Étienne Ficquet
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Étienne Ficquet
Étienne Ficquet (13 September 1719 – 11 December 1794) was a French engraver. Ficquet was born in Paris in 1719, and was instructed by G. F. Schmidt and Le Bas. He acquired great reputation by a set of small portraits which he engraved of distinguished literary characters of France. They are executed with extraordinary neatness and delicacy, and are very correctly drawn. One of his best plates is a portrait of Madame de Maintenon, after Mignard, now become very scarce. He engraved also several of the plates for Descamps' ''Vie des Peintres Flamands et Hollandais,'' of which those of Rubens and Van Dyck are very highly finished. He died in Paris in 1794. Works *'' Françoise d'Aubigné''; after P. Mignard. *'' J. de La Fontaine''; after Rigaud. *'' J. F. Regnard''; after the same. *''J. J. Rousseau''; after De La Tour. 1763. *''F. M. Arouet de Voltaire''; after the same. 1762. *''Pierre Corneille''; after Le Brun. *'' J. de Crébillon''; after Aved. *''J. B. P. de Moliè ...
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Bernier
Bernier is a French surname. Notable people with the surname include: * Chantal Bernier, Canadian lawyer * Charles A. Bernier (1890–1963), American college sports coach * David Bernier or Kike Bernier, Puerto Rican fencer * Étienne-Alexandre Bernier (1762 – 1806), French religious figure and politician * François Bernier (1620 – 1688), Mughal physician and traveller * Frédérique Bernier, French Canadian writer and academic * Géo Bernier (1862 – 1918), Belgian painter * Georges Bernier, French humorist * Gilles Bernier (other), several people :* Gilles Bernier (Quebec politician) (born 1934), MP for Beauce, 1984–1997 :* Gilles Bernier (New Brunswick politician) (born 1955) MP for Tobique—Mactaquac, 1997–2000 * Guylaine Bernier (b. 1948), Canadian rower and sports leader * Joachim Bernier de La Brousse (1580 – 1623), French poet * Jonathan Bernier, Canadian ice hockey player * Joseph Bernier (b. 1874), Canadian politician * Joseph-Elzéar Bernier (b. ...
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Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ...
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Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 â€“ 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diploma ...
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Jean-Claude Richard
Jean-Claude Richard de Saint-Non (1727 – 25 November 1791) was a French painter and printmaker. He was born, and also died, in Paris. He is often rather misleadingly known as the "Abbé de Saint-Non"; although intended for the church by his family, he never took more than minor orders. He was a pioneer of the aquatint technique in printmaking. Family background and history His family estate, from which he derives his full title, is the Château de Saint-Nom. It is located in the village of Saint-Nom-la-Bretèche in Yvelines, France. The land was purchased by his father, Jean-Pierre Richard (died 1747), a wealthy French lord. Relationships with contemporary artists Richard, who had an interest in printmaking, travelled to Rome in 1759 where he met and befriended French artists Jean-Honoré Fragonard and Hubert Robert, both of whom were studying at the French Academy in Rome. Richard made numerous prints of both Fragonard's and Robert's work, including Robert's ''Vue pris ...
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Jean-Joseph Vadé
Jean-Joseph Vadé (17 January 1720 – 4 July 1757) was a French chansonnier and playwright of the 18th century. Biography The son of Jacques Vadé, an innkeeper, Jean-Joseph went with his father to Paris in 1725. His studies suffered from his ebullient and lively character, and he could never learn Latin, but he knew how to correct the weakness of his education by reading the best authors on his own. At twenty, he obtained the position of controller of the '' vingtième'' (income tax) in Soissons, then in Laon, where he was noted for his wit and upbeat verve. In 1743, he left Laon to go to Rouen and became secretary of the Duke of Agenois for two years. Finally, he returned to Paris where his friends helped him find a new job in the office of the ''vingtième''. It was around that time that he became known to the public for his effortless and graceful poems. Occasionally a singer, Vadé participated in the singing society La Dominicale. He had a daughter, Marie Françoise ...
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Joseph Vivien
Joseph Vivien (1657 – 5 December 1735) was a French painter from Lyon. He left Lyon for Paris at the age of twenty and found employment in the large atelier of Charles Le Brun, the equivalent of an academy. He made his reputation with his portraits in pastels, to which he gave a sparkle and immediacy previously unreached in that medium. He was received in the Académie royale de peinture et de sculpture in 1701, under the designation ''peintre en pastel''. His ''morceaux de reception'', pastel portraits of the sculptor François Girardon and the architect Robert de Cotte, are in the Louvre Museum. He was appointed counsellor to the Academy and provided with lodging under royal auspices at the Gobelins Manufactory. From Paris he visited Brussels. Vivien was taken up by the francophile Elector of Cologne and worked in Munich as first painter to the Elector's brother, Maximilian Emmanuel, Elector of Bavaria. At the time of his death in Bonn, he was engaged on a vast canvas ...
