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Zooming (filmmaking)
In filmmaking and television production, zooming is the technique of changing the focal length of a zoom lens (and hence the angle of view) during a shot – this technique is also called a zoom. The technique allows a change from close-up to wide shot (or vice versa) during a shot, giving a cinematographic degree of freedom. But unlike changes in camera position, zooming does not change the perspective (the relative sizes of near and far objects); it only magnifies or reduces the size of the entire image as a whole. Zooming can either be performed towards longer focal lengths, giving a "zoom in" effect: The filmed object will then increase in apparent size, and fewer objects become visible on film. Or it is performed towards shorter focal lengths, giving a "zoom out" effect: The filmed object will shrink in apparent size, and more objects come into view. The speed of the zoom allows for a further degree of cinematographic freedom. Combined with a dolly camera move it is possi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Filmmaking
Filmmaking (film production) is the process by which a motion picture is produced. Filmmaking involves a number of complex and discrete stages, starting with an initial story, idea, or commission. It then continues through screenwriting, casting, pre-production, shooting, sound recording, post-production, and screening the finished product before an audience that may result in a film release and an exhibition. Filmmaking occurs in a variety of economic, social, and political contexts around the world. It uses a variety of technologies and cinematic techniques. Although filmmaking originally involved the use of film, most film productions are now digital. Today, filmmaking refers to the process of crafting an audio-visual story commercially for distribution or broadcast. Production stages Film production consists of five major stages: * Development: Ideas for the film are created, rights to existing intellectual properties are purchased, etc., and the screenplay is writte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Lyndon
''Barry Lyndon'' is a 1975 period drama film written, directed, and produced by Stanley Kubrick, based on the 1844 novel '' The Luck of Barry Lyndon'' by William Makepeace Thackeray. Starring Ryan O'Neal, Marisa Berenson, Patrick Magee, Leonard Rossiter, and Hardy Krüger, the film recounts the early exploits and later unravelling of a fictional 18th-century Irish rogue and opportunist who marries a rich widow to climb the social ladder and assume her late husband's aristocratic position. Kubrick began production on ''Barry Lyndon'' after his 1971 film ''A Clockwork Orange''. He had originally intended to direct a biopic on Napoleon, but lost his financing because of the commercial failure of the similar 1970 Dino De Laurentiis-produced '' Waterloo''. Kubrick eventually directed ''Barry Lyndon'', set partially during the Seven Years' War, utilising his research from the Napoleon project. Filming began in December 1973 and lasted roughly eight months, taking place in Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Follow Focus
{{unreferenced, date=September 2008 A follow focus is a focus control mechanism used in filmmaking with film cameras and in television production with professional video cameras. It is ergonomic rather than strictly necessary; in other words it does not contribute to the basic functionality of a camera but instead helps the operator be more efficient and precise. It is usually operated by a focus puller (often called the 1st assistant camera, or 1st AC) but some camera operators prefer to pull their own focus (the act of changing focus is called "pulling" or racking focus). Overview Manual focusing is usually a requisite for professional filmmaking, because autofocus systems may focus on undesired objects, or fail to adjust quickly enough to sudden changes. The job of the focus puller then is to adjust the focus onto different subjects as well as maintain focus during movement of the camera relative to the subject. The mechanism works through a set of gears on the follow focus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Racking Focus
A focus puller or first assistant camera (1st AC) is a member of a film crew's camera department whose primary responsibility is to maintain the camera lens's optical focus on whatever subject or action is being filmed. "Pulling focus" refers to the act of changing the camera lens's focus distance to a moving subject's distance from the focal plane, or the changing distance between a stationary object and a moving camera. For example, if an actor moves from 8 m to 3 m away from the focal plane within a shot, the focus puller will change the distance setting on the lens in precise relation to the changing position of the actor. Additionally, the focus puller may shift focus from one subject to another within the frame, as dictated by the requirements of the shot. This process is called "rack focusing". Focus pulling There is often very little room for error, depending on the parameters of a given shot. The role of a focus puller is extremely important to a film product ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Tarr
