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Aisha Khalid (born 1972 in Lahore,
Pakistan Pakistan ( ur, ), officially the Islamic Republic of Pakistan ( ur, , label=none), is a country in South Asia. It is the world's List of countries and dependencies by population, fifth-most populous country, with a population of almost 24 ...
) is a female contemporary visual artist, working with miniature painting, textiles, video and site specific installations in architectural spaces. Khalid is one of a generation of artists from Pakistan who have transformed the tradition of miniature painting into an internationally celebrated form of contemporary art. In recent years, Khalid’s practice has extended to significantly larger paintings, murals and installations. She is a member of what has come to be called the Pakistani 'neo-miniature' school.


Biography

Khalid graduated from the
National College of Arts The National College of Arts (colloquially known as NCA) is a public university located in Lahore, Punjab, Pakistan. Overview National College of Arts - A Federal Chartered Institute is the oldest art school in Pakistan and the second oldest i ...
,
Lahore Lahore ( ; pnb, ; ur, ) is the second most populous city in Pakistan after Karachi and 26th most populous city in the world, with a population of over 13 million. It is the capital of the province of Punjab where it is the largest city. ...
in 1993 and completed her post-graduate degree Fine Art degree from
Rijksakademie The Rijksakademie van beeldende kunsten (State Academy of Fine Arts) was founded in 1870 in Amsterdam. It is a classical academy, a place where philosophers, academics and artists meet to test and exchange ideas and knowledge. The school support ...
, Amsterdam in 2003. Khalid was schooled in classical miniature painting and has become a leading figure in developing the contemporary miniature. She has described her two-year fellowship at the Rijksakademie as a real learning experience, due to the culture shocks she encountered. She has described how the reaction from audiences in Amsterdam to her miniatures differed compared to reactions in Pakistan:
My miniatures were considered beautiful and exotic but beyond that the viewers could not read anything significant in them. They would ask me, is it about religion, ethnicity or typical oriental traditions? It was surprising to discover the difference in perception, in Pakistan my miniature was labeled as unconventional and modern while western audiences considered them archaic.
As a result, her experience in Amsterdam led her to change her style and adopt more contemporary mediums to make her work more accessible to her hosts.


Work

Khalid works with paintings,
mural A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' is a Spani ...
s, video, installations, and textile works. She was initially trained as a traditional miniaturist, and is known for reviving old techniques in contemporary ways.


Themes

Many of Khalid's works deal with the theme of gender. Her work has been described as having a 'feminine sensibility', coming partly from references to traditionally feminine crafts such as textiles and needlework. This comes both from her use of textiles in her work, but also from her focus on repeated geometric patterns, taken from traditional Islamic patterns, combined with floral motifs. In keeping with the theme of gender, she has also made repeated use of the theme of the covered or uncovered female figure, using motifs such as curtains,
burqa A burqa or a burka, or , and ur, , it is also transliterated as burkha, bourkha, burqua or burqu' or borgha' and is pronounced natively . It is generally pronounced in the local variety of Arabic or variety of Persian, which varies. Examp ...
s, and flowers. This theme took on a new dimension after her fellowship at the Rijksakademie in Amsterdam, where she encountered familiar patterns of male dominance and female submissiveness, but with new dimensions. Her flower and curtain symbols took on new meanings: the
red-light district A red-light district or pleasure district is a part of an urban area where a concentration of prostitution and sex-oriented businesses, such as sex shops, strip clubs, and adult theaters, are found. In most cases, red-light districts are particu ...
, for example, had different types of curtains, drawn to indicate the conduct of business. After
9/11 The September 11 attacks, commonly known as 9/11, were four coordinated suicide terrorist attacks carried out by al-Qaeda against the United States on Tuesday, September 11, 2001. That morning, nineteen terrorists hijacked four commercial ...
, a new political dimension appeared in her work. ''Conversation'', for example, is a video installation made during Khalid's time at the Rijksakademie. The work was about her response to the violence inflicted on Afghanistan in the name of counter-terrorism. Throughout the work, a rose is slowly embroidered by a brown-skinned hand, while at the same time another rose is unpicked, removed, and subsequently erased by a white hand using a needle.


