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Ailsa Margaret O'Connor (née Donaldson) (26 January 1921 – 3 February 1980) was an Australian artist specialising in sculpture and painting in the style of 
Maldon Museum
has the banner of the Amalgamated Miners' Association of Australasia – the earliest known surviving trade union banner in Victoria. William and Ann David, with many of their children and some of their grandchildren led their lives in Maldon, and were buried in the Maldon Cemetery – see the supplementary pictures section, at the end of this article. William David's son Alfred married Australian-born Amelia Jane Birmingham (1862–1942), whose Irish father, Thomas Birmingham from County Armagh was also a miner in Maldon, and whose mother Emma Caroline Goodhead was English, from the city of Birmingham. The ''Maldon State School Pupil Register'' records the admission of Alfred David's future wife when she was 12 years of age, in 1874. It later registers the admission of her second daughter Amelia Jane David (known as Millie) aged 3 years 1 month, in 1888. Margaret Flora David (1888–1968) was the fourth of their 12 children born in Maldon. Upon her marriage, in 1915, Margaret Flora David left Maldon and went with her new husband, Ralph Charles Donaldson (1888–1955) to his home town,
For five years the Donaldsons lived in a pre-fabricated iron house in North Melbourne that is now heritage-listed and conserved by the National Trust.
In the 1860s the high country to the east of Melbourne caused a number of gold rushes, including in Matlock in 1861. The Gippsland area originally attracted not only gold prospectors but also settlers with agriculture in mind, as well as service providers catering to locals and travellers bound further afield.
David Donaldson and his family moved east, setting up a general store first in Matlock and then in 1878 in Morwell where he remained until his death in 1886.
His widow Annie and the two youngest sons, John Goulburn Donaldson and David Donaldson (Jnr) continued to run the general store for more than a decade, until Annie moved back to Melbourne for health reasons and the sons traversed the continent to another gold-rich area, Coolgardie, Western Australia. Annie's daughter, Agnes, had settled in Western Australia in 1894 with her husband, Charles Sommers, who became a member of the Western Australian parliament from 1901–1918, after having been the mayor of Coolgardie, 1896–1900.
Meanwhile, two other of David Donaldson's children had left Morwell for nearby Aberfeldy: the oldest daughter Elizabeth married an Aberfeldy butcher, the Irishman Thomas Dwyer from Tipperary, in 1879. Shortly afterwards, her brother Henry became the postmaster in the village, from 1880–1885.Waghorn JF 1987, ''Index: Victoria's postmasters and postmistresses, 1838–1901'', self-published, Victoria, Australia p. 52.
After the death of Elizabeth (September 1884, aged 29) which was followed by that of her husband Thomas Dwyer (December 1885), the three orphaned Dwyer children lived with their grandparents, David and Annie Donaldson, in Morwell. The eldest, John Patrick Dwyer, showed extraordinary academic and sporting abilities, and would later become Chief Justice of Western Australia and be honoured with a knighthood and then a KCMG in 1949.
At the time of Elizabeth's death, her brother Henry Donaldson and his wife and children also moved away from Aberfeldy to Heyfield, where he was postmaster until 1896. His wife, Elsie, née Scott (1862–1948), took over from him for five years, being Heyfield's postmistress from 1886–1900.
Heyfield remained their home, and their third son, Ralph Charles continued to live there for many years with his widowed mother Elsie and his wife and three daughters, until the move to the Portland Bakery in 1928.
Ralph Charles Donaldson DCM was the first to enlist, aged 27. He became a driver in the 2nd Australian Division Signals Company from 12 Feb 1915 to 28 March 1919, fighting in 18 different locations. He was awarded the Distinguished Conduct Medal, on 14 Dec 1916, for conspicuous gallantry on two occasions, working under heavy fire to maintain vital communication lines between base camp and the battle front. His service number was 1186.
