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Walkaround
A walkaround (also spelled walk-around or walk around, or called a horay) was a dance from the blackface minstrel shows of the 19th century. The walkaround began in the 1840s as a dance for one performer, but by the 1850s, many dancers or the entire troupe participated. The walkaround often served as the finale to the first half of the minstrel show, the opening semicircle. Minstrels also wrote songs called "walkarounds", which were specifically intended for this dance; "Dixie" is probably the most famous example. Elements of the dance The dance was competitive in nature. At the start of the music, typically a fast dance song in or time, the dancers (who were already seated in a semicircle) stood and began clapping and slapping themselves in time ("patting Juba"). One dancer or a couple then moved downstage to the focal point of the semicircle and performed a set of elaborate dance steps, lasting for about 16 bars. Once these dancers retreated back to the semicircle, another ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dixie (song)
"Dixie", also known as "Dixie's Land", "I Wish I Was in Dixie", and other titles, is a song about the Southern United States first made in 1859. It is one of the most distinctively Southern musical products of the 19th century. It was not a folk song at its creation, but it has since entered the American folk vernacular. The song likely cemented the word "Dixie" in the American vocabulary as a nickname for the Southern U.S. Most sources credit Ohio-born Daniel Decatur Emmett with the song's composition, although other people have claimed credit, even during Emmett's lifetime. Compounding the problem are Emmett's own confused accounts of its writing and his tardiness in registering its copyright. "Dixie" originated in the minstrel shows of the 1850s and quickly became popular throughout the United States. During the American Civil War, it was adopted as a de facto national anthem of the Confederacy, along with "The Bonnie Blue Flag" and "God Save the South". New versions app ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character , Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.John Kenrick [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juba Dance
The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks (clapping). "Pattin' Juba" would be used to keep time for other dances during a walkaround. A Juba dance performance could include: *counter-clockwise turning, often with one leg raised *stomping and slapping *steps such as "the Jubal Jew", " Yaller Cat", "Pigeon Wing" and "Blow That Candle Out". The dance traditionally ends with a step called " the Long Dog Scratch". Modern variations on the dance include Bo Diddley's "Bo Diddley Beat" and the step-shows of African American Greek organizations. History of the dance The Juba dance was originally brought by Kongo slaves to Charleston, South Carolina. It became an African-American plantation dance that was performed by slaves during their gatherings when no rhythm instruments were allowed due to fear of secret codes h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drag (clothing)
The term "drag" refers to the performance of exaggerated masculinity, femininity, or other forms of gender expression, usually for entertainment purposes. A drag queen is someone (usually male) who performs femininity and a drag king is someone (usually female) who performs masculinity. Performances often involve comedy, social satire, and at times political commentary. The term may be used as a noun as in the expression ''in drag'' or as an adjective as in '' drag show''. __TOC__ Etymology The use of "drag" in this sense appeared in print as early as 1870Oxford English Dictionary 2012 (Online version of 1989 2nd. Edition) Accessed 11 April 2012 but its origin is uncertain. One suggested etymological root is 19th-century theatre slang, from the sensation of long skirts trailing on the floor. It may have been based on the term "grand rag" which was historically used for a masquerade ball. In folk custom Men dressed as women have been featured in certain traditional customs f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cakewalk
The cakewalk was a dance developed from the "prize walks" (dance contests with a cake awarded as the prize) held in the mid-19th century, generally at get-togethers on Black Slavery in the United States, slave plantations before and after End of slavery in the United States of America, emancipation in the Southern United States. Alternative names for the original form of the dance were "chalkline-walk", and the "walk-around". It was originally a processional partner dance danced with comical formality, and may have developed as a subtle mockery of the mannered dances of white slaveholders. Following an exhibition of the cakewalk at the 1876 Centennial Exposition in Philadelphia, the cakewalk was adopted by performers in minstrel shows, where it was danced exclusively by men until the 1890s. At that point, Broadway shows featuring women began to include cakewalks, and grotesque dances became very popular across the country.. The fluid and graceful steps of the dance may have g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ring Shout
