Émile-Antoine Bourdelle
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Émile-Antoine Bourdelle
Antoine Bourdelle (30 October 1861 – 1 October 1929), born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture. His studio became the Musée Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the 15th arrondissement of Paris, France. Early life and education Émile Antoine Bourdelle was born at Montauban, Tarn-et-Garonne in France on 30 October 1861. His father was a wood craftsman and cabinet-maker. In 1874, at the age of thirteen, he left school to work in his father's workshop, and also began carving his first sculptures of wood. In 1876, with the assistance of writer Émile Pouvillon, he received a scholarship to attend the School of Fine Arts in Toulouse, though he remained fiercely independent and resisted the ...
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Montauban
Montauban (, ; oc, Montalban ) is a commune in the Tarn-et-Garonne department, region of Occitania, Southern France. It is the capital of the department and lies north of Toulouse. Montauban is the most populated town in Tarn-et-Garonne, and the sixth most populated of Occitanie behind Toulouse, Montpellier, Nîmes, Perpignan and Béziers. In 2019, there were 61,372 inhabitants, called ''Montalbanais''. The town has been classified ''Ville d’art et d’histoire'' (City of art and history) since 2015. The town, built mainly of a reddish brick, stands on the right bank of the Tarn at its confluence with the Tescou. History Montauban is the second oldest (after Mont-de-Marsan) of the ''bastides'' of southern France. Its foundation dates from 1144 when Count Alphonse Jourdain of Toulouse, granted it a liberal charter. The inhabitants were drawn chiefly from Montauriol, a village which had grown up around the neighbouring monastery of St Théodard. In the 13th century ...
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Jean-Paul Laurens
Jean-Paul Laurens (; 28 March 1838 – 23 March 1921) was a French painter and sculptor, and one of the last major exponents of the French Academic style. Biography Laurens was born in Fourquevaux and was a pupil of Léon Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his highly realistic technique, coupled to a theatrical ''mise-en-scène'', came to be regarded by some art-historians as overly didactic. More recently, however, his work has been re-evaluated as an important and original renewal of history painting, a genre of painting that was in decline during Laurens' lifetime. Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris City Hall, the monu ...
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Cimetière Du Montparnasse
Montparnasse Cemetery (french: link=no, Cimetière du Montparnasse) is a cemetery in the Montparnasse quarter of Paris, in the city's 14th arrondissement. The cemetery is roughly 47 acres and is the second largest cemetery in Paris. The cemetery has over 35,000 graves and approximately a thousand people are buried here each year. The cemetery contains 35,000 plots and is the resting place to a variety of individuals including political figures, philosophers, artists, actors, and writers. Additionally, in the cemetery one can find a number of tombs commemorating those who died in the Franco-Prussian war during the siege of Paris (1870–1871) and the Paris Commune (1871). History The cemetery was created at the beginning of the 19th century in the southern part of the city. At the same time there were cemeteries outside the city limits: Passy Cemetery to the west, Montmartre Cemetery to the north, and Père Lachaise Cemetery to the east. In the 16th century the intersecting road ...
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Monument Mickievicz (Paris) B
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'remember ...
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Mickiewicz
Adam Bernard Mickiewicz (; 24 December 179826 November 1855) was a Polish poet, dramatist, essayist, publicist, translator and political activist. He is regarded as national poet in Poland, Lithuania and Belarus. A principal figure in Polish Romanticism, he is one of Poland's "Three Bards" ( pl, Trzej Wieszcze) and is widely regarded as Poland's greatest poet. He is also considered one of the greatest Slavic and European poets and has been dubbed a "Slavic bard". A leading Romantic dramatist, he has been compared in Poland and Europe to Byron and Goethe. He is known chiefly for the poetic drama ''Dziady'' (''Forefathers' Eve'') and the national epic poem ''Pan Tadeusz''. His other influential works include '' Konrad Wallenrod'' and '' Grażyna''. All these served as inspiration for uprisings against the three imperial powers that had partitioned the Polish–Lithuanian Commonwealth out of existence. Mickiewicz was born in the Russian-partitioned territories of the former Gr ...
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Carlos María De Alvear
Carlos María de Alvear (October 25, 1789 in Santo Ángel, Rio Grande do Sul – November 3, 1852 in New York), was an Argentine soldier and statesman, Supreme Director of the United Provinces of the Río de la Plata in 1815. Early life He was born in Santo Ángel in the northern part of the Viceroyalty of the River Plate (now in Rio Grande do Sul) to a Spanish nobleman father, Diego de Alvear y Ponce de León, and a criollo mother, María Balbastro and baptised Carlos Antonio del Santo Ángel Guardián. His birthplace Santo Ángel was, at that time, part of Misiones Province, but currently belongs to the Brazilian state of Rio Grande do Sul. While travelling to Spain with his family onboard a Spanish Navy squadron in 1804, a Royal Navy fleet attacked the squadron on 5 October, capturing or destroying all four of the Spanish frigates present. The battle was a preamble to the Anglo-Spanish War between the two countries; during the engagement, Alvears's brothers and m ...
