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An aerophor (sometimes spelled aerophore, aerophon, or aerophone) is a device designed to provide an auxiliary breath supply to aid players of
wind instruments A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitc ...
in performing extended notes or passages. It was invented in 1912 by Bernard Samuels, a Dutch flautist in the Court Theatre of the Grand Duke of Mecklenburg-Schwerin.A Dictionary of Modern Music and Musicians.
United Kingdom, J. M. Dent & sons, Limited, 1924, pg 7.


Design

The device consists of a small, foot-operated
bellows A bellows or pair of bellows is a device constructed to furnish a strong blast of air. The simplest type consists of a flexible bag comprising a pair of rigid boards with handles joined by flexible leather sides enclosing an approximately airtig ...
that pumps air into the player's mouth via a rubber tube, which is fitted with a
one-way valve A check valve, non-return valve, reflux valve, retention valve, foot valve, or one-way valve is a valve that normally allows fluid ( liquid or gas) to flow through it in only one direction. Check valves are two-port valves, meaning they have ...
to prevent the air from the player's lungs from passing into the bellows. The aerophor mouthpiece (a small metal reed) is mounted adjacent to the instrument mouthpiece such that the player may receive air through the corner of their mouth without disrupting the
embouchure Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind instrument or the mouthpiece of a brass instrument. The word is o ...
. In some models, the bellows contains a water reservoir and electric light bulb to ensure that the supplied air matches the temperature and humidity of the player's breath.


Reception and utilisation

Some composers took advantage of the new invention, writing music that specifically requested the use of an aerophor in performance. Notable examples include Richard Strauss's ''
An Alpine Symphony ''An Alpine Symphony'' (''Eine Alpensinfonie''), Op. 64, is a tone poem for large orchestra written by German composer Richard Strauss in 1915. It is one of Strauss's largest non-operatic works; the score calls for about 125 players and a ty ...
'' and '' Festival Prelude''. However, the use case of the device was limited, and the use of
circular breathing Circular breathing is a technique used by players of some wind instruments to produce a continuous tone without interruption. It is accomplished by breathing through the nose while simultaneously pushing air through the mouth using air stored ...
technique could allow a musician to accomplish the same goal of playing indefinitely without the need for a special apparatus. Boston Symphony tuba player Paul Mattersteig made use of the device for some time, including that orchestra's December 1914 performance of Wagner's Faust Overture, and Boston's first-chair horn Bruno Jaenicke and principal oboist Georges Longy "experimented with the device with much success.""Don't Need Lungs Now; 'Aerophor' Blows for You." Cleveland (OH) Plain Dealer, 28 March 1915. Despite a generally positive reception by professional wind players at the time, the aerophor never achieved widespread use, and today is regarded as nothing more than a curiosity.


References

Musical instrument parts and accessories {{music-instrument-stub