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The Aberlemno Sculptured Stones are a series of five Class I and II Early Medieval
standing stones A menhir (from Brittonic languages: ''maen'' or ''men'', "stone" and ''hir'' or ''hîr'', "long"), standing stone, orthostat, or lith is a large human-made upright stone, typically dating from the European middle Bronze Age. They can be foun ...
found in and around the village of
Aberlemno Aberlemno ( gd, Obar Leamhnach, IPA: ˆopəɾˈʎɛunÉ™x is a parish and small village in the Scottish council area of Angus. It is noted for three large carved Pictish stones (and one fragment) dating from the 7th and 8th centuries AD ( Histor ...
,
Angus, Scotland Angus ( sco, Angus; gd, Aonghas) is one of the 32 local government council areas of Scotland, a registration county and a lieutenancy area. The council area borders Aberdeenshire, Dundee City and Perth and Kinross. Main industries include agr ...
.


Location

Aberlemno 1, 3 and 5 are located in recesses in the dry stone wall at the side of the road in
Aberlemno Aberlemno ( gd, Obar Leamhnach, IPA: ˆopəɾˈʎɛunÉ™x is a parish and small village in the Scottish council area of Angus. It is noted for three large carved Pictish stones (and one fragment) dating from the 7th and 8th centuries AD ( Histor ...
(). Aberlemno 2 is found in the Kirkyard, 300 yards south of the roadside stones.() In recent years, bids have been made to move the stones to an indoor location to protect them from weathering, but this has met with local resistance and the stones are currently covered in the winter. The stones are covered with wooden boxes from the last working day of September until the first working day of April. Aberlemno 4, the Flemington Farm Stone was found 30 yards from the church (), and is now on display in the
McManus Galleries The McManus: Dundee's Art Gallery and Museum is a Gothic Revival-style building, located in the centre of Dundee, Scotland. The building houses a museum and art gallery with a collection of fine and decorative art as well as a natural history co ...
,
Dundee Dundee (; sco, Dundee; gd, Dùn Dè or ) is Scotland's fourth-largest city and the 51st-most-populous built-up area in the United Kingdom. The mid-year population estimate for 2016 was , giving Dundee a population density of 2,478/km2 or ...
.


Description


Aberlemno 1

Aberlemno 1 is the central roadside stone. It is an unshaped standing stone, bearing incised Pictish symbols, defining it under
J Romilly Allen John Romilly Allen FSA FSAScot (9 June 1847 – 5 July 1907) was a British archaeologist. Life Allen was the son of George Baugh Allen. He was educated at King's College School, Rugby and King's College London. In 1867 he was articled to Geor ...
and Joseph Anderson's classification system as a Class I stone. The symbols on one face: the serpent, the double disc and Z-rod and the mirror and comb. The meaning of these symbols is unknown. They are deeply incised in a bold, confident line, and this stone is considered to be one of the finest and best-preserved Pictish symbol stones still standing in or near its original position. The other face of the stone exhibits
prehistoric Prehistory, also known as pre-literary history, is the period of human history between the use of the first stone tools by hominins 3.3 million years ago and the beginning of recorded history with the invention of writing systems. The use of ...
cup marks, showing that it has been re-used.


Aberlemno 2

Aberlemno II, found in Aberlemno kirkyard, is a shaped cross-slab, bearing Pictish symbols as well as Christian symbols in relief, defining it as a Class II stone. The stone, carved from Old Red Sandstone, stands tall, wide at the base, tapering to wide at the top, and is thick. The west face is inscribed with a quadrilobate
Celtic Cross The Celtic cross is a form of Christian cross featuring a nimbus or ring that emerged in Ireland, France and Great Britain in the Early Middle Ages. A type of ringed cross, it became widespread through its use in the stone high crosses er ...
. The cross bears several styles of Celtic pattern designs. The vertical arms are inscribed with three separate knotwork designs, the horizontal arms with keywork designs. The central roundel has a spiral design composed of three interconnecting triskeles. Bordering the cross are a number of Celtic zoomorphic designs, reminiscent of Northumbrian designs and designs from the
Book of Kells The Book of Kells ( la, Codex Cenannensis; ga, Leabhar Cheanannais; Dublin, Trinity College Library, MS A. I. 8 sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New ...
. A hole has been bored through the upper part of the stone some time after its sculpting. The rear face features two Pictish symbols, a notched rectangle with z-rod and a triple disc. Below this are nine figures which have been interpreted as a narrative account of a battle. Until recently, it was thought to date to the mid-8th century, but subsequent analysis has suggested a mid-9th century date.


Aberlemno 3

The western road-side stone is another Class II stone. It has an elaborately decorated ringed cross flanked by adoring angels on one side, and a hunting scene on the reverse, below two large Pictish symbols. This stone is known as Aberlemno 3. This stone has until recently been thought to date from the late eighth century. More recent comparative analyses have suggested that it may be of a later, mid-ninth-century origin. Aberlemno 3 has different proportions to the Kirkyard Cross-slab, being relatively tall and thin, with parallel sides which have incised decoration (those of the other cross-slab are plain). The monument's height and decoration on four faces both suggest it is later in date than Aberlemno 2. Its nearest artistic analogies appear to be sculptures from Easter Ross in northern Scotland, notable the Hilton of Cadboll stone (now in the Museum of Scotland), which has a closely similar hunting scene.


