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Uchiwa-e
are a genre of Japanese woodblock print, which appear on rigid, paddle-shaped hand fans known as . Ovoid images matching the outline of were printed on rectangular sheets of rice paper, then cut along the margins and pasted onto a skeletal bamboo frame. characteristics Unlike folding hand fans, which originated in Japan in the 6th or 7th century, non-folding flat, oval or "bean-shaped" were a Chinese import. In terms of popular usage, had a close connection with Edo urban culture which gained momentum during the seventeenth and eighteenth centuries. Folding fans, known as , or , remained the dominant accessory within the realm of the sophisticated court culture prevailing in Kyoto at the time. Historically, were an ostensibly feminine accessory, with men more typically carrying folding fans. They were simultaneously fashion accessories and functional items for daily use. They are strongly associated with summer, having been sold only during the summer months, and often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fan Print With Two Bugaku Dancers (Kunisada)
''Fan print with two bugaku dancers'' is an ''ukiyo-e'' woodblock print dating to sometime between the mid 1820s and 1844 by celebrated Edo period artist Utagawa Kunisada, also known as Toyokuni III. This print is simultaneously an example of the ''uchiwa-e'' (fan print) and '' aizuri-e'' (monochromatic blue print) genres. It is part of the permanent collection of the Royal Ontario Museum, Toronto, Canada. ''Uchiwa-e'' ''Uchiwa'' (団扇) are non-folding, flat, oval fans. They are still used today for cooling rice in the preparation of sushi, in dance performances, and as a cooling tool. Historically, ''uchiwa'' were a predominantly female accessory, men typically carrying folding fans known as ''ōgi'' (扇), ''suehiro'' (末広) or ''sensu'' (扇子).Salter 2006, 25 They are associated with summer, traditionally having been sold only during the summer months, and decorated with summer imagery. At least one modern critic argues that, due to their use by women during periods of he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e Genres
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fan Print With Two Bugaku Dancers (Utagawa Kunisada)
Fan commonly refers to: * Fan (machine), a machine for producing airflow, often used for cooling ** Hand fan, an implement held and waved by hand to move air for cooling * Fan (person), short for fanatic; an enthusiast or supporter, especially with regard to entertainment Fan, FAN or fans may also refer to: Arts, entertainment, and media Music * "Fan" (song), by Pascal Michel Obispo * ''Fans'' (album), a 1984 album by Malcolm McLaren * "Fans" (song), a 2007 album track on ''Because of the Times'' by the Kings of Leon Other uses in arts, entertainment, and media * ''Fan'' (film), a 2016 Indian Hindi film * Fan, a character in the video game ''Yie Ar Kung-Fu'' Biology * Free amino nitrogen, in brewing and winemaking, amino acids available for yeast metabolism * Sea fan, a marine animal of the cnidarian phylum Computing and mathematics * Fan (geometry), the set of all planes through a given line * Fan (order), a class of preorderings on a field * FAN algorithm, an al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edo Period
The or is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's 300 regional '' daimyo''. Emerging from the chaos of the Sengoku period, the Edo period was characterized by economic growth, strict social order, isolationist foreign policies, a stable population, perpetual peace, and popular enjoyment of arts and culture. The period derives its name from Edo (now Tokyo), where on March 24, 1603, the shogunate was officially established by Tokugawa Ieyasu. The period came to an end with the Meiji Restoration and the Boshin War, which restored imperial rule to Japan. Consolidation of the shogunate The Edo period or Tokugawa period is the period between 1603 and 1867 in the history of Japan, when Japan was under the rule of the Tokugawa shogunate and the country's regional '' daimyo''. A revolution took place from the time of the Kamakura shogunate, which existed with the Tennō's court, to the Tok ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ventilation Fans
Ventilation may refer to: * Ventilation (physiology), the movement of air between the environment and the lungs via inhalation and exhalation ** Mechanical ventilation, in medicine, using artificial methods to assist breathing *** Ventilator, a machine designed to move breathable air into and out of the lungs * Ventilation (architecture), the process of "changing" or replacing air in any space to provide high indoor air quality * Ventilation (firefighting), the expulsion of heat and smoke from a fire building * Ventilation (mining), flow of air to the underground workings of a mine of sufficient volume to dilute and remove noxious gases See also * Heating, ventilation, and air conditioning, the technology of indoor and vehicular environmental comfort * Mechanical fan * Reebok Ventilator Reebok Ventilator is a line of athletic shoes by Reebok. The footwear was first introduced in 1990 as a lightweight sneaker with vented side panels. The Ventilators focused on "breathability" wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Washi
