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Viola Pomposa
__NOTOC__ The viola pomposa (also known as the violino pomposo) is a five-stringed instrument developed around 1725. There are no exact dimensions applicable to all instruments used under this name, although in general the pomposa is slightly wider than a standard viola (hence the Italian adjective "pomposa"). It uses four viola strings, tuned conventionally (C-G-D-A), with the addition of a high E string (usually a violin string), giving it a greater range than the orchestral viola; the trade-off comes in a sound which is slightly more resonant than a violin. The viola pomposa is played on the arm and has a range from C3 to A6 (or even higher) with fingered notes. Using harmonics, the range can be extended to C8 depending on the quality of the strings. The viola pomposa should not be confused with the viola da spalla, the violoncello, or the violoncello piccolo (read Paulinyi, 2012.Zoltan Paulinyi, Sobre o desuso e ressurgimento da viola pomposa.' Belo Horizonte: Per Musi, UFMG, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bowed String Instrument
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound. Despite the numerous specialist studies devoted to the origin of the bowing the problem of the origin of the bowing is unresolved Some say that the bow was introduced to Europe from the Middle East while others say the bow was not introduced from the Middle East but the other way round and that that the bow may have had its origin from a more frequent intercourse with North Europe and Western Europe List of bowed string instruments Violin family * Pochette * Violin (violino) * Viola (altviol, bratsche) * Cello (violoncello) * Double bass (contrabasso) ;Variants on the standard members of the violin family include: * Tenor violin * Five string violin * Cello da spalla * Baroque violin * Kontra * Kit violin * Sardino * Stroh violin * Låtfiol * Hardanger fiddle * Lira da bracc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic '' rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , also , ) is a string instrument that is bow (music), bowed, plucked, or played with varying techniques. Slightly larger than a violin, it has a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth above) and the cello (which is tuned an octave below). The strings from low to high are typically tuned to scientific pitch notation, C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word viola originates from the Italian language. The Italians often used the term viola da braccio meaning literally: 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violoncello Piccolo
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''cellist'' or ''violoncellist'', it enjoys a large solo repertoire with and without accompaniment, as well as numerous concerti. As a solo instrument, the cello uses its whole range, from bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figured bass music of the Baroque-era typically assumes a cello, viola da gamba or bassoon as part of the basso continuo group alongside chordal instruments such as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Philipp Telemann
Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches. While Telemann's career prospered, his personal life was always troubled: his first wife died less than two years after their marriage, and his second wife had extramarital affairs and accumulated a large gambling debt before leaving him. Telemann is one of the most prolific composers in history, at least in terms of surviving oeuvre. He was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottlieb Graun
Johann Gottlieb Graun (1702/1703 – 28 October 1771) was a German Baroque/Classical era composer and violinist, born in Wahrenbrück. His brother Carl Heinrich was a singer and also a composer, and is the better known of the two. Johann Gottlieb studied with J.G. Pisendel in Dresden and Giuseppe Tartini in Padua. Appointed Konzertmeister in Merseburg in 1726, he taught the violin to J.S. Bach's son Wilhelm Friedemann. He joined the court of the Prussian crown prince (the future Frederick the Great) in 1732. Graun was later made ''Konzertmeister'' of the Berlin Opera in 1740. He composed over 50 songs and compositions. Graun's compositions were highly respected, and continued to be performed after his death: "The concert-master, John Gottlib Graun, brother to the opera-composer, his admirers say, 'was one of the greatest performers on the violin of his time, and most assuredly, a composer of the first rank'," wrote Charles Burney. He was primarily known for his instrumental wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Joseph Lidarti
Cristiano Giuseppe Lidarti (born Christian Joseph Lidarti) (Vienna 23 February 1730 – Pisa(?) after 1793) was an Austrian composer, born in Vienna of Italian descent. Life Lidarti was a nephew of the Viennese Kapellmeister Giuseppe Bonno. While at University in Vienna, studying philosophy and law, he also began to learn to play the harp and harprsichord. In 1757 he studied with Niccolò Jommelli in Rome. Until 1784 he was a musician at chapel of the Cavalieri di S. Stefano in Pisa. His last known composition is dated 1793. In 1770, the English musician Charles Burney met Lidarti in Pisa during his travels in Italy. In 1774 Lidarti wrote an autobiography, ''Aneddoti musicali''. Most of Lidarti's compositions were for chamber ensembles; they also include a number of concertos. ''Ester'' Lidarti is noted for his oratorio ''Ester'' ( Hebrew: ''תשועת ישראל על ידי אסתר - The Salvation of Israel by the Hands of Esther'') composed in 1774 to a Hebrew libretto f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis William Galpin
Francis William Galpin (December 25, 1858 December 30, 1945) was an English cleric and antiquarian musicologist. He was known as a collector of old musical instruments. Life Born in Dorchester, Dorset, Galpin was educated at Sherborne and Trinity College, Cambridge, where he studied organ under Sterndale Bennett. He was ordained in the Church of England in 1883, became as a recent graduate of that year curate at Redenhall with Harleston in Norfolk; and went on to be a curate at St Giles in the Fields, London. As vicar of Hatfield Regis in Essex during the 1890s, Galpin organised concerts with instruments from his collection, including recorders, lutes and serpents. Subsequently, he was vicar at Witham, and then Faulkbourne. Galpin also served as President of the Essex Archaeological Society. His students included Geneviève Thibault de Chambure. In 1946 the Galpin Society was formed to further his work on musical instruments. Collection In 1916, Galpin sold his collection ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
