Étienne Pajeot
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Étienne Pajeot ageot'', ( b. 25 Jan 1791 – d. 24 Aug 1849) was an illustrious French
archetier A bow maker is a person who builds, repairs, and restores ancient or modern bows for bowed string instruments. These include violins, violas, cellos, double basses, viola d'amore, viola da gamba, etc. The French word for bowmaker (bow maker) is ...
and bowmaker.


Biography

Son of, Louis Simon (b ?
Grenoble lat, Gratianopolis , commune status = Prefecture and commune , image = Panorama grenoble.png , image size = , caption = From upper left: Panorama of the city, Grenoble’s cable cars, place Saint- ...
, 1759; d
Mirecourt Mirecourt () is a commune in the Vosges department in Grand Est in northeastern France. Mirecourt is known for lace-making and the manufacture of musical instruments, particularly those of the Violin family. Inhabitants are called Mirecurtiens. G ...
, 31 Jan 1804), who was also a bowmaker. He produced excellent bows. "Pajeot remains one of the most brilliant craftsmen of his generation. He produced a large number of bows of remarkable quality, appreciated by musicians for their technical possibilities and by collectors for their aesthetic qualities." – Millant Raffin "His bows are considered rare and exceptional" â€
Gennady Filimonov
"The surname appears in several spellings in documents relating to the family. When stamped on the bows it appears as PAJEOT. Some bows are not stamped but others are stamped twice, on the stick above the frog and also under the lapping. At least three other outstanding bowmakers supplied completed bows to Pajeot on which he stamped his name" – Nicolas Remy Maire,
Nicolas Maline Nicolas Maline (28 February 1822 – 28 April 1877 in Mirecourt) was a luthier and an archetier/bow maker. He was apprenticed in Mirecourt and worked for Etienne Pajeot, J.B. Vuillaume and other makers. Maline came from a family of luthiers inc ...
and
Joseph Fonclause Joseph Fonclause (Claude Joseph 'le Mayeux' Fonclauze) (1799–1862) was a French archetier/bow maker. Went to Paris to work for Lupot, Tourte and Vuillaume. From 1840 he worked alone. Most of his bows are stamped. Early in his career, he ...
. Each supplied bows in his own characteristic style, making possible their identification. In addition, lesser makers worked for Pajeot and are not identifiable. Pajeot made both round and octagonal bows; the former are more often seen. The pernambuco wood is often of superb quality, frequently of a veined, dark rich colour. The metal underslide of the frog usually ends in a turn to resist the wearing of the wood by the thumb. Some frogs are without underslide. The pearl used in the frogs is of a green flamed abalone. The mountings vary and are of all possible combinations, most frequently in ebony and silver or a less expensive German silver, more rarely in gold and ivory or tortoise shell. Since a number of different makers worked for or supplied bows to Pajeot, the pattern of the heads vary. Those made by him have a distinctive charm and grace, being elegant with a flowing line created by a gently swept-back head. The bows are greatly appreciated and sought after by players. A full account of the lives and work of the Pajeot family is given in S. Bowden: Pajeot, Bow Makers of the 18th and 19th Centuries (London, 1991).S. Bowden: Pajeot, Bow Makers of the 18th and 19th Centuries (London, 1991). - SIDNEY BOWDEN "Not surprisingly, his style of work strongly influenced his contemporaries, and his ideas can be glimpsed in the later works of Nicolas Harmand, Dominique GrandAdam and his son Jean, Charles Guinot, Joseph Gaudé, Georges Ury, and Nicolas Mauchard, this last almost certainly a pupil or employee for many years." -French Bows of the 19th Century
Philip Kass.
"Pajeot began as a successor to his father's style and rapidly evolved into something far more interesting. Early in his career he began to promote himself around the country, and he probably deserves the credit for being the first bowmaker to establish a large workshop employing many bowmakers. Since these ranks included such masters as Maire, Maline, and Fonclause, the workshop exerted an influence that ranged far beyond Mirecourt. He was extremely inventive where it came to innovations on the bow: his underslide with thumbseat protector, the buttons with welded collars, and innovations in the screw and eyelet and mortises were either uniquely his or were handled in his own personal manner." – Philip Kass


Literature

* S. Bowden: Pajeot, Bow Makers of the 18th and 19th Centuries (London, 1991).


Citations


Sources

* * (see
Ren̩ A. Morel Ren̩ A. Morel (11 March 1932 Р16 November 2011) was an experienced and influential luthier who was highly regarded by leading international string players, who had been described as "arguably the best violin restorer in the world". He ser ...
) * Les Luthiers Parisiens aux XIX et XX siecles Tom 3 "Jean-Baptiste Vuillaume et sa famille" –
Sylvette Milliot ''Sylvette'' is a large concrete sculpture created by Pablo Picasso and the Norwegian artist Carl Nesjar, which was erected in the city of Rotterdam in 1970. It is located on the corner of Westersingel next to the Museum Boijmans Van Beuningen. Th ...
2006 * * * * *


External links


Etienne Pajeot violin bow


{{DEFAULTSORT:Pajeot, Etienne 1791 births 1849 deaths 19th-century French people Bow makers Luthiers from Mirecourt