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Violoncello Piccolo Da Spalla
The violoncello da spalla, known informally as the cello da spalla, is a small cello played braced against the shoulder. The violoncello da spalla was designed to be played by violinists, who have limited experience playing instruments such as the viola da gamba or cello, which are held in a vertical position fixed between legs. The viola da spalla is held on the shoulder and chest, and is larger than the viola.Badiarov, Dmitry. “The Violoncello, Viola da spalla and Viola pomposa in Theory and Practice.” The Galpin Society Journal, vol. 60, 2007, pp. 121–145. Online at JSTOR Accessed 3 Sept. 2021. There are also numerous instances of suites, serenades, divertimenti, and cassations that begin and/or end with marches. If these marches were to get the players in or out, the bass lines could have been played on these instruments, as well as on procession cellos which are regular cellos with a tiny hole under the neck where the player can attach a hook and a strap. Possibl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Da Spalla
The violoncello da spalla, known informally as the cello da spalla, is a small cello played braced against the shoulder. The violoncello da spalla was designed to be played by violinists, who have limited experience playing instruments such as the viola da gamba or cello, which are held in a vertical position fixed between legs. The viola da spalla is held on the shoulder and chest, and is larger than the viola.Badiarov, Dmitry. “The Violoncello, Viola da spalla and Viola pomposa in Theory and Practice.” The Galpin Society Journal, vol. 60, 2007, pp. 121–145. Online at JSTOR Accessed 3 Sept. 2021. There are also numerous instances of suites, serenades, divertimenti, and cassations that begin and/or end with marches. If these marches were to get the players in or out, the bass lines could have been played on these instruments, as well as on procession cellos which are regular cellos with a tiny hole under the neck where the player can attach a hook and a strap. Possible ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryo Terakado
is a Japanese violinist and conductor who specializes in historically informed performance. He also plays the viola, viola d'amore and violoncello da spalla. He has been teaching at the Royal Conservatory of The Hague and the Toho Gakuen School of Music. Career Terakado began to study the violin at age four. He won a second prize in the All Japan Youth Musical Competition aged fourteen, and studied at the Tōhō Gakuen Daigaku in Tokyo. In 1984 he became concertmaster of the Tokyo Philharmonic Orchestra. When he was nineteen, he got interested in the Baroque violin. He studied from 1986 with Sigiswald Kuijken and graduated as a soloist three years later. From 1987, he has performed as concertmaster in several Baroque orchestras in Europe and Japan, including Les Arts Florissants, La Chapelle Royale, Collegium Vocale Gent, La Petite Bande and the Tokyo Bach-Mozart Orchestra. He has been concertmaster of the Bach Collegium Japan which is active in the complete recordings of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pardessus De Viole
The pardessus de viole is the highest-pitched member of the viol family of instruments. It is a bowed string instrument with either five or six strings and a fretted neck. The pardessus first appeared in the early 18th century, and was commonly played by women, particularly in French-speaking countries. Description The pardessus de viole is the smallest of the viol family. Its size is similar to the violin's, and its range is correspondingly similar. The strings are made of gut (like on any bowed string instrument until the 1970s) and the top string was tuned to g'', a fourth higher than the top string of the treble viol. Like the treble viol, the pardessus de viole was almost never used to play accompaniment chords, but was always a melody instrument. When played, it is played upright on the lap with a bow. Unlike the treble viol and other viol instruments, the pardessus usually has only five strings. The five string pardessus is tuned in fifths and fourths (g, d', a', d'', g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola Bastarda
:''Lyra bastarda is a common misnomer for the baryton.'' Viola bastarda refers to a highly virtuosic style of composition or extemporaneous performance, as well as to the altered viols created to maximize players' ability to play in this style. In the viola bastarda style, a polyphonic composition is reduced to a single line, while maintaining the same range as the original, and adding divisions, improvisations, and new counterpoint. The style flourished in Italy in the late 16th and early 17th centuries. Francesco Rognoni, a prominent composer of divisions, stated that although works using the bastarda techniques could be played by a number of instruments, including organ, lute, and harp, the "queen" of bastarda technique was the viol because of its agility and large range.Bastarda The first use of the term was by Girolamo Dalla Casa in a 1584 treatise. Rognoni's ''Selva de varii passaggi'' (Milan 1620) was the definitive treatise on viola bastarda technique. Earlier bast ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyra Viol
