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Xcommunication
''Xcommunication'' is the seventh album by jazz fusion band Brand X, released in 1992. It was the band's first studio release in more than a decade. Track listing All tracks written by John Goodsall, except where noted. #"Xanax Taxi" – 5:57 #"Liquid Time" – 4:39 #"Kluzinski Period" (Percy Jones (musician), Percy Jones) – 7:00 #"Healing Dream" – 3:51 #"Mental Floss" – 3:17 #"Strangeness" (Jones) – 3:23 #"A Duck Exploding" (Goodsall, Jones) – 6:47 #"Message to You" – 0:25 #"Church of Hype" (Jones) – 5:54 #"Kluzinski Reprise" (Goodsall, Jones) – 4:25 Personnel * John Goodsall – guitars, MIDI, MIDI guitar * Percy Jones (musician), Percy Jones – fretless bass, keyboards (6) * Frank Katz – drums Additional personnel * Danny Wilding – flute (3, 10) Production * Gilad Amarillo – executive producer * Doran Scarf – executive producer * John Goodsall – producer * Percy Jones – producer * Mick Cantarella – engineer (1, 2, 3, 5-10), mixing * Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brand X
Brand X were a jazz fusion band formed in London in 1974. They were active until 1980, followed by a reformation between 1992 and 1999, and were active following a 2016 reunion until 2021. Members have included John Goodsall (guitar), Percy Jones (bass), Robin Lumley (keyboards), and Phil Collins (drums). Jones was the sole constant member throughout the band's existence until October 2020 when he left the band. Founding member Goodsall died on 10 November 2021. History 1974–1980: First incarnation In 1974, rehearsals began for developing a five-piece instrumental jazz fusion group at Island Studios in London, which was set to include Percy Jones on bass and Phil Collins (of Genesis) on drums. They had secured a recording deal with Island Records and prepared tracks for a studio album which originally included vocals. However, the vocals were negatively received from Island management, leaving the group to write new material, at the suggestion of Island A&R man Richard Wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Goodsall
John Goodsall (15 February 1953 – 10 November 2021) was a British-American progressive rock and jazz fusion guitarist most noted for his work with Brand X, Atomic Rooster, and The Fire Merchants. Life and career Goodsall was born in Middlesex, England in February 1953, and has lived in England, Los Angeles, Milan and Minnesota. He began playing guitar at age 7. At 15, he became a professional musician and joined Carol Grimes' Babylon, with members of Joe Cocker's The Grease Band, Grease Band, Juicy Lucy and Jon Hiseman's Colosseum. He then toured extensively, first with The Alan Bown Set, then with Atomic Rooster. For his stint with Atomic Rooster, he adopted the pseudonym "Johnny Mandala." After Brand X's 1979 world tour (the last with Phil Collins), Goodsall moved to Los Angeles and worked as a session musician and as a member of the band Zoo Drive (1980–1987) which included Doug Lunn, Paul Delph and Atomic Rooster drummer Ric Parnell. Goodsall also performed and/or recor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percy Jones (musician)
Percy Jones (born 3 December 1947) is a Welsh bass guitarist known as a member of the jazz fusion ensemble Brand X, from 1974-1980, and 1992-1999. Jones, who was born near Llandrindod Wells, has also done extensive work as a session musician, and has been active with other groups. He played with a New York City trio called Stone Tiger (featuring guitarist Bill Frisell and drummers Mike Clark and Dougie Bowne during different periods) in 1982/83 Jones was also the driving force behind Tunnels, an improvisation collective which released four albums including Progressivity and Live From The Knitting Factory. Residing in New York, he currently is a member of MJ12, an instrumental group based in NYC. Jones was also a member of the jazz fusion group Soft Machine, the poetry rock group The Liverpool Scene (featuring poet Adrian Henri), and has contributed to recordings by Kate Bush, David Sylvian, Brian Eno, Steve Hackett, Paranoise, Suzanne Vega, Richard Barbieri and Fovea Hex, among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Is There Anything About?
''Is There Anything About?'' is the sixth studio album by British jazz fusion group Brand X. It is the last album to feature longstanding members Robin Lumley and Phil Collins. It was assembled from outtakes from the 1979 ''Product'' sessions. Bassist Percy Jones first heard about the album after it was released, and was unsatisfied with the results. These sessions produced around twenty tracks which also comprised the ''Do They Hurt?'' album (1980). "Modern, Noisy and Effective" is actually the backing track to "Soho" with a new keyboard line overdubbed on it. "A Longer April" is an extended version of "April" from ''Product'', with a bit of synth noise added in the middle. "TMIU-ATGA" is taken from an old cassette tape running in the studio while the band were improvising; the title is an acronym for 'They Make It Up- As They Go Along'. Track listing Side one #"Ipanaemia" (Goodsall) – 4:30 #"A Longer April" (Giblin) – 7:00 #"Modern, Noisy and Effective" (Goodsall, Lumley, S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manifest Destiny (Brand X Album)
''Manifest Destiny'' is the eighth and final studio album by jazz fusion group Brand X. Track listing #"True to the Clik" (Goodsall, Pusch) – 5:31 #"Stellerator" (Jones) – 6:17 #"Virus" (Goodsall, Pusch) – 7:56 #"XXL" (Goodsall) – 5:51 #"The Worst Man" (Jones) – 4:33 #"Manifest Destiny" (Goodsall, Jones, Katz, Wagnon) – 4:11 #"Five Drops" (Wagnon) – 3:52 #"Drum Ddu" (Jones) – 5:50 #"Operation Hearts and Minds" (Goodsall) – 4:39 #"Mr. Bubble Goes to Hollywood" (Jones, Katz) – 2:56 Hidden Tracks on European release # "Disco Suicide" - Live (Robin Lumley) – 8:06 # "Bass and Drum Solo Improvisation" - Live – 9:44 Personnel * John Goodsall – guitar, rhythm guitar, MIDI guitar, narrator, orchestra, organ, sampling, sitar, synthesizer, tubular bells, wah wah guitar * Percy Jones – fretless bass, keyboards, sequencing, sound effects, special effects, wah wah bass * Pierre Moerlen – drums (on hidden live tracks) * Franz Pusch – fender rhodes, keyboards, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Fusion
Jazz fusion (also known as fusion and progressive jazz) is a music genre that developed in the late 1960s when musicians combined jazz harmony and jazz improvisation, improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock and roll started to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MIDI
MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. The specification originates in the paper ''Universal Synthesizer Interface'' published by Dave Smith and Chet Wood of Sequential Circuits at the 1981 Audio Engineering Society conference in New York City. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and loudness. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fretless Bass
A fretless bass is a bass guitar whose neck does not have any frets. While the instrument is played in all styles of music, it is most common in pop, rock, and jazz. It first saw widespread use during the 1970s, although some players used them before then. Instead of being invented by an instrument manufacturer, the first fretless basses usually resulted from modifications made by bass guitar players. One of the first (if not the first) examples of this is Rolling Stones bassist Bill Wyman, who removed the frets from his bass guitar in 1961 to fix a fret buzz issue. The first fretless bass to be produced by a designated company is the Ampeg AUB1, first released in 1965. Characteristics The lack of frets allows for more fluid slides between notes, but also requires greater precision by the player, as the instrument may sound out of tune if notes are not fretted accurately. Like fretted bass guitars, they can have four, five, six, or even more strings. While some have "fret lines" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
