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Énée Et Lavinie (Dauvergne)
''Énée et Lavinie'' (''Aeneas and Lavinia'') is an opera by the French composer Antoine Dauvergne, first performed at the Académie Royale de Musique (the Paris Opéra) on 14 February 1758. It takes the form of a ''tragédie lyrique'' in five acts. It is a resetting of a libretto by Bernard Le Bovier de Fontenelle, which was originally set by Pascal Collasse in 1690. The story is taken from the later books of Virgil's ''Aeneid''. Roles Synopsis Aeneas, fleeing the destruction of Troy, has arrived in Latium in Italy. The King of Latium wants to marry his daughter Lavinia to Aeneas, but the Trojan has a rival in the local prince Turnus, who is favoured by the queen and the goddess Juno. Juno provokes Turnus to fight the Trojans. The king consults the oracle of his father, the god Faunus, who says that Lavinia must choose her husband for herself and then there will be peace. The ghost of Dido warns Lavinia not to trust her faithless lover Aeneas. The god Bacchus also inspires ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amata
According to Roman mythology, Amata (also called Palanto) was the wife of Latinus, king of the Latins, and the mother of their only child, Lavinia. In the Aeneid of Virgil, she commits suicide during the conflict between Aeneas and Turnus over which of them would marry Lavinia. When Aeneas asks for Lavinia's hand, Amata objects, because she has already been promised to Turnus, the king of the Rutulians. Hiding her daughter in the woods, she enlists the other Latin women to instigate a war between the two. Turnus, and his ally Mezentius, leader of the Etruscans, are defeated by Aeneas with the assistance of the Pelasgian colonists from Arcadia and Italic natives of Pallantium, led by that city's founder, the Arcadian Evander of Pallene. The story of this conflict fills the greater part of the seventh book of Virgil's ''Aeneid''. When Amata believes that Turnus had fallen in battle, she hangs herself. Amata's suicide is also referred to in Canto 17 of ''Purgatorio'', the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hebe (mythology)
Hebe (; grc-gre, á¼Î²Î·), in ancient Greek religion and mythology, is the goddess of youth or the prime of life. She is the beautiful daughter of Zeus and his wife, Hera. Hebe was the cupbearer for the gods and goddesses of Mount Olympus, serving their nectar and ambrosia until she married Heracles (Roman equivalent: Hercules); her successor was the divine hero Ganymede. Another title of hers for this reason is ''Ganymeda'', meaning "Gladdening Princess". Hebe was worshipped as the goddess of forgiveness or mercy at Sicyon. Hebe had influence over eternal youth and the ability to restore youth to mortals, a power that appears exclusive to her, as in Ovid's ''Metamorphoses'', some gods lament their favoured mortals aging. According to Philostratus the Elder, Hebe was the youngest of the gods. She was responsible for keeping them eternally young, and thus was the most revered by them. Her role of ensuring the eternal youth of the other gods is appropriate with her role o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Arnould
Sophie Arnould (13 February 1740, in Paris – 18 October 1802, in Paris) was a French operatic soprano. Born Magdeleine Sophie Arnould, she studied in Paris with Marie Fel and La Clairon, and made her stage debut at the Opéra de Paris on 15 December 1757 and sang there for 20 years. She created for Christoph Wilibald Gluck the roles of Eurydice in '' Orphée et Eurydice'' and the title role in ''Iphigénie en Aulide''. She also obtained considerable success in operas by Jean-Philippe Rameau, François Francoeur, and Pierre-Alexandre Monsigny. Her love life was extremely colorful. Her tumultuous relationship with Louis-Léon de Brancas, duc de Lauragais, resulted in four children, including , colonel of the First Empire dead at Essling. She was also the lover of Paul Barras and Nicolas-François de Neufchâteau, among many others.Jean Haechler, ''Le règne des femmes - 1715-1792'', Paris, Grasset, 2001, . In fact, she was notorious for having as many affairs with women as wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faunus
In ancient Roman religion and myth, Faunus was the rustic god of the forest, plains and fields; when he made cattle fertile he was called Inuus. He came to be equated in literature with the Greek god Pan, after which Romans depicted him as a horned god. Faunus was one of the oldest Roman deities, known as the ''di indigetes''. According to the epic poet Virgil, he was a legendary king of the Latins. His shade was consulted as a goddess of prophecy under the name of Fatuus, with oracles in the sacred grove of Tibur, around the well Albunea, and on the Aventine Hill in ancient Rome itself.Peck 1898 Marcus Terentius Varro asserted that the oracular responses were given in Saturnian verse. Faunus revealed the future in dreams and voices that were communicated to those who came to sleep in his precincts, lying on the fleeces of sacrificed lambs. Fowler (1899) suggested that ''Faunus'' is identical with ''Favonius'', one of the Roman wind gods (compare the Anemoi). Etymology T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faun
The faun (, grc, φαῦνος, ''phaunos'', ) is a half-human and half-goat mythological creature appearing in Greek and Roman mythology. Originally fauns of Roman mythology were spirits (genii) of rustic places, lesser versions of their chief, the god Faunus. Before their conflation with Greek satyrs, they and Faunus were represented as nude men (e.g. the Barberini Faun). Later fauns, became copies of the satyrs of Greek mythology, who themselves were originally shown as part-horse rather than part-goat. By Renaissance times fauns were depicted as bipedal creatures with the horns, legs, and tail of a goat and the head, torso, and arms of a human; they are often depicted with pointed ears. These late-form mythological creatures borrowed their appearance from the satyrs, who in turn borrowed their appearance from the god Pan of the Greek pantheon. They were symbols of peace and fertility, and their Greek chieftain, Silenus, was a minor deity of Greek mythology. Origins Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janus