Henry Archibald ("Archie") Donaldson enlisted in January 1916, at the age of 29. He was a school teacher living in Portland, Victoria. As a private in the 58th Australian Infantry Battalion he fought in 15 different locations, before falling in battle at the Somme on 13 March 1917. He is buried in Bull's Road Military Cemetery, Flanders, Picardy in France. His service number was 5089.Australian Government, National Archives of Australia, 2017, Series B2455, ''Record Search'', viewed 3 Oct 2018, http://www.naa.gov.au/collection/search/index.aspx.
Their cousin, John Patrick Dwyer also enlisted, aged 35. In Freemantle he joined the 44th Australian Infantry Battalion in March 1916, returning to Australia after the end of the war. He reached the rank of lieutenant within 12 months. He had no service number, since he was an officer.
Ailsa Donaldson is reported by Sandy Kirby as recalling that after school her tertiary education began in 1937:
''Unfinished Work''
published in 1982.O’Connor, A 1982, ''Unfinished work: articles and notes on women and the politics of art'', Greenhouse, Richmond, Victoria, Australia, pp. 7–15. Copeland described O'Connor's enduring concern for the suffering and humiliation of poor and disadvantaged people, and noted that her political activism in seeking change left too little time and energy available for her development as an artist. Other strong demands upon her included her commitment to her full-time employment as a secondary school teacher and headmistress for fifteen years until 1970, and her role as a mother.Burke, J 1990, ''Field of vision, a decade of change: women's art in the seventies'', Viking, Ringwood, Victoria, Australia, pp.137–138. Her resources were stretched even further by her involvement in the rise of Second Wave Feminism in the 1960s and 1970s. Her activities as a feminist had a lasting effect, as Burke recalled:
File:Grave 24 16 213 David - William & Ann.jpg, William David (1835–1903) Ann David, née Walters (1836–1899)
File:Grave 24 16 213 David - Edwin & Rees.jpg, Edwin David (1867–1867) Rees David, (1871–1871)
File:Grave H 134 103 -David-Alfred Amelia Winifred Howard.jpg, Alfred (1858–1918) Amelia (1862–1942) Winifred (1886–1925) Howard (1898–1937)
File:Grave H 134 1039 David - Isabella.jpg, Isabella David (1895–1943)
File:Grave H 134 039 David - Edith Annie.jpg, Edith David (1881–1965)
The Conservatory, Fitzroy Gardens, Melbourne – O'Connor sculpture of Mary Gilbert
File:Mary-Gilbert-in-Conservatory-Fitzroy-Gardens.jpg, Interior of the Conservatory with sculpture of Mary Gilbert
File:Ailsa-O'Connor-Mary-Gilbert-1974-Sign.jpg, ''Mary Gilbert'' close-up of new plaque in 2018
File:Ailsa-O'Connor-Mary-Gilbert-Side-View.jpg, ''Mary Gilbert'' side view
File:Conservatory-Fitroy-Gardens-Melbourne.jpg, Conservatory, Fitzroy Gardens, Melbourne, Victoria, Australia
Centre for Australian Art: Australian Prints + Printmaking
Displays 8 prints by Ailsa O'Connor
Australian War Memorial, Roll of Honour, portrait of Henry Archibald DonaldsonNational Archives of Australia, Military Service Dossier of Ralph Charles Donaldson
{{DEFAULTSORT:OConnor, Ailsa 20th-century Australian women artists 20th-century Australian painters Artists from Melbourne Social realist artists Modern sculptors 20th-century Australian sculptors Australian feminists Atheist feminists 1921 births People educated at Mac.Robertson Girls' High School 1980 deaths Deaths from cancer in Victoria (Australia) Australian people of Irish descent Australian people of Scottish descent Australian people of Welsh descent
realism
Realism, Realistic, or Realists may refer to:
In the arts
*Realism (arts), the general attempt to depict subjects truthfully in different forms of the arts
Arts movements related to realism include:
*Classical Realism
*Literary realism, a move ...
