Adoration Of The Kings (Damaskinos)
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Adoration of the Kings also known as the Adoration of the Magi is a popular
tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ...
painting by Greek painter Michele Damaschino. The painting is roughly the same size as Damaschino's
The Last Supper Image:The Last Supper - Leonardo Da Vinci - High Resolution 32x16.jpg, 400px, alt=''The Last Supper'' by Leonardo da Vinci - Clickable Image, Depictions of the Last Supper in Christian art have been undertaken by artistic masters for centuries, ...
. Both paintings were created around the same period. Michele Damaschino painted in parts of Italy and Greece. He was primarily active in
Heraklion Heraklion or Iraklion ( ; el, Ηράκλειο, , ) is the largest city and the administrative capital of the island of Crete and capital of Heraklion regional unit. It is the fourth largest city in Greece with a population of 211,370 (Urban A ...
,
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, and
Venice Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400  ...
. He is a major representative of the
Cretan Renaissance Cretan School describes an important school of icon painting, under the umbrella of post-Byzantine art, which flourished while Crete was under Venetian rule during the late Middle Ages, reaching its climax after the Fall of Constantinople, becom ...
. He was a Cretan Renaissance painter who painted in the Greek mannerisms prevalent at the time. He also blended the style with the Venetian technique creating a new prototype of painting. He was followed by countless artists both Greek and Italian. His version of the ''Adoration of the Kings'' is a very important painting because it reveals the mixture of painting styles prevalent in most of his works. The ''Adoration of the Kings'' is now in the Monastery of Agia Aikaterini in
Heraklion Heraklion or Iraklion ( ; el, Ηράκλειο, , ) is the largest city and the administrative capital of the island of Crete and capital of Heraklion regional unit. It is the fourth largest city in Greece with a population of 211,370 (Urban A ...
, Crete. It is part of the collection of Saint Catherine's Monastery Mount Sinai, Egypt.


Description

The work is egg
tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ...
and gold leaf on wood with dimensions 43.3 in (109.9 cm) x 33.4 in (84.8 cm). It was created towards the end of the 16th century. The central figure is the king. The painter wants to emphasize the importance of the visitors of the newborn king. According to Damaschino's logic, the king is embraced by kings. The viewer's eye has to search for the Virgin and Child. The scene is saturated with important figures namely the three magi. Two of the magi are crowned. After establishing the royal hierarchical structure one of the hi ranking nobles kneels before baby Jesus transferring power to the infant. A young boy is also bringing the young king a crown. The magi are offering gifts of gold, frankincense, and myrrh. Two of the magi are wearing jewelry and earrings. The entire painting is saturated with figures participating in the nativity scene. Animals adorn the landscape camels, horses, and cows. A unique donkey sits right behind the Virgin Mary. The kings are dressed in silk robes elaborate striations suggest folds of fabric. The magi kneeling before the young king is dressed in an elaborate robe with intricate decorations and colors. The king in red may have been Damaschino at a younger age. The painter may have added himself to the scene. The clothing and weapons suggest 16th century Venice. One of the soldiers to the right of the mountain holds a flag representing the king's kingdom. The tempera painting offers intricate geometric complexity. The picture can be broken down into triangular components. There is a cluster of figures to our right. Damaschino is using the Italian Renaissance
cangiante According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, ''cangiante'' is one of the canonical painting modes of the Renaissance; i.e. one of the four modes of painting colours available to Italian Hig ...
technique. There is a brilliant array of colors all over the painting. He clearly illustrates the foreground and the background. He blends Italian
Venetian painting Venetian painting was a major force in Italian Renaissance painting and beyond. Beginning with the work of Giovanni Bellini (c. 1430–1516) and his brother Gentile Bellini (c. 1429–1507) and their workshops, the major artists of the Venetian ...
with traditional Greek mannerisms creating a spectacular proportion of symmetry. The gilded background does not interfere with the painter's ability to establish his unique new style. The new style was the prototype for the next two hundred years of Greek painting. The painting was recently restored. Regrettably, with every restoration, some parts of the painting become lost. In the
restoration of the Sistine Chapel frescoes The conservation-restoration of the frescoes of the Sistine Chapel was one of the most significant conservation-restorations of the 20th century. The Sistine Chapel was built by Pope Sixtus IV within the Vatican immediately to the north of St ...
some of the eyes were lost to the cleaning techniques employed. In the restoration of the ''Adoration of the Kings'', parts of the gilded background were lost namely the pink halo around the angel. The rays from the sun were also lost or severely distorted and not restorable. That was the only visible damage done to the priceless artifact.


Gallery

File:Detail of Nativity of Christ Adoration of the Kings Damaskinos.png, Nativity Scene File:Detail of Virgin and Christ Adoration of the Kings Damaskinos.png, Virgin and Christ File:Detail of Kings Adoration of the Kings Damaskinos.png, Detail of Kings File:Detail of Magi Adoration of the Kings Damaskinos.png, Detail of Magi File:Detail of Expression Adoration of the Kings Damaskinos.png, Detail of Young Man File:Detail of Crowning Child Adoration of the Kings Damaskinos.png, Detail of Crowning Child File:Detail Signature Adoration of the Kings Damaskinos.png, Signature File:Detail of Angels Adoration of the Kings Damaskinos.png, Detail of Angels


See also

*
Adoration of the Magi (Gentile da Fabriano) The ''Adoration of the Magi'' is a painting by the Italian painter Gentile da Fabriano. The work, housed in the Uffizi Gallery in Florence, Italy, is considered his finest work, and has been described as "the culminating work of International Got ...


References

{{Michael Damaskinos 1580s paintings 1590s paintings Paintings in Greece Cretan Renaissance paintings Paintings by Michael Damaskinos