The lyra viol is a small bass viol, used primarily in England in the seventeenth century. Described as "the smallest of the bass viols", one should consider that the consort bass was much larger in 17th century England than most bass viols nowadays (hovering between 78 and 80 cm string length, while the division viol hovers around 76 cm (30 inches according to Christopher Simpson). The lyra viol therefore is the "smallest" and according to James Talbot (end of the 17th century) is therefore 72 cm string lengthJohn Talbot's 17th century measurements for viols There is a large and important repertoire which was developed specifically for the lyra viol. Due to the number of strings and their rather flat layout, the lyra viol can approximate |
Division Viol
The division viol is an English type of bass viol, which was originally popular in the mid-17th century, but is currently experiencing a renaissance of its own due to the movement for historically informed performance. John Playford mentions the division viol in his ''A Brief Introduction'' of 1667, describing it as smaller than a consort bass viol, but larger than a lyra viol."Division viol" As suggested by its name, ( divisions were a type of variations), the division viol is intended for highly ornamented music, and for improvisations. The division viol also had a very large range with the tuning D–G–c–e–a–d', resulting in the ability of skilled players to play divisions on any part in a polyphonic vocal piece. The division viol may be historically connected with the viola bastarda, and came into being in the mid-17th century in England. Music for the division viol was mainly linear, although there were occasionally lyra-like passages, and music for it was writte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chest Of Viols
''Chest of viols'' is a term which was used primarily in the 16th and 17th centuries in England for either a consort of viols, or the specialized cabinet made to contain a small consort of viols, usually containing six: two treble, two tenor, and two bass viols, Taruskin, Richard (2009). ''Music in the Seventeenth and Eighteenth Centuries:The Oxford History of Western Music''. . Cites Thomas Mace. or alternately two treble, three tenor, and one bass viol. According to Thomas Mace, "a good chest of viols" contained "six in number, 2 Basses, 2 Tenors, 2 Trebles, all truly proportionally suited." When the term refers to instruments, they are generally similar in make, tone, power, relative size (proportional), wood type, and color. In terms of size, the bass viol's string length should be exactly twice that of the treble viol's.Howard Meyer Brown and Ian Woodfield. "Chest of viols", ''Grove Music Online'', ed. L. Macy (accessed November 4, 2006)grovemusic.com (subscription access). The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergey Malov (musician)
Sergey Olegovich Malov (russian: Сергей Олегович Малов, link=no; born 18 June 1983 in Leningrad, Soviet Union) is a Russian/Hungarian violinist and violist. Life Malov was born in Leningrad (now Saint-Petersburg) in 1983. His father Oleg Malov is a pianist and professor at the Saint Petersburg Conservatory. His mother Klara Lyudvigovna Malova is a music teacher. Malov's first teacher was Tatiana Liberova (Saint Petersburg). Malov is a winner of international violinist and violist competitions. He plays violoncello da spalla. He speaks six languages: Russian, German, English, French, Spanish and Hungarian. He enjoys sports, plays soccer, practices martial arts. Concerts Malov has performed with such orchestras as: * Bavarian Radio Symphony Orchestra * London Philharmonic Orchestra * Camerata Salzburg * Saint Petersburg Academic Symphony Orchestra * Moscow Philharmonic Orchestra The Moscow Philharmonic Orchestra is an orchestra based in Moscow, Russia. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigiswald Kuijken
Sigiswald Kuijken (; born 16 February 1944) is a Belgian violinist, violist, and conductor known for playing on period and original instruments. Biography Kuijken was born in Dilbeek, near Brussels. He was a member of the Alarius Ensemble of Brussels between 1964 and 1972 and formed La Petite Bande in 1972. Since 1971 he has taught Baroque violin at the Royal Conservatory of The Hague and the Royal Conservatory of Brussels. He is noted for using the older technique of resting the violin on the shoulder without a shoulder rest, rather than held under the chin. He is a member of the Kuijken String Quartet, which he formed in 1986. In recent years, he has also performed as conductor of symphonies of the Romantic era. His brothers are also known for historically informed performance: Barthold Kuijken is a flutist and recorder player and Wieland Kuijken, also a member of the Kuijken Quartet, is a cellist and gambist. They all have worked extensively with harpsichordist Gustav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Fernandez
François Fernandez (born 22 February 1960) is a French classical violinist who specializes in historically informed performance. Career Born in Rouen in a family of musicians, Fernandez began learning the classical violin at the age of twelve, then the baroque violin, two years later, and finally devoted himself solely to the baroque instrument, undertaking a parallel study with Sigiswald Kuijken. At the age of seventeen, he played with the Kuijken brothers' La Petite Bande and, in 1978, obtained his soloist's diploma. He then played with other Baroque ensembles as a soloist, notably with the Kuijken Quartet, La Chapelle Royale, the Orchestra of the Eighteenth Century, Les Agrémens, the , Melante 81, the Ricercar Consort, the Baroque orchestra Les Muffatti and the Bremer Barockorchester. For several years, he has devoted himself to chamber music with the Kuijken brothers, the Ricercar Consort and the Hantai brothers. Besides the baroque violin, Fernandez plays the viola, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
