Ahmed Karahisari

Ahmed Karahisari (1468–1566) ( tr, Ahmed Şemseddin Karahisârî) ( ota, احمد شمس ا لدين قراهسارى) was an Ottoman calligrapher.

History

Born, Ahmed Şemseddîn’dir, he became known as Karahisari after his place of birth, Karahisar. His date of birth is uncertain but is around 1468 or 1469.Atıl, E., ''The Age of Sultan Süleyman the Magnificent'', National Gallery of Art, 1987, p. 47 Very little is known about his early life. In the early Bayezid era, he went to Istanbul for his education and remained there for the rest of his life.

After completing his Sufi scholarship, he took the chanting order. His calligraphy master is unclear. Müstakimzâde states that his teacher was Yahyâ Sufî, but Karahisari, in his own writings, always referred to Esadullah-ı Kirmânî as his teacher.

He served in the Imperial Court of Suleyman I, according to the Salary Books, which place him there in 1545, but his period of tenure is uncertain.Osmanlı hattatı, E.S., "Karahisârî, Ahmed Şemseddin", ''Islam Encyclopedia,'
Online (In Turkish)
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Unlike most of the Ottoman calligraphers of his era, he did not follow the style of Sheikh Hamdullah. Instead, he wanted to reinvigorate the style of the Abbasid calligrapher, Yaqut al-Musta'simi (1221-98), which had dominated Islamic calligraphy prior to Hamdullah's innovations. Karahisari improved the best examples of Thuluth and Naskh scripts. However, apart from his students, his style was not widely accepted and was largely overshadowed by the developments made by Sheikh Hamdullah (1436–1520) and Hâfiz Osman (1642–1698).

In terms of the technique and innovations made to the calligraphy, he is considered one of the three most important Ottoman calligraphers along with Sheikh Hamdullah and Hâfiz Osman. Among the followers of Karahisari's style, his student, Hasan Çelebi, was renowned as much as himself. Çelebi (also known as Cerkes Hasan Qelebi, d. 1594), was Karahisari's adoptive son. The boy had been a Circassian slave, and was in Karahisari's service when Karahisari freed him, adopted him and taught him calligraphy.

Some of the most impressive of the Mus'hafs prepared in the Ottoman Palace Studios have been attributed to Ahmed Karahisari. His most important work is the Mus'haf which he penned for Suleiman the Magnificent (reigned 1520-1566), which is preserved today at the Topkapi Palace. Other examples of his work are held in the Topkapi Museum and the Museum of Istanbul.Seracettin Şahin, ''The Museum of Turkish and Islamic Arts: Thirteen Centuries of Glory from the Umayyads to the Ottomans'', Blue Dome Press, 2009, p. 371

He died in Istanbul when he was well into his 90s, and was buried in the grave of Cemaleddin İshak Karamânî in Sütlüce. His epitaph was written by his adoptive son, Hasan Çelebi.

Gallery

Image:Karahisari.jpg, Right part of a double-page frontispiece to a manuscript of religious texts, penned for Süleyman I. c. 1550
Image:A page from the chapter al-An‘am written by Ahmed Karahisari (TIEM 1443).jpg, Sura Al-An'am written in Muhaqqaq, Thuluth and Naskh calligraphic styles by Ahmed Karahisari, 16th century
Image:Ahmed Karahisari - Karalama (calligraphy exercise) - Google Art Project.jpg, Ink and gold on paper - 1470
File:Fols 362b-363a of the Single-Volume Qur'an attributed to Ahmed Karahisari. The Nasser D. Khalili Collection of Islamic Art, QUR 420.jpg, A single-volume Quran, circa 1550-60, Istanbul, Turkey. Khalili Collection of Islamic Art

See also

*Culture of the Ottoman Empire
*Islamic calligraphy
*List of Ottoman calligraphers
*Thuluth
*Ottoman art

References

Further reading

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Ottoman culture
Calligraphers from the Ottoman Empire
1468 births
1566 deaths
People from Afyonkarahisar
15th-century artists from the Ottoman Empire
16th-century artists from the Ottoman Empire