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Vedette (cabaret)
A vedette is the main female artist of a show derived from cabaret and its subcategories of revue, vaudeville, music hall or burlesque. The purpose of the vedette is to entertain and captivate the public. The vedette has to know how to sing, dance and act on stage. Particularly accomplished artistes are considered ''super vedettes'' or ''first vedettes''. Vedettes often appear alongside groups of dancers, flashy and revealing costumes, magicians, comedians, jugglers, or even performing animals. Vedettes specializing in burlesque generally do striptease and may also perform nude on stage. In the 20th century, vedette shows were successful in the cabarets, theaters and nightclubs of countries such as Spain, France, Argentina and Mexico. Paris and Las Vegas were considered the main cradle of the vedettes. Etymology ''Vedette'' is a French word originally used to designate an artist of great fame and notoriety. The term underwent changes over the years. From the early twentieth ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedettes 1973
Vedette may refer to: *Vedette (sentry), a cavalry sentry or outpost, or a small naval patrol boat used for scouting **Vedette mail, military mail carried by vedettes *Vedette (cabaret), a French term equivalent to lead showgirl or pop icon * ''Vedette'' (album), a 2000 album by Argentine rock group Babasónicos *Canadian Vickers Vedette, a Canadian-built biplane *Vedette Shapewear, brand name for a manufacturer of shapewear, lingerie, and corsets *Ford Vedette, a Ford France car model from 1948 to 1954 *Simca Vedette, a Simca car model from 1954 to 1961 *, the name of more than one United States Navy ship *Vedette (horse) (foaled 1854), a British Thoroughbred racehorse that won the 2000 Guineas Stakes and two Doncaster Cups. *Vedette côtière de surveillance maritime The ''Vedettes côtières de surveillance maritime'' (VCSM, "coastal boats for sea surveillance") are swift craft of the French Gendarmerie maritime. 24 boats of the type have been commissioned. They are based in vari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sexual Liberation
The sexual revolution, also known as the sexual liberation, was a social movement that challenged traditional codes of behavior related to sexuality and interpersonal relationships throughout the United States and the developed world from the 1960s to the 1970s. Sexual liberation included increased acceptance of sex outside of traditional heterosexual, monogamous relationships (primarily marriage). The normalization of contraception and the pill, public nudity, pornography, premarital sex, homosexuality, masturbation, alternative forms of sexuality, and the legalization of abortion all followed. Origins First sexual revolution Several other periods in Western culture have been called the "first sexual revolution", to which the 1960s revolution would be the second (or later). The term "sexual revolution" itself has been used since at least the late 1920s. The term appeared as early as 1929; the book ''Is Sex Necessary? Or, Why You Feel the Way You Do'' by James Thurber and E. B. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Bella Otero
Agustina del Carmen Otero Iglesias (4 November 1868 – 10 April 1965), better known as Carolina Otero or La Belle Otero, was a Spanish actress, dancer and courtesan. She had a reputation for great beauty and was famous for her numerous lovers. Biography Early years Agustina del Carmen Otero Iglesias was born in Valga (Pontevedra), Galicia, Spain, daughter of a Spanish single mother, Carmen Otero Iglesias (1844–1903), and a Greek army officer, named Carasson.''Les Souvenirs et la Vie Intime de la Belle Otero'' Place des Libraires Her family was impoverished, and as a child she moved to |
Liane De Pougy
Liane de Pougy (born Anne-Marie Chassaigne, 2 July 1869 – 26 December 1950), was a Folies Bergère vedette and dancer renowned as one of Paris's most beautiful and notorious courtesans. Early life and marriage Anne-Marie Chassaigne was born in La Flèche, Sarthe, France, the daughter of Pierre Blaise Eugène Chassaigne and his Spanish-French wife Aimée Lopez. She had an older brother, Pierre (1862–1921). She was raised in a nunnery. At the age of 16, she ran off with Joseph Armand Henri Pourpe, a naval officer, whom she married after getting pregnant. The baby was named Marc Pourpe. De Pougy described herself as a terrible mother, saying, "My son was like a living doll given to a little girl." She also admitted she would have preferred the baby to be a girl ‘because of the dresses and the curly hair’. Marc grew up to volunteer as an airman in World War I and was killed on 2 December 1914 near Villers-Brettoneux. The marriage was not a happy one. Anne-Marie late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émilienne D'Alençon
Émilienne d'Alençon (17 July 1870 – 14 February 1945) was a French dancer, actress, and courtesan. Biography Born in Paris, d'Alençon made her début at the Cirque d'été in 1889 before appearing at the Casino de Paris, Menus-Plaisirs, Folies Bergère, Paris Scala and the Théâtre des Variétés. Among her earlier shows were ''Paris Boulevards'', ''Vénus d'Arles'' and ''Que d'eau Que d'eau''. She appeared in ''La Belle et la Bête'' at the Folies Bergères and she danced in the ballet ''The Red Slippers'' in London. She also performed as a dancer at the Paris Olympia in ''Faust'' and ''Grand Ballet Féerie''. In 1892, she came on stage as a snake dancer. Renowned as a courtesan, she was involved in a number of affairs including one with the industrialist Étienne Balsan. In 1895, she married the jockey Percy Woodland. Émilienne d'Alençon left the stage in 1906 and invested in horse racing. After losing her fortune on drugs and gambling in 1931, she was forced to se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bataclan (theatre)