. Following her belief that art and artists cannot be separated from questions of society and politics, she was an activist against social injustice in Australia and abroad, and particularly against suppression of the rights of women.
Background
The discovery of gold in Australia was first made public overseas in September 1851. As a result, hundreds of thousands of people arrived in Australia over the next 10 years, amongst them Ailsa O’Connor's ancestors – miners from Ireland and Wales and stonemasons from Scotland. Their various destinations were in the future state of Victoria.Mather, K 2019, 'One gene leads to another', ''Lanarkshire Family History Society Journal'', February, Issue 69, pp. 3–8.Maternal family – Maldon
Ailsa O'Connor's maternal ancestor who landed in Australia in 1862, was William David (1835–1904), a coal miner from the ancient town ofNeath
Neath (; cy, Castell-nedd) is a market town and Community (Wales), community situated in the Neath Port Talbot, Neath Port Talbot County Borough, Wales. The town had a population of 50,658 in 2011. The community of the parish of Neath had a po ...
, Glamorgan, Wales.
William David, his Welsh wife Ann Walters (1836–1899) and their two young children settled in Maldon, Victoria
Maldon is a town in Victoria, Australia, in the Shire of Mount Alexander local government area. It has been designated "Australia's first notable town" and is notable for its 19th-century appearance, maintained since gold-rush days. At the 201 ...
where he continued mining – but for gold rather than coal. At the time of his arrival Australian wage-earning gold miners were beginning to form the first mining trade unions, demanding that mining companies reform workers' conditions, including an eight-hour working day (albeit for six days per week) and improved health and safety measures. ThMaldon Museum
has the banner of the Amalgamated Miners' Association of Australasia – the earliest known surviving trade union banner in Victoria. William and Ann David, with many of their children and some of their grandchildren led their lives in Maldon, and were buried in the Maldon Cemetery – see the supplementary pictures section, at the end of this article. William David's son Alfred married Australian-born Amelia Jane Birmingham (1862–1942), whose Irish father, Thomas Birmingham from County Armagh was also a miner in Maldon, and whose mother Emma Caroline Goodhead was English, from the city of Birmingham. The ''Maldon State School Pupil Register'' records the admission of Alfred David's future wife when she was 12 years of age, in 1874. It later registers the admission of her second daughter Amelia Jane David (known as Millie) aged 3 years 1 month, in 1888. Margaret Flora David (1888–1968) was the fourth of their 12 children born in Maldon. Upon her marriage, in 1915, Margaret Flora David left Maldon and went with her new husband, Ralph Charles Donaldson (1888–1955) to his home town,
Heyfield
Heyfield is a town in Victoria, Australia, with a population of 1,993. It is east of Melbourne, in the Shire of Wellington local government area. Located on the Thomson River, Heyfield is a gateway to the Victorian High Country.
History
In 1 ...
in Gippsland, Victoria.
Her husband worked as a labourer until, at 40 years of age, he had learned the skills of a baker. The family moved to the far south-west of Victoria to Portland
Portland most commonly refers to:
* Portland, Oregon, the largest city in the state of Oregon, in the Pacific Northwest region of the United States
* Portland, Maine, the largest city in the state of Maine, in the New England region of the northeas ...
and were soon running the bakery there. The bakery building (now a bank) stands on the corner of Henty and Percy Streets. It has been heritage-listed for preservation.
Paternal family – Heyfield
Her paternal ancestors descended from a line of stonemasons living in the 14th century town of Airdrie, North Lanarkshire in Scotland. David Donaldson (1820–1886), had left Scotland for America, then joined the new gold rush to Melbourne, Victoria in about 1852. There he married another Scot, Annie Thomson (1826–1906), and set up his own stonemason's company.
For five years the Donaldsons lived in a pre-fabricated iron house in North Melbourne that is now heritage-listed and conserved by the National Trust.
