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гъдулка (instrument)
The gadulka ( bg, гъдулка) is a traditional Bulgarian bowed string instrument. Alternate spellings are "gǎdulka", "gudulka" and "g'dulka". Its name comes from a root meaning "to make noise, hum or buzz". The gadulka is an integral part of Bulgarian traditional instrumental ensembles, commonly played in the context of dance music. The gadulka commonly has three (occasionally four or five Mincho Minchev) main strings with up to sixteen sympathetic resonating strings underneath introduced by the legendary Mincho Nedyalkov. Only the main melodic strings are touched by the player's fingers and the strings are never pressed all the way down to touch the neck. The gadulka is held vertically, with the bow held perpendicular in an under-hand hold. There is a smaller variant of the instrument in the Dobrudja region with no sympathetic strings at all. Gadulka's possible origin may be the lira, the bowed Byzantine instrument of the 9th century AD and ancestor of most Western Europ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
321
Year 321 ( CCCXXI) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Crispus and Constantinus (or, less frequently, year 1074 ''Ab urbe condita''). The denomination 321 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By topic Roman Empire * Emperor Constantine I expels the Goths from the Danube frontier and repairs Trajan's Bridge. He leads an expedition into the old province Dacia (modern Romania) and makes peace with the barbarians. * March 7 - Constantine I signs legislation directing urban residents to refrain from work, and businesses to be closed, on the "venerable day of the Sun". An exception is made for agriculture. Asia * Tuoba Heru launches a coup d'état against his cousin Tuoba Yulü, and becomes the new Prince of Dai. By topic Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igil
The ''igil'' ( Tuvan: игил) is a two- stringed Tuvan musical instrument, played by bowing the strings. (It is called "ikili" in Western Mongolia.) The neck and lute-shaped sound box are usually made of a solid piece of pine or larch. The top of the sound box may be covered with skin or a thin wooden plate. The strings, and those of the bow, are traditionally made of hair from a horse's tail (strung parallel), but may also be made of nylon. Like the morin khuur of Mongolia, the igil typically features a carved horse's head at the top of the neck above the tuning pegs, and both instruments are known as the horsehead fiddle. The igil is held nearly upright when played, with the sound box of the instrument in the performer's lap, or braced against the top of the performer's boot. Playing technique involves touching the strings with the nails or fingertips, but without pressing them to the neck. The igil has no frets. The bow is held with an underhand grip. The igil formerly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzaanchy
The ''byzaanchy'' (Tuvan: бызаанчы; Russian: Бизанчи; also transliterated ''byzanchi'' or ''byzanchie'') is a four-stringed vertical spike fiddle used in the traditional music of Tuva. It is similar to the Chinese '' sihu''. However, the ''byzaanchy'''s soundbox is generally made of wood whereas the ''sihu'' usually has a metal soundbox. The ''byzaanchy'''s soundbox may be cylindrical or, more rarely, cubical. The instrument's four strings are in courses of two, one of each pair tuned together, to the interval of a fifth. The horsehair bow is divided into two portions of hair. A carved horse's head generally features at the top of the instrument's wooden neck. See also *Music of Tuva Tuva is a part of Russia, inhabited by a Turkic people. Tuvans are known abroad for ''khoomei'' (''xöömej''), a kind of overtone singing. Traditionally, Tuvan music was only a solo effort. The musician's intention was usually to emphasise timb ... * Sihu External links''Byzaa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobyz
The Kobyz ( kk, қобыз, ''Qobyz''; ba, ҡумыҙ; tt-Cyrl, кубыз) or ''kylkobyz'' ( kk, қылқобыз, ''qylqobyz''; ba, ҡыл ҡумыҙ; tt-Cyrl, кылкубыз) is an ancient Turkic bowed string instrument, spread among Kazakhs, Karakalpaks, Bashkirs, and Tatars. The Kyrgyz variant is called the ). The qobyz has two strings made of horsehair. The resonating cavity is usually covered with goat leather. Traditionally kobyzes were sacred instruments, owned by shamans and bakses (traditional spiritual medics). According to legends, the kobyz and its music could banish evil spirits, sicknesses and death. In Kazakh music In the 1930s, when the first folk instrument orchestras were established in the Soviet republic of Kazakhstan, a new kind of kobyz came into existence. It now had four metallic strings and thus became closer to a violin. Such a modernized kobyz can be used to play both Kazakh music and the most complicated works of violin literature. One of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan Lyra
) * Lira da braccio * Rabāb (Arabic الرباب) * Lijerica * Violin , musicians = * Andreas Rodinos * Alekos Karavitis * Antonis Papadakis (Kareklas) * Kostas Mountakis * Nikos Xilouris * Psarantonis * Ross Daly * Yiorgos Kaloudis * Thanassis Skordalos * Georgia Dagaki The Cretan lyra ( el, Κρητική λύρα) is a Greek pear-shaped, three-stringed bowed musical instrument, central to the traditional music of Crete and other islands in the Dodecanese and the Aegean Archipelago, in Greece. The Cretan lyra is considered to be the most popular surviving form of the medieval Byzantine lyra, an ancestor of most European bowed instruments. Playing style The lyra is held vertically on the player's lap, in the same way as a small viol, rather than being placed under the chin of the player like a violin. For normal right-handed playing, the player's right hand holds the bow. The strings are stopped by pressing the fingernails of the player's left hand against th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gusle
