Washboard (musical Instrument)
The washboard and frottoir (from Cajun French "frotter", to rub) are used as a percussion instrument, employing the ribbed metal surface of the cleaning device as a rhythm instrument. As traditionally used in jazz, zydeco, skiffle, jug band, and old-time music, the washboard remained in its wooden frame and is played primarily by tapping, but also scraping the washboard with thimbles. Often the washboard has additional traps, such as a wood block, a cowbell, and even small cymbals. Conversely, the frottoir (zydeco rubboard) dispenses with the frame and consists simply of the metal ribbing hung around the neck. It is played primarily with spoon handles or bottle openers in a combination of strumming, scratching, tapping and rolling. The frottoir or ''vest frottoir'' is played as a stroked percussion instrument, often in a band with a drummer, while the washboard generally is a replacement for drums. In Zydeco bands, the frottoir is usually played with bottle openers, to make a l ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Newman Taylor Baker
Newman Taylor Baker (born February 4, 1943) is a jazz drummer and a washboard player. Early life Newman Taylor Baker's paternal grandfather, Thomas Nelson Baker Sr., was the only former slave to receive a PhD from Yale University (1906). His father (chemistry) and siblings graduated from Oberlin College and Conservatory. Edith Baker (voice and piano), Ruth B. Baker (voice and piano), and Harry B. Baker (piano and organ), his aunts and uncle, were graduates of Oberlin Conservatory of Music. His maternal grandfather, Reverend Newman D. Taylor, known as the "Roland Hayes" of Mississippi, gave vocal recitals throughout the state and his uncle, Newman C. Taylor, accompanied him on piano. His aunt, India Taylor Johnson (a classmate of Dr. Billy Taylor at Virginia State University), was a vocal music and piano teacher in the Norfolk, VA public school system. His parents were Ruth Taylor Baker, born Yazoo City, Mississippi, and Dr. T. Nelson Baker, Jr, born Pittsfield, Massachusetts. N ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Clifton Chenier
Clifton Chenier (June 25, 1925 – December 12, 1987), was an American Creole musician known as a pioneer of zydeco, a style of music which arose from Creole music, with rhythm and blues, R&B, blues, and Cajun music, Cajun influences. He sang and played the accordion and won a Grammy Award in 1983. He was known as the King of Zydeco, and also billed as the King of the South. Biography Chenier was a native of Leonville, Louisiana, near Opelousas, Louisiana, Opelousas. He spoke Louisiana French as a first language. Chenier began his recording career in 1954, when he signed with Elko Records and released ''Cliston's Blues'' [sic], a regional success. In 1955 he signed with Specialty Records and garnered his first national hit with his label debut "Ay-Tete Fi" (Hey, Little Girl) (a cover version, cover of Professor Longhair's song). The national success of the release led to numerous tours with popular rhythm and blues performers such as Ray Charles, Etta James, and Lowell Fulso ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Percussive
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymbal ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zydeco
Zydeco ( or , french: Zarico) is a music genre that evolved in southwest Louisiana by French Creole speakers which blends blues, rhythm and blues, and music indigenous to the Louisiana Creoles and the Native American people of Louisiana. Although it is distinct in origin from the Cajun music of Louisiana, the two forms influenced each other, forming a complex of genres native to the region. Characteristics Zydeco music is typically played in an uptempo, syncopated manner with a strong rhythmic core, and often incorporates elements of blues, rock and roll, soul music, R&B, Afro-Caribbean, Cajun, and early Creole music. Zydeco music is centered on the accordion, which leads the rest of the band, and a specialized washboard, called a vest frottoir, as a prominent percussive instrument. Other common instruments in zydeco are the electric guitar, bass, keyboard, and drum set. If there are accompanying lyrics, they are typically sung in English or French. Many zydeco performers ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Spoon (musical Instrument)
Spoons can be played as a makeshift percussion instrument, or more specifically, an idiophone related to the castanets. They are played by hitting one spoon against the other. Techniques # Fire tongs style: A pair of spoons is held tight with concave sides facing out and with index finger between their handles to space them apart. When the pair is struck, the spoons sharply hit each other and then spring back to their original position. The spoons are typically struck against the knee and the palm of the hand. The fingers and other body parts may also be used as striking surfaces to produce different sounds, rhythms, rattles and visual effects. # Salad serving style: One spoon between little, ring, and long finger; the other spoon between ring, thumb, and index finger in such a way that they can be rotated with ring finger as the common axis. They can be hit to each other at the convex sides by gathering the fingers (mostly middle and thumb). # Castanets style: Two in each h ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jug (musical Instrument)
