Woodshedding
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Woodshedding
"Woodshedding", or shedding, is a term commonly used by musicians to mean rehearsing a difficult passage repeatedly until it can be performed flawlessly. The term is used metaphorically where "the woodshed" means any private place to practice without being heard by anyone else. This is based on the assumption that an actual woodshed would likely be in a remote location, away from the main house. In jazz music In jazz lingo, woodshedding is often shortened to 'shed or 'shedding. According to Paul Klemperer, a Texas-based jazz educator, woodshedding is more than just practicing— it is "the place where you work out the techniques that form the foundation of your improvisational ability". In barbershop singing In barbershop music, woodshedding can mean starting only with a melody and working out harmonies by ear without benefit of notated music. Other uses In legal parlance, "woodshedding" refers to the instruction given to a witness to make him respond in one party's favor. ...
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Horse Shedding
In American law, Scots law, and under the laws of some English-speaking Commonwealth nations, subornation of perjury is the crime of persuading or permitting a person to commit perjury, which is the swearing of a false oath to tell the truth in a legal proceeding, whether spoken or written. U.S. Law In American federal law, Title provides: The term ''subornation of perjury'' further describes the circumstance wherein an attorney at law causes a client to lie under oath or, allows another party to lie under oath. In California law, per the state bar code, the subornation of perjury constitutes an act of "moral turpitude" on the part of the attorney, and thus, is cause for their disbarment, or for the suspension of their license to practice law. In legal practice As a crime, it has been defined as "persuading another to commit perjury." But "suborn" is more broadly defined. Amongst three definitions: to induce a person to commit a wrongful act ... esp. in a secret or underha ...
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Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ...
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Glossary Of Jazz And Popular Music
This is a list of jazz and popular music terms that are likely to be encountered in printed popular music songbooks, fake books and vocal scores, big band scores, jazz, and rock concert reviews, and album liner notes. This glossary includes terms for musical instruments, playing or singing techniques, amplifiers, effects units, sound reinforcement equipment, and recording gear and techniques which are widely used in jazz and popular music. Most of the terms are in English, but in some cases, terms from other languages are encountered (e.g. to do an "encore", which is a French term). 0–9 1x10" : A speaker cabinet containing one ten-inch loudspeaker. Used for small venue PA cabinets and small stage monitor speakers (with a horn), and lightweight bass guitar or electric guitar combination amplifiers ("combos") and cabinets designed for rehearsal monitoring or practice. 1x12" : A speaker cabinet containing one twelve-inch loudspeaker. Used for mid-sized venue PA cabinets and s ...
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Barbershop Music
Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts. Barbershop music is generally performed by either a ...
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Ex Parte
In law, ''ex parte'' () is a Latin term meaning literally "from/out of the party/faction of" (name of party/faction, often omitted), thus signifying "on behalf of (name)". An ''ex parte'' decision is one decided by a judge without requiring all of the parties to the dispute to be present. In English law and its derivatives, namely Australian, New Zealand, Canadian, South African, Indian, and U.S. legal doctrines, ''ex parte'' means a legal proceeding brought by one party in the absence of and without representation of or notification to the other party. The term is also used more loosely to refer to improper unilateral contacts with a court, arbitrator, or represented party without notice to the other party or counsel for that party. The phrase was common in the titles of ''habeas corpus'' and judicial review cases until the end of the twentieth century, because those cases were originally brought by the Crown on behalf of the claimant. In Commonwealth common law jurisdict ...
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