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Zuihitsu
is a genre of Japanese literature consisting of loosely connected personal essays and fragmented ideas that typically respond to the author's surroundings. The name is derived from two Kanji meaning "at will" and "pen." The provenance of the term is ultimately Chinese, ''zuihitsu'' being the Sino-Japanese reading (''on'yomi'') of 随筆 (Mandarin: ''suíbǐ''), the native reading (''kun'yomi'') of which is ''fude ni shitagau'' (“follow the brush”). Thus works of the genre should be considered not as traditionally planned literary pieces but rather as casual or randomly recorded thoughts by the authors. History ''Zuihitsu'' emerged in the Heian Period with Sei Shōnagon's ''The Pillow Book''. Shōnagon, a member of the Heian Imperial Court, kept a private diary of her own observations and musings about courtly life. It is unclear whether or not she intended it to be released to the public (sections of the work suggest that she did not), but the work nevertheless survived and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pillow Book
is a book of observations and musings recorded by Sei Shōnagon during her time as court lady to Empress Consort Teishi during the 990s and early 1000s in Heian-period Japan. The book was completed in the year 1002. The work is a collection of essays, anecdotes, poems, and descriptive passages that have little connection to one another except for the fact that they are ideas and whims of Shōnagon's spurred by moments in her daily life. In it she included lists of all kinds, personal thoughts, interesting events in court, poetry, and some opinions on her contemporaries. While it is mostly a personal work, Shōnagon's writing and poetic skill makes it interesting as a work of literature, and it is valuable as a historical document. Shōnagon meant her writing in ''The Pillow Book'' for her eyes only, but part of it was accidentally revealed to the Court during her life: "she inadvertently left it er writingon a cushion she put out for a visiting guest, who eagerly carried it off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsurezuregusa
is a collection of essays written by the Japanese monk Kenkō (兼好) between 1330 and 1332. The work is widely considered a gem of medieval Japanese literature and one of the three representative works of the zuihitsu genre, along with ''The Pillow Book'' and the ''Hōjōki''. Structure and Content ''Essays in Idleness'' comprises a preface and 243 passages, varying in length from a single line to a few pages. Kenkō, being a Buddhist monk, writes about Buddhist truths, and themes such as death and impermanence prevail in the work, although it also contains passages devoted to the beauty of nature as well as some accounts of humorous incidents. The original work was not divided or numbered; the division can be traced to the 17th century. The work takes its title from its prefatory passage: What a strange, demented feeling it gives me when I realise I have spent whole days before this inkstone, with nothing better to do, jotting down at random whatever nonsensical thoughts tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sei Shōnagon
was a Japanese author, poet, and a court lady who served the Empress Teishi (Sadako) around the year 1000 during the middle Heian period. She is the author of . Name Sei Shōnagon's actual given name is not known. It was the custom among aristocrats in those days to call a court lady by a nickname taken from a court office belonging to her father or husband.Keene 1999 : 412. derives from her father's family name "Kiyohara" (the native Japanese reading of the first character is , while the Sino-Japanese reading is ), while refers to a government post. Her relationship to this post is unknown, though—neither her father nor either of her two husbands held such a post. Bun'ei Tsunoda has suggested that it may have belonged to a third husband, perhaps Fujiwara no Nobuyoshi.Keene 1999 : 412, citing (427, note 3) Tsunoda 1975 : 30-32. Her actual name has been a topic of debate among scholars, and the name is a possibility. Early life Little is known about her life except ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yoshida Kenkō
was a Japanese author and Buddhist monk. His most famous work is ''Tsurezuregusa'' (''Essays in Idleness''), one of the most studied works of medieval Japanese literature. Kenko wrote during the Muromachi and Kamakura periods. Life and work Kenkō was probably born in 1283, the son of an administration official. Forged documents by the Yoshida Shinto authorities claimed that his original name was Urabe Kaneyoshi (卜部 兼好), and that his last name was later Yoshida (吉田); all of this was recently demonstrated to be false, in new research by Ogawa Takeo. ; see also 「卜部兼好伝批判−「兼好法師」から「吉田兼好」へ」（『国語国文研究』49号、2014年3月） He became an officer of guards at the Imperial palace. Late in life he retired from public life and became a Buddhist monk and hermit. The reasons for this are unknown, but it has been conjectured that either his unhappy love for the daughter of the prefect of Iga Province or his mourning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hōjōki
, variously translated as ''An Account of My Hut'' or ''The Ten Foot Square Hut'', is an important and popular short work of the early Kamakura period (1185–1333) in Japan by Kamo no Chōmei. Written in March 1212, the work depicts the Buddhist concept of impermanence (''mujō'') through the description of various disasters such as earthquake, famine, whirlwind and conflagration that befall the people of the capital city Kyoto. The author Chōmei, who in his early career worked as court poet and was also an accomplished player of the biwa and koto, became a Buddhist monk in his fifties and moved farther and farther into the mountains, eventually living in a 10-foot square hut located at Mt. Hino. The work has been classified both as belonging to the zuihitsu genre and as Buddhist literature. Now considered as a Japanese literary classic, the work remains part of the Japanese school curriculum. The opening sentence of ''Hōjōki'' is famous in Japanese literature as an expressi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Essays
