Vocal Mimicry (other)
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Vocal Mimicry (other)
Vocal mimicry may refer to the following: * use of the human voice to mimic other sounds, including **''kouji'' in Chinese performance **vocalized sound effects **bird calls such as duck calls ** vocal percussion such as beatboxing **xenoglossia Xenoglossy (), also written xenoglossia () and sometimes also known as xenolalia, is the supposedly paranormal phenomenon in which a person is allegedly able to speak, write or understand a foreign language that they could not have acquired by n ... * mimicry of the human voice by birds or other animals {{dab ...
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Human Voice
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and ...
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Kouji
''Kouji'' ({{zh, c=口技), which can be translated literally as "mouth skill" or "skill of mouth" is a Chinese vocal mimicry performance art which utilizes the human speech organs to mimic the sounds of everyday life. When this vocal mimicry is combined with varying degrees of story telling, acting, and singing, it results in the basic structure for a Kouji performance. The sounds most commonly used in Kouji tend to be those of animals, such as birds or dogs, but with the advancement of technology, Kouji has also come to incorporate imitations of busses, planes, and modern weapons. It is also now common to use a microphone in the performance of Kouji. Often the Kouji of a highly skilled performer so accurately mimics real life sounds that if the audience were to close their eyes, they might not be able to tell that the sounds were being produced by a human. Although it is an art form in and of itself, it may often be performed in combination with other traditional Chinese ar ...
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Sound Effects
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. Traditionally, in the twentieth century, they were created with Foley (filmmaking), foley. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects". This area and sound design have been slowl ...
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Duck Call
A duck call may be either the sound-imitation process used in waterfowl hunting, by which a hunter lures waterfowl, or the actual tool which the person uses to do so. Early duck call tools were basic woodwind instruments, while later innovations are constructed of rubber and plastic, and allow the hunter to adjust the volume and tone of the calls with reeds. Today's duck calls usually fall into three main categories: single, double, or triple reed call with many variations, although the triple reed is rare. The goal of a duck call is to sound like a realistic live duck, in attempts to decoy, or fool a duck into believing the decoys that are seen by a duck, and the sound that is heard appears lifelike. Construction As a tool, a duck call is like a traditional whistle made to emulate the sound of a duck. Early duck calls were simple woodwind instruments with a barrel, a sound board and ak that is used to hold the reed into place on the sound board, make up what is known as the inse ...
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Vocal Percussion
Vocal percussion is the art of creating sounds with one's mouth that approximate, imitate, or otherwise serve the same purpose as a percussion instrument, whether in a group of singers, an instrumental ensemble, or solo. In Western music Recent musicological research points at Brazilian songwriter and musician Marcos Valle as a pioneer of vocal percussion. In the track "Mentira" from his 1973 album "Previsao do Tempo", Valle imitates a drum kit with his voice. Beatboxing, an art form pioneered by rapper Doug E. Fresh, is one school of vocal percussion, originating in hip-hop music and often used to accompany rapping. Stylistically, it is more expansive than traditional vocal percussion as it involves mimicking other sound effects and instruments with the voice such as trumpets, scratches, and bass-lines. It is utilized by many musicians spanning over a wide variety of genres. In Indian music Vocal percussion is also an integral part of many world music traditions, most notab ...
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Beatboxing
Beatboxing (also beat boxing) is a form of vocal percussion primarily involving the art of mimicking drum machines (typically a TR-808), using one's mouth, lips, tongue, and voice.TOWARD A BEATBOXOLOGY
Human Beatbox
It may also involve vocal imitation of , and other musical instruments. Beatboxing today is connected with hip-hop culture, often referred to as "the fifth element" of hip-hop, although it is not limited to
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Xenoglossia
Xenoglossy (), also written xenoglossia () and sometimes also known as xenolalia, is the supposedly paranormal phenomenon in which a person is allegedly able to speak, write or understand a foreign language that they could not have acquired by natural means. The term derives from the Ancient Greek (), "foreigner" and (), "tongue" or "language". The term ''xenoglossy'' was first used by French parapsychologist Charles Richet in 1905. Claims of xenoglossy are found in the New Testament, and contemporary claims have been made by parapsychologists and reincarnation researchers such as Ian Stevenson. Doubts have been expressed that xenoglossy is an actual phenomenon, and there is no scientifically admissible evidence supporting any of the alleged instances of xenoglossy. Thomason, Sarah.Xenoglossy" In Gordon Stein. (1996). ''The Encyclopedia of the Paranormal''. Prometheus Books. Two types of xenoglossy are distinguished. Recitative xenoglossy is the use of an unacquired language ...
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