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Yo Scale
The ''yo'' scale, which is like the Mixolydian but does not contain minor notes, according to a traditional theory is a pentatonic scale used in much Japanese music including gagaku and shomyo. The ''yo'' scale is used specifically in folk songs and early popular songs and is contrasted with the ''in'' scale which does contain minor notes. The ''in'' scale is described as 'dark' while the yo scale is described as 'bright' sounding.Chris Hiscock, Marian Metcalfe (1999). ''New Music Matters 11-14'', p.49. . It is defined by ascending intervals of two, three, two, two, and three semitones. An example ''yo'' scale, expressed in western pitch names, is: D - E - G - A - B. This is illustrated below. The Ryūkyū scale appears to be derived from the yo scale with pitches raised. More recent theory emphasizes that it is more useful in interpreting Japanese melody to view scales on the basis of "nuclear tones" located a fourth apart and containing notes between them, as in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixolydian
Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic scale, related to the medieval mode. (The Hypomixolydian mode of medieval music, by contrast, has no modern counterpart.) The modern diatonic mode is the scale forming the basis of both the rising and falling forms of Harikambhoji in Carnatic music, the classical music form of southern India. Greek Mixolydian The idea of a Mixolydian mode comes from the music theory of ancient Greece. The invention of the ancient Greek Mixolydian mode was attributed to Sappho, the poet and musician. However, what the ancient Greeks thought of as Mixolydian is very different from the modern interpretation of the mode. The prefix ''mixo''- (μιξο-) means "half", referring to its resemblance to the Lydian mode. In Greek theory, the Mixolydian ''tonos'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yo Scale On D Ascending & Descending
''Yo'' is a slang interjection, commonly associated with North American English. It was popularized by the Italian-American community in Philadelphia, Pennsylvania, in the 1940s. Although often used as a greeting and often deployed at the beginning of a sentence, ''yo'' may also come at the end of a sentence and/or may be used for emphasis or to direct focus onto a particular individual, group, or issue at hand, or to gain the attention of another individual or group. Etymology and history The interjection ''yo'' was first used in Middle English. In addition to ''yo'', it was also sometimes written ''io''. Though the term may have been in use in the 16th century, its current popularity stems from its use in Philadelphia's Italian American population in the twentieth century, which spread to other ethnic groups in the city, notably among Philadelphia African Americans, and later spread beyond Philadelphia. From the late twentieth century, it frequently appeared in hip h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Traditional Music
Japanese may refer to: * Something from or related to Japan, an island country in East Asia * Japanese language, spoken mainly in Japan * Japanese people, the ethnic group that identifies with Japan through ancestry or culture ** Japanese diaspora, Japanese emigrants and their descendants around the world * Japanese citizens, nationals of Japan under Japanese nationality law ** Foreign-born Japanese, naturalized citizens of Japan * Japanese writing system, consisting of kanji and kana * Japanese cuisine, the food and food culture of Japan See also * List of Japanese people * * Japonica (other) * Japonicum * Japonicus * Japanese studies Japanese studies (Japanese: ) or Japan studies (sometimes Japanology in Europe), is a sub-field of area studies or East Asian studies involved in social sciences and humanities research on Japan. It incorporates fields such as the study of Japanese ... {{disambiguation Language and nationality disambiguation pages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentatonic Scales
A pentatonic scale is a musical scale with five notes per octave, in contrast to the heptatonic scale, which has seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations and are still used in various musical styles to this day. There are two types of pentatonic scales: those with semitones (hemitonic) and those without (anhemitonic). Types Hemitonic and anhemitonic Musicology commonly classifies pentatonic scales as either ''hemitonic'' or ''anhemitonic''. Hemitonic scales contain one or more semitones and anhemitonic scales do not contain semitones. (For example, in Japanese music the anhemitonic ''yo'' scale is contrasted with the hemitonic ''in'' scale.) Hemitonic pentatonic scales are also called "ditonic scales", because the largest interval in them is the ditone (e.g., in the scale C–E–F–G–B–C, the interval found between C–E and G–B). (This should not be confu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Min'yō Scale