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Salon Des Tuileries
The Salon des Tuileries was an annual art exhibition for painting and sculpture, created June 14, 1923, co-founded by painters Albert Besnard and Bessie Davidson, sculptor Antoine Bourdelle, architect Auguste Perret, and others. The first year's exhibition was conducted in former barracks at the Porte Maillot of the city gates of Paris, near the Bois de Boulogne in a "Palais du Bois" hastily constructed by the Perret brothers. Its location varied afterwards. The Salon, together with the 1884 Société des Artistes Indépendants, the 1903 Salon d'Automne and others, was organized in opposition to the Academy's official Salon system. Annual exhibitions continued at least into the 1950s. Participating artists Participating artists included: * Edith Auerbach * Edmond Aman-Jean * Marcelle Bergerol * Jules Cavaillès * Margaret Cossaceanu * Marguerite Crissay * Mildred Crooks * Joseph Csaky * Alice Dannenberg * Charles Despiau * Louis Dewis * Jean Dries * Raoul Dufy * Fan Tchu ...
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Armory Show
The 1913 Armory Show, also known as the International Exhibition of Modern Art, was a show organized by the Association of American Painters and Sculptors in 1913. It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories. The three-city exhibition started in New York City's 69th Regiment Armory, on Lexington Avenue between 25th and 26th Streets, from February 17 until March 15, 1913. The exhibition went on to the Art Institute of Chicago and then to The Copley Society of Art in Boston,International Exhibition of Modern Art
catalogue cover, Copley Society of Boston,

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Théâtre Des Champs-Élysées
The Théâtre des Champs-Élysées () is an entertainment venue standing at 15 avenue Montaigne in Paris. It is situated near Avenue des Champs-Élysées, from which it takes its name. Its eponymous main hall may seat up to 1,905 people, while the smaller Comédie and Studio des Champs-Élysées above the latter may seat 601 and 230 people respectively. Commissioned by impresario Gabriel Astruc, the theatre was built from 1911 to 1913 upon the designs of brothers Auguste Perret and Gustave Perret following a scheme by Henry van de Velde, and became the first example of Art Deco architecture in the city. Less than two months after its inauguration, the Théâtre hosted the world premiere of the Ballets Russes' '' Rite of Spring'', which provoked one of the most famous classical music riots. At present, the theatre shows about three staged opera productions a year, mostly baroque or chamber works more suited to the modest size of its stage and orchestra pit. It also houses an imp ...
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Adaline Kent
Adaline Dutton Kent or Adaline Kent Howard, (August 7, 1900 – March 24, 1957) was an American sculptor from California. She created abstract sculptures with forms inspired by the natural landscape. Early life and education Kent was born on August 7, 1900 in Kentfield, California, one of seven children of women's rights activist Elizabeth Thacher Kent and U.S. congressman William Kent. Her grandfather, Albert Emmett Kent, had purchased an 800-acre farm in 1871, which later became the town of Kentfield. She began her education at Vassar College before returning to the Bay Area to study at the California School of Fine Arts. She studied in Paris with Antoine Bourdelle at the Grande Chaumiere. She married Robert Boardman Howard on August 5, 1930, after they worked together on the Pacific Stock Exchange building, a Miller and Pflueger architecture firm project. They had two daughters, Ellen (May 1931 – Oct 1987) and Galen (born April 1933). Work The first fifteen years of h ...
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Académie De La Grande Chaumière
The Académie de la Grande Chaumière is an art school in the Montparnasse district of Paris, France. History The school was founded in 1904 by the Catalan painter Claudio Castelucho on the rue de la Grande Chaumière in Paris, near the Académie Colarossi. From 1909, the Académie was jointly directed by painters Martha Stettler, Alice Dannenberg, and Lucien Simon. The school, which was devoted to painting and sculpture, did not teach the strict academic rules of painting of the École des Beaux-Arts, thus producing art free of academic constraints. One attraction was the low fees, even lower than those of the Académie Julian The Académie Julian () was a private art school for painting and sculpture founded in Paris, France, in 1867 by French painter and teacher Rodolphe Julian (1839–1907) that was active from 1868 through 1968. It remained famous for the number a ... (which had to be paid in advance). It was said about the school that all that was provided was a mode ...
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Hercules The Archer
''Hercules the Archer'' is a sculpture by Antoine Bourdelle, originally made in 1909, which now exists in many versions. It was a commission of the financier and philanthropist Gabriel Thomas, as a single copy in gilt-bronze in April 1909; Bourdelle worked on the sculpture in the summer of 1909. It was cast by Eugène Rudier, and it was exhibited at the National Society of Fine Arts in 1910, and much appreciated. The dimensions were 2.50 m × 2.40 m. The second version was developed around 1923. It differed from the first version with additions of reliefs on the rock right, representing the Lernaean Hydra and the Nemean Lion. Finally a banner along the base of the sculpture and the monogram completed the work. Background Bourdelle was inspired by the myth of Hercules, he chose the sixth of them : the extermination of the Stymphalian birds. In the Greek mythology, the birds of this lake were monstrous, feeding on human flesh, which infesting the woods surrounding the lake S ...
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