Aberlemno 4

This stone, found in 1961 is approximately 1.5 metres tall, 0.5 m wide and 0.3 m thick. It has incised symbols on an unworked stone, defining it under J Romilly Allen and Joseph Anderson's classification system as a Class I stone. There are two symbols, a horseshoe and a Pictish Beast. The anterior portion of the beast symbol (facing right) has suffered some damage due to ploughing, but is still easily visible.


Aberlemno 5

The eastern Class I stone is highly eroded and the incised symbols are extremely difficult to make out. This stone is thought to be unfinished or a later fake. This stone is known as Aberlemno 5.


The battle scene on Aberlemno 2

On the rear of Aberlemno 2 is a scene showing human figures bearing weapons, apparently engaged in battle. The figures appear in three rows. The top row has an unhelmeted figure on horseback riding behind a helmeted rider, possibly in pursuit. The helmeted rider is armed with a spear and appears to have dropped his sword and shield. The middle row has a helmeted rider armed with a spear and shield facing three unhelmeted infantry soldiers armed with spears, swords and shields. The bottom row shows a mounted and unhelmeted figure and mounted helmeted figure facing each other, both armed with spears. Behind the helmeted rider lies a helmeted casualty, with a bird to his right. The battle scene has been interpreted in numerous ways. The earliest record of the stone by Hector Boece, from the 16th century, links the scene with the Battle of Barry (now known to be historically inauthentic):
82. ''Parem cladem nobilissimus Danorum manipulus est sortitus ad Aberlemnonem vicum vix a Bretheno, nunc civitate episcopali sede honestata, quatuor passuum millibus, qui a Scotis interceptus ibidem ferro occubuit. Quo loco ingens lapis est erectus. Huic animantium effigies nonnullis cum characteribus artificiose, ut tum fiebat, quae rem gestam posteritati annunciarent, sunt insculptae.''

82. ''A noble company of Danes suffered a similar slaughter near the village of Aberlemno, a village four miles distant from Brechin (nowadays a city possessing the honour of an episcopal see), which was intercepted by the Scots and put to the sword. Here a great stone was erected, carved with lifelike figures and an artfully-engraved inscription (according to the lights of those days) to record this achievement for posterity.''
This interpretation persisted well into the mid-19th century, some time after antiquarian George Chalmers identified Dunnichen as a possible site of the Battle of Dun Nechtain. While it was noted in 1955 by Robert Stevenson, keeper of the Museum of Antiquities of Scotland, that the helmets depicted on the stone were of a general sub-Roman design and the helmeted figures were likely to be Picts, the superficial similarity of the helmets with their long
nasal Nasal is an adjective referring to the nose, part of human or animal anatomy. It may also be shorthand for the following uses in combination: * With reference to the human nose: ** Nasal administration, a method of pharmaceutical drug delivery ** ...
, with the
Anglo-Saxon The Anglo-Saxons were a Cultural identity, cultural group who inhabited England in the Early Middle Ages. They traced their origins to settlers who came to Britain from mainland Europe in the 5th century. However, the ethnogenesis of the Anglo- ...
Coppergate Helmet found at York in 1982 has led to the notion that the helmeted figures are Northumbrians. This, coupled with the stone's proximity to Dunnichen ( to the south) led to the interpretation made by historian Graeme Cruickshank that the scene was a depiction of the Battle of Dun Nechtain. Cruickshank's interpretation, published in 1985, 1300 years after the Battle of Dun Nechtain, received general acceptance, although he has been criticised for his suggestions that the stone was created soon after the battle in 685, when the conventional view at the time was that it was sculpted a century later. The subsequent identification of Dunachton in Badenoch as a second candidate for the site of the battle, and the revised dating of the stone to the mid-9th century has weakened Cruickshank's argument somewhat, and alternative interpretations have been made, including that the scene depicts a battle between Picts and Vikings, or that it is a memorial to the 8th-century Pictish king Óengus I, or even that it represents a spiritual struggle.


Gallery

File:Aberlemno Pictish Stone - geograph.org.uk - 4357.jpg, Aberlemno 1 File:Aberlemno.jpg, Aberlemno 2 front face File:Aberlemno Churchyard Cross Slab 20090616.jpg, Aberlemno 2 rear face File:Pictish Stone at Aberlemno Church Yard - Battle Scene Detail.jpg, Aberlemno 2 'battle' detail File:Celtic art in Pagan and Christian Times, p185.jpg, Early photo of Aberlemno 2 File:Aberlemno III.JPG, Aberlemno 3 front face File:Aberlemno Roadside Cross Slab 20090616.jpg, Aberlemno 3 rear face File:Aberlemno III symbols.jpg, Aberlemno 3 rear detail File:Ablerlemno4.JPG, Aberlemno 4 File:Aberlemno boxed.jpg, Stones boxed for the winter


Notes


References

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External links

* Historic Environemt Scotland
Visitor guide
* Aberlemno Stones
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