![Tamerlano - Bajazet-Aria](https://upload.wikimedia.org/wikipedia/commons/e/ef/Tamerlano_-_Bajazet-Aria.jpg)
In music, an aria (
Italian
Italian(s) may refer to:
* Anything of, from, or related to the people of Italy over the centuries
** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom
** Italian language, a Romance language
*** Regional Ita ...
: ;
plural
The plural (sometimes abbreviated pl., pl, or ), in many languages, is one of the values of the grammatical category of number. The plural of a noun typically denotes a quantity greater than the default quantity represented by that noun. This de ...
: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply
air
The atmosphere of Earth is the layer of gases, known collectively as air, retained by Earth's gravity that surrounds the planet and forms its planetary atmosphere. The atmosphere of Earth protects life on Earth by creating pressure allowing for ...
) is a self-contained piece for one voice, with or without
instrumental
An instrumental is a recording normally without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instru ...
or
orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families.
There are typically four main sections of instruments:
* bowed string instruments, such as the violin, viola, c ...
l
accompaniment
Accompaniment is the musical part which provides the rhythmic and/or harmonic support for the melody or main themes of a song or instrumental piece. There are many different styles and types of accompaniment in different genres and styles ...
, normally part of a larger work.
The typical context for arias is
opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librett ...
, but vocal arias also feature in
oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus ...
s and
cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir.
The meaning of ...
s, or they can be stand-alone
concert aria
A concert aria is normally a free-standing aria or opera-like scene (''scena'') composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particula ...
s. The term was originally used to refer to any expressive
melody
A melody (from Greek language, Greek μελῳδία, ''melōidía'', "singing, chanting"), also tune, voice or line, is a Linearity#Music, linear succession of musical tones that the listener perceives as a single entity. In its most liter ...
, usually, but not always, performed by a singer.
Etymology
The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of
strophic
Strophic form – also called verse-repeating form, chorus form, AAA song form, or one-part song form – is a song structure in which all verses or stanzas of the text are sung to the same music. Contrasting song forms include through-composed, w ...
poetry; melodic
madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number o ...
s, free of complex
polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, h ...
, were known as ''madrigale arioso''.
In opera
Aria form in late 17th century French and Italian opera
In the context of staged works and concert works, arias evolved from simple melodies into structured forms. In such works, the sung, melodic, and structured aria became differentiated from the more speech-like (''
parlando
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ...
'')
recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
– broadly, the latter tended to carry the story-line, the former carried more emotional freight and became an opportunity for singers to display their vocal talent.
The aria evolved typically in one of two forms.
Binary form
Binary form is a musical form in 2 related sections, both of which are usually repeated. Binary is also a structure used to choreograph dance. In music this is usually performed as A-A-B-B.
Binary form was popular during the Baroque period, of ...
arias were in two sections (A–B); arias in
ternary form
Ternary form, sometimes called song form, is a three-part musical form consisting of an opening section (A), a following section (B) and then a repetition of the first section (A). It is usually schematized as A–B–A. Prominent examples includ ...
(A–B–A) were known as ''
da capo aria
The da capo aria () is a musical form for arias that was prevalent in the Baroque era. It is sung by a soloist with the accompaniment of instruments, often a small orchestra. The da capo aria is very common in the musical genres of opera and orator ...
s'' (literally 'from the head', i.e. with the opening section repeated, often in a highly
decorated manner). In the ''da capo'' aria the 'B' episode would typically be in a different
key
Key or The Key may refer to:
Common meanings
* Key (cryptography), a piece of information that controls the operation of a cryptography algorithm
* Key (lock), device used to control access to places or facilities restricted by a lock
* Key (map ...