The jug used as a musical instrument is an empty jug (usually made of glass or stoneware) played with buzzed lips to produce a trombone-like tone. The characteristic sound of the jug is low and hoarse, below the higher pitch of the fiddle, harmonica, and the other instruments in the band.smithsonianfolkways: The Jug Bands Compiled and edited by Performance With an embouchure like that used for a , t ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jug Bands
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term ''jug band'' is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke (or jook) bands (see juke joint) because they do not include a jug player. History Early jug bands were typically made up of African-American vaudeville and medicine show musicians. Beginning in the urban South (namely, Louisville, Kentucky, and Memphis, Tennessee), they played a mixture of blues, ragtime, and jazz. The history of jug bands is related to the development of the blues. The informal and energetic music of the jug bands also contributed to the development of rock and roll. The jug sound is made by taking ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hamboning
The Juba dance or hambone, originally known as Pattin' Juba (Giouba, Haiti: Djouba), is an African-American style of dance that involves stomping as well as slapping and patting the arms, legs, chest, and cheeks (clapping). "Pattin' Juba" would be used to keep time for other dances during a walkaround. A Juba dance performance could include: *counter-clockwise turning, often with one leg raised *stomping and slapping *steps such as "the Jubal Jew", " Yaller Cat", "Pigeon Wing" and "Blow That Candle Out". The dance traditionally ends with a step called "the Long Dog Scratch". Modern variations on the dance include Bo Diddley's "Bo Diddley Beat" and the step-shows of African American Greek organizations. History of the dance The Juba dance was originally brought by Kongo slaves to Charleston, South Carolina. It became an African-American plantation dance that was performed by slaves during their gatherings when no rhythm instruments were allowed due to fear of secret codes hidde ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Zatula
The zatula ( uk, Затула), also known as the rubal, rubel, kuchelka, kachanka, kachalka, and the rebra, is a Ukrainian folk musical instrument. It is primarily a household item used for washing and drying clothes, but it is occasionally used as a percussion instrument. The zatula consists of a piece of wood with grooves carved into it. A wooden rod is run over these grooves to soften clothes after washing. The zatula is played in a humorous way by placing the rounded rod under the chin and using the zatula as a bow, playing over the rod, or vice versa. The rasping sound thus produced is similar to that of the derkach. See also *Ukrainian folk music Ukrainian folk music includes a number of varieties of traditional, folkloric, folk-inspired popular music, and folk-inspired European classical music traditions. In the 20th century numerous ethnographic and folkloric musical ensembles were ... * Washboard Sources *Humeniuk, A. ''Ukrainski narodni muzychni instrumenty ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Złota Tarka
Złota Tarka (Golden Washboard) is the International Festival of Traditional Jazz "Old Jazz Meeting - Złota Tarka" ( pl, Międzynarodowy Festiwal Jazzu Tradycyjnego "Old Jazz Meeting - Złota Tarka"), the jazz contest during the festival, and the award in Poland. The name comes from the washboard as a musical instrument in traditional music. The festival traces from the award suggested to the Club of Traditional Jazz by the student cultural center Klub Stodoła in Warsaw. This is one of the oldest musical festivals in Poland. The first award was given out during the Jazz on the Oder ( :pl:Jazz nad Odrą) festival in Wrocław in 1965. The history of the award and the festival consists of two periods separated by a hiatus: 1967–1987 in Warsaw and 1994-present in Iława. The name "Złota Tarka" was acquired in 1973 ("Old Jazz Meeting 'Złota Tarka'"). Currently, it is partly financed by the Polish Ministry of Culture and National Heritage. 2018 was the 48th installment of th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Deryck Guyler
Deryck Bower Guyler (29 April 1914 – 7 October 1999) was an English actor, best remembered for his portrayal of officious, short-tempered middle-aged men in sitcoms such as ''Please Sir!'' and ''Sykes''. Early life Guyler was born in Wallasey on the Wirral Peninsula, Cheshire, the son of Samuel Phipps Guyler, a jeweller, and Elsie Evelyn, née Bower. In his childhood, a next-door neighbour was Irené Eastwood, who would also go on to have a career in show business when she changed her name to Anne Ziegler - the 1921 census shows the Eastwood family at 111 Hartington Rd, Liverpool and the Guylers at 113. He attended Liverpool College and originally planned a career in the Church of England, having studied theology for a year. In the 1930s, he joined the Liverpool Repertory Theatre and performed in numerous productions. During the Second World War, he was called up and joined the RAF Police but was later invalided from service, whereupon he joined Entertainments National Serv ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |