Zoomorphic
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Zoomorphic
The word ''zoomorphism'' derives from the Greek ζωον (''zōon''), meaning "animal", and μορφη (''morphē''), meaning "shape" or "form". In the context of art, zoomorphism could describe art that imagines humans as non-human animals. It can also be defined as art that portrays one species of animal like another species of animal or art that uses animals as a visual motif, sometimes referred to as "animal style." In ancient Egyptian religion, deities were depicted in animal form which is an example of zoomorphism in not only art but in a religious context. It is also similar to the term therianthropy; which is the ability to shape shift into animal form, except that with zoomorphism the animal form is applied to a physical object. It means to attribute animal forms or animal characteristics to other animals, or things other than an animal; similar to but broader than anthropomorphism. Contrary to anthropomorphism, which views animal or non-animal behavior in human terms, ...
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Mythological Hybrid
Hybrid beasts are creatures composed of parts from different animals, including humans, appearing in the folklore of a variety of cultures as legendary creatures. In burial sites Remains similar to those of mythological hybrids have been found in burial sites discovered by archaeologists. Known combinations include horse-cows, sheep-cows, and a six-legged sheep. The skeletons were formed by ancient peoples who joined together body parts from animal carcasses of different species. The practice is believed to have been done as an offering to their gods. Description These forms' motifs appear across cultures in many mythologies around the world. Such hybrids can be classified as partly human hybrids (such as mermaids or centaurs) or non-human hybrids combining two or more non-human animal species (such as the griffin or the chimera). Hybrids often originate as zoomorphic deities who, over time, are given an anthropomorphic aspect. Paleolithic Partly human hybrids appear in petro ...
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Animal Style
Animal style art is an approach to decoration found from China to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs. The zoomorphic style of decoration was used to decorate small objects by warrior-herdsmen, whose economy was based on breeding and herding animals, supplemented by trade and plunder. Animal art is a more general term for all art depicting animals. Eastern styles Scythian art makes great use of animal motifs, one component of the " Scythian triad" of weapons, horse-harness, and Scythian-style wild animal art. The cultures referred to as Scythian-style included the Cimmerian and Sarmatian cultures in European Sarmatia and stretched across the Eurasian steppe north of the Near East to the Ordos culture of China. These cultures were extremely influential in spreading many local versions of the style. Steppe jewellery features various animals including stags, cats, birds, hor ...
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Ancient Egyptian Religion
Ancient Egyptian religion was a complex system of polytheistic beliefs and rituals that formed an integral part of ancient Egyptian culture. It centered on the Egyptians' interactions with many deities believed to be present in, and in control of the world. Rituals such as prayer and offerings were provided to the gods to gain their favor. Formal religious practice centered on the pharaohs, the rulers of Egypt, believed to possess divine powers by virtue of their positions. They acted as intermediaries between their people and the gods, and were obligated to sustain the gods through rituals and offerings so that they could maintain Ma'at, the order of the cosmos, and repel Isfet, which was chaos. The state dedicated enormous resources to religious rituals and to the construction of temples. Individuals could interact with the gods for their own purposes, appealing for help through prayer or compelling the gods to act through magic. These practices were distinct from, but ...
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Anthropomorphism
Anthropomorphism is the attribution of human traits, emotions, or intentions to non-human entities. It is considered to be an innate tendency of human psychology. Personification is the related attribution of human form and characteristics to abstract concepts such as nations, emotions, and natural forces, such as seasons and weather. Both have ancient roots as storytelling and artistic devices, and most cultures have traditional fables with anthropomorphized animals as characters. People have also routinely attributed human emotions and behavioral traits to wild as well as domesticated animals. Etymology Anthropomorphism and anthropomorphization derive from the verb form ''anthropomorphize'', itself derived from the Greek ''ánthrōpos'' (, "human") and ''morphē'' (, "form"). It is first attested in 1753, originally in reference to the heresy of applying a human form to the Christian God.''Oxford English Dictionary'', 1st ed. "anthropomorphism, ''n.''" Oxford University ...
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Desmond Morris
Desmond John Morris FLS ''hon. caus.'' (born 24 January 1928) is an English zoologist, ethologist and surrealist painter, as well as a popular author in human sociobiology. He is known for his 1967 book '' The Naked Ape'', and for his television programmes such as ''Zoo Time''. Early life Morris was born in Purton, Wiltshire, to Marjorie (née Hunt) and children's fiction author Harry Morris. In 1933, the Morrises moved to Swindon where Desmond developed an interest in natural history and writing. He was educated at Dauntsey's School, a boarding school in Wiltshire. In 1946, Morris joined the British Army for two years of national service, becoming a lecturer in fine arts at the Chiseldon Army College in Wiltshire. After being demobilised in 1948, he held his first one-man show of his own paintings at the Swindon Arts Centre, and studied zoology at the University of Birmingham. In 1950 he held a surrealist art exhibition with Joan Miró at the London Gallery. He held man ...
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Christian Views Of Sin
In Christianity, sin is an immoral act considered to be a transgression of divine law. The doctrine of sin is central to the Christian faith, since its basic message is about redemption in Christ. Hamartiology, a branch of Christian theology which is the study of sin, describes sin as an act of offence against God by despising his persons and Christian biblical law, and by injuring others. Christian hamartiology is closely related to concepts of natural law, moral theology and Christian ethics. According to Augustine of Hippo (354–430) sin is "a word, deed, or desire in opposition to the eternal law of God," or as scripture states, "sin is the transgression of the law." Among some scholars, sin is understood mostly as legal infraction or contract violation of non-binding philosophical frameworks and perspectives of Christian ethics, and so salvation tends to be viewed in legal terms. Other Christian scholars understand sin to be fundamentally relational—a loss of love fo ...
