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Winged Altar
A winged altarpiece (also ''folding altar'') or winged retable is a special form of altarpiece (reredos, occasionally retable), common in Northern and Central Europe, in which the central image, either a painting or relief sculpture (or some combination of the two) can be hidden by hinged wings. It is called a triptych if there are two wings, a pentaptych (but this is rarely used in English) if there are four, or a polyptych if there are four or more. The technical terms are derived from grc, τρίς: ''trís'' or "triple"; πέντε: ''pénte'' or "five"; πολύς: ''polýs'' or "many"; and πτυχή: ''ptychē'' or "fold, layer". There are often images on both the insides and outsides of the wings, enabling the altarpiece to display completely different views when open and closed. It was usually the custom to keep the wings closed except on Sundays or feast days, although very often the sacristan would open them for tourists at any time for a modest tip. Small win ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reliquary
A reliquary (also referred to as a ''shrine'', by the French term ''châsse'', and historically including ''wikt:phylactery, phylacteries'') is a container for relics. A portable reliquary may be called a ''fereter'', and a chapel in which it is housed a ''feretory''. Relics may be the purported or actual physical remains of saints, such as bones, pieces of clothing, or some object associated with saints or other religious figures. The authenticity of any given relic is often a matter of debate; it is for that reason, some churches require documentation of the relic's provenance. Relics have long been important to Buddhism, Buddhists, Christianity, Christians, Hinduism, Hindus and to followers of many other religions. In these cultures, reliquaries are often presented in shrines, churches, or temples to which the faithful make pilgrimages in order to gain blessings. The term is sometimes used loosely of containers for the body parts of non-religious figures; in particular the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herrenberg Altarpiece
The Herrenberg Altarpiece (german: Herrenberger Altar) is a winged altarpiece, that was created between 1518 and 1521 for the Brethren of the Common Life, a German Roman Catholic pietist community. It was built as a high altar for the collegiate church in Herrenberg in the state of Württemberg, now part of southwest Germany. Today the altarpiece, which has only survived in part, is in the possession of the Stuttgart State Gallery. History The altarpiece bears a date of 1519. The eight panel images were painted by artist, Jerg Ratgeb (c. 1480–1526) who was executed during the German Peasants' War. The carved shrine, the front of the predella and the decorated carvings above the altarpiece have been lost. Ratgeb's idiosyncratic and expressive style of painting was, for a long time, little appreciated and it has only recently been appropriately recognized. The altarpiece in Herrenberg was only in place for a relatively short time. After the Reformation was introduced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthias Grünewald
Matthias Grünewald ( – 31 August 1528) was a German Renaissance painter of religious works who ignored Renaissance classicism to continue the style of late medieval Central European art into the 16th century. His first name is also given as Mathis and his surname as Gothart or Neithardt. Only ten paintings—several consisting of many panels—and thirty-five drawings survive, all religious, although many others were lost at sea on their way to Sweden as war booty. He was obscure until the late nineteenth century, when many of his paintings were attributed to Albrecht Dürer, who is now seen as his stylistic antithesis. His largest and most famous work is the Isenheim Altarpiece created ''c.'' 1512 to 1516. Life The details of his life are unusually unclear for a painter of his significance at this date, despite the fact that his commissions show that he was recognised in his own lifetime. The first source to sketch his biography comes from the German art historian Joa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isenheim Altarpiece
The ''Isenheim Altarpiece'' is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's largest work and is regarded as his masterpiece. It was painted for the Monastery of St. Anthony in Issenheim near Colmar, which specialized in hospital work. The Antonine monks of the monastery were noted for their care of plague sufferers as well as for their treatment of skin diseases, such as ergotism. The image of the crucified Christ is pitted with plague-type sores, showing patients that Jesus understood and shared their afflictions. The veracity of the work's depictions of medical conditions was unusual in the history of European art. Composition The altarpiece has two sets of wings, displaying three configurations: Wings closed: With the exception of certain holy days, the wings of the altarpiece were kept closed, displa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Van Eyck