is traditional Japanese paper. The term is used to describe paper that uses local fiber, processed by hand and made in the traditional manner. ''Washi'' is made using fibers from the inner bark of the gampi tree, the mitsumata shrub (''Edgeworthia chrysantha''), or the paper mulberry (''kōzo'') bush. As a Japanese craft, it is registered as a UNESCO intangible cultural heritage. ''Washi'' is generally tougher than ordinary paper made from wood pulp, and is used in many traditional arts. Origami, Shodō, and Ukiyo-e were all produced using ''washi''. ''Washi'' was also used to make various everyday goods like clothes, household goods, and toys, as well as vestments and ritual objects for Shinto priests and statues of Buddha. It was even used to make wreaths that were given to winners in the 1998 Winter Paralympics. ''Washi'' is also used to repair historically valuable cultural properties, paintings, and books at museums and libraries around the world, such as the Louvre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshige
Utagawa Hiroshige (, also ; ja, 歌川 広重 ), born Andō Tokutarō (; 1797 – 12 October 1858), was a Japanese ''ukiyo-e'' artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series ''The Fifty-three Stations of the Tōkaidō'' and for his vertical-format landscape series ''One Hundred Famous Views of Edo''. The subjects of his work were atypical of the ''ukiyo-e'' genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular series '' Thirty-six Views of Mount Fuji'' by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints. Subtle use of color was essential in Hiroshige's prints, often printed with multiple impressions in the same area and with extensive use of '' bokashi'' (color gradation), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utagawa Toyokuni
Utagawa Toyokuni ( ja, 歌川豊国; 1769 in Edo – 24 February 1825 in Edo), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his ''gō'' (art-name) after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints. He was the second head of the renowned Utagawa school of Japanese woodblock artists, and was the artist who elevated it to the position of great fame and power it occupied for the rest of the nineteenth century. Biography He was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets, including replicas of kabuki actors. At around 14, Toyokuni was apprenticed to the first head of the Utagawa house, Utagawa Toyoharu, whom his father knew well and who lived nearby. One of his fellow pupils under Toyoharu was Toyohiro, whose pupil was the great landscape artist Hiroshige. In recognition of his artistic ability, Toyokuni later took the name Utagawa Toyokuni, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsukawa Shunshō
Shunshō Katsukawa ( ja, 勝川 春章; 1726 – 19 January 1793) was a Japanese painter and printmaker in the ''ukiyo-e'' style, and the leading artist of the Katsukawa school. Shunshō studied under Miyagawa Shunsui, son and student of Miyagawa Chōshun, both equally famous and talented ukiyo-e artists. Shunshō is most well known for introducing a new form of ''yakusha-e'', prints depicting Kabuki actors. However, his ''bijin-ga'' (images of beautiful women) paintings, while less famous, are said by some scholars to be "the best in the second half of the 8th/nowiki> century".Paine, Robert Treat and Alexander Soper (1955). ''The Art and Architecture of Japan''. New Haven: Yale University Press. p. 263. Biography Shunshō first came to Edo to study haiku and painting. He became a noted printmaker of actors with his first works dating from 1760. Though originally a member of the Torii school, he soon broke away and began his own style, which would later be dubbed the Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musha-e
Musha-e () is a type a Japanese art that was developed in the late 18th century. It is a genre of the ukiyo-e woodblock printing technique, and represents images of warriors and samurai from Japanese history and mythology. History Edo Period The earliest examples of musha-e were created in the late 18th century as illustrations for classical stories of Japanese literature. During that period, artists like Masanobu Okumura were prominent. As the ukiyo-e technique thrived during the 19th century, musha-e became more popular. Kuniyoshi, a famous printmaker, specialized in warrior images and produced a series of prints known as the ''108 Heroes of the Suikoden''. During the late Edo period, censorship laws passed by the Tokugawa Shogunate made the creation of musha-e more difficult. Artists and publishers therefore often changed the names of characters or events depicted. Artists from the Utagawa School such as Kunisada or Hiroshige produced many musha-e prints. Meiji Period a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijinga
is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of World Art'' defines it as depiction of "the beauty of a woman's appearance". On the other hand, defines as pictures that explore "the inner beauty of women". For this reason, the essence of cannot always be expressed only through the depiction of a , a woman aligning with the beauty image. In fact, in ukiyo-e , it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e is stylized rather than an attempt to create a realistic image; For example, throughout the Edo period (1603-1867), married women had a custom of shaving their eyebrows (), but in , there was a rule to draw the eyebrows for married women. History Ukiyo-e itself is a genre of woodblock prints and pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Awa_Naruto_no_fuukei.jpg "Click for more on -> Hiroshige")
_Three_Beauties_of_the_Present_Time%2C_MFAB_21.6382.jpg "Click for more on -> Bijinga")