In ancient Roman religion and myth, Janus ( ; la, Ianvs ) is the god of beginnings, gates, transitions, time, duality, doorways, passages, frames, and endings. He is usually depicted as having two faces. The month of January is named for Janus (''Ianuarius''). According to ancient Roman farmers' almanacs, Juno was mistaken as the tutelary deity of the month of January; but, Juno is the tutelary deity of the month of June. Janus presided over the beginning and ending of conflict, and hence war and peace. The gates of a building in Rome named after him (not a temple, as it is often called, but an open enclosure with gates at each end) were opened in time of war, and closed to mark the arrival of peace. As a god of transitions, he had functions pertaining to birth and to journeys and exchange, and in his association with Portunus, a similar harbor and gateway god, he was concerned with travelling, trading and shipping. Janus had no flamen or specialised priest ''( sacerdos)'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haute-contre
The haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century. History This voice was predominantly used in male solo roles, typically heroic and amatory ones, but also in comic parts, even ''en travesti'' (see apropos the portrait reproduced below and representing Pierre Jélyotte made up for the female title role of Rameau's ''Platée''). Lully wrote 8 out of 14 leading male roles for the voice; Charpentier, who was an haute-contre himself, composed extensively for the voice-part, as did Rameau and, later, Gluck. The leading ''hautes-contre'' of the ''Académie Royale de Musique'' that created the main roles of Lully's operas, at the end of the seventeenth century, were Bernard Clédière (who started off as a ''taille'', a lower Tenor voice type) and Louis Gaulard Dumesny. Notable ''hautes-contre'' of the eighteent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aeneas
In Greco-Roman mythology, Aeneas (, ; from ) was a Trojan hero, the son of the Trojan prince Anchises and the Greek goddess Aphrodite (equivalent to the Roman Venus). His father was a first cousin of King Priam of Troy (both being grandsons of Ilus, founder of Troy), making Aeneas a second cousin to Priam's children (such as Hector and Paris). He is a minor character in Greek mythology and is mentioned in Homer's ''Iliad''. Aeneas receives full treatment in Roman mythology, most extensively in Virgil's ''Aeneid'', where he is cast as an ancestor of Romulus and Remus. He became the first true hero of Rome. Snorri Sturluson identifies him with the Norse god Vidarr of the Æsir.The Prose Edda of Snorri Sturlson Translated by Arthur Gilchrist Brodeur 916Prologue II at Internet Sacred Texts Archive. Accessed 11/14/17 Etymology Aeneas is the Romanization of the hero's original Greek name (''AineÃas''). AineÃas is first introduced in the ''Homeric Hymn to Aphrodite'' when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dido (Queen Of Carthage)
Dido ( ; , ), also known as Elissa ( , ), was the legendary founder and first queen of the Phoenician city-state of Carthage (located in modern Tunisia), in 814 BC. In most accounts, she was the queen of the Phoenician city-state of Tyre (today in Lebanon) who fled tyranny to found her own city in northwest Africa. Known only through ancient Greek and Roman sources, all of which were written well after Carthage's founding, her historicity remains uncertain. The oldest references to Dido are attributed to Timaeus, who was active around 300 BC, or about five centuries after the date given for the foundation of Carthage. Details about Dido's character, life, and role in the founding of Carthage are best known from the account given in Virgil's epic poem, the ''Aeneid,'' written around 20 BC, which tells the legendary story of the Trojan hero Aeneas. Dido is described as a clever and enterprising woman who flees her ruthless and autocratic brother, Pygmalion, after discovering ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camilla (mythology)
In Virgil's ''Aeneid'', Camilla of the Volsci is the daughter of King Metabus and Casmilla. Driven from his throne, Metabus is chased into the wilderness by armed Volsci, his infant daughter in his hands. The river Amasenus blocked his path, and, fearing for the child's welfare, Metabus bound her to a spear. He promised Diana that Camilla would be her servant, a warrior virgin. He then safely threw her to the other side, and swam across to retrieve her. The baby Camilla was suckled by a mare, and once her "first firm steps had eentaken, the small palms were armed with a keen javelin; her sire a bow and quiver from her shoulder slung." She was raised in her childhood to be a huntress and kept the companionship of her father and the shepherds in the hills and woods. Modern scholars are unsure if Camilla was entirely an original invention of Virgil, or represents some actual Roman myth. In his book ''Virgil's Aeneid: Semantic Relations and Proper Names'', Michael Paschalis s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rutuli
The Rutuli or Rutulians were an ancient people in Italy. The Rutuli were located in a territory whose capital was the ancient town of Ardea, located about 35 km southeast of Rome. Thought to have been descended from the Umbri and the Pelasgians, according to modern scholars they were more probably connected with the Etruscan or Ligurian peoples. Mythological history In Virgil's ''Aeneid'', and also according to Livy, the Rutuli are led by Turnus, a young prince to whom Latinus, king of the Latins, had promised the hand of his daughter Lavinia in marriage. When the Trojans arrived in Italy, Latinus decided to give his daughter to Aeneas instead because of instructions he had received from the gods to marry his daughter to a foreigner. Turnus was outraged and led his people as well as several other Italian tribes against the Trojans in war. Virgil's text ends when Aeneas defeats Turnus in single combat and therefore confirms his right to marry Lavinia. In some other accounts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_by_Jean-Baptiste_Greuze.jpg "Click for more on -> Sophie Arnould")