In the 1860s the high country to the east of Melbourne caused a number of gold rushes, including in Matlock in 1861. The Gippsland area originally attracted not only gold prospectors but also settlers with agriculture in mind, as well as service providers catering to locals and travellers bound further afield.
David Donaldson and his family moved east, setting up a general store first in Matlock and then in 1878 in Morwell where he remained until his death in 1886.
His widow Annie and the two youngest sons, John Goulburn Donaldson and David Donaldson (Jnr) continued to run the general store for more than a decade, until Annie moved back to Melbourne for health reasons and the sons traversed the continent to another gold-rich area, Coolgardie, Western Australia. Annie's daughter, Agnes, had settled in Western Australia in 1894 with her husband, Charles Sommers, who became a member of the Western Australian parliament from 1901–1918, after having been the mayor of Coolgardie, 1896–1900.
Meanwhile, two other of David Donaldson's children had left Morwell for nearby Aberfeldy: the oldest daughter Elizabeth married an Aberfeldy butcher, the Irishman Thomas Dwyer from Tipperary, in 1879. Shortly afterwards, her brother Henry became the postmaster in the village, from 1880–1885.Waghorn JF 1987, ''Index: Victoria's postmasters and postmistresses, 1838–1901'', self-published, Victoria, Australia p. 52.
After the death of Elizabeth (September 1884, aged 29) which was followed by that of her husband Thomas Dwyer (December 1885), the three orphaned Dwyer children lived with their grandparents, David and Annie Donaldson, in Morwell. The eldest, John Patrick Dwyer, showed extraordinary academic and sporting abilities, and would later become Chief Justice of Western Australia and be honoured with a knighthood and then a KCMG in 1949.
At the time of Elizabeth's death, her brother Henry Donaldson and his wife and children also moved away from Aberfeldy to Heyfield, where he was postmaster until 1896. His wife, Elsie, née Scott (1862–1948), took over from him for five years, being Heyfield's postmistress from 1886–1900.
Heyfield remained their home, and their third son, Ralph Charles continued to live there for many years with his widowed mother Elsie and his wife and three daughters, until the move to the Portland Bakery in 1928.
War heroes, 1914–1918
Two of Annie Donaldson's sons were involved inWorld War I
World War I (28 July 1914 11 November 1918), often abbreviated as WWI, was one of the deadliest global conflicts in history. Belligerents included much of Europe, the Russian Empire, the United States, and the Ottoman Empire, with fightin ...
, as was her grandson, the elder son of her late daughter Elizabeth, John Patrick Dwyer.
Ralph Charles Donaldson DCM was the first to enlist, aged 27. He became a driver in the 2nd Australian Division Signals Company from 12 Feb 1915 to 28 March 1919, fighting in 18 different locations. He was awarded the Distinguished Conduct Medal, on 14 Dec 1916, for conspicuous gallantry on two occasions, working under heavy fire to maintain vital communication lines between base camp and the battle front. His service number was 1186.
Henry Archibald ("Archie") Donaldson enlisted in January 1916, at the age of 29. He was a school teacher living in Portland, Victoria. As a private in the 58th Australian Infantry Battalion he fought in 15 different locations, before falling in battle at the Somme on 13 March 1917. He is buried in Bull's Road Military Cemetery, Flanders, Picardy in France. His service number was 5089.Australian Government, National Archives of Australia, 2017, Series B2455, ''Record Search'', viewed 3 Oct 2018, http://www.naa.gov.au/collection/search/index.aspx.
Their cousin, John Patrick Dwyer also enlisted, aged 35. In Freemantle he joined the 44th Australian Infantry Battalion in March 1916, returning to Australia after the end of the war. He reached the rank of lieutenant within 12 months. He had no service number, since he was an officer.
Childhood
Ralph Charles Donaldson's second daughter, Ailsa, was educated in the towns where her parents lived: Heyfield and then Portland, until her final year at school which she spent apart from her family, at Mac.Robertson Girls High School in Melbourne. There she matriculated with five subjects – gaining honours in two : Art and English.