The Bataclan () is a theatre located at 50 Boulevard Voltaire in the 11th arrondissement of Paris, France. Designed in 1864 by the architect Charles Duval, its name refers to '' Ba-ta-clan'', an operetta by Jacques Offenbach. Since the early 1970s, it has been a venue for rock music. On 13 November 2015, 90 people were killed in a coordinated terrorist attack in the theatre. History Origin and use The Bataclan originated as a large '' café-concert'' in the Chinoiserie style, with the café and theatre on the ground floor and a large dance hall at first-floor level. Its original name was Grand Café Chinois. The French name "Bataclan" refers to the Offenbach operetta, but it is also a pun on the expression ''tout le bataclan'' (the "kit and caboodle", or "all that jazz", or "the whole nine yards"), the oldest written use of which predates Offenbach by almost a century, in a journal entry of 11 November 1761 by Charles Simon Favart. Concerts were held there but it was best ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tableau Vivant
A (; often shortened to ; plural: ), French language, French for "living picture", is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be Theatre, theatrically lit. It thus combines aspects of theatre and the visual arts. A tableau may either be 'performed' live, or depicted in painting, photography and sculpture, such as in many works of the Romanticism, Romantic, Aestheticism, Aesthetic, Symbolism (arts), Symbolist, Pre-Raphaelite, and Art Nouveau movements. In the late 19th and early 20th centuries, tableaux sometimes featured ('flexible poses') by virtually nude models, providing a form of Erotica, erotic entertainment, both on stage and in print. Tableaux continue to the present day in the form of living statues, street performers who busk by posing in costume. Origin Occasionally, a Mass (liturgy), Mass was punctuated with short dramatic scenes and paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folies Bergère De Paris
''Folies Bergère de Paris'' is a 1935 American musical comedy film produced by Darryl Zanuck for 20th Century Films, directed by Roy Del Ruth and starring Maurice Chevalier, Merle Oberon and Ann Southern. At the 8th Academy Awards, the “Straw Hat” number, choreographed by Dave Gould, won the short-lived Academy Award for Best Dance Direction, sharing the honor with “I've Got a Feelin' You're Foolin'” from ''Broadway Melody of 1936''. The film, based on the 1934 play ''The Red Cat'' by Rudolph Lothar and Hans Adler, is a story of mistaken identity, with Maurice Chevalier playing both a music-hall star and a business tycoon who resembles him. This was Chevalier’s last film in Hollywood for twenty years, and reprised familiar themes such as the straw hat and a rendering of the French song " Valentine". This is also the last film to be distributed by Twentieth Century Pictures before it merged with Fox Film in 1935 to form 20th Century Fox. Zanuck simultaneously produc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro De La Ciudad
The (Theater of the City) was built as the (Esperanza Iris Theatre) in 1918 and is now one of Mexico City’s public venues for cultural events. The theater is located in the historic center of Mexico City on Donceles Street 36. The former Esperanza Iris Theatre The current theater building was constructed in 1918, on the site of the prior Teatro Xicoténcatl. It was originally named after diva Esperanza Iris. Iris, born María Esperanza Bonfil, was an operetta singer from the state of Tabasco active in the early 20th century. Her career was most successful in Mexico City, Havana and Madrid, but she toured extensively in the Americas. Some of her best known works are ''The Merry Widow'', ''The Count of Luxembourg'' and ''.'' She also acted in a number of films in the 1930s.'''' The theatre was partially funded by Iris, from earnings from a recent tour. The architects were Capetillo Servín and who based the work on the La Scala opera house in Milan, Italy. The theatre was ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro El Nacional
Teatro may refer to: * Theatre * Teatro (band) Teatro, Italian for "theatre", is a vocal group signed to the Sony BMG music label. The members of Teatro are Jeremiah James, Andrew Alexander, Simon Bailey and Stephen Rahman-Hughes. Band members Jeremiah James Jeremiah James was born in upst ..., musical act signed to Sony BMG * ''Teatro'' (Willie Nelson album), 1998 * ''Teatro'' (Draco Rosa album), 2008 {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Maipo
Teatro Maipo is a historic theatre in downtown Buenos Aires, Argentina Argentina (), officially the Argentine Republic ( es, link=no, República Argentina), is a country in the southern half of South America. Argentina covers an area of , making it the second-largest country in South America after Brazil, th .... It was founded in 1908 by entrepreneur Charles Seguin, and was first called the Scala Theater. It later changed its name to the Esmerelda Theatre and eventually to the Maipo theatre. It has closed and reopened several times, most recently in 1994. The history of the Maipo theatre is the subject of a novel by historian Carlos Schwarzer. References {{Coord missing, Argentina Theatres in Buenos Aires ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crazy Horse (cabaret)
Le Crazy Horse Saloon or Le Crazy Horse de Paris is a Parisian cabaret known for its stage shows performed by nude female dancers and for the diverse range of magic and variety 'turns' between each nude show and the next. Its owners have helped to create related cabaret and burlesque shows in other cities. Unrelated businesses have used the phrase "Crazy Horse" in their names. History The Paris Crazy Horse occupies former wine cellars (12 in all, which have been combined) of an impressive Haussmanian building at 12 Avenue George-V (from the British king George V, in French "George Cinq"). Alain Bernardin opened it in 1951 and personally operated it for decades until his death by suicide in 1994. Many of the original waiters (their names stitched in large letters onto the backs of their waistcoats) were also substantial shareholders in the original company. The enterprise remained a family business, in the hands of Bernardin's three children, until 2005, when it changed hands. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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