Jan van Eyck ( , ; – July 9, 1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, Gombrich, The Story of Art, page 240 though most now regard that claim as an oversimplification. The surviving records indicate that he was born around 1380 or 1390, most likely in Maaseik (then Maaseyck, hence his name), Limburg, which is located in present-day Belgium. He took employment in The Hague around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''valet de chambre'' to John III the Pitiless, ruler of the counties of Holland and Hainaut. After John's death in 1425, he was later appointed as court painter to Philip the Good, Duke of Burgundy, and worked in Lille before moving to B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghent Altarpiece
The ''Adoration of the Mystic Lamb'', also called the ''Ghent Altarpiece'' ( nl, De aanbidding van het Lam Gods), is a large and complex 15th-century polyptych altarpiece in St Bavo's Cathedral, Ghent, Belgium. It was begun around the mid-1420s and completed by 1432, and it is attributed to the Early Netherlandish painters and brothers Hubert and Jan van Eyck. The altarpiece is considered a masterpiece of European art and one of the world's treasures, it was “the first major oil painting,” and it marked the transition from Middle Age to Renaissance art. The panels are organised in two vertical registers, each with double sets of foldable wings containing inner and outer panel paintings. The upper register of the inner panels represent the heavenly redemption, and include the central classical '' Deësis'' arrangement of God (identified either as Christ the King or God the Father), flanked by the Virgin Mary and John the Baptist. They are flanked in the next panels by ange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veit Stoß
Veit Stoss (also: ''Veit Stoß'' and ''Stuoss''; pl, Wit Stwosz; before 1450about 20 September 1533) was a leading German sculptor, mostly working with wood, whose career covered the transition between the late Gothic and the Northern Renaissance. His style emphasized pathos and emotion, helped by his virtuoso carving of billowing drapery; it has been called "late Gothic Baroque". He had a large workshop, and in addition to his own works there are a number by pupils. He is best known for the altarpiece in St. Mary's Basilica in Kraków, Poland. Life According to the contracts and other official documents written in the fifteenth and sixteenth centuries, Stoss was born in a place pronounced as Horb or Horbn. Most researchers identify this place with Horb am Neckar near Stuttgart in Germany. However, there are artistic traces indicating that Stoss's early education could take place in the modern Switzerland. Moreover, his brother was certainly born in Aarau in northern S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kefermarkt
Kefermarkt is a municipality in the district of Freistadt in the Austrian state of Upper Austria. The church in Kefermarkt houses the late medieval Kefermarkt Altarpiece. Population Gallery Kefermarkt.jpg, View on castle Bahnhof Kefermarkt.jpg, Railway station Wolfgangskirche Kefermarkt Aussen.JPG, Pfarrkirche Kefermarkt Kefermarkt_Pfarrkirche.JPG, Pfarrkirche Kefermarkt Kefermarkt Kirche Innenraum 01.jpg, Inside of Pfarrkirche Kefermarkt Kefermarkt Kirche Orgel 01.jpg, Organ Gasthaus Zur Goldenen Sense Aussen.JPG, Guesthouse Gasthaus Zur Goldenen Sense Aussen Kefermarkt evPfarrhof 6807.JPG, Kefermarkt evPfarrhof Kefermarkt-2018-07-03-SchlossWeinberg-Bild06.jpg, Bridge to Schloss Weinberg Kefermarkt-2018-07-03-SchlossWeinberg-Bild03.jpg, Castle Schloss Weinberg Pranger Kefermarkt Umgebung.JPG, Pillory - Schandpfahl, was built in 1479, dismantled in 1738 and it was restored in 1980 As fmd urfahr bfkuu denkmayr 0012 (34121436560).jpg, Fire service Kefermarkt-2018-07-03-Rathau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pacher Altar (St
Pacher is an Austrian surname. It may refer to: * David Pacher (1816–1902), Austrian priest and botanist * Franz Pacher (born 1919), Austrian engineer * Quentin Pacher (born 1992), French cyclist * Michael Pacher (1435–1498), Austrian painter and sculptor See also * Hasani Pacher, village in Iran {{surname, Pacher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
