Aivazovsky Sketch

Ivan Konstantinovich Aivazovsky (russian: link=no, Иван Константинович Айвазовский; 29 July 18172 May 1900) was a Russian Romantic painter who is considered one of the greatest masters of marine art. Baptized as Hovhannes Aivazian, in classical spelling and Հովհաննես Այվազյան in reformed spelling. His name was given as Յօհաննես Այվազեան, ''Yohannes Aivazian'' in baptismal records. he was born into an Armenian family in the Black Sea port of Feodosia in Crimea and was mostly based there.

Following his education at the Imperial Academy of Arts in Saint Petersburg, Aivazovsky traveled to Europe and lived briefly in Italy in the early 1840s. He then returned to Russia and was appointed the main painter of the Russian Navy. Aivazovsky had close ties with the military and political elite of the Russian Empire and often attended military maneuvers. He was sponsored by the state and was well-regarded during his lifetime. The saying "worthy of Aivazovsky's brush", popularized by Anton Chekhov, was used in Russia for describing something lovely. He remains highly popular in Russia in the 21st century.

One of the most prominent Russian artists of his time, Aivazovsky was also popular outside Russian Empire. He held numerous solo exhibitions in Europe and the United States. During his almost 60-year career, he created around 6,000 paintings, making him one of the most prolific artists of his time. The vast majority of his works are seascapes, but he often depicted battle scenes, Armenian themes, and portraiture. Most of Aivazovsky's works are kept in Russian, Ukrainian, Armenian, Turkish museums as well as private collections.

Life

Background

Ivan Aivazovsky was born on 17 July (29 in New Style) 1817 in the city of Feodosia (Theodosia), Crimea, Russian Empire. In the baptismal records of the local St. Sargis Armenian Apostolic Church, Aivazovsky was listed as ''Hovhannes, son of Gevorg Aivazian'' ( hy, Գէորգ Այվազեանի որդի Յօհաննեսն). During his study at the Imperial Academy of Arts, he was known in Russian as Ivan Gaivazovsky (Иванъ Гайвазовскій in the pre-1918 spelling). He became known as Aivazovsky since , while in Italy. He signed an 1844 letter with an Italianized rendition of his name: "Giovani Aivazovsky".

His father, Konstantin, (–1840), was an Armenian merchant from the Polish region of Galicia. His family had migrated to Europe from Western Armenia in the 18th century. After numerous familial conflicts, Konstantin left Galicia for Moldavia, later moving to Bukovina, before settling in Feodosia in the early 1800s. He was initially known as Gevorg Aivazian (Haivazian or Haivazi), but he changed his last name to Gaivazovsky by adding the Slavic suffix "-sky". Aivazovsky's mother, Ripsime, was a Feodosia Armenian. The couple had five children—three daughters and two sons. Aivazovsky's elder brother, Gabriel, was a prominent historian and an Armenian Apostolic archbishop.

Education

The young Aivazovsky received parochial education at Feodosia's St. Sargis Armenian Church. He was taught drawing by Jacob Koch, a local architect. Aivazovsky moved to Simferopol with Taurida Governor Alexander Kaznacheyev's family in 1830 and attended the city's Russian gymnasium. In 1833, Aivazovsky arrived in the Russian capital, Saint Petersburg, to study at the Imperial Academy of Arts in Maxim Vorobiev's landscape class. In 1835, he was awarded with a silver medal and appointed assistant to the French painter . In September 1836, Aivazovsky met Russia's national poet Alexander Pushkin during the latter's visit to the Academy. In 1837, Aivazovsky joined the battle-painting class of Alexander Sauerweid and participated in Baltic Fleet exercises in the Gulf of Finland. In October 1837, he graduated from the Imperial Academy of Arts with a gold medal, two years earlier than intended. Aivazovsky returned to Feodosia in 1838 and spent two years in his native Crimea. In 1839, he took part in military exercises in the shores of Crimea, where he met Russian admirals Mikhail Lazarev, Pavel Nakhimov and Vladimir Kornilov.

First visit to Europe

In 1840, Aivazovsky was sent by the Imperial Academy of Arts to study in Europe. He first traveled to Venice via Berlin and Vienna and visited San Lazzaro degli Armeni, where an important Armenian Catholic congregation was located and his brother Gabriel lived at the time. Aivazovsky studied Armenian manuscripts and became familiar with Armenian art. He met Russian novelist Nikolai Gogol in Venice. He then headed to Florence, Amalfi and Sorrento. In Florence, he met painter Alexander Ivanov. He remained in Naples and Rome between 1840 and 1842. Aivazovsky was heavily influenced by Italian art and their museums became the "second academy" for him. According to Rogachevsky the news of successful exhibitions in Italy reached Russia. Pope Gregory XVI awarded him with a golden medal. He then visited Switzerland, Germany, the Netherlands and Britain. In an international exhibition at the Louvre, he was the only representative from Russia. In France, he received a gold medal from the Académie royale de peinture et de sculpture. He then returned to Naples via Marseille and again visited Britain, Portugal, Spain, and Malta in 1843. Aivazovsky was admired throughout Europe. He returned to Russia via Paris and Amsterdam in 1844.

Return to Russia and first marriage

Upon his return to Russia, Aivazovsky was made an academician of the Imperial Academy of Arts and was appointed the "official artist of the Russian Navy to paint seascapes, coastal scenes and naval battles." In 1845, Aivazovsky traveled to the Aegean Sea with Duke Konstantin Nikolayevich and visited the Ottoman capital, Constantinople, and the Greek islands of Patmos and Rhodes.

In 1845, Aivazovsky settled in his hometown of Feodosia, where he built a house and studio. He isolated himself from the outside world, keeping a small circle of friends and relatives. Yet the solitude played a negative role in his art career. By the mid-nineteenth century, Russian art was moving from Romanticism towards a distinct Russian style of Realism, while Aivazovsky continued to paint Romantic seascapes and attracted heavy criticism.

In 1845 and 1846, Aivazovsky attended the maneuvers of the Black Sea Fleet and the Baltic Fleet at Petergof, near the imperial palace. In 1847, he was given the title of professor of seascape painting by the Imperial Academy of Arts and elevated to the rank of nobility. In the same year, he was elected to the Royal Netherlands Academy of Arts and Sciences.

In 1848, Aivazovsky married Julia Graves, an English governess. They had four daughters: Elena (1849), Maria (1851), Alexandra (1852) and Joanne (1858). They separated in 1860 and divorced in 1877 with permission from the Armenian Church, since Graves was a Lutheran.

Rise to prominence

In 1851, traveling with the Russian emperor Nicholas I, Aivazovsky sailed to Sevastopol to participate in military maneuvers. His archaeological excavations near Feodosia lead to his election as a full member of the Russian Geographical Society in 1853. In that year, the Crimean War erupted between Russia and the Ottoman Empire, and he was evacuated to Kharkiv

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