Unique Hues
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Unique Hues
Unique hue is a term used in certain theories of color vision, which implies that human perception distinguishes between "unique" (psychologically primary) and composite (mixed) hues. A unique hue is defined as a color which an observer perceives as a pure, without any admixture of the other colors. Ewald Hering first defined the unique hues as red, green, yellow, and blue, and based them on the concept that these colors could not be simultaneously perceived. For example, a color cannot appear both red and green; the color would cancel out to yellow. There is a great deal of variability when defining unique hues experimentally, however, a single observer can usually set their experience of a unique hue extremely consistently, to within a few nanometers. Unique hues can differ between people, and depend on the state of adaptation of the visual system. They are often used in psychophysical research to measure variations in color perception due to color abnormalities or color adaptat ...
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Opponent Color Circle 1917
The Opponent may refer to: * ''The Opponent'' (1988 film), a 1988 film starring Daniel Greene * ''The Opponent'' (2000 film), a 2000 film starring Erika Eleniak {{DEFAULTSORT:Opponent, The ...
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Color Vision
Color vision, a feature of visual perception, is an ability to perceive differences between light composed of different wavelengths (i.e., different spectral power distributions) independently of light intensity. Color perception is a part of the larger visual system and is mediated by a complex process between neurons that begins with differential stimulation of different types of photoreceptors by light entering the eye. Those photoreceptors then emit outputs that are propagated through many layers of neurons and then ultimately to the brain. Color vision is found in many animals and is mediated by similar underlying mechanisms with common types of biological molecules and a complex history of evolution in different animal taxa. In primates, color vision may have evolved under selective pressure for a variety of visual tasks including the foraging for nutritious young leaves, ripe fruit, and flowers, as well as detecting predator camouflage and emotional states in other p ...
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Color
Color (American English) or colour (British English) is the visual perceptual property deriving from the spectrum of light interacting with the photoreceptor cells of the eyes. Color categories and physical specifications of color are associated with objects or materials based on their physical properties such as light absorption, reflection, or emission spectra. By defining a color space, colors can be identified numerically by their coordinates. Because perception of color stems from the varying spectral sensitivity of different types of cone cells in the retina to different parts of the spectrum, colors may be defined and quantified by the degree to which they stimulate these cells. These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of color appearance. Color science includes the perception of color by the eye and brain, the origin of color in materials, color theory in art, and the physics of ele ...
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Ewald Hering
Karl Ewald Konstantin Hering (5 August 1834 – 26 January 1918) was a German physiologist who did much research into color vision, binocular perception and eye movements. He proposed opponent color theory in 1892. Born in Alt-Gersdorf, Kingdom of Saxony, Hering studied at the University of Leipzig and became the first rector of the German Charles-Ferdinand University in Prague. Biography Early years Hering was born in Altgersdorf in Saxony, Germany. He probably grew up in a poor family, son of a Lutheran pastor. Hering attended gymnasium in Zittau and entered the university of Leipzig in 1853. There he studied philosophy, zoology and medicine. He completed an M.D. degree in 1860. It is somewhat unclear how Hering trained to do research. At the time Johannes Peter Müller was perhaps the most famous physiologist in Germany. Hering seems to have applied for studying under his direction but was rejected, which might have contributed to his animosity towards Hermann von ...
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Opponent Colors
The Opponent may refer to: * ''The Opponent'' (1988 film), a 1988 film starring Daniel Greene * ''The Opponent'' (2000 film), a 2000 film starring Erika Eleniak {{DEFAULTSORT:Opponent, The ...
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Opponent Process
The opponent process is a color theory that states that the human visual system interprets information about color by processing signals from photoreceptor cells in an antagonistic manner. The opponent-process theory suggests that there are three opponent channels, each comprising an opposing color pair: red versus green, blue versus yellow, and black versus white ( luminance). The theory was first proposed in 1892 by the German physiologist Ewald Hering. Color theory Complementary colors When staring at a bright color for awhile (e.g. red), then looking away at a white field, an afterimage is perceived, such that the original color will evoke its complementary color (green, in the case of red input). When complementary colors are combined or mixed, they "cancel each other out" and become neutral (white or gray). That is, complementary colors are never perceived as a mixture; there is no "greenish red" or "yellowish blue", despite claims to the contrary. The strongest color c ...