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Cain
Cain ''Káïn''; ar, قابيل/قايين, Qābīl/Qāyīn is a Biblical figure in the Book of Genesis within Abrahamic religions. He is the elder brother of Abel, and the firstborn son of Adam and Eve, the first couple within the Bible. He was a farmer who gave an offering of his crops to God. However, God was not pleased and favored Abel's offering over Cain's. Out of jealousy, Cain killed his brother, for which he was punished by God with the curse and mark of Cain. He had several children, starting with Enoch and including Lamech. The narrative is notably unclear on Cain's motive for murdering his brother, God's reason for rejecting Cain's sacrifice, and details on the identity of Cain's wife. Some traditional interpretations consider Cain to be the originator of evil, violence, or greed. According to Genesis, Cain was the first human born and the first murderer. Genesis narrative Interpretations Jewish and Christian interpretations A question arising early in ...
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Book Of Genesis
The Book of Genesis (from Greek ; Hebrew: בְּרֵאשִׁית ''Bəreʾšīt'', "In hebeginning") is the first book of the Hebrew Bible and the Christian Old Testament. Its Hebrew name is the same as its first word, ( "In the beginning"). Genesis is an account of the creation of the world, the early history of humanity, and of Israel's ancestors and the origins of the Jewish people. Tradition credits Moses as the author of Genesis, as well as the books of Exodus, Leviticus, Numbers and most of Deuteronomy; however, modern scholars, especially from the 19th century onward, place the books' authorship in the 6th and 5th centuries BC, hundreds of years after Moses is supposed to have lived.Davies (1998), p. 37 Based on scientific interpretation of archaeological, genetic, and linguistic evidence, most scholars consider Genesis to be primarily mythological rather than historical. It is divisible into two parts, the primeval history (chapters 1–11) and the ancestra ...
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Gerhard Von Rad
Gerhard von Rad (21 October 1901 – 31 October 1971) was a German academic, Old Testament scholar, Lutheran theologian, exegete, and professor at the University of Heidelberg. Early life, education, career Gerhard von Rad was born in Nuremberg, Bavaria, to Lutheran parents. His family were part of the patrician class. He was educated at the University of Erlangen and further at the University of Tübingen. In 1925, he became a curate in the Lutheran ''Landeskirche'' (i.e. the church in the federal state) of Bavaria.'' Ibid.'' Later, he taught at the University of Erlangen in 1929 as tutor. In 1930 he was a privatdozent at the University of Leipzig. From 1934 to 1945 he served as a professor at the University of Jena and later at the University of Göttingen from 1945 to 1949. After that, he became Professor of Old Testament at the Ruprecht Karl University of Heidelberg in the state of Baden-Württemberg and taught there until his death in 1971. He was conferred honorary do ...
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Robert Ardrey
Robert Ardrey (October 16, 1908 – January 14, 1980) was an American playwright, screenwriter and science writer perhaps best known for '' The Territorial Imperative'' (1966). After a Broadway and Hollywood career, he returned to his academic training in anthropology and the behavioral sciences in the 1950s. As a playwright and screenwriter Ardrey received many accolades. He was awarded a Guggenheim Fellowship in 1937, won the inaugural Sidney Howard Memorial Award in 1940, and in 1966 received an Academy Award nomination for best screenplay for his script for ''Khartoum''. His most famous play, ''Thunder Rock'', is widely considered an international classic. Ardrey's scientific work played a major role in overturning long-standing assumptions in the social sciences. In particular, both '' African Genesis'' (1961) and '' The Territorial Imperative'' (1966), two of his most widely read works, were instrumental in changing scientific doctrine and increasing public awareness ...
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The Naked Ape
''The Naked Ape: A Zoologist's Study of the Human Animal'' is a 1967 book by English Zoology, zoologist and ethology, ethologist Desmond Morris that looks at humans as a species and compares them to other animals. ''The Human Zoo (book), The Human Zoo'', a follow-up book by Morris that examined the behaviour of people in cities, was published in 1969. Summary ''The Naked Ape'', which was serialised in the ''Daily Mirror'' newspaper and has been translated into 23 languages, depicts human behaviour as largely Evolutionary psychology, evolved to meet the challenges of prehistoric life as a hunter . The book was so named because out of 193 species of monkeys and apes, only humans (''Homo sapiens sapiens'') are not covered in hair. Desmond Morris, the author, who had been the curator of mammals at London Zoo, said his book was intended to popularise and demystify science. Morris said that ''Homo sapiens'' not only have the largest brains of all higher primates, but that sexual sel ...
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The Human Zoo (book)
''The Human Zoo'' is a book written by the British zoologist Desmond Morris, published in 1969. It is a follow-up to his earlier book ''The Naked Ape''; both books examine how the biological nature of the human species has shaped the character of the cultures of the contemporary world. ''The Human Zoo'' examines the nature of civilized society, especially in the cities. Morris compares the human inhabitants of a city to the animal inhabitants of a zoo, which have their survival needs provided for, but at the cost of living in an unnatural environment. Humans in their cities, and animals in their zoos, both have food and shelter provided for them, and have considerable free time on their hands. But they have to live in an unnatural environment, and are both likely to have problems in developing healthy social relationships, both are liable to suffer from isolation and boredom, and both live in a limited amount of physical space. The book explains how the inhabitants of cities ...
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