The gusle ( sr-cyrl, гусле) or lahuta ( sq, lahutë) is a single-stringed musical instrument (and musical style) traditionally used in the Dinarides region of Southeastern Europe (in the Balkans). The instrument is always accompanied by singing; musical folklore, specifically epic poetry. The gusle player holds the instrument vertically between his knees, with the left hand fingers on the strings. The strings are never pressed to the neck, giving a harmonic and unique sound. Singing to the accompaniment of the Gusle as a part of Serbia's intangible cultural heritage was inscribed in 2018 on the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO. Origin There is no consensus about the origin of the instrument. 6th-century Byzantine Greek historian Theophylact Simocatta ( 630) wrote about "small lyres" brought by the Slavs who settled the Balkans; some researchers believe that this might have been the gusle. Others, such as F. Sachs, believe that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kemenche
Kemenche ( tr, kemençe) or Lyra is a name used for various types of stringed bowed musical instruments originating in the Eastern Mediterranean, particularly in Armenia, Greece, Iran, Turkey, and Azerbaijan. and regions adjacent to the Black Sea. These instruments are folk instruments, generally having three strings and played held upright with their tail on the knee of the musician. The name ''Kemenche'' derives from the Persian Kamancheh, meaning merely a "small bow". Variations The Kemençe of the Black Sea ( tr, Karadeniz kemençesi, italic=y), also known as ''Pontic kemenche'' or ''Pontic lyra'' ( el, Ποντιακή λύρα), is a box-shaped lute ( ), while the classical kemençe ( tr, Klasik kemençe, italic=y or ''Armudî kemençe'', el, Πολίτικη Λύρα) is a bowl-shaped lute ( ). Other bowed instruments have names sharing the same Persian etymology include the kamancheh (or ''Kabak kemane'' in Turkish), a spike lute ( ), and the Cappadoc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamancheh
The kamancheh (also kamānche or kamāncha) ( fa, کمانچه, az, kamança, hy, Քամանչա, ku, کەمانچە ,kemançe) is an Iranian bowed string instrument used in Persian, Azerbaijani, Armenian, Kurdish, Georgian, Turkmen, and Uzbek music with slight variations in the structure of the instrument. The kamancheh is related to the rebab which is the historical ancestor of the kamancheh and the bowed Byzantine lyra. The strings are played with a variable-tension bow. In 2017, the art of crafting and playing with Kamantcheh/Kamancha was included into the UNESCO Intangible Cultural Heritage Lists of Azerbaijan and Iran. Name and etymology The word "kamancheh" means "little bow" in Persian (''kæman'', bow, and ''-cheh'', diminutive). The Turkish word kemençe is borrowed from Persian, with the pronunciation adapted to Turkish phonology. It also denotes a bowed string instrument, but the Turkish version differs significantly in structure and sound from the Persian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rebab
The ''rebab'' ( ar, ربابة, ''rabāba'', variously spelled ''rebap'', ''rubob'', ''rebeb'', ''rababa'', ''rabeba'', ''robab'', ''rubab'', ''rebob'', etc) is the name of several related string instruments that independently spread via Islamic trading routes over much of North Africa, Southeast Asia, the Middle East, and parts of Europe. The instrument is typically bowed, but is sometimes plucked. It is one of the earliest known bowed instruments, named no later than the 8th century, and is the parent of many bowed and stringed instruments. Variants There are chiefly 3 main types: A long-necked bowed variety that often has a spike at the bottom to rest on the ground (see first image to the right); thus this is called a spike fiddle in certain areas. Some of the instruments developing from this have vestigial spikes. A short-necked double-chested or "boat-shaped" variant; here plucked versions like the ''Maghreb rebab'' and the ''kabuli rebab'' (sometimes referred to a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Croatia
The music of Croatia, like the divisions of the country itself, has two major influences: Central European, present in central and northern parts of the country including Slavonia, and Mediterranean, present in coastal regions of Dalmatia and Istria. In Croatia both pop and rock are popular, as well as pop music influenced by Dalmatian or Slavonian folk elements. Since the mid-20th century, schlager and chanson-inspired music have formed the backbone of the Croatian popular music. History of music in Croatia Medieval The oldest preserved relics of musical culture in Croatia are sacral in nature and represented by ''Latin medieval liturgical chant manuscripts'' (approximately one hundred musical codices and fragments dating from the 11th to the 15th centuries have been preserved to date). They reveal a wealth of various influences and liturgical traditions that converged in this region ( Dalmatian liturgy in ''Benevento script'', Northern Gregorian chant, and original ''Gl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lira Calabrese
{{Infobox Instrument , name=Calabrian lira , names=Lira Calabrese, Lira , image=IMAG1951.jpg , background=string , classification=Necked bowl lutes , hornbostel_sachs=321.321-71 , hornbostel_sachs_desc=Necked bowl lute sounded by a bow , range= , related= *Byzantine lira, Byzantine Empire (''historic'') *Cretan Lyra, Crete and Dodecanese, Greece *Gadulka, Bulgaria * Armudî kemençe, Istanbul, Turkey (Greek: ''Πολίτικη Λύρα'' - ''Politiki lyra'') *Lijerica The Calabrian lira ( it, lira Calabrese) is a traditional musical instrument characteristic of some areas of Calabria, region in southern Italy. Characteristics The lira of Calabria is a bowed string instrument with three strings. Like most bowed liras, it is played upright, usually supported on the knee, held with the left hand touching the strings with the nails laterally while the right hand moves the bow. The repertory of the lira includes accompaniment songs (e.g. serenades and songs of anger) and songs sui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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