Adelina Catalani
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Adelina, sometimes Adelaide or Adele, Catalani ( fl. 1818–1832) was a
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soprano. She is remembered today largely for the circumstances surrounding her performance of the lead soprano role in Gaetano Donizetti's first staged opera, '' Enrico di Borgogna'', in 1818. Catalani was known variously as ''la cognate della famosa'' and ''la Catalani juniore'' to distinguish her from the far better-known
Angelica Catalani Angelica Catalani (10 May 178012 June 1849) was an Italian opera singer, the daughter of a tradesman. Her greatest gift was her voice, a soprano of nearly three octaves in range. Its unsurpassed power and flexibility made her one of the greatest ...
,Liner notes t
''A Hundred Years of Italian Opera 1810–1820''
,
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of whom she has been described as a sister-in-law in various sources.
François-Joseph Fétis François-Joseph Fétis (; 25 March 1784 – 26 March 1871) was a Belgian musicologist, composer, teacher, and one of the most influential music critics of the 19th century. His enormous compilation of biographical data in the ''Biographie univer ...
claimed that she was French originally, and gave her birthplace as
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. He goes on to state that she had a pretty voice which she developed without difficulty before being married and taken in hand by Catalani's brother, with whom she moved to Italy. At the time of her engagement to sing ''Enrico di Borgogna'', she was known only as a singer of ''accademie'', or chamber music recitals; consequently, her performance in Donizetti's opera was to be her stage debut. The composer was pleased with her voice, describing it in a letter to his teacher Giovanni Simone Mayr as a "''gran bella voce''", a "fine, large voice", and indicating that he planned to rewrite her part to better suit her sound. ''Enrico di Borgogna'' was premiered on November 14, 1818, at the
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in Venice; in the event, the entire opera was not performed. Catalani fainted from
stage fright Stage fright or performance anxiety is the anxiety, fear, or persistent phobia which may be aroused in an individual by the requirement to perform in front of an audience, real or imagined, whether actually or potentially (for example, when perf ...
at the end of the first act, and as a result some of her music in the second act had to be omitted; furthermore her place in the finale of the opera was taken by another singer. Catalani's indisposition was noted by the critic of the ''Nuovo Osservatore Veneziano'', who spoke of the way the work was "maltreated" by its cast but gave favorable considerations to Donizetti's talent. In the event, the soprano recovered sufficiently to essay the complete opera on December 15 and 16. Catalani had a secondary career performing in many theaters; she is known to have sung in Odessa as a member of Luigi Buonavoglia's company, and appeared in
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as well. In 1828 she made her debut at the Théâtre Italien as Isabella in
Gioacchino Rossini Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards ...
's ''
L'italiana in Algeri ''L'italiana in Algeri'' (; ''The Italian Girl in Algiers'') is an operatic ''dramma giocoso'' in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San ...
'', a performance which met with less-than-favorable reception. Fétis, in his review of the evening, suggests that she appeared stricken with stage fright, and says that she sang with "timidity"; he calls audience reaction to her performance cold and indifferent, and describes the evening as the worst he had ever spent at that theater. Her performance of Amenaide in Rossini's ''
Tancredi ''Tancredi'' is a ''melodramma eroico'' ('' opera seria'' or heroic opera) in two acts by composer Gioachino Rossini and librettist Gaetano Rossi (who was also to write '' Semiramide'' ten years later), based on Voltaire's play ''Tancrède'' (17 ...
'' in the same house the following year was better-received. 1831 found Catalani singing in
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. She is listed on the roster of La Scala as late as 1832 – she sang the role of Elena in the premiere of ''Elena e Malvina'' by Francesco Schira on November 17 – but disappears from the record thereafter.


References

{{DEFAULTSORT:Catalani, Adelina 19th-century French women opera singers 19th-century Italian women opera singers French operatic sopranos Italian operatic sopranos Musicians from Toulouse Year of birth unknown Year of death unknown