An essay is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a letter, a paper, an article, a pamphlet, and a short story. Essays have been sub-classified as formal and informal: formal essays are characterized by "serious purpose, dignity, logical organization, length," whereas the informal essay is characterized by "the personal element (self-revelation, individual tastes and experiences, confidential manner), humor, graceful style, rambling structure, unconventionality or novelty of theme," etc. Essays are commonly used as literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and reflections of the author. Almost all modern essays are written in prose, but works in verse have been dubbed essays (e.g., Alexander Pope's ''An Essay on Criticism'' and ''An Essay on Man''). While brevity usually defines an essay, voluminous works like John Locke's ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Literature
Japanese literature throughout most of its history has been influenced by cultural contact with neighboring Asian literatures, most notably China and its literature. Early texts were often written in pure Classical Chinese or , a Chinese-Japanese creole language. Indian literature also had an influence through the spread of Buddhism in Japan. During the Heian period, Japan's original culture () developed and literature also established its own style, with the significant usage and development of to write Japanese literature. Following the Perry Expedition which led to the end of the policy and the forced reopening of foreign trade, Western literature has also made influences to the development of modern Japanese writers, while Japanese literature has in turn become more recognized internationally, leading to two Japanese Nobel laureates in literature, namely Yasunari Kawabata and Kenzaburō Ōe. History Nara-period literature (before 794) Before the introduction of kanji f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamo No Chōmei
was a Japanese author, poet (in the waka form), and essayist. He witnessed a series of natural and social disasters, and, having lost his political backing, was passed over for promotion within the Shinto shrine associated with his family. He decided to turn his back on society, took Buddhist vows, and became a hermit, living outside the capital. This was somewhat unusual for the time, when those who turned their backs on the world usually joined monasteries. Along with the poet-priest Saigyō he is representative of the literary recluses of his time, and his celebrated essay ''Hōjōki'' ("An Account of a Ten-Foot-Square Hut") is representative of the genre known as "recluse literature" (sōan bungaku). Early life Born with the name Kamo no Nagaakira, he was the second son of Kamo no Nagatsugu, ''sho-negi'' or superintendent, of the Lower Kamo ( Shimogamo) shrine. He was also known by the title Kikudaifu. The exact year of his birth is unknown, but thought to be either 1153 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matsudaira Sadanobu
was a Japanese ''daimyō'' of the mid-Edo period, famous for his financial reforms which saved the Shirakawa Domain, and the similar reforms he undertook during his tenure as chief of the Tokugawa shogunate, from 1787 to 1793. Early life Matsudaira Sadanobu was the seventh son of Tokugawa Munetake, of the Tayasu branch of the Tokugawa clan. The Tayasu was one of the ''gosankyō'', the senior-most of the lesser cadet branches of the Shōgun's family, and was thus the grandson of the reform-minded eighth shōgun Tokugawa Yoshimune. The Tayasu house stood apart from the other cadet branches resident in Edo Castle, living a more austere lifestyle, following the example set by Yoshimune—in Munetake's words, the praise of manly spirit (''masuraoburi'') as opposed to feminine spirit (''taoyameburi''). It also set itself apart from the other branches due to its history of thwarted political ambition—the founder, Munetake, had hoped to become his father's heir but was passed over f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yokoi Yayu
Yokoi is Japanese surname. Notable people with the surname include: *Gunpei Yokoi, designer of the Game Boy and other Nintendo products *Hirotaka Yokoi, professional mixed martial arts fighter *Shoichi Yokoi, soldier and celebrity * Shonan Yokoi, political reformer * Mitsuo Yokoi, a Japanese voice actor (known as "Tesshō Genda") *Yokoi Yayū was a Japanese samurai best known for his haibun, a scholar of Kokugaku, and haikai poet. He was born , and took the pseudonym Tatsunojō. His family are believed to be descendants of Hōjō Tokiyuki. Life Yayū was born in Nagoya, the firs ..., 18th-century poet {{surname, Yokoi Japanese-language surnames ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motoori Norinaga
was a Japanese scholar of ''Kokugaku'' active during the Edo period. He is conventionally ranked as one of the Four Great Men of Kokugaku (nativist) studies. Life Norinaga was born in what is now Matsusaka in Ise Province (now part of Mie Prefecture). His ancestors were vassals of the Kitabatake clan in Ise Province for many generations. However, in the early Edo period they abandoned their samurai status, changing their surname to Ozu, and relocated to Matsusaka, where they became cotton wholesalers. The family initially prospered and had a store in Edo as well. (The film director Yasujirō Ozu was a descendant of the same line). After his elder brother's death, Norinaga succeeded to the Ozu line. At one stage he was adopted out to a paper-making family but the bookish boy was not suited to business. It was at his mother's suggestion that, at the age of 22, Norinaga went to Kyoto to study medicine. In Kyoto, he also studied Chinese and Japanese philology under the neo-Confuci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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