Ailsa Donaldson is reported by Sandy Kirby as recalling that after school her tertiary education began in 1937:
I left home at fifteen, was at school in Melbourne, and at sixteen commenced an art course at Royal Melbourne Institute of Technology on a technical scholarship which paid an allowance of £7 a term plus fees. I used up two years of the four-year scholarship, managed to cram in a teaching course as well as a fine art course by going to classes every night, then a further year of teacher training, and at nineteen I was on the payroll in front of those large wartime classes of Brunswick boys, ousted from their classrooms by the needs of airforce trainees. (Kirby, 1995)Not only disruptions to school life resulted from
World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the vast majority of the world's countries—including all of the great powers—forming two opposin ...
– most other aspects of Australian life were impacted by the severity of the austerity and dangers at home, added to anxiety for the troops sent overseas. The Australian National Archives' World War II Collection contains the military dossiers of six male relatives of Ailsa's extended David and Donaldson families who fought overseas, whilst at home, her widowed aunt, Annie Ethel Warren, née Donaldson, enlisted in the Army Citizen Military Forces in Melbourne, at the age of 50.
Ailsa Donaldson married during the war, to another artist Victor George O'Connor, who enlisted in the Army Citizen Military Forces, rising to the rank of Sergeant, whilst his younger brother, Norman Andrew, and his sister's husband, Sidney Henry William Mounsey, fought overseas. Ailsa took her husband's surname thereafter, becoming Ailsa O'Connor.
Artistic maturity
The year before the outbreak of World War II, in 1938, the avant-garde Contemporary Arts Society of Victoria (CAS) held its inaugural meeting in Melbourne. Ailsa Donaldson, aged 16, registered as one of the founding members. Thereafter she regularly exhibited paintings and drawings in CAS exhibitions. Although there were other women painters in the Society, Ailsa Donaldson was alone in aligning herself with the politically-engaged social realist sub-group rather than the sub-group known as the Angry Penguins. As Kirby noted: she "was the only woman to exhibit in the 1942 Melbourne “Anti-Fascist Exhibition" (Kirby, p. 419). Unfortunately "all her paintings from this periodhe war years
He or HE may refer to:
Language
* He (pronoun), an English pronoun
* He (kana), the romanization of the Japanese kana へ
* He (letter), the fifth letter of many Semitic alphabets
* He (Cyrillic), a letter of the Cyrillic script called ''He'' in ...
are lost" (Burke, p. 66).
The Australian radio presenter, producer, editor and researcher, Julie Copeland, contributed the foreword to the book of the posthumous collection of O'Connor's written works entitle''Unfinished Work''
published in 1982.O’Connor, A 1982, ''Unfinished work: articles and notes on women and the politics of art'', Greenhouse, Richmond, Victoria, Australia, pp. 7–15. Copeland described O'Connor's enduring concern for the suffering and humiliation of poor and disadvantaged people, and noted that her political activism in seeking change left too little time and energy available for her development as an artist. Other strong demands upon her included her commitment to her full-time employment as a secondary school teacher and headmistress for fifteen years until 1970, and her role as a mother.Burke, J 1990, ''Field of vision, a decade of change: women's art in the seventies'', Viking, Ringwood, Victoria, Australia, pp.137–138. Her resources were stretched even further by her involvement in the rise of Second Wave Feminism in the 1960s and 1970s. Her activities as a feminist had a lasting effect, as Burke recalled:
