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çifteli
The çifteli (çiftelia, qifteli or qyfteli , sq, "doubled" or "double stringed") is a plucked string instrument, with only two strings, played mainly by the Gheg people of northern and central Albania, Southern Montenegro, parts of North Macedonia and Kosovo. The çifteli is frequently used by Albanians in weddings and at concerts, as well as by many musicians, such as Nikollë Nikprelaj. It is also used to accompany Albanian epics and ballads. Construction Çifteli vary in size, but are most often tuned to B3 and E3 (comparable to the top two strings of a guitar, which is classically tuned as "E2 A2 D3 G3 B3 E4"). Usually the lower string is played as a drone, with the melody played on the higher string. The çifteli is a fretted instrument, but unlike most, it is not fretted in a chromatic scale (one fret per semitone), but rather in a diatonic scale, with seven notes to the octave. Etymology The term ''çifteli'' is derived from Turkish "çift" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Šargija
thumb The ''šargija'' ( sh, šargija, шаргија; sq, sharki or sharkia), anglicized as ''shargia'', is a plucked, fretted long necked lute used in the folk music of various Balkan countries, including Bosnia and Herzegovina, Serbia, Croatia, Albania, North Macedonia and Kosovo. The instrument is part of a larger family of instruments which includes the Balkan ''tambura'' and the '' bağlama'' (or ''tambura saz''), ''tamburica'', and the ''tambouras''. History The instrument was studied by musicologists in the 20th century. Their studies have been characterized as speculative and nationalistic. More recently, an American researcher, Richard March, concluded that the tambura arrived in the Balkans with Turkish people in the 1500s. It was adopted by people living in the Balkans, including "urban Muslim Slavs" and "Bosnia Christians." It also arrived in Croatia with laborers. Today the ''šargija'' is played by Albanians, Bosniaks, Serbs and Croats. The ''sharki'' is used by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikollë Nikprelaj
Nikollë Nikprelaj (born 16 May 1960) is an Albanian singer from Tuzi, Montenegro. Nikolle began his professional career in his late teens. He is now the lead singer for the Albanian folk group "Besa Trieshit", which has won first place in Albanian concerts and festivals in Montenegro, Kosovo and Albania. Nikprelaj plays several traditional instruments, including the lahuta, çiftelia, sharkia, and the bylbyli (flute). He plays traditional Albanian music featuring his instruments and vocals. Nikprelaj took second place in the song contest Polifestit 2008 and the RTV21 RTV21 (an acronym for Radiotelevizioni 21; English: Radiotelevision 21) is a broadcaster and media company based in Pristina, Kosovo, which includes a radio (est. May 11, 1998), a television station (est. September 22, 2000), and six sister station ... award for his song "Syrin mos ia shkel" (translated "Eye Not to Tread"). He also performs concerts to provide humanitarian aid to organizations benefiting children ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Language
Turkish ( , ), also referred to as Turkish of Turkey (''Türkiye Türkçesi''), is the most widely spoken of the Turkic languages, with around 80 to 90 million speakers. It is the national language of Turkey and Northern Cyprus. Significant smaller groups of Turkish speakers also exist in Iraq, Syria, Germany, Austria, Bulgaria, North Macedonia, Greece, the Caucasus, and other parts of Europe and Central Asia. Cyprus has requested the European Union to add Turkish as an official language, even though Turkey is not a member state. Turkish is the 13th most spoken language in the world. To the west, the influence of Ottoman Turkish—the variety of the Turkish language that was used as the administrative and literary language of the Ottoman Empire—spread as the Ottoman Empire expanded. In 1928, as one of Atatürk's Reforms in the early years of the Republic of Turkey, the Ottoman Turkish alphabet was replaced with a Latin alphabet. The distinctive characteristics of the Turk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanbur
The term ''Tanbur'' ( fa, تنبور, ) can refer to various long-necked string instruments originating in Mesopotamia, Southern or Central Asia. According to the ''New Grove Dictionary of Music and Musicians'', "terminology presents a complicated situation. Nowadays the term tanbur (or tambur) is applied to a variety of distinct and related long-necked lutes used in art and folk traditions. Similar or identical instruments are also known by other terms." These instruments are used in the traditional music of Iran, India, Kurdistan, Armenia, Afghanistan, Azerbaijan (especially Avar community), Pakistan, Turkey, Tajikistan, Kazakhstan, and Uzbekistan. Origins Tanburs have been present in Mesopotamia since the Akkadian era, or the third millennium BC. Three figurines have been found in Susa that belong to 1500 BC, and in hands of one of them is a tanbur-like instrument. Also an image on the rocks near Mosul that belong to about 1000 B shows tanbur players. Playing the tan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dutar
