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Yoke Lute
Yoke lutes, commonly called lyres, are a class of string instruments, subfamily of lutes, indicated with the code 321.2 in the Hornbostel–Sachs classification. Description Yoke lutes are defined as instruments with one or more strings, arranged parallel to the sound board and attached to a yoke lying on the same plane as the sound table, composed of two arms and a crosspiece. Most of the instruments of the lyre family are played by plucking the strings, but some involve the use of a bow instead. The sound box can be either bowl-shaped (321.21) or box-shaped (321.22). In the first case, the resonator is often a turtle shell, while the sound board is made of leather. In the second case, usually both the body and the sound board are made of wood. Examples Examples of yoke lutes are the lyre, the ''cithara'' and the ''phorminx'' from Ancient Greece, the biblical ''kinnor'' and the African ''nyatiti''. However, there are other instruments called "lyra" or "lira" that do not b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phorminx
:''Phorminx is also a genus of cylindrical bark beetles.'' The phorminx ( grc, φόρμιγξ) was one of the oldest of the Ancient Greek stringed musical instruments, in the yoke lutes family, intermediate between the lyre and the kithara. It consisted of two to seven strings, richly decorated arms and a crescent-shaped sound box. It most probably originated from Mesopotamia. While it seems to have been common in Homer's day, accompanying the rhapsodes, it was supplanted in historical times by the seven-stringed kithara. Nevertheless, the term ''phorminx'' continued to be used as an archaism in poetry. The term ''phorminx'' is also sometimes used in both ancient and modern writing to refer to all four instruments of the ''lyre'' family collectively: *barbitos * kithara *lyre The lyre () is a stringed musical instrument that is classified by Hornbostel–Sachs as a member of the lute-family of instruments. In organology, a lyre is considered a yoke lute, since it is a lute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lira Da Braccio
The lira da braccio (or ''lyra de bracio''Michael Praetorius. Syntagma Musicum Theatrum Instrumentorum seu Sciagraphia Wolfenbüttel 1620) was a European bowed string instrument of the Renaissance. It was used by Italian poet-musicians in court in the 15th and 16th centuries to accompany their improvised recitations of lyric and narrative poetry.Howard Mayer Brown and Sterling Scott Jones. "Lira da braccio", '' Grove Music Online'', ed. L. Macy (accessed November 11, 2006)grovemusic.com (subscription access) It is most closely related to the medieval fiddle, or vielle, and like the vielle had a leaf-shaped pegbox with frontal pegs. Fiddles with drone strings are seen beginning in the 9th century (Byzantine lyra), and the instrument continued to develop through the 16th century. In many depictions of the instrument, it is being played by mythological characters, frequently members of angel consorts, and most often by Orpheus and Apollo. The ''lira da braccio'' was occasionally used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan Lyra
) * Lira da braccio * Rabāb (Arabic الرباب) * Lijerica * Violin , musicians = * Andreas Rodinos * Alekos Karavitis * Antonis Papadakis (Kareklas) * Kostas Mountakis * Nikos Xilouris * Psarantonis * Ross Daly * Yiorgos Kaloudis * Thanassis Skordalos * Georgia Dagaki The Cretan lyra ( el, Κρητική λύρα) is a Greek pear-shaped, three-stringed bowed musical instrument, central to the traditional music of Crete and other islands in the Dodecanese and the Aegean Archipelago, in Greece. The Cretan lyra is considered to be the most popular surviving form of the medieval Byzantine lyra, an ancestor of most European bowed instruments. Playing style The lyra is held vertically on the player's lap, in the same way as a small viol, rather than being placed under the chin of the player like a violin. For normal right-handed playing, the player's right hand holds the bow. The strings are stopped by pressing the fingernails of the player's left hand against th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calabrian Lira
{{Infobox Instrument , name=Calabrian lira , names=Lira Calabrese, Lira , image=IMAG1951.jpg , background=string , classification=Necked bowl lutes , hornbostel_sachs=321.321-71 , hornbostel_sachs_desc=Necked bowl lute sounded by a bow , range= , related= *Byzantine lira, Byzantine Empire (''historic'') *Cretan Lyra, Crete and Dodecanese, Greece *Gadulka, Bulgaria * Armudî kemençe, Istanbul, Turkey (Greek: ''Πολίτικη Λύρα'' - ''Politiki lyra'') *Lijerica The Calabrian lira ( it, lira Calabrese) is a traditional musical instrument characteristic of some areas of Calabria, region in southern Italy. Characteristics The lira of Calabria is a bowed string instrument with three strings. Like most bowed liras, it is played upright, usually supported on the knee, held with the left hand touching the strings with the nails laterally while the right hand moves the bow. The repertory of the lira includes accompaniment songs (e.g. serenades and songs of anger) and song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Lyra
The Byzantine lyra or lira ( gr, λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with fingernails. The first known depiction of the instrument is on a Byzantine ivory casket (900–1100 AD), preserved in the Bargello in Florence (''Museo Nazionale, Florence, Coll. Carrand, No.26''). Versions of the Byzantine lyra are still played throughout the former lands of the Byzantine Empire: Greece ( Politiki lyra, lit. "lyra of the City" i.e. Constantinople), Crete (Cretan lyra), Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia ( Dalmatian Lijerica), Italy (Calabrian lira) and Armenia. History The most likely origin is the pear-shaped pandura, however with the introduction of a bow. The first recorded reference to the bowed lyra was in the 9th century by the Persian geographer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handle Lutes