– the
dominant or
relative major
In music, relative keys are the major and minor scales that have the same key signatures (enharmonically equivalent), meaning that they share all the same notes but are arranged in a different order of whole steps and half steps. A pair of major an ...
key. Other variants of these forms are found in the French operas of the late 17th century such as those of
Jean-Baptiste Lully
Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
which dominated the period of the French baroque; vocal solos in his operas (denominated of course by the French term, ''airs'') are frequently in extended binary form (ABB') or sometimes in ''
rondeau'' form (ABACA), (a shape which is analogous to the instrumental
rondo
The rondo is an instrumental musical form introduced in the Classical period.
Etymology
The English word ''rondo'' comes from the Italian form of the French ''rondeau'', which means "a little round".
Despite the common etymological root, rondo ...
).
In the Italian school of composers of the late 17th and early 18th century, the ''da capo'' form of aria came gradually to be associated with the ''
ritornello
A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus.
Early history
The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usu ...
'' (literally, 'little return'), a recurring instrumental episode which was interspersed with the elements of the aria and eventually provided, in early operas, the opportunity for dancing or entries of characters. This version of aria form with ''ritornelli'' became a dominant feature of European opera throughout the 18th century. It is thought by some writers to be the origin of the instrumental forms of
concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typi ...
and
sonata form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle ...
. The ''ritornelli'' became essential to the structure of the aria – "while the words determine the character of a melody the ritornello instruments often decided in what terms it shall be presented."
18th century
By the early 18th century, composers such as
Alessandro Scarlatti
Pietro Alessandro Gaspare Scarlatti (2 May 1660 – 22 October 1725) was an Italian Baroque composer, known especially for his operas and chamber cantatas. He is considered the most important representative of the Neapolitan school of opera.
...
had established the aria form, and especially its da capo version with ritornelli, as the key element of ''
opera seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abo ...
''. "It offered balance and continuity, and yet gave scope for contrast.
..The very regularity of its conventional features enabled deviations from the normal to be exploited with telling effect." In the early years of the century, arias in the Italian style began to take over in French opera, giving rise eventually to the French genre of ''ariette'', normally in a relatively simple ternary form.
Types of operatic aria became known by a variety of terms according to their character – e.g.''aria parlante'' ('speaking-style', narrative in nature), ''aria di
bravura
In classical music a bravura is a style of both music and its performance intended to show off the skill of a performer. John Alexander Fuller-Maitland, ''A dictionary of music and musicians (A.D. 1450-1889)'p. 271-272/ref> Commonly, it is a virt ...
'' (typically given to a heroine), ''aria buffa'' (aria of a comic type, typically given to a
bass
Bass or Basses may refer to:
Fish
* Bass (fish), various saltwater and freshwater species
Music
* Bass (sound), describing low-frequency sound or one of several instruments in the bass range:
** Bass (instrument), including:
** Acoustic bass gui ...
or
bass-baritone
A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing thr ...
), and so on.
M. F. Robinson describes the standard aria in ''opera seria'' in the period 1720 to 1760 as follows:
The first section normally began with an orchestral ritornello after which the singer entered and sang the words of the first stanza
In poetry, a stanza (; from Italian language, Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or Indentation (typesetting), indentation. Stanzas can have regular rhyme scheme, rhyme and ...
in their entirety. By the end of this first vocal paragraph the music, if it were in a major key
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in classical, Western art, and Western pop music.
The group features a '' tonic note'' and its corresponding ''chords'', al ...
as it usually was, had modulated to the dominant. The orchestra then played a second ritornello usually shorter than the first. The singer re-entered and sang the same words through a second time. The music of this second paragraph was often slightly more elaborate than that of the first. There were more repeats of words and perhaps more florid vocalisations. The key worked its way back to the tonic for the final vocal cadence
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999) ...
after which the orchestra rounded the section off with a final ritornello.
![Joseph Siffred Duplessis - Christoph Willibald Gluck - Google Art Project](https://upload.wikimedia.org/wikipedia/commons/9/91/Joseph_Siffred_Duplessis_-_Christoph_Willibald_Gluck_-_Google_Art_Project.jpg)
The nature and allocation of the arias to the different roles in ''opera seria'' was highly formalized. According to the playwright and
librettist
A libretto (Italian for "booklet") is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or musical. The term ''libretto'' is also sometimes used to refer to the text of major litu ...