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Impossible Colors
Impossible colors are colors that do not appear in ordinary visual functioning. Different color theories suggest different hypothetical colors that humans are incapable of perceiving for one reason or another, and fictional colors are routinely created in popular culture. While some such colors have no basis in reality, phenomena such as cone cell fatigue enable colors to be perceived in certain circumstances that would not be otherwise. Opponent process The color opponent process is a color theory that states that the human visual system interprets information about color by processing signals from cone and rod cells in an antagonistic manner. The three types of cone cells have some overlap in the wavelengths of light to which they respond, so it is more efficient for the visual system to record differences between the responses of cones, rather than each type of cone's individual response. The opponent color theory suggests that there are three opponent channels: * Red ...
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Lateral Geniculate Nucleus
In neuroanatomy, the lateral geniculate nucleus (LGN; also called the lateral geniculate body or lateral geniculate complex) is a structure in the thalamus and a key component of the mammalian visual pathway. It is a small, ovoid, ventral projection of the thalamus where the thalamus connects with the optic nerve. There are two LGNs, one on the left and another on the right side of the thalamus. In humans, both LGNs have six layers of neurons ( grey matter) alternating with optic fibers (white matter). The LGN receives information directly from the ascending retinal ganglion cells via the optic tract and from the reticular activating system. Neurons of the LGN send their axons through the optic radiation, a direct pathway to the primary visual cortex. In addition, the LGN receives many strong feedback connections from the primary visual cortex. In humans as well as other mammals, the two strongest pathways linking the eye to the brain are those projecting to the dorsal part ...
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Linguistic Relativity
The hypothesis of linguistic relativity, also known as the Sapir–Whorf hypothesis , the Whorf hypothesis, or Whorfianism, is a principle suggesting that the structure of a language affects its speakers' world view, worldview or cognition, and thus people's perceptions are relative to their spoken language. Linguistic relativity has been understood in many different, often contradictory ways throughout its history. The idea is often stated in two forms: the ''strong hypothesis'', now referred to as linguistic determinism, was held by some of the early linguists before World War II, (a debate between university professors) while the ''weak hypothesis'' is mostly held by modern linguists. * The ''strong'' version, or ''linguistic determinism'', says that language ''determines'' thought and that linguistic categories limit and determine cognitive categories. This version is generally agreed to be false by modern linguists. * The ''weak'' version says that linguistic categories and ...
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Color Wheel
A color wheel or color circle is an abstract illustrative organization of color hues around a circle, which shows the relationships between primary colors, secondary colors, tertiary colors etc. Some sources use the terms ''color wheel'' & ''color circle'' interchangeably; however, one term or the other may be more prevalent in certain fields or certain versions as mentioned above. For instance, some reserve the term ''color wheel'' for mechanical rotating devices, such as color triangle, color tops, filter wheels or Newton disc. Others classify various color wheels as ''color disc'', ''color chart'', and ''color scale'' varieties. History In his book ''Opticks'', Isaac Newton presented a color circle to illustrate the relations between these colors. The original color circle of Isaac Newton showed only the spectral hues and was provided to illustrate a rule for the color of mixtures of lights, that these could be approximately predicted from the center of gravity of the numb ...
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Natural Color System
The Natural Color System (NCS) is a proprietary perceptual color model. It is based on the color opponency hypothesis of color vision, first proposed by German physiologist Ewald Hering. The current version of the NCS was developed by the Swedish Colour Centre Foundation, from 1964 onwards. The research team consisted of Anders Hård, Lars Sivik and Gunnar Tonnquist, who in 1997 received the AIC Judd award for their work. The system is based entirely on the phenomenology of human perception and not on color mixing. It is illustrated by a color atlas, marketed by NCS Colour AB in Stockholm. Definition The NCS states that there are six elementary color percepts of human vision—which might coincide with the psychological primaries—as proposed by the hypothesis of color opponency: white, black, red, yellow, green, and blue. The last four are also called unique hues. In the NCS all six are defined as elementary colors, irreducible qualia, each of which would be impos ...
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