A handle is a part of, or attachment to, an object that allows it to be grasped and manipulated by hand. The design of each type of handle involves substantial ergonomic issues, even where these are dealt with intuitively or by following tradition. Handles for tools are an important part of their function, enabling the user to exploit the tools to maximum effect. Package handles allow for convenient carrying of packages. General design criteria The three nearly universal requirements of are: # Sufficient strength to support the object, or to otherwise transmit the force involved in the task the handle serves. # Sufficient length to permit the hand or hands gripping it to reliably exert that force. # Sufficiently small circumference to permit the hand or hands to surround it far enough to grip it as solidly as needed to exert that force. Specific needs Other requirements may apply to specific handles: * A sheath or coating on the handle that provides friction against th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Organology
Organology (from Ancient Greek () 'instrument' and (), 'the study of') is the science of musical instruments and their classifications. It embraces study of instruments' history, instruments used in different cultures, technical aspects of how instruments produce sound, and musical instrument classification. There is a degree of overlap between organology, ethnomusicology (being subsets of musicology) and the branch of the science of acoustics devoted to musical instruments. History A number of ancient cultures left documents detailing the musical instruments used and their role in society; these documents sometimes included a classification system. The first major documents on the subjects from the west, however, date from the 16th century, with works such as Sebastian Virdung's ''Musica getuscht und ausgezogen'' (1511), and Martin Agricola's ''Musica instrumentalis deudsch'' (1529). One of the most important organologists of the 17th century is Michael Praetorius. His ''Synta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nyatiti
The nyatiti is a five to eight-stringed plucked bowl yoke lute from Kenya. It is a classical instrument played by the Luo people of Western Kenya, specifically in the Siaya region south of Kisumu. It is about two to three feet long with a bowl-shaped, carved wood resonator covered in cow skin. Historically, strings were fashioned from cattle tendons, but modern players almost exclusively use nylon and plastic fishing line of various sizes, a move which changed the sound of the nyatiti drastically. The nyatiti as played in Kenya usually has eight strings. Though the register will vary to match a comfortable singing range of the player, a typical tuning will be, from top to bottom, B-A-G#-E-E-D-B-A, where the outside strings are the same note at the same pitch, and the middle two are an octave apart. Many modern players use individual tunings to match their particular musical style. The most common playing style uses the thumb and middle finger of both hands, alternating between t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinnor
Kinnor ( he, ''kīnnōr'') is an ancient Israelite musical instrument in the yoke lutes family, the first one to be mentioned in the Hebrew Bible. Its exact identification is unclear, but in the modern day it is generally translated as "harp" or "lyre", and associated with a type of lyre depicted in Israelite imagery, particularly the Bar Kokhba coins. It has been referred to as the "national instrument" of the Jewish people, and modern luthiers have created reproduction lyres of the kinnor based on this imagery. The word has subsequently come to mean violin in Modern Hebrew. Identification The kinnor is generally agreed to be a stringed instrument, and thus the stringed instrument most commonly mentioned in the Old Testament. The kinnor is also the first string instrument to be mentioned in the Bible, appearing in Genesis 4:21. Details Construction Josephus describes the kinnor as having 10 strings, made from a sheep's small intestine, and played with a plectrum (pick) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cithara
The kithara (or Latinized cithara) ( el, κιθάρα, translit=kithāra, lat, cithara) was an ancient Greek musical instrument in the yoke lutes family. In modern Greek the word ''kithara'' has come to mean "guitar", a word which etymologically stems from ''kithara''. The cithara was a seven-stringed professional version of the lyre, which was regarded as a rustic, or folk instrument, appropriate for teaching music to beginners. As opposed to the simpler lyre, the cithara was primarily used by professional musicians, called kitharodes. The cithara's origins are likely Anatolian. popular in the eastern Aegean and ancient Anatolia. Uses Whereas the basic lyra was widely used as a teaching instrument in boys’ schools, the cithara was a virtuoso's instrument, generally known as requiring a great deal of skill. The cithara was played primarily to accompany dance, epic recitations, rhapsodies, odes, and lyric songs. It was also played solo at the receptions, ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutes
A lute ( or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes. The term also refers generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system). The strings are attached to pegs or posts at the end of the neck, which have some type of turning mechanism to enable the player to tighten the tension on the string or loosen the tension before playing (which respectively raise or lower the pitch of a string), so that each string is tuned to a specific pitch (or note). The lute is plucked or strummed with one hand while the other hand "frets" (presses down) the strings on the neck's fingerboard. By pressing the strings on different places of the fingerboard, the player can short ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