Béla Tarr (born 21 July 1955) is a Hungarian filmmaker. Debuting with the film ''Family Nest'' (1977), Tarr began his directorial career with a brief period of what he refers to as "social cinema", aimed at telling everyday stories about ordinary people, often in the style of cinema vérité. Over the next decade, he changed the cinematic style and thematic elements of his films. Tarr has been interpreted as having a pessimistic view of humanity; the characters in his works are often cynical, and have tumultuous relationships with one another in ways critics have found to be Black comedy, darkly comic. ''Almanac of Fall'' (1984) follows the inhabitants of a run-down apartment as they struggle to live together while sharing their hostilities. The drama ''Damnation (film), Damnation'' (1988) was lauded for its languid and controlled camera movement, which Tarr would become known for internationally. ''Sátántangó'' (1994) and ''Werckmeister Harmonies'' (2000) continued his bleak ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sátántangó
''Sátántangó'' (; meaning ' Satan's Tango') is a 1994 drama film directed by Hungarian filmmaker Béla Tarr. Shot in black-and-white and running for more than seven hours, it is based on the 1985 novel of the same name by Hungarian novelist László Krasznahorkai, who had been providing Tarr with stories since his 1988 film ''Damnation''. Tarr had hoped to make the film since 1985 but was unable to proceed with production due to the strict political environment in Hungary. ''Sátántangó'' has received wide acclaim from film critics. In 2012, it appeared in the British Film Institute's ''Sight & Sound'' critics' top fifty films. Plot In a desolate Hungarian village, after the collapse of a collective farm, two people, Futaki and Mrs. Schmidt (Éva Almássy Albert), are in a romantic embrace when Futaki is awakened at dawn by the ringing of church bells. Mr. Schmidt (László Lugossy) conspires with another co-worker named Kráner to steal the villagers' money and flee to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Tarkovsky
Andrei Arsenyevich Tarkovsky ( rus, Андрей Арсеньевич Тарковский, p=ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj; 4 April 1932 – 29 December 1986) was a Russian filmmaker. Widely considered one of the greatest and most influential filmmakers of all time, his films explore spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory. Tarkovsky studied film at Moscow's VGIK under filmmaker Mikhail Romm, and subsequently directed his first five features in the Soviet Union: ''Ivan's Childhood'' (1962), '' Andrei Rublev'' (1966), '' Solaris'' (1972), ''Mirror'' (1975), and ''Stalker'' (1979). A number of his films from this period are ranked among the best films ever made. After years of creative conflict with state film authorities, Tarkovsky left the country in 1979 and made his final two films abroad; '' Nostalghia'' (1983) and '' The Sacrifice'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Kubrick
Stanley Kubrick (; July 26, 1928 – March 7, 1999) was an American film director, producer, screenwriter, and photographer. Widely considered one of the greatest filmmakers of all time, his films, almost all of which are adaptations of novels or short stories, cover a wide range of genres and are noted for their innovative cinematography, Black comedy, dark humor, realistic attention to detail and extensive set designs. Kubrick was raised in the Bronx, New York City, and attended William Howard Taft High School (New York City), William Howard Taft High School from 1941 to 1945. He received average grades but displayed a keen interest in literature, photography, and film from a young age, and taught himself all aspects of film production and directing after graduating from high school. After working as a photographer for ''Look (American magazine), Look'' magazine in the late 1940s and early 1950s, he began making short films on shoestring budgets, and made his first major Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinematographic
Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus reflected light from objects into a real image that is transferred to some image sensor or light-sensitive material inside a movie camera. These exposures are created sequentially and preserved for later processing and viewing as a motion picture. Capturing images with an electronic image sensor produces an electrical charge for each pixel in the image, which is electronically processed and stored in a video file for subsequent processing or display. Images captured with photographic emulsion result in a series of invisible latent images on the film stock, which are chemically " developed" into a visible image. The images on the film stock are projected for viewing the same motion picture. Cinematography finds uses in many field ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television Production
A television show – or simply TV show – is any content produced for viewing on a television set which can be broadcast via over-the-air, satellite, or cable, excluding breaking news, advertisements, or trailers that are typically placed between shows. Television shows are most often scheduled for broadcast well ahead of time and appear on electronic guides or other TV listings, but streaming services often make them available for viewing anytime. The content in a television show can be produced with different methodologies such as taped variety shows emanating from a television studio stage, animation or a variety of film productions ranging from movies to series. Shows not produced on a television studio stage are usually contracted or licensed to be made by appropriate production companies. Television shows can be viewed live (real time), be recorded on home video, a digital video recorder for later viewing, be viewed on demand via a set-top box, or streamed over th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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