Église Sainte-Croix, Kaysersberg
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Église Sainte-Croix, Kaysersberg
The Église de l′Invention de la Sainte-Croix (″Church of the Discovery of the Holy Cross″) or, colloquially, Église Sainte-Croix (″Holy Cross Church″) is the mostly medieval parish church of the small town of Kaysersberg, in the Haut-Rhin department of France. The church is situated on the Romanesque Road of Alsace thanks to its ornate sandstone portal from ca. 1230–1235; it is classified as a Monument historique by the French Ministry of Culture since 1932. The Holy Cross Church was built in the first half of the 13th century, then expanded and modified in the 15th century, and finally partially modified again in the first half of the 19th century, when the steeple was crowned with its characteristic dome. The church is filled with notable artworks, all of which are classified as Monuments historiques. Chief among them are the large wooden polychrome altarpiece of the Passion of Jesus, a 1518 work by the Colmar master Hans Bongart, with painted 1621 wings by an o ...
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Kaysersberg
Kaysersberg (german: Kaisersberg ; Alsatian: ''Kaiserschbarig'') is a historical town and former commune in Alsace in northeastern France. The name is German for ''Emperor's Mountain''. The high fortress that dominates the town serves as a reminder of both its strategic importance and its warlike past. Kaysersberg lies in the canton of Sainte-Marie-aux-Mines, which itself is a subdivision of the Colmar-Ribeauvillé arrondissement. It was a separate commune until 1 January 2016, when it was merged into the new commune of Kaysersberg Vignoble together with nearby Kientzheim and Sigolsheim, and remains its seat. The town was first mentioned in 1227, when the German emperor Frederic II gave orders to build (or rebuild?) the castle. During the Middle Ages, Kaysersberg, a member of the ''Decapolis'', prospered. In 1648, the city became a part of France, although most inhabitants continued to speak German. From 1871 to 1918 and (again from 1940 to 1944) Kaysersberg belonged to Ger ...
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French Ministry Of Culture
The Ministry of Culture (french: Ministère de la Culture) is the ministry of the Government of France in charge of national museums and the . Its goal is to maintain the French identity through the promotion and protection of the arts (visual, plastic, theatrical, musical, dance, architectural, literary, televisual and cinematographic) on national soil and abroad. Its budget is mainly dedicated to the management of the (six national sites and hundred decentralised storage facilities) and the regional (culture centres). Its main office is in the in the 1st arrondissement of Paris on the . It is headed by the Minister of Culture, a cabinet member. The current officeholder has been since 20 May 2022. History Deriving from the Italian and Burgundian courts of the Renaissance, the notion that the state had a key role to play in the sponsoring of artistic production and that the arts were linked to national prestige was found in France from at least the 16th century on. Durin ...
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Monuments Historiques Of Haut-Rhin
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'remember ...
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Churches In Haut-Rhin
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * ''Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue'' * Churc ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Burial Of Jesus
The burial of Jesus refers to the entombment of the body of Jesus after crucifixion, before the eve of the sabbath described in the New Testament. According to the canonical gospel narratives, he was placed in a tomb by a councillor of the sanhedrin named Joseph of Arimathea; according to , he was laid in a tomb by "the council as a whole." In art, it is often called the Entombment of Christ. Biblical accounts The earliest reference to a burial of Jesus is in a letter of Paul. Writing to the Corinthians around the year 54 AD, he refers to the account he had received of the death and resurrection of Jesus ("and that he was buried, and that he was raised on the third day according to the Scriptures"). The four canonical gospels, written between 66 and 95, conclude with an extended narrative of Jesus' arrest, trial, crucifixion, entombment, and resurrection.Powell, Mark A. ''Introducing the New Testament''. Baker Academic, 2009. They narrate how, on the evening of the Cruci ...
