew from their monitoring of Nazi radio broadcasts that the Germans had some new form of recording technology, its nature was not discovered until the Allies acquired German recording equipment as they invaded Europe at the end of the war. It was only after the war that Americans, particularly Jack Mullin,

John Herbert Orr John Herbert Orr (August 19, 1911 – May 6, 1984) was an Alabama entrepreneur who formed Orradio Industries, Inc., a high-technology firm that manufactured magnetic recording tape for both professional and consumer markets. In 1945, Orr was among ...

, and Richard H. Ranger, were able to bring this technology out of Germany and develop it into commercially viable formats. Bing Crosby, an early adopter of the technology, made a large investment in the tape hardware manufacturer

Ampex Ampex is an American electronics company founded in 1944 by Alexander M. Poniatoff as a spin-off of Dalmo-Victor. The name AMPEX is a portmanteau, created by its founder, which stands for Alexander M. Poniatoff Excellence.AbramsoThe History ...

. A wide variety of audiotape recorders and formats have been developed since. Some magnetic tape-based formats include: * Reel-to-reel *

Fidelipac The Fidelipac, commonly known as a "NAB cartridge" or simply "cart", is a magnetic tape sound recording format, used for radio broadcasting for playback of material over the air such as radio commercials, jingles, station identifications, and mu ...

Stereo-Pak The Muntz Stereo-Pak, commonly known as the 4-track cartridge, is a magnetic tape sound recording cartridge technology. The Stereo-Pak cartridge was inspired by the Fidelipac 3-track tape cartridge system invented by George Eash in 1954 and ...

* Perforated (sprocketed) film audio magnetic tape (sepmag, perfotape, sound follower tape, magnetic film) *

8-track tape The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic tape sound recording technology that was popular from the mid-1960s to the early 1980s, when the compact cassette, wh ...

* Compact Cassette * Elcaset *

RCA tape cartridge The RCA tape cartridge is a magnetic tape audio format that was designed to offer stereo quarter-inch reel-to-reel tape recording quality in a convenient format for the consumer market. It was introduced in 1958, following four years of developm ...

Mini-Cassette The Mini-Cassette, often written minicassette, is a magnetic tape audio cassette format introduced by Philips in 1967. It is used primarily in dictation machines and was also employed as a data storage for the Philips P2000 home computer. As ...

Microcassette The Microcassette (often written generically as microcassette) is an audio storage medium, introduced by Olympus in 1969. It has the same width of magnetic tape as the Compact Cassette but in a cassette roughly one quarter the size. By using t ...

Picocassette Picocassette is an audio storage medium introduced by Dictaphone in collaboration with JVC in 1985. The Picocassette was introduced to compete with the Microcassette, introduced by Olympus, and the Mini-Cassette, by Philips. Size It is appro ...

NT (cassette) NT is a digital memo recording system introduced by Sony in 1992, sometimes marketed under the name Scoopman. The NT system was introduced to compete with the Microcassette, introduced by Olympus, and the Mini-Cassette, by Philips. Descri ...

ProDigi Mitsubishi's ProDigi was a professional audio, reel-to-reel, digital audio tape format with a stationary head position, similar to Sony's Digital Audio Stationary Head, which competed against ProDigi when the format was available in the mid- ...

Digital Audio Stationary Head The Digital Audio Stationary Head or ''DASH'' standard is a reel-to-reel, digital audio tape format introduced by Sony in early 1982 for high-quality multitrack studio recording and mastering, as an alternative to analog recording methods. DAS ...

* Digital Audio Tape *

Digital Compact Cassette The Digital Compact Cassette (DCC) is a magnetic tape sound recording format introduced by Philips and Matsushita Electric in late and marketed as the successor to the standard analog Compact Cassette. It was also a direct competitor to Sony ...

Video

Some magnetic tape-based formats include: *

Quadruplex videotape 2-inch quadruplex videotape (also called 2″ quad video tape or quadraplex) was the first practical and commercially successful analog recording video tape format. It was developed and released for the broadcast television industry in 1956 by ...

* Ampex 2 inch helical VTR * Type A videotape * IVC videotape format *

Type B videotape 1–inch type B VTR (designated Type B by SMPTE) is a reel-to-reel analog recording video tape format developed by the Bosch Fernseh division of Bosch in Germany in 1976. The magnetic tape format became the broadcasting standard in continen ...

Type C videotape 1–inch Type C (designated Type C by SMPTE) is a professional reel-to-reel analog recording helical scan videotape format co-developed and introduced by Ampex and Sony in 1976. It became the replacement in the professional video and broadcas ...