The ''dutar'' (also ''Dotara, dotar''; fa, دوتار, dutâr; russian: Дутар; tg, дутор; ug, دۇتار, ucy=Дутар, Dutar; uz, dutor; ; dng, Дутар) is a traditional Iranian long-necked two-stringed lute found in Iran and Central Asia. Its name comes from the Persian language, Persian word for "two strings", دوتار ''do tār'' (< دو ''do'' "two",تار ''tār'' "string"), although the Herati dutar of Afghanistan has fourteen strings. Dutar is very popular in Tajikistan and Khorasan province of Iran. When played, the strings are usually plucked by the Uyghur people, Uyghurs of Western China and strummed and plucked by the Tājik people, Tajiks, Turkmen people, Turkmen, Uzbeks. Related instruments include the Kazakhstan, Kazakh dombra. The Dutar is also an important instrument among the Kurds of Khorasan amongst whom Haj Ghorban Soleimani of Quchan was a noted virtuoso. In Kurdish languages, Kurdish one who plays the dutar is known as a bakci (bakhshi), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tzouras
The ''tzouras'' ( el, τζουράς), is a Greek stringed musical instrument related to the bouzouki. Its name comes from the Turkish cura. It is made in six-string and eight-string varieties. The six-string model has the same arrangement of strings tuned to the same pitches as the six-string (''trichordo'') bouzouki. There are three pairs of strings, tuned to D3D4–A3A3–D4D4 or D4D3–A3A3–D4D4. The strings are made of steel. The tzouras is about the same length as the bouzouki, with a similar neck and head, but with a much smaller body, giving it a distinctive tone. Notable players *Saro Tribastone *Mikal Cronin See also *Baglamas *Greek musical instruments *Greek music *Pandura *Cretan lyra ) * Lira da braccio * Rabāb (Arabic الرباب) * Lijerica * Violin , musicians = * Andreas Rodinos * Alekos Karavitis * Antonis Papadakis (Kareklas) * Kostas Mountakis * Nikos Xilouris * Psarantonis * Ross Daly * Yiorgos Kalou ... References {{Authority con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albanian Language
Albanian ( endonym: or ) is an Indo-European language and an independent branch of that family of languages. It is spoken by the Albanians in the Balkans and by the Albanian diaspora, which is generally concentrated in the Americas, Europe and Oceania. With about 7.5 million speakers, it comprises an independent branch within the Indo-European languages and is not closely related to any other modern Indo-European language. Albanian was first attested in the 15th century and it is a descendant of one of the Paleo-Balkan languages of antiquity. For historical and geographical reasons,: "It is often thought (for obvious geographic reasons) that Albanian descends from ancient Illyrian (see above), but this cannot be ascertained as we know next to nothing about Illyrian itself." the prevailing opinion among modern historians and linguists is that the Albanian language is a descendant of a southern Illyrian dialect spoken in much the same region in classical times. Alternativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Scale
In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale. This pattern ensures that, in a diatonic scale spanning more than one octave, all the half steps are Maximal evenness, maximally separated from each other (i.e. separated by at least two whole steps). The seven pitch (music), pitches of any diatonic scale can also be obtained by using a Interval cycle, chain of six perfect fifths. For instance, the seven natural (music), natural pitch classes that form the C-major scale can be obtained from a stack of perfect fifths starting from F: :F–C–G–D–A–E–B Any sequence of seven successive natural notes, such as C–D–E–F–G–A–B, and any Transposition (music), transposition thereof, is a diatonic scale. Modern musical keyboards are des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chromatic Scale
The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the chromatic scale, while other instruments capable of continuously variable pitch, such as the trombone and violin, can also produce microtones, or notes between those available on a piano. Most music uses subsets of the chromatic scale such as diatonic scales. While the chromatic scale is fundamental in western music theory, it is seldom directly used in its entirety in musical compositions or improvisation. Definition The chromatic scale is a musical scale with twelve pitches, each a semitone, also known as a half-step, above or below its adjacent pitches. As a result, in 12-tone equal temperament (the most common tuning in Western music), the chromatic scale covers all 12 of the available pitches. Thus, there is only one chromatic scale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