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Lamentation Of Christ
The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists. Lamentation works are very often included in cycles of the ''Life of Christ'', and also form the subject of many individual works. One specific type of Lamentation depicts only Jesus' mother Mary cradling his body. These are known as Pietà (Italian for "pity"). Development of the depiction As the depiction of the Passion of Christ increased in complexity towards the end of the first millennium, a number of scenes were developed covering the period between the death of Jesus on the Cross and his being placed in his tomb. The accounts in the Canonical Gospels concentrate on the roles of Joseph of Arimathea and Nicodemus, but specifically mention Mary and Mary Magdalene as present. Scenes showing Joseph negotiating ...
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Tilia
''Tilia'' is a genus of about 30 species of trees or bushes, native throughout most of the temperateness, temperate Northern Hemisphere. The tree is known as linden for the European species, and basswood for North American species. In Britain and Ireland they are commonly called lime trees, although they are not related to the citrus Lime (fruit), lime. The genus occurs in Europe and eastern North America, but the greatest species diversity is found in Asia. Under the Cronquist system, Cronquist classification system, this genus was placed in the family Tiliaceae, but genetic research summarised by the Angiosperm Phylogeny Group has resulted in the incorporation of this genus, and of most of the previous family, into the Malvaceae. ''Tilia'' species are mostly large, deciduous trees, reaching typically tall, with oblique-cordate (heart-shaped) leaves across. As with elms, the exact number of species is uncertain, as many of the species can Hybrid (biology), hybridise readily, ...
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Rood
A rood or rood cross, sometimes known as a triumphal cross, is a cross or crucifix, especially the large crucifix set above the entrance to the chancel of a medieval church. Alternatively, it is a large sculpture or painting of the crucifixion of Jesus. Derivation ''Rood'' is an archaic word for ''pole'', from Old English 'pole', specifically 'cross', from , cognate to Old Saxon , Old High German 'rod'. ''Rood'' was originally the only Old English word for the instrument of Jesus Christ's death. The words and in the North (from either Old Irish or Old Norse) appeared by late Old English; ''crucifix'' is first recorded in English in the Ancrene Wisse of about 1225. More precisely, the Rood or Holyrood was the True Cross, the specific wooden cross used in Christ's crucifixion. The word remains in use in some names, such as Holyrood Palace and the Old English poem ''The Dream of the Rood''. The phrase "by the rood" was used in swearing, e.g. "No, by the rood, not so" in S ...
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Colmar
Colmar (, ; Alsatian: ' ; German during 1871–1918 and 1940–1945: ') is a city and commune in the Haut-Rhin department and Grand Est region of north-eastern France. The third-largest commune in Alsace (after Strasbourg and Mulhouse), it is the seat of the prefecture of the Haut-Rhin department and of the subprefecture of the Colmar-Ribeauvillé arrondissement. The city is renowned for its well-preserved old town, its numerous architectural landmarks, and its museums, among which is the Unterlinden Museum, which houses the ''Isenheim Altarpiece''. Colmar is situated on the Alsatian Wine Route and considers itself to be the "capital of Alsatian wine" ('). History Colmar was first mentioned by Charlemagne in his chronicle about Saxon wars. This was the location where the Carolingian Emperor Charles the Fat held a diet in 884. Colmar was granted the status of a free imperial city by Emperor Frederick II in 1226. In 1354 it joined the Décapole city league.G. Köbler, ''H ...
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Passion Of Jesus
In Christianity, the Passion (from the Latin verb ''patior, passus sum''; "to suffer, bear, endure", from which also "patience, patient", etc.) is the short final period in the life of Jesus Christ. Depending on one's views, the "Passion" may include, among other events, Jesus' triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, Jesus' agony in the Garden, his arrest, his Sanhedrin trial, his trial before Pontius Pilate, his crucifixion and his death on Good Friday, his burial, and the resurrection of Jesus. Those parts of the four canonical Gospels that describe these events are known as the "Passion narratives". In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows. The word ''passion'' has taken on a more general application and now may also apply to accounts of the suffering and death of Christian martyrs, sometimes using the Lati ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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