Overview
''Albedo One'' is widely regarded as the successor to the defunct Irish science fiction magazine ''FTL'', which was originally published by the (also now-defunct) Irish Science Fiction Association.Albedo One, Decade One (An honourable draw), ''Phoenix Convention, 27th-28th September, 2003, Official Program'', 2003 ''FTL'' was itself a successor of the Irish magazine ''Gateway''. ''Albedo One'' is often credited as holding the position of the "longest running Irish magazine of speculative fiction" and has been billed as "Ireland's answer to ''Interzone''." From issue 1, 1993, to issue 12, 1996, ''Albedo One'' was published by Tachyon Productions and was in an A5 size format. From issue 13, 1996, the magazine moved to a larger A4 format and was published by Albedo One Productions. The move to new publisher and format was motivated, according to the editors, "in an effort to gain better distribution, more advertising and put a little jizz into the magazine.". ''Albedo One'' currently publishes original (i.e. previously unpublished) stories from Irish, European and International authors. Its focus on Irish authors has often been noted by reviewers, but publication of non-Irish authors is not excluded as with some national genre magazines, and the magazine is "primarily interested in good writing". The magazine states that its "definition of what constitutes SF, horror and fantasy is extremely broad" and that it likes "to see material which pushes at the boundaries", a fact that has been remarked upon by readers and reviewers. In this respect, one reviewer stated that "Any magazine that encourages both new writers and readers to range more widely, deserves encouragement." The magazine currently appears in print and electronic pdf format approximately two to three times per year. Stories published in each issue generally range from 2000 to 8000 words in length, though in practise published stories sometimes fall outside these lengths. The magazine also publishes in each issue an interview with a well-known genre author, in addition to book reviews and a (recently sporadic) letters column under the heading "Ugly Chickens" after the famous story " The Ugly Chickens" by genre authorStaff
* John Kenny, Co-Editor * Peter Loftus, Co-Editor * Frank Ludlow, Co-Editor * David Murphy, Co-Editor * Robert Neilson, Co-EditorIndustry attention and awards
Between 1997 and 1999 ''Albedo One'' was honored three times by theCritical reception
Production values
''The Mammoth Encyclopedia of Science Fiction'', notes that "Recent issues have boasted a printed cover, but the magazine still contains a black-and-white photocopied interior" and could "from the purely aesthetic point of view, benefit from some enhanced production values". The entry continues to note that "the editorial and literary quality of the contents more than makes up for this". However, Mann's inclusion of some genre magazines like ''Albedo One'' as opposed to other available magazines earned some criticism from reviewers, with one reviewer from the online edition of The Zone commenting that "Ireland's ''Albedo One'' rates a plug... But where are comparable titles like Tony Lee's ''The Zone'', Chris Reed's ever-stylish ''Back Brain Recluse'', or the unforgettable ''Critical Wave''?" One reviewer commented of issue 25, 2002, that "It has a certain charming loopiness of type design and layout reminiscent of Pagemaker output from the early 1990s, but the stories certainly are strong." Regarding production values, in 2003, one editor of the magazine remarked "We would love to produce a fully printed magazine with a full colour cover but, unlike the situation in the UK, our Arts Council does not feel that either science fiction or magazine publishing are worthy enough to be considered for support." However, in a possible response to criticism, the magazine has since attempted to increase its production values, with full colour covers, in a perfect-bound A4 format andFiction Content
Reviews of the fiction content of ''Albedo One'' have generally ranged from largely positive to very positive. One reviewer stated that "if you're flatulently full with the fluffer shorts of pedestrian writers going through the motions, a dose of ''Albedo One'' #29 is the perfect antidote." The same reviewer stated of issue 32 that "''Albedo One's'' inexorable rise to the top gains momentum with this issue's expertly assembled and fluid mix of speculative fiction." A review of issue 33 on BestSF stated of the magazine that "It's not quite up to kicking ''Interzone's'' arse, but as the redoubtable English mag takes strides forward under its new leadership, ''Albedo One'' is keeping up with the pace and is at least in sight of those coat tails, if not in grabbing distance." A review of issue 34, stated that "''Albedo One'' prides itself on distinctive fiction and as previously stated, in this department it delivers." However, not all reviews have been this positive, though have stopped short of being explicitly negative. Issue 30 received a relatively neutral review on BestSF, while commenting on issue 33, a reviewer stated that "With the ripples from the splash caused by last issue's impact still lapping at my brain, the still waters of ''Albedo One'' #33 signal a return to – if not more settled, then less startling – genre fiction, well-crafted and likeable, but a little stagnant all the same.". In 2003, one editor stated that "We're striving to improve with every issue and critics have said some very nice things about us over the years, as well as some bad. Personally, I have always felt it preferable if a story elicits strong reactions - either negative or positive - than for it to get a lukewarm response all round. At least a story that people hate has affected them enough to stir an emotion... I don't think we've ever published a story nobody disliked and I doubt (hope) we ever will." The overall approach to selection of fiction for publication in ''Albedo One'' has been commended by one reviewer by stating that "while other publishers strain to adhere to self-imposed deadlines, Albedo One embraces a publishing schedule dictated by its gradual accumulation of quality material - material that mixes first time writers with established professionals, and that demands an audience."The Aeon Award
Since 2004 ''Albedo One'' has sponsored the Aeon Award, a fiction contest aimed at promoting new writers and writing in the speculative fiction genres. The story "My Marriage" by English author Julian West won the Inaugural 2004-2005 Aeon Award with Grand Judge Ian Watson commenting that he found it "rather unsettling", recommending it for the gender bendingAeon Press
Aeon Press has been described as the "book-publishing" arm of ''Albedo One'', and is one of Ireland's few dedicated publishers of science fiction, fantasy and horror. Its most notable release to date is ''Emerald Eye: Best Irish Imaginative Fiction'' (2005) edited by Roelof Goudriaan and Frank Ludlow That collection comprises science fiction, fantasy and horror from modern Irish authors. Its dark tone lacked typical Irish fantasy elements (e.g. leprechauns), and as such was considered by some to be controversial. One review generated a relatively long debate concerning the nature of "Irish" fantasy, "Irishness" and the art of reviewing. In 2011 Aeon Press released two short story anthologies at Bristolcon (UK) and Octocon (Ire). " Box of Delights", edited by John Kenny features 16 spine-chilling tales of love and death from such authors as Mike Resnick, Kristine Kathryn Rusch, Steve Rasnic Tem,Format and availability
Issues appear two or three times a year both as a PDF download and as an A4 size print magazine. Sample content from certain issues is also available to view on the ''Albedo One'' website and is periodically updated.References
External links