EIAJ-1 EIAJ-1 was a standard for video tape recorders (VTRs) developed by the Electronic Industries Association of Japan with the cooperation and assistance of several Japanese electronics manufacturers in 1969. It was the first standardized format fo ...

U-matic U-matic is an analogue recording Videocassette#Cassette formats, videocassette format first shown by Sony in prototype in October 1969, and introduced to the market in September 1971. It was among the first video formats to contain the vide ...

** UniHi *

Video Cassette Recording Video Cassette Recording (VCR) is an early domestic analog recording format designed by Philips. It was the first successful consumer-level home videocassette recorder (VCR) system. Later variants included the VCR-LP and Super Video (SVR) form ...

Cartrivision Cartrivision is an analog videocassette format introduced in 1972, and the first format to offer feature films for consumer rental.VHS **

VHS-C VHS-C is the compact VHS videocassette format, introduced by Victor Company of Japan (JVC) in 1982, and used primarily for consumer-grade compact analog recording camcorders. The format is based on the same video tape as is used in VHS, and ...

S-VHS , the common initialism for Super VHS, is an improved version of the VHS standard for consumer-level video recording. Victor Company of Japan introduced S-VHS in Japan in April 1987, with their JVC-branded HR-S7000 VCR, and in certain overse ...

***

Digital S D-9 or Digital-S as it was originally known, is a professional digital video videocassette format created by JVC in 1995. It is a direct competitor to Sony's Digital Betacam. Its name was changed to D-9 in 1999 by the SMPTE. It was used to a sm ...

***

W-VHS W-VHS (Wide-VHS) is a HDTV-capable analog recording videocassette format created by JVC. The format was originally introduced in 1994 for use with Japan's Hi-Vision, an early analog high-definition television system. Naming JVC gives four ...

***

D-VHS D-VHS is a digital video recording format developed by JVC, in collaboration with Hitachi, Matsushita, and Philips. The "D" in D-VHS originally stood for "Data", but JVC renamed the format as "Digital VHS". Released in 1998, it uses the same p ...

Video 2000 Video 2000 (also known as V2000, with the tape standard Video Compact Cassette, or VCC) is a consumer videocassette system and analogue recording standard developed by Philips and Grundig to compete with JVC's VHS and Sony's Betamax video techn ...

V-Cord V-Cord is an analog recording videocassette format developed and released by Sanyo. V-Cord (later referred to as V-Cord I) was released in 1974, and could record 60 minutes on a cassette. V-Cord II, released in 1976, could record 120 minutes on a ...

VX (videocassette format) VX was a consumer analog recording videocassette format developed by Matsushita launched in 1975 in Japan which was short-lived and unsuccessful. In the United States, it was sold using the Quasar brand and marketed under the name "The Great Tim ...

* Betamax *

Compact Video Cassette Compact Video Cassette (CVC) was one of the first analog recording videocassette formats to use a tape smaller than its earlier predecessors of VHS and Betamax, and was developed by Funai Electronics of Japan for portable use. The first model ...

Betacam Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. Al ...

Betacam SP Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All ...

Digital Betacam Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All ...

Betacam SX Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All ...

***

MPEG IMX Betacam is a family of half-inch professional videocassette products developed by Sony in 1982. In colloquial use, "Betacam" singly is often used to refer to a Betacam camcorder, a Betacam tape, a Betacam video recorder or the format itself. All ...

HDCAM HDCAM is a high-definition video digital recording videocassette version of Digital Betacam introduced in 1997 that uses an 8-bit discrete cosine transform (DCT) compressed 3:1:1 recording, in 1080i-compatible down-sampled resolution of 14 ...

***

HDCAM SR HDCAM is a high-definition video digital recording videocassette version of Digital Betacam introduced in 1997 that uses an 8-bit discrete cosine transform (DCT) compressed 3:1:1 recording, in 1080i-compatible down-sampled resolution of 14 ...

M (videocassette format) M is the name of a professional analog videocassette format created around 1982 by Matsushita and RCA. Developed as a competitor to Sony's Betacam format, M used the same videocassette (and the same oxide-formulated magnetic tape stock) as VH ...

MII (videocassette format) MII is a professional analog recording videocassette format developed by Panasonic in 1986 in competition with Sony's Betacam SP format. It was technically similar to Betacam SP, using metal-formulated tape loaded in the cassette, and utiliz ...