Many of the networks initiated in those years are still functioning. For example, theShe also made time to write lengthy newspaper articles and papers about art and contemporary issues, and to review the written work of colleagues. For example, in her book review in 1975, of ''Noel Counihan'' by Max Dimmack, she touches on a quest that she, herself, was preoccupied with:Women's Art Register The Women’s Art Register is Australia's living archive of women's art practice (cis and trans inclusive or gender diverse). It is a national artist-run, not-for-profit community and resource in Melbourne, Australia. Foundation The Women's Art ..., started in 1975 ...Kiffy Rubbo Kristin "Kiffy" Dattilo Rubbo (1944–1980) was an Australian gallery director and curator. Early life and education Rubbo was born in Melbourne to artist Ellen Rubbo and professor of microbiology Sydney Dattilo Rubbo. She had three siblings, aca ...and Ailsa O'Connor ... helped to shape their time and the memory of them shapes it still. (Burke, 1990, p. 2)
Perhaps we women are becoming more aware of the distinction between fantasy, role, and reality, or perhaps it is just that no artist has yet produced a convincing image of contemporary woman. (O'Connor, 1975)A sense of the breadth and depth of O'Connor's involvement in following her convictions can be gleaned from a summary of the public record of her activities, from her early adulthood until her death in 1980: Exhibitions O'Connor contributed paintings, drawings, linocuts and sculpture to exhibitions held in Melbourne, including for instance: * 1938 – c.1942: with the Contemporary Art Society, Melbourne, established by George Bell in 1938:Niagara Galleries, 1988, ''Ailsa O'Connor 1921–1980 : sculpture, paintings and drawings'', Richmond, Victoria, Australia, p.2. * 1950s & 1960s: with the Realist Group, Melbourne (other members included Noel Counihan, Mary Hammond, Ken Scarlett and VG O'Connor) * 1971: in an exhibition with Mary Hammond * 1975: at the Russell Davis Gallery – a solo exhibition of sculpture and drawings * 1978: at the McClelland Regional Gallery – a printmakers’ group exhibition * 1979: at the Trades Hall Gallery with Mary Hammond * 1989: osthumousat the Niagara Galleries, 22 November – 9 December Memberships O’Connor actively supported the causes that were important to her, including the following: * 1944–1980: Communist Party of Australia * 1950–1955: Union of Australian Women, founding member and Secretary * 1953: World Congress of Women, Copenhagen, she was the Victorian delegate from the Union of Australian Women * 1953–1956: Asian Australian Child Art Exchange, initiator and organiser Representation in public galleries Private collections hold the majority of O’Connor's works of art; she is also represented in several Australian public art galleries * Tasmania Museum and Art Gallery, Hobart, Tasmania, Australia (2 works) * National Gallery of Australia, Canberra, ACT (number awaiting confirmation) * National Gallery of Victoria, Australia (1 linocut: 'Building the Stockade' 1954) * Art Gallery of New South Wales, Australia (reference to above-mentioned linocut) Art awards received * 1945: 'Australia at War' exhibition: first prize, for a painting in the 'Women in Industry’ section * 1953: May Day Art Competition: first prize * 1979: Caulfield City Council Invitation Art Award: winner * 2001: posthumously inducted into the Victorian Honour Roll of Women‘O'Connor, Ailsa Margaret (1921–1980)’, ''Australian Women's Register'', The National Foundation for Australian Women in conjunction with The University of Melbourne, viewed 1 Nov 2018, https://www.womenaustralia.info/biogs/AWE4426b.htm.
Supplementary pictures
Maldon Cemetery – the David family gravesReferences
External links
Centre for Australian Art: Australian Prints + Printmaking
Displays 8 prints by Ailsa O'Connor
Australian War Memorial, Roll of Honour, portrait of Henry Archibald Donaldson
{{DEFAULTSORT:OConnor, Ailsa 20th-century Australian women artists 20th-century Australian painters Artists from Melbourne Social realist artists Modern sculptors 20th-century Australian sculptors Australian feminists Atheist feminists 1921 births People educated at Mac.Robertson Girls' High School 1980 deaths Deaths from cancer in Victoria (Australia) Australian people of Irish descent Australian people of Scottish descent Australian people of Welsh descent