Ô Mon Bel Inconnu
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Ô Mon Bel Inconnu
''Ô mon bel inconnu'' is a comédie musicale in three acts (four tableaux) composed by Reynaldo Hahn with a libretto by Sacha Guitry. It was first staged at the Théâtre des Bouffes-Parisiens in Paris in 1933.O'Connor, Patrick. Reynaldo Hahn. '' The New Grove Dictionary of Opera'', Macmillan Reference Limited London, 1997, Vol.2 p595. The plot concerns the wife, daughter and maid of a Parisian hatter, who all reply to his 'lonely heart' advert, and takes place in Paris and Biarritz. Background This is Hahn's second stage work with Guitry after ''Mozart'' in 1925, but this time "a modern dress musical comedy". Traubner notes that it was "too refined and slight for a public that was slowly nurturing a taste for thumping spectaculars". Grove opines that the work contains "Hahn's most infectious tune, the title song" for the three main female voices. There is around an hour's worth of music, and the vocal score was published by Salabert in 1933. Henry Malherbe, in a review in ''Le Te ...
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Reynaldo Hahn
Reynaldo Hahn (; 9 August 1874 â€“ 28 January 1947) was a Venezuelan-born French composer, conductor, music critic, and singer. He is best known for his songs – ''mélodies'' – of which he wrote more than 100. Hahn was born in Caracas but his family moved to Paris when he was a child, and he lived most of his life there. Following the success of his song "''Si mes vers avaient des ailes''" (If my verses had wings), written when he was aged 14, he became a prominent member of ''fin de siècle'' French society. Among his closest friends were Sarah Bernhardt and Marcel Proust. After the First World War, in which he served in the army, Hahn adapted to new musical and theatrical trends and enjoyed successes with his first opérette, ''Ciboulette'' (1923) and a collaboration with Sacha Guitry, the musical comedy ''Mozart (comédie musicale), Mozart'' (1926). During the Second World War Hahn, who was of Jewish descent, took refuge in Monaco, returning to Paris in 1945 where he w ...
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Jean Aquistapace
Jean Aquistapace (1882–1952) was a French actor and opera singer.Blakeway p.197 He appeared in around thirty films during the 1930s and 1940s. Selected filmography * '' Maurin of the Moors'' (1932) * '' The Wonderful Day'' (1932) * '' Madame Angot's Daughter'' (1935) * ''Le comte Obligado'' (1935) * ''Ramuntcho'' (1938) * ''Girls in Distress'' (1939) * '' The Marvelous Night'' (1940) * '' The Beautiful Adventure'' (1942) * ''Arlette and Love ''Arlette and Love'' (French: ''Arlette et l'amour'') is a 1943 French romantic comedy film directed by Robert Vernay and starring André Luguet, Josette Day and André Alerme.The A to Z of French Cinema p.412 The film's sets were designed by th ...'' (1943) * '' L'école buissonnière'' (1949) References Bibliography * Blakeway, Claire. ''Jacques Prévert: Popular French Theatre and Cinema''. Fairleigh Dickinson University Press, 1990. External links * 1882 births 1952 deaths French male film actors 20th-century French male ...
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1933 Operas
Events January * January 11 – Sir Charles Kingsford Smith makes the first commercial flight between Australia and New Zealand. * January 17 – The United States Congress votes in favour of Philippines independence, against the wishes of U.S. President Herbert Hoover. * January 28 – "Pakistan Declaration": Choudhry Rahmat Ali publishes (in Cambridge, UK) a pamphlet entitled ''Now or Never; Are We to Live or Perish Forever?'', in which he calls for the creation of a Muslim state in northwest India that he calls " Pakstan"; this influences the Pakistan Movement. * January 30 ** National Socialist German Workers Party leader Adolf Hitler is appointed Chancellor of Germany by President of Germany Paul von Hindenburg. ** Édouard Daladier forms a government in France in succession to Joseph Paul-Boncour. He is succeeded on October 26 by Albert Sarraut and on November 26 by Camille Chautemps. February * February 1 – Adolf Hitler gives his "Proclamation to the ...
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Opérettes
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other f ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Operas By Reynaldo Hahn
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sing ...
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Lina Dachary
Lina Dachary was a French soprano born in 1922 and died in 1999. She was particularly noted for her prolific radio appearances in operetta.BnF page for Lina Dachary
accessed 23 April 2020.


Life and career

Originally from the Basque region, having obtained a Conservatoire first prize, an early radio performance was in ''Ninon de Lenclos'' with music by Louis Mainqueneau, conducted by on 21 June 1944. At the in Paris she sang the role of Adèle in the opérette ''Malvina'' by
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Germaine Cernay
Germaine Cernay, born Germaine Pointu (28 April 1900, Le Havre – 19 September 1943, Paris) was a French mezzo-soprano who was active both in the opera house and on the concert platform.Kutsch KJ, Riemens L. ''Unvergängliche Stimmen: Sängerlexikon.'' Francke Verlag, Bern und Munchen, 1982. Life and career Cernay studied the piano before entering the Conservatoire de Paris for vocal studies under Albers and Engel, winning first prizes in 1925.Gourret J. ''Dictionnaire des Cantatrices de l'Opéra.'' Editions Albatros, Paris, 1987. She made her debut at the Opéra-Comique in Paris on 16 May 1927 as la Bossue in the Paris premiere of Alfano's ''Risurrezione'' (in French).Wolff S. ''Un demi-siècle d'Opéra-Comique (1900–1950).'' André Bonne, Paris, 1953. Other creations at the Salle Favart were Floriane in ''Éros Vainqueur'' (de Bréville), la Tour in ''Le Fou de la Dame'' (Delannoy), a fairy in ''Riquet a la Houppe'' (Hue), and Léonor in ''Le Sicilien'' (Letorey). Her other ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Arletty
Léonie Marie Julie Bathiat (15 May 1898 – 23 July 1992), known professionally as Arletty, was a French actress, singer, and fashion model. As an actress she is particularly known for classics directed by Marcel Carné, including ''Hotel du Nord'' (1938), ''Le jour se lève'' (1939) and ''Children of Paradise'' (1945). She was found guilty of treason for an affair with a German officer during World War II. Early years Arletty was born in Courbevoie (near Paris), to a working-class family. After her father's death, she left home and pursued a modeling career. She took the stage name "Arlette" based on the heroine of a story by Guy de Maupassant. She was not interested in acting until she met Paul Guillaume, an art dealer. He recommended some theaters and, at the age of 21, she was hired. Her early career was dominated by the music hall, and she later appeared in plays and cabaret. Arletty was a stage performer for ten years before her film debut in 1930. Arletty's career took o ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Simone Simon
Simone Thérèse Fernande Simon (23 April 1910 or 1911 – 22 February 2005) was a French film actress who began her film career in 1931. Early life Born in Marseille, France, she was the daughter of Henri Louis Firmin Clair Simon, a French Jewish engineer and airplane pilot in World War II who died in a concentration camp, and Erma Maria Domenica Giorcelli, an Italian housewife. Before settling and growing up in Marseille, Simon lived in Madagascar, Budapest, Turin, and Berlin. She went to Paris in 1931 and worked briefly as a singer, model, and fashion designer. She also at one point wanted to become a sculptor. Simon worked chiefly for the Théâtre des Bouffes Parisiens and then managed to get more serious work with Sacha Guitry in ''Ô mon bel inconnu''. Career After being spotted in a restaurant in June 1931, Simon was offered a film contract by director Victor Tourjansky, which ended her plans to become a fashion designer. She made her screen debut in ''Le chanteur i ...
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