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François Fénelon
François de Salignac de la Mothe-Fénelon (), more commonly known as François Fénelon (6 August 1651 – 7 January 1715), was a French Catholic archbishop, theologian, poet and writer. Today, he is remembered mostly as the author of '' The Adventures of Telemachus'', first published in 1699. Childhood and education, 1651–75 Fénelon was born on 6 August 1651 at the Château de Fénelon, in Sainte-Mondane, Périgord, Aquitaine, in the Dordogne river valley, the second of the three children of Pons de Salignac, Comte de La Mothe-Fénelon by his wife Louise de La Cropte. Reduced to the status of "impecunious old nobility" by François' time, the La Mothe-Fénelons had produced leaders in both Church and state. His uncle Francois currently served as bishop of nearby Sarlat, a see in which fifteen generations of the Fénelon family had filled the episcopal chair. "In fact, so many members of the family occupied the position that it had begun to be considered as practically ...
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Robert Nanteuil
Robert Nanteuil (; 1623 – 9 December 1678) was a French portrait artist: engraver, draughtsman and pastellist to the court of Louis XIV. Life He was born in Reims in 1623,Notice de personne: "Nanteuil, Robert (1623-1678)"
BnF; Benezit 2006; Pinkerton 1996.
the son of Lancelot Nanteuil, a wool merchant of .Pinkerton 1996. He studied philosophy in his native Reims but was already an engraver by the time he defended his thesis in 1645. He studied engraving under his brother-in-law, Nicolas Regnesson< ...
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François De La Mothe Le Vayer
François de La Mothe Le Vayer (, August 15889 May 1672), was a French writer who was known to use the pseudonym Orosius Tubero. He was admitted to the Académie française in 1639, and was the tutor of Louis XIV. Early years Le Vayer was born and died in Paris, a member of a noble family of Maine. His father was an avocat at the parlement of Paris and author of a curious treatise on the functions of ambassadors, entitled ''Legatus, seu De legatorum privilegiis, officio et munere libellus'' (1579) and illustrated mainly from ancient history. Francois succeeded his father at the parlement, but gave up his post about 1647 and devoted himself to travel and ''belles lettres''. Literary career His ''Considérations sur l'éloquence française'' (1638) procured him admission to the Académie française, and his ''De l'instruction de Mgr. le Dauphin'' (1640) attracted the attention of Richelieu. In 1649 Anne of Austria entrusted him with the education of her second son and subsequently ...
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Daniel Dumonstier
Daniel Dumonstier (14 May 1574 – 22 June 1646) was a French artist, nicknamed as ''the best artist in crayons in Europe'' of his time but now little known. His father Cosme Dumonstier (Daniel was born illegitimate but was later legitimised), his uncle Pierre Dumonstier I and his cousin Pierre Dumonstier II were all also artists. He drew portraits of the major figures of 17th century France, but it is unknown if he limited himself to drawing or also painted. An exhibition of all the 30 works by him held at Chantilly and important pieces from the Bibliothèque nationale de France and the Louvre was organised at musée Condé The Musée Condé – in English, the Condé Museum – is a French museum located inside the Château de Chantilly in Chantilly, Oise, 40 km north of Paris. In 1897, Henri d'Orléans, Duke of Aumale, son of Louis Philippe I, bequeathed the c ... at Chantilly from 15 March 2006 to 15 June 2006 when Editions Arthéna published a thesis by Daniel Lec ...
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Michel De Montaigne
Michel Eyquem, Sieur de Montaigne ( ; ; 28 February 1533 â€“ 13 September 1592), also known as the Lord of Montaigne, was one of the most significant philosophers of the French Renaissance. He is known for popularizing the essay as a literary genre. His work is noted for its merging of casual anecdotes and autobiography with intellectual insight. Montaigne had a direct influence on numerous Western writers; his massive volume ''Essais'' contains some of the most influential essays ever written. During his lifetime, Montaigne was admired more as a statesman than as an author. The tendency in his essays to digress into anecdotes and personal ruminations was seen as detrimental to proper style rather than as an innovation, and his declaration that "I am myself the matter of my book" was viewed by his contemporaries as self-indulgent. In time, however, Montaigne came to be recognized as embodying, perhaps better than any other author of his time, the spirit of freely entertain ...
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