, ''Nihon min'yō'', Japanese ''min'yō'' or Japanese folk music is a genre of traditional Music of Japan, Japanese music. Characteristics Styles Many ''min'yō'' are connected to forms of work or to specific trades and were originally sung between work or for specific jobs. Other ''min'yō'' function simply as entertainment, as dance accompaniment, or as a components of religious rituals. ''Min'yō'' are also distinct depending on the area of Japan, with each area boasting its own favorite songs and styles. The songs found in the far northern island of Hokkaidō and sung by the Ainu people are usually excluded from the category of min'yō. In the far south, (especially Okinawa Prefecture, Okinawa) distinct genres of min'yō, differing in scale structure, language and textual forms, have developed as well. Instruments Most Japanese folk songs related to work were originally sung unaccompanied, either solo, or by groups (heterophonically). Some songs exhibit the same sor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Udayaravichandrika
Udayaravichandrika is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an ''audava'' rāgam (or ''owdava'' rāgam, meaning pentatonic scale ). It is a ''janya'' rāgam (derived scale), as it does not have all the seven ''swaras'' (musical notes). Closer to ''Udayaravichandrika'' in Hindustani music is '' Dhani'' aka Gaundgiri.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras But Dhani has N2 while Udayaravichandrika N3 in theory. Structure and Lakshana ''Udayaravichandrika'' is a symmetric rāgam that does not contain ''rishabham'' or ''dhaivatam''. It is a pentatonic scale (''audava-audava'' rāgam in Carnatic music classification – ''audava'' meaning 'of five') and is equivalent to the minor pentatonic scale in Western music. Its ' structure (ascending and descending scale) is as follows (see ''swaras'' in Carnatic music for details on be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Min'yō
, ''Nihon min'yō'', Japanese ''min'yō'' or Japanese folk music is a genre of traditional Japanese music. Characteristics Styles Many ''min'yō'' are connected to forms of work or to specific trades and were originally sung between work or for specific jobs. Other ''min'yō'' function simply as entertainment, as dance accompaniment, or as a components of religious rituals. ''Min'yō'' are also distinct depending on the area of Japan, with each area boasting its own favorite songs and styles. The songs found in the far northern island of Hokkaidō and sung by the Ainu people are usually excluded from the category of min'yō. In the far south, (especially Okinawa) distinct genres of min'yō, differing in scale structure, language and textual forms, have developed as well. Instruments Most Japanese folk songs related to work were originally sung unaccompanied, either solo, or by groups (heterophonically). Some songs exhibit the same sort of "call and response" chant often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perfect Fourth
A fourth is a musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending interval from C to the next F is a perfect fourth, because the note F is the fifth semitone above C, and there are four staff positions between C and F. Diminished and augmented fourths span the same number of staff positions, but consist of a different number of semitones (four and six, respectively). The perfect fourth may be derived from the harmonic series as the interval between the third and fourth harmonics. The term ''perfect'' identifies this interval as belonging to the group of perfect intervals, so called because they are neither major nor minor. A perfect fourth in just intonation corresponds to a pitch ratio of 4:3, or about 498 cents (), while in equal temperament a perfect fourth is equal to five semitones, or 500 cents (see additive s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Theater Of Japan
The is a complex consisting of three halls in two buildings in Hayabusachō, a district in Chiyoda, Tokyo, Japan. The Japan Arts Council, an Independent Administrative Institution of the Ministry of Education, Culture, Sports, Science and Technology, operates the National Theatre. It primarily stages performances of traditional Japanese performing arts. Outline The main building has two halls. The Large Theatre hosts performances of kabuki and '' Buyō'' as well as stage plays. The Small Hall specializes in ''bunraku'', Japanese music, smaller ''buyō'' productions, ''gagaku'', ''shōmyō'', and folk theatre. In a separate building, the Engei Hall stages ''rakugo'' and ''manzai'' performances. Each year in April, the awards ceremony for the Japan Prize takes place in the National Theatre. Attendees include the Emperor and Empress, the Prime Minister, the President of the House of Councillors, and the Speaker of the House of Representatives. Performances The 1995 Japanese Drumm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Yo Scale
D, or d, is the fourth letter in the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''dee'' (pronounced ), plural ''dees''. History The Semitic letter Dāleth may have developed from the logogram for a fish or a door. There are many different Egyptian hieroglyphs that might have inspired this. In Semitic, Ancient Greek and Latin, the letter represented ; in the Etruscan alphabet the letter was archaic, but still retained (see letter B). The equivalent Greek letter is Delta, Δ. Architecture The minuscule (lower-case) form of 'd' consists of a lower-story left bowl and a stem ascender. It most likely developed by gradual variations on the majuscule (capital) form 'D', and today now composed as a stem with a full lobe to the right. In handwriting, it was common to start the arc to the left of the vertical stroke, resulting in a serif at the top of the arc. This serif w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
