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Ärgre Dich, O Seele, Nicht, BWV 186
(Do not be confounded, o soul), 186 is a church cantata by Johann Sebastian Bach. He composed it originally in Weimar in 1716 for Advent, , and expanded it in Leipzig in 1723 for the seventh Sunday after Trinity, where he first performed it on 11 July 1723. History and words Weimar The prescribed readings for the Third Sunday of Advent were from the First Epistle to the Corinthians, the ministry of faithful apostles (), and from the Gospel of Matthew, John the Baptist in prison (). The cantata is based on a cantata text written by Salomo Franck for the third Sunday of Advent, published in in 1717. His lyrics contained movements 1, 3, 5, 8, 10 of the later work and a different closing chorale of Ludwig Helmbold. Bach composed the music, BWV 186a, in 1716 in Weimar, where he first performed it on 13 December 1716. # Chorus: (movement 1 of BWV 186) # Aria 1: (3) # Aria 2: (5) # Aria 3: (8) # Aria 4: (10) # Chorale: A reconstruction of the cantata by Diethard Hellm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schlosskirche, Weimar
Schloss Weimar is a ''Schloss'' (palace) in Weimar, Thuringia, Germany. It is now called ''Stadtschloss'' to distinguish it from other palaces in and around Weimar. It was the residence of the dukes of Saxe-Weimar and Eisenach, and has also been called ''Residenzschloss''. Names in English include Palace at Weimar, Grand Ducal Palace, City Palace and City Castle. The building is located at the north end of the town's park along the Ilm river, ''Park an der Ilm''. It forms part of the World Heritage Site " Classical Weimar", along with other sites associated with Weimar's importance as a cultural hub during the late 18th and 19th centuries. In history, it was often destroyed by fire. The Baroque palace from the 17th century, with the church ''Schlosskirche'' where a number of works by Johann Sebastian Bach were premiered, was replaced by a Neoclassical structure after a fire in 1774. Four rooms were dedicated to the memory of poets who worked in Weimar, Johann Wolfgang von Goethe, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale
Chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) * Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in ''Schemellis Gesangbuch'') * Such a tune presented in a homophonic or homorhythmic harmonisation, usually four-part harmony (e.g. Bach's four-part chorales, or the chorale included in the second movement of Mahler's Fifth Symphony) * A more complex setting of a hymn(-like) tune (e.g. chorale fantasia form in Bach's ''Schübler Chorales'', or a combination of compositional techniques in César Franck's ') The chorale originated when Martin Luther translated sacred songs into the vernacular language (German), contrary to the established practice of church music near the end of the first quarter of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taille (instrument)
The taille, also called the taille de hautbois or the alto oboe, was a Baroque tenor oboe pitched in F. It had a straight body, an open bell, and two keys. The instrument was first used in ''Alcidiane'' by Jean-Baptiste Lully in 1658 and in French ensembles known as the ''bandes de hautbois'', in which it played the inner lines of polyphonic compositions. J.S. Bach employed it when a low-pitched oboe was needed to double the viola parts in several of his cantatas, but almost exclusively in movements of a jubilant or otherwise loud nature due to its having had a more piercing sound than that of the cor anglais. Today, the instrument is rare outside period ensembles, and a cor anglais is commonly substituted. However, the period-instrument movement has seen a revival of the taille, with a number of makers now producing reproductions of classic examples. The term was also later applied to any instrument that played the tenor part in an orchestra, e.g. the tenor viol The viol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, pop, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feeding The Multitude
In Christianity, the feeding the multitude is two separate miracles of Jesus reported in the Gospels. The first miracle, the "Feeding of the 5,000", is the only miracle—aside from the resurrection—recorded in all four gospels (Matthew 14:13–21; Mark 6:31–44; Luke 9:12–17; John 6:1–14). The second miracle, the "Feeding of the 4,000", with 7 loaves of bread and a few small fish, is reported by Matthew 15:32–39 and Mark 8:1–9, but not by Luke or John. The feeding of the 5,000 people The Feeding of the 5,000 is also known as the "miracle of the five loaves and two fish"; the Gospel of John reports that Jesus used five loaves and two fish supplied by a boy to feed a multitude. According to Matthew's gospel, when Jesus heard that John the Baptist had been killed, he withdrew by boat privately to a solitary place. Luke specifies that the place was near Bethsaida. The crowds followed Jesus on foot from the towns. When Jesus landed and saw a large crowd, he had compassion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gospel Of Mark
The Gospel of Mark), or simply Mark (which is also its most common form of abbreviation). is the second of the four canonical gospels and of the three synoptic Gospels. It tells of the ministry of Jesus from his baptism by John the Baptist to his death, burial, and the discovery of his empty tomb. There is no miraculous birth or doctrine of divine pre-existence, nor, in the original ending ( Mark 16:1–8), any post-resurrection appearances of Jesus. It portrays Jesus as a teacher, an exorcist, a healer, and a miracle worker. He refers to himself as the Son of Man. He is called the Son of God, but keeps his messianic nature secret; even his disciples fail to understand him. All this is in keeping with Christian interpretation of prophecy, which is believed to foretell the fate of the messiah as suffering servant. The gospel ends, in its original version, with the discovery of the empty tomb, a promise to meet again in Galilee, and an unheeded instruction to spread the good ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistle To The Romans
The Epistle to the Romans is the sixth book in the New Testament, and the longest of the thirteen Pauline epistles. Biblical scholars agree that it was composed by Paul the Apostle to explain that salvation is offered through the gospel of Jesus Christ. Romans was likely written while Paul was staying in the house of Gaius in Corinth. The epistle was probably transcribed by Paul's amanuensis Tertius and is dated AD late 55 to early 57. Consisting of 16 chapters, versions with only the first 14 or 15 chapters circulated early. Some of these recensions lacked all reference to the original audience of Christians in Rome making it very general in nature. Other textual variants include subscripts explicitly mentioning Corinth as the place of composition and name Phoebe, a deacon of the church in Cenchreae, as the messenger who took the epistle to Rome. Prior to composing the epistle, Paul had evangelized the areas surrounding the Aegean Sea and was eager to take the gospel fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Speratus
Paul Speratus (13 December 148412 August 1551) was a Swabian Catholic priest who became a Protestant preacher, reformer and hymn-writer. In 1523, he helped Martin Luther to create the First Lutheran hymnal, published in 1524 and called ''Achtliederbuch''. Early life Paul Speratus was born in Rötlen (a village now part of present-day Ellwangen) in Swabia, on or about 13 December 1484, probably to a wealthy family. His original surname, Latinized to "Speratus," may have been "Spreter," "Hoffer," or "Offer." In later years would write his name as "von Rötlen" (of Rötlen) or "von Ellwangen, Priester der Diöcese Augsburg" (of Ellwangen, Priest of the Diocese of Augsburg). Early studies took him to Paris and Italy, as well as (probably) Freiburg and Vienna. In 1506, he was ordained a Roman Catholic priest. In 1517, he was the author of a poem praising the Johann Eck, a conservative Catholic soon to be an important Catholic critic of Luther's teaching. At about the same tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recitative
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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