Awards

Khalid received the
Alice Award The Alice Award was a Danish film award presented annually at the Copenhagen International Film Festival to the Best Female Director. The award was named after Danish director Alice O'Fredericks Alice O'Fredericks (born Mitzi Otha Alice Freder ...
(artist book category) in 2012, and was a finalist for the Jameel Art Prize in 2011, winning the
People’s Choice Award The People's Choice Awards is an American awards show, recognizing people in entertainment, voted online by the general public and fans. The show has been held annually since 1975, with the winners originally determined using Gallup Polls until ...
in 2011. She is among a handful of Pakistani artists who have had solo shows of their work, including 'Two worlds as one' Statens Museum for Kunst, Copenhagen (2016); Garden of ideas, Aga Khan Museum, Toronto (2014); Larger Than Life, Whitworth Art Gallery, United Kingdom (2012); Larger Than Life, Corvi-Mora, London (2012); Pattern to Follow, Chawkandi Art, Karachi (2010); Conversations, Pump House Gallery, London (2008). She participated at the 2009
Venice Biennale The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of ...
, the 2011
Sharjah Biennial The Sharjah Biennial is a large-scale contemporary art exhibition that takes place once every two years in the city of Sharjah, United Arab Emirates. The first Sharjah Biennial took place in 1993, and was organized by the Sharjah Department of Cul ...
and 2013
Moscow Biennale The Moscow Biennale of Contemporary Art is one of the most important Russian cultural events and was founded in 2003. First Moscow Biennale of Contemporary Art The First Moscow Biennale of Contemporary Art (January 28 – February 28, 2005) ca ...
.


Books & Articles

* Book: Aisha Khalid: The Divine is in the Detail (artist monograph, catalog), Gallery Isabelle van den Eynde, Dubai, 2013 * Book: Aisha Khalid: Larger than Life (artist monograph, catalog), Whitworth Art Gallery, The University of Manchester, Manchester, 2012 * Book: Aisha Khalid: Pattern to Follow (artist monograph, catalog), Gandhara-art, Hong Kong, 2010 * Book: Aisha Khalid: Name, Class, Subject (artist book, artist monograph) Raking Leaves, Colombo, 2009 * Book: Portraits & Vortexes: Aisha Khalid (artist monograph, catalog), Gandhara-art, Hong Kong, 2007 * Book: Aisha Khalid: Tales Carried by the Breath (artist monograph, catalog), Anant Art Gallery, New Delhi, 2006 * Book: Aisha Khalid 2001-2002 (artist monograph), 2002 * Book: The Eye Still Seeks: Pakistani Contemporary Art (anthology) Penguin Books India, 2015 * Book: Colour and Line: The Naqvi Collection (catalog) 2015 * Book: Art and Polemic in Pakistan: Cultural Politics and Tradition in Contemporary Miniature Painting (monograph) Tauris Academic Studies, London, 2010 * Book: Journeys of the Spirit: Pakistan Art in the New Millennium (monograph) FOMMA, Karachi, 2008 * Book: Memory, Metaphor, Mutations: Contemporary Art of India and Pakistan (monograph) Oxford University Press, New Delhi, 2007 * Book: Vasl 2005-2006 (anthology) Vasl International Artists’ Workshop, Karachi, 2006 * Book: Asian Art Newspaper (Vol. 8, Issue 3; Jan 2005) (magazine), Asian Art Newspaper, London, 2005 * Book: Art Tomorrow (monograph) Marc Parent/Terrail, Paris, 2002 * Book: Unveiling the Visible: Lives and Works of Women Artists of Pakistan (monograph), Sang-e-Meel Publication, Lahore, 2001 * Article: "Reinventing Tradition" by Rachel Duffell, Kee Magazine, 2010 * Article: "Reading Through the Lense of the Political: Contemporary Art in Pakistan", Asia Art Archive, Sep 2009 * Article: Pakistan's Contemporary Painting Workshop, HK, Quintessentially: Insider, 2007


References


External links

*https://facebook.com/aishakhalid72/ *https://www.summeracademy.at/en/a-short-interview-with-aisha-khalid/ *https://www.thenational.ae/arts-culture/art/aisha-khalid-is-up-for-the-challenge-1.369575 {{DEFAULTSORT:Khalid, Aisha 20th-century Pakistani artists 21st-century Pakistani artists 1972 births Living people People from Lahore National College of Arts alumni