A shout or ring shout is an ecstatic, transcendent religious ritual, first practiced by African slaves in the West Indies and the United States, in which worshipers move in a circle while shuffling and stomping their feet and clapping their hands. Despite the name, shouting aloud is not an essential part of the ritual. The ring shout was Christianized and practiced in some Black churches into the 20th century, and it continues to the present among the Gullah people of the Sea Islands and in "singing and praying bands" associated with many African American United Methodist congregations in Tidewater Maryland and Delaware. A more modern form, known still as a " shout" (or "praise break"), is practiced in many Black churches and non-Black Pentecostal churches to the present day. Description "Shouting" often took place during or after a Christian prayer meeting or worship service. Men and women moved in a circle in a counterclockwise direction, shuffling their feet, clapping, and o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Africa
West Africa or Western Africa is the westernmost region of Africa. The United Nations defines Western Africa as the 16 countries of Benin, Burkina Faso, Cape Verde, The Gambia, Ghana, Guinea, Guinea-Bissau, Ivory Coast, Liberia, Mali, Mauritania, Niger, Nigeria, Senegal, Sierra Leone, and Togo, as well as Saint Helena, Ascension and Tristan da Cunha ( United Kingdom Overseas Territory).Paul R. Masson, Catherine Anne Pattillo, "Monetary union in West Africa (ECOWAS): is it desirable and how could it be achieved?" (Introduction). International Monetary Fund, 2001. The population of West Africa is estimated at about million people as of , and at 381,981,000 as of 2017, of which 189,672,000 are female and 192,309,000 male. The region is demographically and economically one of the fastest growing on the African continent. Early history in West Africa included a number of prominent regional powers that dominated different parts of both the coastal and internal trade networks, suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slavery In The United States
The legal institution of human chattel slavery, comprising the enslavement primarily of Africans and African Americans, was prevalent in the United States of America from its founding in 1776 until 1865, predominantly in the South. Slavery was established throughout European colonization in the Americas. From 1526, during early colonial days, it was practiced in what became Britain's colonies, including the Thirteen Colonies that formed the United States. Under the law, an enslaved person was treated as property that could be bought, sold, or given away. Slavery lasted in about half of U.S. states until abolition. In the decades after the end of Reconstruction, many of slavery's economic and social functions were continued through segregation, sharecropping, and convict leasing. By the time of the American Revolution (1775–1783), the status of enslaved people had been institutionalized as a racial caste associated with African ancestry. During and immediately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plantations In The American South
A plantation complex in the Southern United States is the built environment (or complex) that was common on agricultural plantations in the American South from the 17th into the 20th century. The complex included everything from the main residence down to the pens for livestock. Until the abolition of slavery, such plantations were generally self-sufficient settlements that relied on the forced labor of enslaved people. Plantations are an important aspect of the history of the Southern United States, particularly the antebellum era (pre-American Civil War). The mild temperate climate, plentiful rainfall, and fertile soils of the southeastern United States allowed the flourishing of large plantations, where large numbers of enslaved Africans or African Americans were held captive and forced to produce crops to create wealth for a white elite. Today, as was also true in the past, there is a wide range of opinion as to what differentiated a plantation from a farm. Typically, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solo (dance)
A solo dance is a dance done by an individual dancing alone, as opposed to couples dancing together but independently of others dancing at the same time, if any, and as opposed to groups of people dancing simultaneously in a coordinated manner. Solo dancers are usually the best dancers in a group or dance school. Most solo dancers start after about 6–7 years of dance or sooner. Most soloists are company kids of their dance school. They are usually in more than one dance. In Comparsas, there are various soloists who strut in front. They usually dance at the edges of the street so that the viewing public can appreciate their moves. Most male soloists carry a large lantern-like artifact on a large pole, resting on an oily pouch, which they make spin at will. Dance is a way to express emotions. See also *Sean-nós dance * Sean-nós dance in America *Irish dance *Step dance *Stepping (African-American) Stepping or step-dancing (a type of step dance) is a form of percussi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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