Carlo Goldoni Carlo is a given name. It is an Italian form of Charles. It can refer to:
*Carlo (name)
*Monte Carlo
*Carlingford, New South Wales, a suburb in north-west Sydney, New South Wales, Australia
*A satirical song written by Dafydd Iwan about Prince Char ...
, in his autobiography,
The three principal personages of the drama ought to sing five arias each; two in the first act, two in the second, and one in the third. The second actress and the second soprano can only have three, and the inferior characters must be satisfied with a single aria each, or two at the most. The author of the words must ..take care that two pathetic .e. melancholyarias do not succeed one another. He must distribute with the same precaution the bravura arias, the arias of action, the inferior arias, and the minuets and rondeaus. He must, above all things, avoid giving impassioned arias, bravura arias, or rondeaus, to inferior characters.
By contrast, arias in ''
opera buffa
''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ...
'' (comic opera) were often specific in character to the nature of the character being portrayed (for example the cheeky servant-girl or the irascible elderly suitor or guardian).
By later in the century it was clear that these formats were becoming fossilized.
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he g ...
thought that both ''opera buffa'' and ''opera seria'' had strayed too far from what opera should really be, and seemed unnatural. The jokes of ''opera buffa'' were threadbare and the repetition of the same characters made them seem no more than stereotypes. In ''opera seria'' the singing was devoted to superficial effects and the content was uninteresting and stale. As in ''opera buffa'', the singers were often masters of the stage and the music, decorating the vocal lines so floridly that audiences could no longer recognise the original melody. Gluck wanted to return opera to its origins, focusing on human drama and passions and making words and music of equal importance. The effects of these Gluckist reforms were seen not only in his own operas but in the later works of
Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
; the arias now become far more expressive of the individual emotions of the characters and are both more firmly anchored in, and advance, the storyline.
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
was to praise Gluck's innovations in his 1850 essay "
Opera and Drama
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretti ...
": " The musical composer revolted against the wilfulness of the singer"; rather than "unfold
ngthe purely sensuous contents of the Aria to their highest, rankest, pitch", Gluck sought "to put shackles on Caprice's execution of that Aria, by himself endeavouring to give the tune
..an expression answering to the underlying Word-text". This attitude was to underlie Wagner's would-be deconstruction of aria in his concept of ''
Gesamtkunstwerk
A ''Gesamtkunstwerk'' (, literally 'total artwork', translated as 'total work of art', 'ideal work of art', 'universal artwork', 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of al ...
''.
19th century
Despite the ideals of Gluck, and the trend to organise libretti so that arias had a more organic part in the drama rather than merely interrupting its flow, in the operas of the early 19th century, (for example those of
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards f ...
and
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style dur ...
),
bravura
In classical music a bravura is a style of both music and its performance intended to show off the skill of a performer. John Alexander Fuller-Maitland, ''A dictionary of music and musicians (A.D. 1450-1889)'p. 271-272/ref> Commonly, it is a virt ...
arias remained focal attractions, and they continued to play a major role in
grand opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterized by large-scale casts and orchestras, and (in their original productions) lavish and spectacular design and stage effects, normally with plots based on o ...
, and in Italian opera through the 19th century.
A favoured form of aria in the first half of the 19th century in Italian opera was the ''
cabaletta
Cabaletta is a two-part musical form particularly favored for arias in 19th century Italian opera in the belcanto era until about the 1860s during which it was one of the era's most important elements. More properly, a cabaletta is a more animated ...
'', in which a songlike ''cantabile'' section is followed by a more animated section, the ''cabaletta'' proper, repeated in whole or in part. Typically such arias would be preceded by
recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...
