|
Église Sainte-Marthe De Tarascon
Église Sainte-Marthe de Tarascon or Collégiale Royale Sainte-Marthe is a collegiate church in Tarascon, France, dedicated to Saint Martha. It is where, according to a local tradition, the biblical figure Martha is buried. History Collegiate Sainte-Marthe was dedicated in 1197 and enlarged in the 14th and 15th centuries. It was built half- Romanesque in the 12th century and half-Gothic in the 14th century. The tympanum and lintel of the Romanesque southern portal were severely damaged during the French Revolution. The tip of the church tower was destroyed during Allied bombings on August 16, 1944. It was later rebuilt. Features The crypt dates from the 3rd century. It houses the relics of Martha in a sarcophagus of the 4th century. Church paintings include: Painting by Charles-André van Loo: * ''Mort de Saint François'' or ''Saint François d'Assise recevant les stigmates'' (1730) * ''Sainte Marthe domptant la Tarasque'' (1730). Originally in the convent of the Capuch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tympanum (architecture)
A tympanum (plural, tympana; from Greek and Latin words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains pedimental sculpture or other imagery or ornaments. Many architectural styles include this element. Alternatively, the tympanum may hold an inscription, or in modern times, a clock face. History In ancient Greek, Roman and Christian architecture, tympana of religious buildings often contain pedimental sculpture or mosaics with religious imagery. A tympanum over a doorway is very often the most important, or only, location for monumental sculpture on the outside of a building. In classical architecture, and in classicising styles from the Renaissance onwards, major examples are usually triangular; in Romanesque architecture, tympana more often has a semi-circular shape, or that of a thinner slice from the top of a circle, and in Gothic architecture they ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Churches In Bouches-du-Rhône
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * ''Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue'' * Chu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Parrocel
Pierre Parrocel (1664–1739) was a French painter of the late-Baroque period. Life He was born in Avignon to a large family of artists, including his uncle Joseph Parrocel and his father, Louis Parrocel. He was first instructed by his uncle, and then trained with Carlo Maratti in Rome, and in 1730 became a member of the Accademia di San Luca there. Works His principal work, as a painter, was in the gallery of the Hôtel de Noailles at St. Germain-en-Laye, where he represented the ''history of Tobit'' in thirteen pictures. He also painted a ''Coronation of the Virgin in the church of St. Mary at Marseille. He also etched and engraved in a style analogous to that of A. Rivalz; but he was not equally successful with the graver. Of the fourteen etchings left by him, ''The Triumph of Aphrodite'' is perhaps the most noteworthy. References * {{DEFAULTSORT:Parrocel, Pierre 1664 births 1739 deaths Artists from Avignon 17th-century French painters French male painters 18th-c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Mignard
Nicolas Mignard, called Mignard d’Avignon, (7 February 1606 (baptised) – 20 March 1668) was a French painter known for his religious and mythological scenes and portraits.Lada Nikolenko. "Mignard." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 22 May. 2017 He spent most of his active life in Avignon creating religious and mythological paintings for religious institutions and stately homes but ended his career as court painter in Paris.Nicolas Mignard at the Getty Museum Biography Nicolas Mignard was born in in 1606 as the son of Pierre and Marie Gallois. He came from a family of artisans. He was the older brother of |
Golden Legend
The ''Golden Legend'' (Latin: ''Legenda aurea'' or ''Legenda sanctorum'') is a collection of hagiographies by Jacobus de Voragine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived.Hilary Maddocks, "Pictures for aristocrats: the manuscripts of the ''Légende dorée''", in Margaret M. Manion, Bernard James Muir, eds. ''Medieval texts and images: studies of manuscripts from the Middle Ages'' 1991:2; a study of the systemization of the Latin manuscripts of the ''Legenda aurea'' is B. Fleith, "Le classement des quelque 1000 manuscrits de la Legenda aurea latine en vue de l'éstablissement d'une histoire de la tradition" in Brenda Dunn-Lardeau, ed. ''Legenda Aurea: sept siècles de diffusion", 1986:19-24 It was likely compiled around the years 1259–1266, although the text was added to over the centuries. Initially entitled ''Legenda sanctorum'' (''Readings of the Saints''), it gained its popularity under the title by which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph-Marie Vien