D-1 (Sony) D-1 or 4:2:2 Component Digital is an SMPTE digital recording video standard, introduced in 1986 through efforts by SMPTE engineering committees. It started as a Sony and Bosch - BTS product and was the first major professional digital video ...

DCT (videocassette format) DCT is a digital recording component video videocassette format developed and introduced by Ampex in 1992. It was based on the D1 format, and unlike the uncompressed recording scheme of D1, it was the first digital videotape format to use data ...

D-2 (video) D-2 is a professional digital videocassette format created by Ampex and introduced in 1988 at the NAB Show as a composite video alternative to the component video D-1 format. It garnered Ampex a technical Emmy in 1989. Like D-1, D-2 stores u ...

D-3 (video) D-3 is an uncompressed composite digital video videocassette format invented at NHK and introduced commercially by Panasonic. It was launched in 1991 to compete with Ampex's D-2. D-3 uses half-inch metal particle tape at 83.88 mm/s (c ...

D5 HD D-5 is a professional digital video format introduced by Panasonic in 1994. Like Sony's D-1 (8-bit), it is an uncompressed digital component system (10-bit), but uses the same half-inch tapes as Panasonic's digital composite D-3 format. A 120 m ...

D6 HDTV VTR D6 HDTV VTR is SMPTE videocassette standard. A D6 VTR can record and playback HDTV video uncompressed. The only D6 VTR product is the Philips, now Thomson's Grass Valley's Media Recorder, model DCR 6024, also called the D6 Voodoo VTR. The VT ...

Video8 The 8mm video format refers informally to three related videocassette formats. These are the original Video8 (analog recording) format and its improved successor Hi8 (analog video and analog audio but with provision for digital audio), as well a ...

Hi8 The 8mm video format refers informally to three related videocassette formats. These are the original Video8 (analog recording) format and its improved successor Hi8 (analog video and analog audio but with provision for digital audio), as well as ...

* Digital8 * DV **

MiniDV DV refers to a family of codecs and videotape, tape formats used for storing digital video, launched in 1995 by a consortium of camcorder, video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly ...

** DVCAM *** DVCPRO ***

DVCPRO50 DV refers to a family of codecs and videotape, tape formats used for storing digital video, launched in 1995 by a consortium of camcorder, video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly ...

*** DVCPRO Progressive ***

DVCPRO HD DV refers to a family of codecs and videotape, tape formats used for storing digital video, launched in 1995 by a consortium of camcorder, video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly ...

HDV HDV is a format for recording of high-definition video on DV cassette tape. The format was originally developed by JVC and supported by Sony, Canon, and Sharp. The four companies formed the HDV Consortium in September 2003. Conceived as an af ...

MicroMV MicroMV is a proprietary videotape format introduced in October 2001 by Sony. It is the smallest videotape format — 70% smaller than MiniDV or about the size of two US quarter coins; it is also smaller than a Digital8 or DV cassette and sli ...

Computer data

Magnetic tape was first used to record computer data in 1951 on the Eckert-Mauchly

UNIVAC I The UNIVAC I (Universal Automatic Computer I) was the first general-purpose electronic digital computer design for business application produced in the United States. It was designed principally by J. Presper Eckert and John Mauchly, the inven ...

. The system's UNISERVO I tape drive used a thin strip of one-half-inch (12.65 mm) wide metal, consisting of nickel-plated bronze (called Vicalloy). The recording density was 100 characters per inch (39.37 characters/cm) on eight tracks. In 2002, Imation received a

US$ The United States dollar (symbol: $; code: USD; also abbreviated US$ or U.S. Dollar, to distinguish it from other dollar-denominated currencies; referred to as the dollar, U.S. dollar, American dollar, or colloquially buck) is the official ...

11.9 million grant from the U.S.

National Institute of Standards and Technology The National Institute of Standards and Technology (NIST) is an agency of the United States Department of Commerce whose mission is to promote American innovation and industrial competitiveness. NIST's activities are organized into physical s ...

for research into increasing the data capacity of magnetic tape. In 2014,

and IBM announced that they had been able to record 148 gigabits per square inch with magnetic tape media developed using a new vacuum thin-film forming technology able to form extremely fine crystal particles, allowing true tape capacity of 185 TB.

Notes

References

External links

History of Tape Recording Technology

The Museum of Obsolete Media
{{Authority control Audiovisual introductions in 1928 Audio storage Computer storage tape media Magnetic devices Sound recording Tape recording German inventions 1928 in Germany 1928 in science