, the whole sequence being termed a ''scena''. There might also be opportunities for participation by orchestra or chorus. An example is ''Casta diva'' from the opera ''
Norma Norma may refer to:
* Norma (given name), a given name (including a list of people with the name)
Astronomy
*Norma (constellation)
* 555 Norma, a minor asteroid
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*Norma, Lazi ...
'' of
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania".
Many years later, in 1898, Giu ...
.
After around 1850, aria forms in Italian opera began to show more variety – many of the operas of
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h ...
offer extended narrative arias for leading roles that enable, in their scope, intensification of drama and characterisation. Examples include
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had cont ...
's condemnation of the court, "Cortigiani, vil razza dannata!" (1851).
Later in the century, the post-1850 operas of
Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most op ...
were
through-composed
In music theory of musical form, through-composed music is a continuous, non- sectional, and non- repetitive piece of music. The term is typically used to describe songs, but can also apply to instrumental music.
While most musical forms such as t ...
, with fewer elements being readily identifiable as self-contained arias; whilst the Italian genre of
verismo
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini.
''Verismo'' as an ...
opera also sought to integrate arioso elements although still allowing some 'show-pieces'.
Concert arias
Concert aria
A concert aria is normally a free-standing aria or opera-like scene (''scena'') composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particula ...
s, which are not part of any larger work, (or were sometimes written to replace or
insert Insert may refer to:
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*Insert (effects processing)
*Insert (filmmaking)
*Insert key on a computer keyboard, used to switch between insert mode and overtype mode
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*Fi ...
arias in their own operas or operas of other composers) were written by composers to provide the opportunity for vocal display for concert singers; examples are ', Op. 65, by
Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical ...
, and a number of concert arias by
Mozart
Wolfgang Amadeus Mozart (27 January 17565 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period (music), Classical period. Despite his short life, his ra ...
, including ''
Conservati fedele
"" (Köchel catalogue, K. 23) is a concert aria for soprano and orchestra by Wolfgang Amadeus Mozart.
History
Mozart composed the aria in October 1765 while staying at The Hague during the Mozart family grand tour, family's British-European tour w ...
''.
Instrumental music
The term 'aria' was frequently used in the 17th and 18th centuries for instrumental music used for dancing or variation, and modelled on vocal music. For example,
J. S. Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard w ...
's so-called "
Goldberg Variations
The ''Goldberg Variations'', BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have ...
" were titled at their 1741 publication "Clavier Ubung bestehend in einer ARIA mit verschiedenen Verænderungen" ("Keyboard exercise, consisting of one ARIA with diverse variations.")
The word is sometimes used in contemporary music as a title for instrumental pieces, e.g.
Robin Holloway
Robin Greville Holloway (born 19 October 1943) is an English composer, academic and writer.
Early life
Holloway was born in Leamington Spa. From 1953 to 1957, he was a chorister at St Paul's Cathedral and was educated at King's College School, ...
's 1980 'aria' for
chamber ensemble
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small numbe ...
. or
Harrison Birtwistle
Sir Harrison Birtwistle (15 July 1934 – 18 April 2022) was an English composer of contemporary classical music best known for his operas, often based on mythological subjects. Among his many compositions, his better known works include ''Th ...
's brass band piece, "Grimethorpe Aria" (1973).
See also
* See
:Arias
References
Notes
Sources
*
*
*
*
*
*
*
*
*
External links
*
![Wiktionary-logo-en](https://upload.wikimedia.org/wikipedia/commons/f/f8/Wiktionary-logo-en.svg)
Dictionary definition of
aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompanime ...
and
arietta at
Wiktionary
Wiktionary ( , , rhyming with "dictionary") is a multilingual, web-based project to create a free content dictionary of terms (including words, phrases, proverbs, linguistic reconstructions, etc.) in all natural languages and in a number ...
The Aria Database
{{Authority control
Italian opera terminology
Song forms