Joseph-Marie Vien (sometimes anglicised as Joseph-Mary Wien; 18 June 1716 – 27 March 1809) was a French painter. He was the last holder of the post of Premier peintre du Roi, serving from 1789 to 1791. Biography He was born in Montpellier. Protected by Comte de Caylus, he entered at an early age the studio of Natoire, and obtained the ''grand prix'' in 1745. He used his time at Rome in applying to the study of nature and the development of his own powers all that he gleaned from the masterpieces around him; but his tendencies were so foreign to the reigning taste that on his return to Paris he owed his admission to the academy for his picture ''Daedalus and Icarus'' (Louvre) solely to the indignant protests of François Boucher.''Encyclopædia Britannica '', 1911 When in 1776, at the height of his established reputation, he became director of the school of France at Rome, he refused to take Jacques-Louis David with him amongst his pupils, stating he was too old to teac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Order Of Friars Minor Capuchin
The Order of Friars Minor Capuchin (; postnominal abbr. O.F.M. Cap.) is a religious order of Franciscan friars within the Catholic Church, one of Three " First Orders" that reformed from the Franciscan Friars Minor Observant (OFM Obs., now OFM), the other being the Conventuals (OFM Conv.). Franciscans reformed as Capuchins in 1525 with the purpose of regaining the original Habit (Tunic) of St. Francis of Assisi and also for returning to a stricter observance of the rule established by Francis of Assisi in 1209. History Origins The Order arose in 1525 when Matteo da Bascio, an Observant Franciscan friar native to the Italian region of Marche, said he had been inspired by God with the idea that the manner of life led by the friars of his day was not the one which their founder, St. Francis of Assisi, had envisaged. He sought to return to the primitive way of life of solitude and penance, as practised by the founder of their Order. His religious superiors tried to suppress ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-André Van Loo
Carle or Charles-André van Loo (; 15 February 1705 – 15 July 1765) was a French painter, son of the painter Louis-Abraham van Loo, a younger brother of Jean-Baptiste van Loo and grandson of Jacob van Loo. He was the most famous member of a successful dynasty of painters of Dutch origin. His oeuvre includes every category: religion, history painting, mythology, portraiture, allegory, and genre scenes. Life He was born in Nice, then part of the Duchy of Savoy. Van Loo followed his brother Jean-Baptiste to Turin, and then to Rome in 1712, where he studied under Benedetto Luti and the sculptor Pierre Le Gros. After leaving Italy in 1723, he worked in Paris, studied at the Académie Royale, where he gained first prize for drawing in 1723, and received the first prize for historical painting in 1727—as did his future rival François Boucher. In 1724 he won the Prix de Rome. After again visiting Turin in 1727, he was employed by king Victor Amadeus II of Sardinia, for whom he pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crypt
A crypt (from Latin ''crypta'' "vault") is a stone chamber beneath the floor of a church or other building. It typically contains coffins, sarcophagi, or religious relics. Originally, crypts were typically found below the main apse of a church, such as at the Abbey of Saint-Germain en Auxerre, but were later located beneath chancel, naves and transepts as well. Occasionally churches were raised high to accommodate a crypt at the ground level, such as St Michael's Church in Hildesheim, Germany. Etymology The word "Crypt" developed as an alternative form of the Latin "vault" as it was carried over into Late Latin, and came to refer to the ritual rooms found underneath church buildings. It also served as a vault for storing important and/or sacred items. The word "Crypta", however, is also the female form of ''crypto'' "hidden". The earliest known origin of both is in the Ancient Greek '' κρύπτω'' (krupto/krypto), the first person singular indicative of the verb "to conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Gothic Architecture")